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央视年代剧《灼灼韶华》:永远不要小瞧一个从不喊疼的女人
洞见· 2025-09-30 12:39
洞见 ( DJ00123987 ) —— 不一样的观点,不一样的故事, 3000 万人订阅的微信大号。点击标题下蓝字 " 洞见 " 关注,我们将为您提供有价值、有意思的 延伸阅读。 作者: CC 来源: 每晚一卷书 (ID: JYXZ89896) 自己活成自己的靠山。 ♬ 点上方播放按钮可收听 洞见主播佳音朗读音频 央视年代剧《灼灼韶华》,一经播出就引起了热议。 很多观众给出了一致的评价: 央视这次没拍大女主开挂,拍的是女人怎么从烂泥里,一步步爬起来的故事。 该剧,改编自晋江石头与水的小说《野心家》。 讲述的是民国背景下,中药世家的褚韶华。 她年纪轻轻就经历了家族落败、丧夫丧女,又被亲人敲骨吸髓的困境。 可是,她没有自暴自弃,一蹶不振,而是孤身一人独闯上海商界。 在那个鱼龙混杂的地方,她用隐忍,用坚韧,用野心,用智谋,为自己书写了一个传奇。 她告诉世人一个道理: 作家桐华曾说: 美丽的女子令人喜欢,坚强的女子令人敬重。当一个女子既美丽又坚强时,她将无往不胜。 一个从不喊疼的女人,不是习惯了疼痛,而是在疼痛中拥有了拔节生长的勇气。 01 咽得下所有苦楚 人生海海,无人不苦。 能不能到达彼岸,凭的是个人的本事和造 ...
“虐女”仍是大女主的流量密码
3 6 Ke· 2025-09-26 00:04
Core Viewpoint - The portrayal of female protagonists in Chinese dramas often emphasizes their suffering and struggles, leading to a dual narrative of "suffering women" versus "empowered women" [1][2][11] Group 1: Themes of Suffering and Empowerment - Female leads in recent dramas like "Zhuozhuo Shaohua" and "Guose Fanghua" experience extreme hardships, including forced marriages, loss of loved ones, and violence, which has led to criticism of "female suffering" tropes [2][7] - The narrative often juxtaposes the intense suffering of female characters with moments of empowerment, creating a complex emotional landscape that resonates with audiences [4][12] - The trend of depicting female suffering is seen as a market strategy, as it generates strong emotional responses and discussions among viewers, despite the potential for backlash [14][15] Group 2: Audience Reception and Criticism - Young female audiences are increasingly desensitized to depictions of sexual violence as a means of illustrating female suffering, leading to a decline in the popularity of such narratives [7][11] - While "Zhuozhuo Shaohua" has achieved high viewership ratings, its online discussion and ratings reflect a mixed reception, indicating a growing fatigue with "female suffering" themes [7][8] - The success of dramas like "Sheng Wan Wu" demonstrates that audiences appreciate nuanced portrayals of female characters that do not rely solely on suffering for character development [4][8] Group 3: Future Directions for Female Protagonist Dramas - The industry is encouraged to explore narratives that focus on female agency and empowerment without resorting to extreme suffering, as seen in successful examples like "Feng Chui Ban Xia" [16][18] - There is a call for a shift in storytelling that emphasizes women's capabilities and choices in complex social and professional environments, rather than perpetuating the "victim-survivor" cycle [16][18] - The potential for growth in female-led narratives lies in creating stories that highlight resilience and strength through challenges that are not solely personal traumas [15][18]
收视网播两重天,这就是“伪大女主”的命
3 6 Ke· 2025-09-23 01:00
剧集市场有日子没见到收视率与网播热度如此割裂的情景了。 正在CCTV-8黄金档和优酷同步热播的女性年代传奇剧《灼灼韶华》现下就处于这样的冰火两重天中。 一边是电视端收视数据节节攀升,当前集均CVB收视率已超过《生万物》暂居央八2025年冠;另一边网播平台热度却迟迟在8200左右徘徊不前,云合市 占率虽位居第二但远低于第一名的《赴山海》,全网话题讨论亦寥寥无几。 很显然,基本上已经可以肯定这是一部在中老年群体中广受欢迎而并不太被年轻观众买账的剧集。那么造成其受众圈层分化至此地步的原因究竟是什么? 下文犀牛君将奉上详细解读。 堪比短剧的爽感俘获"爷奶" 如同该剧原著《野心家》的书名,《灼灼韶华》最核心的应当是女主褚韶华搞事业的"野心",热依扎也将其"拽妃"的气质从《甄嬛传》延续到了民国时 期,被网友称为"民国拽姐天花板"。 同时,剧中较为出圈的还有彰显女性互助的"反雌竞"情节,如女主帮助被家暴的弟媳勇敢反抗、看到沦落青楼的闺蜜会设局营救等,大女主的爽感和力量 让人直呼"过瘾"。 而这也正是下沉市场观众们喜爱的戏码,"被打了就打回去"、有仇当场就报、绝不内耗,这些不就是爷奶们最爱看的宅斗爽文逆袭桥段吗?脑子先放一 ...