Core Points - The 38th China Golden Rooster Awards ceremony took place in Xiamen, Fujian, with Yi Yangqianxi and Song Jia winning Best Actor and Best Actress respectively [1] - The Best Feature Film award was given to "Good Things," while "The Volunteer Army: Life and Death Battle" received a Special Jury Award [1] - Notable awards included Best Director to Chen Sicheng and Dai Mo for "Detective Chinatown 1900," and the Lifetime Achievement Award in Film to Qiao Zhen and Xiao Guiyun [1] Awards Summary - Best Feature Film: "Good Things" [1] - Special Jury Award: "The Volunteer Army: Life and Death Battle" [1] - Best Director: Chen Sicheng and Dai Mo for "Detective Chinatown 1900" [1] - Best Supporting Actor: Yuan Fuhua for "Dumpling Queen" [1] - Best Supporting Actress: Zhong Chuxi for "Good Things" [1] - Best Screenplay: Chen Maoxian and Zheng Weiji for "Breaking Hell" [1] - Best Directorial Debut: Gao Peng for "Old Gun" [1] - Best Children's Film: "Shining Youth in the Sky Relay" [1] - Best Foreign Language Film: Italian film "Tomorrow" [1] - Best Documentary/Educational Film: "Your Voice" [1] Notable Achievements - Yi Yangqianxi became the youngest Best Actor winner in the history of the Golden Rooster Awards at age 24 for his role in "Little Me" [1] - Song Jia's performance in "Good Things" was praised for its depth and representation of contemporary women's spirit [2] - "Ne Zha" achieved a global box office of over 15 billion RMB and won Best Art Film for its innovative blend of Eastern aesthetics and modern visual language [2]

Group 1 - The 38th China Golden Rooster Awards ceremony was held on November 15 in Xiamen, Fujian [1] - Yi Yangqianxi won the Best Actor award for his role as Liu Chunhe in "Little Me," making him the youngest recipient of this award [1] - Song Jia received the Best Actress award for her role as Wang Tiemei in "Good Things" [3] Group 2 - Other notable awards included: - Best Supporting Actor: Yuan Fuhua for "Dumpling Queen" [6] - Best Supporting Actress: Zhong Chuxi for "Good Things" [6] - Best Feature Film: "Good Things" [6] - Best Director: Chen Sicheng and Dai Mo for "Detective Chinatown 1900" [6] - Best Original Screenplay: Chen Maoxian and Zheng Weiji for "Breaking Hell" [6] - Best Directorial Debut: Gao Peng for "Old Gun" [6] - Best Low-Budget Feature Film: "May You Live Long" [6] - Best Animation: "Nezha: The Devil's Child" [6] - Best Documentary/Science Education Film: "Your Voice" [6] - Best Children's Film: "Shining Youth in the Relay" [6] - Best Opera Film: "Double Butterfly Fan" (Min Opera) [6] - Best Foreign Language Film: "There is Tomorrow" (Italy) [6] - Best Sound: Wang Danrong for "The Volunteer Army: Life and Death Battle" [6] - Best Editing: Zhou Xinxia for "The Pain of Me and My Mother" [6] - Best Art Direction: Han Zhong and Ma Xiaofei for "Decoding" [6] - Best Music: Zhai Jinyan for "Lychee of Chang'an" [6] - Best Cinematography: Zhao Fei for "The Volunteer Army: Life and Death Battle" [6] - Lifetime Achievement Award in Film: Qiao Zhen and Xiao Guiyun [6] - Jury Special Award: "The Volunteer Army: Life and Death Battle" [6]

Core Viewpoint - The 38th China Golden Rooster Awards highlighted significant achievements in the film industry, showcasing outstanding performances and productions, with notable winners in various categories. Group 1: Best Actor and Actress Awards - Song Jia won the Best Actress award for her role as "Wang Tiemai" in "Good Things," marking her second Golden Rooster win after previously winning for "Xiao Hong" [1] - Yi Yangqianxi received the Best Actor award for his role as "Liu Chunhe" in "Little Me," making him the youngest Best Actor winner in Golden Rooster history at the age of 22 [4] Group 2: Supporting Roles and Directorial Debuts - The Best Supporting Actor award went to Yuan Fuhua for his role as "Sugar Water Uncle" in "Dumpling Queen," where he expressed gratitude for the recognition and emphasized the importance of an actor's dedication to their craft [6][8] - The Best Directorial Debut award was won by "Old Gun," directed by Gao Peng, which previously received accolades at the 36th Tokyo International Film Festival [15] Group 3: Other Notable Awards - The Best Supporting Actress award was claimed by Zhong Chuxi for her role as "Xiao Ye" in "Good Things," who expressed that the honor serves as motivation and encouragement in her career [10][13] - "Wishing for Longevity" won the Best Low-Budget Feature Film award, directed by Qin Tian, which had previously won the Best Narrative Film at the 17th FIRST Youth Film Festival [17] - "Your Voice" received the Best Documentary/Educational Film award, focusing on urban governance issues through real-life stories [19][20] - "Nezha: The Devil's Child" won the Best Animated Feature award, achieving a global box office of over 15.9 billion yuan, ranking fifth in global box office history [22][23]

