Core Insights - The series "赴山海" has become a new flow password in the internet space, marking a significant event in the drama market for the second half of 2025 [1] - Despite high initial viewership and popularity, the series has faced criticism regarding its quality, leading to a complex evaluation of the lead actor 成毅's ability to carry a show [3][12] - The phenomenon of "black-red" (negative publicity leading to increased attention) has emerged, indicating that the series' flaws have generated significant online discussion, overshadowing its actual quality [9][11] Group 1: Series Performance and Reception - "赴山海" achieved over 700 million views within 10 days of its release, topping the drama popularity charts for 10 consecutive days [1] - The lead actor 成毅's character has garnered over 200 million views on iQIYI, showcasing his significant role in driving the series' initial success [1] - However, the series has been criticized for its production quality, with common complaints about the plot, pacing, and technical errors, leading to a decline in audience reception [6][11] Group 2: Actor's Market Position and Future Projects - 成毅 is set to star in the upcoming series "两京十五日," indicating that despite the current setback, he continues to secure high-profile projects [3] - The market's perception of an actor's ability to carry a show has become increasingly complex, with traditional metrics of success being challenged [3][18] - The concept of "single-person approval" has emerged, where top actors can secure projects based on their individual influence, reflecting a shift in how projects are evaluated in the industry [20][22] Group 3: Industry Trends and Actor Dynamics - The dual nature of flow (popularity) and its backlash has created a cycle where actors can quickly rise and fall based on a single project's reception [11][12] - The industry is witnessing a trend where both flow actors and established talent must continuously prove their worth, as the market allows for limited mistakes [29] - The emergence of a new generation of actors who can balance both popularity and acting skills is reshaping the competitive landscape, with a focus on diverse roles and strong performances [30]

Group 1 - The second Golden Panda Award aims to gather global filmmakers in Chengdu, China, in September, promoting cultural exchange and cinematic excellence [1] - The award is seen as a responsibility for the industry, with hopes to showcase the progress of Chinese filmmakers and their storytelling capabilities [2][4] - The Golden Panda Award has already influenced the box office, with the animated film "Wang Wang Mountain Little Monster," derived from the award-winning "Chinese Strange Tales," setting new records for domestic animated films [2] Group 2 - The award's evaluation process is recognized for its professionalism and international representation, contributing to its authority in the film industry [3] - The Golden Panda Award is positioned as a bridge for cultural exchange, emphasizing the importance of mutual understanding and collaboration among diverse cultures [4][5] - There is a strong desire for the award to serve as a platform for showcasing contemporary Chinese narratives and fostering new talent in the film industry [4][5]

Group 1: Cultural Achievements and Events - Tianlu Esports Club won the world championship at the 2025 Rift Breaker S1 competition, marking a significant achievement in the esports sector [11] - The recent "Black Myth: Wukong" exhibition attracted over 450,000 visitors, showcasing the global impact of this award-winning Chinese game [10] - The West Lake District's cultural practices reflect the successful implementation of the "Eight Cultural Construction Projects," integrating digital innovation and creative expression [8][10] Group 2: Cultural Industry Development - In 2024, 214 cultural enterprises in the West Lake District generated revenue of 43.373 billion, with a growth rate of 5.8%, positioning the district among the top in the main urban area [12] - The West Lake District's cultural industry strategy includes the establishment of the China (Zhejiang) Film and Television International Cooperation Zone and the China (Zhijiang) Audio-Visual Innovation and Entrepreneurship Base [10] - The annual West Lake Cultural Creative Conference has become a vital platform for gathering creativity and linking resources, with 27 quality projects signed in 2025 [11] Group 3: Reading and Cultural Spaces - The West Lake District has established 290 reading spaces covering an area of 195,000 square meters, enhancing community access to literature [15] - The "West Lake Reading Day," celebrated on the 23rd of each month, promotes reading as a cultural habit and community event [14] - Innovative initiatives like the "Reading Passport" engage children and promote exploration of local reading spaces [15] Group 4: Urban Cultural Revitalization - The Tianmu Li International Street has undergone a significant upgrade, becoming a trendy cultural landmark [18] - The integration of cultural, cloud, and technological innovations in the "Two Towns and Six Districts" initiative is driving urban development and attracting talent [18][19] - The transformation of historical sites into modern cultural hubs, such as the Dongchao Rice Factory, illustrates the blend of tradition and contemporary culture [19]

Group 1 - The core theme of the article revolves around the character Zhang Wenjing from the series "In the Name of Law," highlighting the actress Dong Qing's portrayal and the impact it has had on her career [1][3][21] - Dong Qing expresses her deep connection to the character, emphasizing the importance of believing in the role of a righteous and resilient lawyer [3][8] - The character's complexity and the challenges faced by Dong Qing in portraying a lawyer are discussed, including her efforts to master legal terminology and courtroom dynamics [11][15][19] Group 2 - Dong Qing's preparation for the role involved extensive research, including watching courtroom videos to capture the essence of a lawyer's demeanor [11][15] - The emotional depth of the character is explored, with Dong Qing reflecting on the motivations behind Zhang Wenjing's actions and her unwavering commitment to justice [15][20] - The article highlights the audience's positive reception of Dong Qing's performance, noting how it has led to increased recognition and appreciation for her work [21][23][40] Group 3 - Dong Qing's past roles and her journey as an actress are mentioned, illustrating her growth and the significance of each character she has portrayed [25][27] - The article discusses the balance between past roles and current opportunities, with Dong Qing expressing her desire to continue evolving as an actress [30][37] - The impact of "In the Name of Law" on Dong Qing's career trajectory is emphasized, as it has opened doors for new projects and increased her visibility in the industry [40]

