宋词，是可以唱的。在文化节目《宗师列传·大宋词人传》中，宋词的吟唱是情到深处的自然流淌。例 如，在"范仲淹篇"中，深夜的庆州军营里，范仲淹独自走出帐外，周围传来时断时续的角声和夜枭的凄 鸣，他的身影与"浊酒一杯家万里，燕然未勒归无计。羌管悠悠霜满地"的吟唱一起融入月色之中。此 时，对宋词的欣赏不再局限于单一的文学视角，而是一种综合性的艺术体验。 从昆剧《青山许我》、话剧《苏堤春晓》、川剧《梦回东坡》，到纪录片《定风波》、歌曲《知否知 否》，"东坡热""宋词热"持续升温。许多人特别是年轻人在宋词的吟咏间，领略古人的审美旨趣、生活 智慧，感悟先贤的精神境界、人生思考。 在与年轻人的交流中，我常常会被问到一个问题——"您认为，宋词的魅力在哪里？"我想，宋词的魅力 既蕴藏在词人丰富而细腻的情感世界里，也流淌在宋词婉转隽永的韵律中。 词，在宋代本质上是配乐演唱的歌词，是当时的"流行歌曲"。每一首词都是依据特定的词牌（曲调）填 写而成，所谓"调有定句，句有定字，字有定声"，如《浣溪沙》《念奴娇》等，这些词牌本身就是特定 的曲式结构。所以词又别称"曲子词"，表明音乐性是其本质属性，又取其"曲尽人情"之意，长短参差， 更能" ...

Core Viewpoint - The article emphasizes the importance of developing a Chinese-style theatrical perspective that reflects the unique cultural and aesthetic qualities of Chinese civilization while integrating traditional and contemporary elements [1][3][5]. Group 1: Historical Context - The exploration of the Chinese-style theatrical perspective is rooted in a historical continuum that spans thousands of years, from ancient performances to modern forms like Peking Opera and Kunqu [2][3]. - This historical evolution has led to a rich array of expressive forms and aesthetic relationships between performers and audiences, characterized by both inclusivity and distinctiveness [2][3]. Group 2: Artistic Expression - Chinese drama incorporates various artistic elements such as poetry, music, dance, and painting, resulting in a unique artistic feature that prioritizes meaning and emotional depth [4]. - The creative approach of the Chinese-style theatrical perspective emphasizes innovative transformation and development, viewing tradition as a dynamic process rather than a static relic [4][5]. Group 3: Cultural Confidence - The Chinese-style theatrical perspective is grounded in cultural confidence, recognizing the unique value of Chinese aesthetic spirit in the context of international theatrical dialogue [5][6]. - A deep understanding of Chinese civilization's history and culture is essential for effectively showcasing Chinese stories and voices on the global stage [5][6]. Group 4: Contemporary Practice - The National Theatre of China has actively engaged in creating works that reflect both traditional and contemporary themes, drawing inspiration from the rich cultural resources of Chinese civilization [5]. - The development of a Chinese-style theatrical methodology aims to elevate Chinese drama to a level comparable to the world's highest theatrical standards, contributing to national strength and cultural revival [5][6].

Core Insights - The event focused on building an efficient and professional cooperation bridge for the global film industry, highlighting the aspirations of the Golden Panda Award for the industry's growth [1] Group 1: Event Highlights - The second Golden Panda Award event featured the signing of strategic cooperation memorandums, the promotion of outstanding film projects, and significant contracts within the Chengdu film industry [1] - Six enterprises and film projects presented, including an Indian film directed by Mukesh Kumar, which aims to appeal to Chinese audiences [2] - Sichuan elements were prominently showcased, with projects like the film and cultural tourism integration project "The Story Not Known" and "Panda Adventures" Season 2 [3] Group 2: Investment and Projects - A total of 64 film industry-related projects were signed, with a total investment exceeding 12 billion yuan [6] - The Emei Film Group's project on "Su Dongpo" was highlighted as a key collaboration with the China National Theatre, indicating a deepening partnership [4][5] Group 3: Technological Integration - The integration of artificial intelligence in the film industry was evident, with projects like the "Digital Content Creation Center" and the AI sci-fi drama "Emei" being signed [7] - The trend of micro-short films was also noted, with plans to establish at least three different types of short film bases in Chengdu [7] Group 4: International Collaboration - The Golden Panda Award aims to enhance the visibility of global film works by signing strategic cooperation memorandums with top international film festivals and industry organizations [8] - The Cairo International Film Festival expressed satisfaction with the collaboration, highlighting the inclusion of a Chinese film in the main competition [9]

Core Insights - The second Golden Panda Award event focused on building efficient and professional bridges for global film industry cooperation, showcasing the award's commitment to the industry's growth [2] Group 1: Event Highlights - The event featured the signing of strategic cooperation memorandums with international film festivals and the promotion of outstanding film projects, including the Indian film "A Thousand Kilometers" directed by Mukesh Kumar [2] - Six enterprises and film projects presented at the event, with notable participation from Huace Film and Television Group, which introduced three new works, emphasizing their mission to tell Chinese stories and promote Chinese culture globally [2] - A total of 64 film industry-related projects were signed, with a total investment exceeding 12 billion yuan, highlighting significant interest and investment in the sector [2][3] Group 2: Technological Integration - The integration of artificial intelligence (AI) in the film industry was evident, with projects like the "Chengdu Cultural and Artistic Technology City" aiming to establish a comprehensive digital content creation center [3] - The signing of a live-action AI sci-fi martial arts drama "Emei" showcased the use of digital humans and virtual production technology, indicating a trend towards innovative storytelling methods [3] Group 3: International Collaboration - The Golden Panda Award has been actively building bridges for international film culture exchange, signing strategic cooperation memorandums with top international film festivals to enhance the visibility of global film works [3] - The Cairo International Film Festival expressed satisfaction with the collaboration, highlighting the inclusion of a Chinese film in its main competition and the participation of a Chinese judge [3]

Core Perspective - The article highlights the unique contributions of Tian Qinxin, the director and president of the China National Theatre, emphasizing her focus on grand narratives and deep humanistic concerns in her theatrical works [1][10]. Group 1: Artistic Vision and Influence - Tian Qinxin describes drama as her "best friend," emphasizing its irreplaceable artistic value and the unique interaction between actors and the audience [2][4]. - Her works, such as "Life and Death Field" and "Green Snake," showcase her ability to blend traditional Chinese aesthetics with contemporary artistic concepts, creating innovative stage expressions [4][5]. - The recent production "Su Di Chun Xiao" reflects her exploration of historical narratives and the human experience, revealing the depth of the character Su Dongpo [5][7]. Group 2: Leadership and Cultural Responsibility - As the first female president of the China National Theatre, Tian Qinxin aims to innovate and promote Chinese drama on the international stage, emphasizing the importance of cultural storytelling [10][12]. - The theatre has initiated programs to support young directors, encouraging them to create works that reflect contemporary societal themes and the essence of Chinese culture [12]. - Tian Qinxin envisions the theatre as a platform for showcasing the richness of Chinese language and culture to a global audience, aiming to enhance the international perception of Chinese artistic heritage [10][12].