Group 1 - Guo Songtao predicted the invasion of Ili by Russia and the failure of Senggelinqin, showcasing his foresight in geopolitical matters [1][2] - His work "Sui Bian Zheng Shi" was banned upon release, reflecting the suppression of innovative thought during the Qing dynasty [2][3] - The Qing court's reliance on Russia for mediation during the Anglo-French invasion further complicated the geopolitical landscape [3][4] Group 2 - The Anglo-French forces captured key locations such as Dagu Fort and Tianjin, leading to a rapid escalation of conflict [5][6] - Senggelinqin prepared for battle with a strategic defense plan involving three lines of defense, but faced significant disadvantages in equipment and tactics against the well-armed Allied forces [7][9] - The battle resulted in catastrophic losses for the Qing army, with 12,000 casualties compared to minimal losses for the Allied forces [11][12] Group 3 - The looting of the Summer Palace began on October 7, 1860, with French troops leading the charge, followed by British forces [15][25] - The destruction of the Summer Palace was not only a military action but also a symbolic act reflecting the historical tensions between East and West [26][31] - The looting and subsequent burning of the Summer Palace marked a significant cultural loss, contrasting with the preservation of Versailles [31][32] Group 4 - The Treaty of Beijing established Tianjin as a commercial port, marking a significant shift in China's foreign relations and territorial integrity [36][37] - The presence of foreign powers in Tianjin represented a critical moment in China's history, leading to a reevaluation of its position in the world [36][40] - The Qing dynasty's response to foreign encroachment initiated a period of reform and modernization, as exemplified by the establishment of the "Changsheng Army" [34][47]

Core Viewpoint - The article highlights the enduring philosophy of "harmony between nature and humanity" as expressed in Song Yingxing's work "Tian Gong Kai Wu," which is regarded as a 17th-century Chinese encyclopedia of crafts [3] Group 1 - The book "Tian Gong Kai Wu" was written in 1637 by Song Yingxing in Fengyi, Jiangxi [3] - It consists of three volumes and eighteen chapters, encapsulating the ancient ecological philosophy of "harmony between heaven and humanity" [3] - The concept of "taking and giving in moderation, and the coexistence of all things" has been a continuous interpretation of the profound meanings of "Tian Gong" and "Kai Wu" throughout the centuries [3]

Core Insights - The Chinese performance industry is experiencing significant growth, with a total of 160,500 performances and a box office revenue of 5.402 billion yuan in the first half of 2025, attracting 20.55 million audience members [1] Group 1: Performance Categories - The drama category maintains its leading position among all performance types, with a 16% increase in the number of performances and a 3% increase in box office revenue year-on-year [1] - Stand-up comedy has seen a remarkable surge, with performance numbers increasing by 54.1% and box office revenue soaring by 134.9%, making it the second-largest category in theater performances [1] - The dance performance market is stabilizing, with slight revenue growth, while high-quality dance dramas like "Only This Green" and "Dream of the Red Chamber" continue to attract significant attention, enhancing the spread of traditional culture [1] - The musical theater market is also on the rise, with a year-on-year box office revenue increase of 15.1% [1]

Core Insights - The Jinan government is actively promoting cultural and tourism consumption through various initiatives, highlighting the multiplier effect of the performance economy [1][4] - The city has seen significant growth in hotel bookings, scenic spot ticket sales, and airport transfer orders during major concerts, indicating a strong correlation between events and tourism [1][4] Group 1: Performance Economy - Jinan's performance venues hosted over 600 commercial performances in the first half of the year, featuring popular artists like Dao Lang and Li Jian [4] - During Dao Lang's concert, hotel bookings increased by 67%, scenic ticket sales rose by 75%, and airport transfer orders grew by 31% [1][4] Group 2: Cultural and Tourism Projects - The construction of key cultural and tourism projects in Jinan is progressing steadily, with several expected to be operational by the end of the year [3] - Projects include the Qiuqu Yellow River Cultural Park and the Spring City Celebrity Square, which aim to enhance the cultural tourism landscape [3] Group 3: Integration of Travel and Culture - A strategic cooperation agreement was signed between Jinan's cultural and tourism bureau and Shandong Airport Management Group to promote travel and cultural integration [5] - Initiatives include joint travel products, 240-hour visa-free transit services, and special train routes to enhance tourism accessibility [5]

他本是诗人，能将科学叙事以诗性表达，其叙述既具有"格致"的精确性，还充满了诗意，其描述稻花 曰"芳气袭人"，形容蔗糖结晶曰"如霜如冰"，诗性与理性交融，表达了一种士人视角的平民情怀，突破 了"经史子集"的旧文体阈界。 他还是个画家，书中有123幅木刻版画插图，如《耕田图》《造纸图》等，以其写实画作，再现劳动场 景，其人物动态鲜活，呼之欲出，工具结构精准，应能复制。其插图不仅是生产记录和技术图解，更是 明代田野街头以及市井生活的风俗画卷，与徐渭大写意绘画共同构成江南艺术的多元景观。 他在思想上与泰州学派产生了共鸣——"贵五谷而贱金玉"，对工商"末业"价值重估，其平民立场，与之 契合，其思想路线，也已转向"物质生产"，而非投入"心性修养"，以其生产实践为工商正名提供实证基 础，还将"百姓日用"的"百工技艺"尊称为"圣人之作"，使之等同于士人学问——"内圣外王"。 让我们回头来看一下明清时资本主义的萌芽。 我们先来看一本书——《天工开物》，此书是萌芽的文献典范，作者宋应星则是"江南道路"上"劳动者 与思想者、工匠与艺术家"相结合的代表人物。他从江西出发，遍访江南农田、作坊、矿井，走访农 人、瓷工、船匠等，身临其境， ...