Core Viewpoint - The event "2025 Chengdu·European Cultural Season Film Week" highlights the cultural exchange between Italy and Chengdu, showcasing Italian cinema as a means to enhance cooperation in tourism, trade, and technology [1][3][5]. Group 1: Event Overview - The film "Tomorrow" was screened as part of the Italian special event, which is the box office champion in Italy for 2023 and a commercial hit in China [1][8]. - The film week runs from July 4 to July 13, featuring the largest number of films and the widest range of countries to date, with 10 films from 8 European countries being screened for free to Chengdu citizens [10]. Group 2: Cultural and Economic Exchange - Chengdu has become a key hub for cultural and economic exchanges with Italy, with direct flights to Milan and Rome enhancing human and commercial interactions [5][6]. - The Italian Consul General in Chongqing emphasized the potential for deeper cooperation in various fields, including trade and cultural exchanges, as more Italian investors and tourists visit Chengdu [6]. Group 3: Film Significance - "Tomorrow," directed by Paola Cortellesi, explores themes of self-liberation for women in post-World War II Italy and has won multiple awards, including six David di Donatello awards [8]. - Audience reactions highlighted the film's ability to convey significant historical events through the lens of ordinary lives, showcasing the talent of the director and lead actress [8].

Core Viewpoint - The article discusses the evolution of film criticism in the internet age, highlighting how simplistic and emotionally charged language has become prevalent, overshadowing nuanced discussions about films [7][20][72]. Group 1: Language and Film Criticism - The rise of abstract terms like "嗲子文学" and "虐女" reflects a trend where emotional and sharp critiques gain more attention than thoughtful analysis [2][3][8]. - These labels create a narrow framework for evaluating films, reducing complex narratives to simplistic judgments [18][80]. - The phenomenon of "大词影评" (big word criticism) leads to a culture where identity and group alignment dictate film evaluations rather than the quality of the work itself [21][85]. Group 2: Impact on Audience Perception - The use of broad terms can obscure the actual content and themes of films, as seen in the criticism of "长安的荔枝" where the focus on male actors detracts from the portrayal of female characters [10][14][17]. - Emotional reactions to films often stem from group identity, leading to polarized views that can dismiss the film's artistic value [27][84]. - The article emphasizes that the reliance on these terms diminishes the audience's ability to engage with films on a deeper level, reducing personal interpretation [85][87]. Group 3: Broader Implications - The trend of using sharp language in film criticism mirrors a larger societal issue where complex discussions are often simplified into catchy phrases, impacting how people communicate and understand various topics [60][66]. - The article argues that this reductionist approach not only harms film criticism but also reflects a broader decline in thoughtful discourse in society [62][71]. - Ultimately, the article calls for a return to more nuanced and personal expressions in film criticism, allowing for a richer engagement with cinema [82][86].