Core Viewpoint - The "Mid-Autumn Poetry Festival" held at the United Nations aims to promote cultural exchange between the East and West, emphasizing themes of reunion, harmony, and harvest associated with the Mid-Autumn Festival [1][2]. Group 1: Event Highlights - The event featured bilingual recitations of classical poems such as "Quiet Night Thoughts" and "Water Melody," showcasing the cultural significance of the Mid-Autumn Festival [1]. - Performances included traditional music and dance, such as "Chasing the Moon" and "Hundred Birds Welcoming the Phoenix," enhancing the poetic experience [1]. - The festival concluded with a solo performance of "May You Live Long," encapsulating the spirit of the celebration [1]. Group 2: Cultural Significance - The event was organized by the Chinese Tourism Office in New York and supported by the US-China Cultural and Arts Foundation, highlighting the collaborative efforts in promoting cultural understanding [2]. - UN representative Peter Dawkins emphasized the power of poetry and art to transcend language barriers, aligning with the UN's mission of peace and understanding [1].

Core Viewpoint - The "Stone Lake Night" Mid-Autumn Concert, organized by the Suzhou Cultural, Radio, Television and Tourism Bureau, successfully blended traditional and modern elements, showcasing a rich cultural experience through music and art [1][2][3][4] Group 1: Event Overview - The concert featured performances by He Orchestra and Suzhou Philharmonic Orchestra, creating a dialogue between classic and innovative music [1] - The event took place at the Suzhou Archaeological Museum, enhancing the cultural atmosphere with historical artifacts [1][2] Group 2: Musical Highlights - The performance included adaptations of classic themes, such as the martial arts classic "Laughing in the Red Dust," which resonated with the spirit of heroism reflected in the museum's artifacts [1] - The theme song from the film "Huo Yuanjia" was performed, emphasizing the dedication to national dignity and the global spread of Chinese martial arts [1] - The concert also featured the theme from "Romance of the Three Kingdoms," which deepened the audience's understanding of historical narratives and the complexities of imperial power [2] Group 3: Cultural Significance - The concert highlighted the emotional connection to Chinese culture, with pieces like "Spring River Flower Moon Night" and "Wishing for Longevity" expressing themes of reunion and cultural heritage [3][4] - The integration of archaeological discoveries into the concert narrative allowed the audience to engage with history and appreciate the continuity of cultural values [4] - Interactive elements, such as riddles related to the cultural context of the Stone Lake, encouraged audience participation and connection to local heritage [4]

Core Viewpoint - The concert "Poetic Rhythms of China" held in Hong Kong is part of the "Chinese Culture Festival 2025" series, showcasing a blend of poetry and music to promote Chinese culture and enhance national identity among Hong Kong citizens [1] Group 1: Event Overview - The concert took place on August 2 at the Hong Kong Cultural Centre, featuring works such as "May You Live Long" and "Yangguan Sandie" [1] - Organized by the Hong Kong Member Association of the China Federation of Literary and Art Circles, with support from the Hong Kong Musicians Association [1] - The event included performances by various groups, including the Huanyu Symphony Orchestra and the Hong Kong Opera House Chorus [1] Group 2: Performances and Highlights - The concert opened with the "Yellow River Cantata," showcasing both 20th-century classics and contemporary pieces inspired by classical poetry [1] - Notable performances included "Li Hua Song" by award-winning actress Deng Wanhua and "Seven Laws: Long March" by tenor Mo Hualun [1] - The concert concluded with performances by singers Zhang Mingmin and Kuang Meiyun, emphasizing the integration of poetry and music [1] Group 3: Cultural Significance - The "Chinese Culture Festival 2025" aims to host over 280 performing arts programs and related activities from June to September [1] - The festival's goal is to promote Chinese culture, enhance cultural confidence, and attract top artists from mainland China and around the world to Hong Kong [1]

Core Viewpoint - The article discusses the evolution of film criticism in the internet age, highlighting how simplistic and emotionally charged language has become prevalent, overshadowing nuanced discussions about films [7][20][72]. Group 1: Language and Film Criticism - The rise of abstract terms like "嗲子文学" and "虐女" reflects a trend where emotional and sharp critiques gain more attention than thoughtful analysis [2][3][8]. - These labels create a narrow framework for evaluating films, reducing complex narratives to simplistic judgments [18][80]. - The phenomenon of "大词影评" (big word criticism) leads to a culture where identity and group alignment dictate film evaluations rather than the quality of the work itself [21][85]. Group 2: Impact on Audience Perception - The use of broad terms can obscure the actual content and themes of films, as seen in the criticism of "长安的荔枝" where the focus on male actors detracts from the portrayal of female characters [10][14][17]. - Emotional reactions to films often stem from group identity, leading to polarized views that can dismiss the film's artistic value [27][84]. - The article emphasizes that the reliance on these terms diminishes the audience's ability to engage with films on a deeper level, reducing personal interpretation [85][87]. Group 3: Broader Implications - The trend of using sharp language in film criticism mirrors a larger societal issue where complex discussions are often simplified into catchy phrases, impacting how people communicate and understand various topics [60][66]. - The article argues that this reductionist approach not only harms film criticism but also reflects a broader decline in thoughtful discourse in society [62][71]. - Ultimately, the article calls for a return to more nuanced and personal expressions in film criticism, allowing for a richer engagement with cinema [82][86].