Group 1 - The rapid development of China's economy has led to increased global curiosity about contemporary China, making "cultural export" timely [1] - The Ministry of Commerce, Central Propaganda Department, Ministry of Culture and Tourism, and State Administration of Radio and Television have recognized key cultural export enterprises and projects for 2025-2026, with 12 enterprises from Hangzhou leading in Zhejiang province [1] - The recognized enterprises are primarily in gaming, animation, publishing, and film, with a focus on "new three samples" of cultural export, including online literature, web dramas, and online games [1] Group 2 - Zhejiang Huace Film & TV Co., Ltd. and Hangzhou Jiuyang Cultural Media Co., Ltd. are distributing outstanding domestic TV dramas globally, with Huace's series "Where the Wind Is" gaining popularity and boosting tourism in Dali, Yunnan [2] - The gaming industry is also expanding internationally, with the upcoming release of "Black Myth: Wukong" and NetEase's self-developed game "Marvel Duel" topping the Steam sales chart on its launch day [2] - Central South Cartoon is focusing on animation exports, showcasing culturally rich "Hangzhou stories" through original animated series, having participated in overseas exhibitions for 20 years [2] Group 3 - Digital technology empowerment and rich cultural resources are key advantages for Hangzhou's cultural trade, with plans to strengthen national cultural export base construction and promote deep integration of culture and technology [3]

Group 1 - The Ministry of Commerce, the Central Propaganda Department, the Ministry of Culture and Tourism, and the State Administration of Radio and Television jointly announced the "2025-2026 National Key Cultural Export Enterprises and Projects," with Hangzhou having 12 enterprises and 6 projects selected, ranking first in the province [1] - The selected enterprises from Hangzhou are primarily distributed across various fields such as gaming, animation, publishing, and film, showcasing the diversity of cultural export products, particularly the "new three samples" of online literature, web dramas, and online games [1] - Key enterprises include Zhejiang Publishing United Group Co., Ltd., Zhejiang University Press Co., Ltd., Zhejiang Fubo Media Technology Co., Ltd., and Zhejiang Ruohong Cultural Co., Ltd., covering areas such as literary creation, adaptation, IP incubation, copyright trading, and derivative development, forming an industrial transformation chain centered on online literature [1] Group 2 - NetEase (Hangzhou) Network Co., Ltd.'s self-developed game "Marvel Showdown" topped the Steam bestseller list on its launch day and received the "2024 Steam Annual Most Popular Game" Platinum Award; Zhejiang Wuduan Technology's self-developed shooting game "Life and Death Sniper" has gained popularity among overseas players due to its integration of national style, virtual idols, and technological culture [2] - The incorporation of regional characteristics has enhanced the recognition of Hangzhou's cultural exports; the animated series "The Story of Su Dongpo and Hangzhou," produced by Zhongnan Cartoon, integrates the city's landscape into Su Dongpo's life, exemplifying the blend of culture and regional features [2] - Huace Film and Television's warm pastoral healing drama "Where the Wind Is" has gained popularity both domestically and internationally, boosting tourism in Dali, Yunnan, and attracting tourists from countries like Vietnam and Singapore, becoming a typical representative of the integration of film and tourism [2] - The Hangzhou Municipal Bureau of Commerce highlighted that the empowerment of digital technology and rich cultural resources are significant advantages for cultural trade in Hangzhou, with plans to strengthen the construction of national cultural export bases and promote the deep integration of culture and technology [2]

Core Viewpoint - Huace Film and Television has evolved from a small workshop to a leading player in the Chinese cultural industry, emphasizing "cultural craftsmanship" to navigate the vast changes of the era [1][5]. Group 1: Company Development - Huace Film and Television has produced over 500 television dramas, maintaining a leading position in annual production, broadcast volume, overseas exports, and proprietary copyrights in China [5]. - The company was established over 30 years ago and became the first publicly listed company in China focusing on television dramas in 2010 [2][5]. - The founder, Zhao Yifang, emphasized the importance of focusing on the core business of film and television despite pressures to diversify into other industries [3][4]. Group 2: Industry Challenges and Adaptation - The film and television industry faced a crisis due to a retreat of capital and a loss of investor confidence, prompting Huace to reinforce its commitment to its core business [4][5]. - The company has recognized the need to adapt to industry changes, including issues like inflated prices and poor-quality productions, and is focusing on quality improvement and innovation [6][7]. Group 3: Innovation and Future Direction - Huace has established a "Big Drama R&D Center" to enhance content creation, focusing on a creative, industrial, and platform-based approach [6]. - The company is embracing new technologies, such as AIGC (Artificial Intelligence Generated Content), to drive innovation and improve production efficiency [7]. - Huace aims to position itself as a "Technology and Cultural Film and Television Group," leveraging technology and digitalization for global expression of Chinese content [7]. Group 4: Global Expansion - Huace has successfully distributed 150,000 hours of content across over 200 countries and regions, marking its significant presence in the global market [9][12]. - The company has developed a one-stop global film and television copyright trading platform, C-drama Rights, which operates in 102 countries and has over 8,000 clients [12]. - Huace's overseas distribution strategy has evolved from individual efforts to a more collaborative approach, enhancing its cultural confidence and market opportunities [13].