一年前，华东师范大学国际汉语学院教授毛尖在自己的频道说，短剧是这个时代的灵魂，超速超俗涉黄涉慌，因此她坚持短 视频仍然是这个时代的高效表达形式，抽干了长剧里事故的歇斯底里，直达神经病批评神经病的本质。 （图源：B站） 然而，一年之后，谁也没想到，短国出了一个比长剧更封建的东西：《盛夏芬德拉》。这部在红果播放30亿+的短剧被奉为最 近的业内细糠，更被不少媒体称为像王家卫电影或者文艺片，是短剧界的例外。单从镜头和光影排布来说，做广告片出身的 马厩（本剧制片方）确实有可取之处，但打开正片就会立刻意识到，这部短剧在价值观封建之程度甚至超越长剧。 长期以来，迟迟不让故事中的男女主角圆房是部分长剧的一种基操，等到两个人真的睡了张力也就消失了。而《盛夏芬德 拉》在这件事上学了个彻底。82集的容量，有21集在铺垫两个快30岁的人如何青涩如大学生，早早同居依然高中生风纯爱， 并且，传统刻板印象里的配平文学在这部里更是发挥到极致：两家是政治联姻，男的克己复礼、女的外向活泼，男的还要刚 好大女的四岁。一切都完美填充进刻板性别符号。 两个人是双洁，因此，即便是圆房，也是被礼教安放在一个妥善体系内的，而当天晚上，女主角竟然说出了一句不 ...

Group 1 - The article highlights the increasing reliance on AI in the film industry, particularly in scriptwriting, casting, and directing, which affects the traditional roles of actors [5][14][22] - AI-generated emotional curves and performance metrics are being used to dictate actors' performances, leading to a standardized approach that may overlook individual expression [3][19][30] - The character of Xiao Lu represents the struggles of actors in adapting to an industry where AI dictates performance standards, often leading to feelings of frustration and inadequacy [4][20][28] Group 2 - The use of AI in casting processes, such as AI-driven photo analysis for role suitability, is becoming commonplace, raising concerns about the future of human actors [6][22] - The article discusses the potential for AI to replace human actors in the long term, as seen in the trend of creating digital avatars and virtual roles [20][22] - The narrative reflects a broader industry trend where actors are increasingly viewed as interchangeable components in a data-driven production process, leading to a loss of individuality [22][30]

Investment Rating - The industry investment rating is maintained as "Increase" [6] Core Insights - Outdoor advertising is projected to grow by 7.2% in 2025, benefiting the industry chain. Digital outdoor advertising is expected to account for 42% of total outdoor advertising spending [12][27] - The "Zheli Micro Light · Micro Short Drama +" creation plan has been launched in Zhejiang, aiming to produce around 100 quality micro short dramas, which is expected to benefit related sectors [13][27] - Giant Network has released a new native gameplay "Imposter Challenge" for its social deduction game "Space Kill," which is currently in gray testing and will be available to all users soon [14][28] Summary by Sections 1. Core Insights and Investment Recommendations - The report highlights the expected 7.2% growth in outdoor advertising for 2025, with digital outdoor advertising taking a significant share [12][27] - The launch of the "Zheli Micro Light · Micro Short Drama +" initiative in Zhejiang aims to enhance the quality and application of micro short dramas [13][27] - The report recommends focusing on advertising marketing, micro short dramas, and gaming sectors for investment opportunities [15] 2. Market Review - The A-share Shenwan Media Index rose by 1.78% from March 10 to March 14, outperforming the CSI 300 Index by 0.19 percentage points [3][16] - Among the sub-sectors, television broadcasting and film industry showed the highest gains, with increases of 4.26% and 4.19% respectively [19][22] 3. Industry News - The report notes the anticipated 7.2% growth in outdoor advertising for 2025, with digital outdoor advertising expected to dominate [27] - The "Zheli Micro Light · Micro Short Drama +" initiative aims to produce 100 micro short dramas, integrating them with various sectors to create new business models [13][27] - Giant Network's new gameplay for "Space Kill" enhances user interaction through AI-driven features [14][28] 4. Company Dynamics - Jin Yi Film's box office revenue for January-February reached 432 million yuan, a 57.11% year-on-year increase, driven by the success of the film "Nezha: The Devil's Child" [29] - Xinhua Du is utilizing Alibaba's integrated smart marketing platform to optimize marketing efficiency [29] 5. Company Announcements - Key announcements include performance reports from various companies, indicating fluctuations in revenue and profit margins [31]