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《四世同堂》
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“中国戏”缘何吸引“Z世代”
Core Insights - The "2025 National Drama Shanghai Performance Season" successfully showcased five plays, highlighting the revival of Chinese drama in its birthplace, Shanghai [1][4] - The relationship between the audience and the performance is emphasized as a core element of contemporary theater, with a focus on accessibility and engagement [1][2] - The appeal of "Chinese drama" to the younger generation is attributed to its cultural roots and modern relevance, making it fashionable even after years of performance [2][3] Summary by Sections Performance Highlights - The performance season featured five plays: "Four Generations Under One Roof," "Stories from the Drum Tower," "The Grand Mansion," "Live Broadcast of the Founding Ceremony," and "Beijing Fayuan Temple," with a total of 16 performances [1][2] - Each play reflects significant themes, such as national identity, cultural heritage, and historical narratives, appealing to diverse audience interests [2][3] Audience Engagement - The importance of the audience's experience is highlighted, with different viewers seeking education, entertainment, or a combination of both from the performances [2][3] - The concept of "cultural mobility" is introduced, suggesting that the audience's experience transcends geographical boundaries, connecting them to broader cultural narratives [4][5] Historical Context and Future Directions - The historical development of Chinese drama is acknowledged, with a call for contemporary creators to establish new classics for the 21st century [3] - The need for ongoing generational transmission of theatrical works is emphasized, with examples of long-running plays like "Beijing Fayuan Temple" serving as models for future productions [3] Economic Impact - The performance season is seen as a catalyst for local economic activity, transforming audience attendance into commercial benefits for surrounding businesses [5] - The initiative aims to create a sustainable cycle of cultural and economic engagement, enhancing the overall vitality of the arts in Shanghai [5]
“国话·上海演出季”落幕
Jie Fang Ri Bao· 2025-09-30 01:54
Core Insights - The "2025 National Drama Shanghai Performance Season" is concluding, showcasing a significant cultural event in the realm of Chinese drama [1] - The event featured five thought-provoking and artistic plays, achieving a high overall attendance rate of 97.8% and generating substantial online exposure [1] Group 1: Event Overview - The event included performances of five notable plays: "Four Generations Under One Roof," "Stories from the Drum Tower," "The Grand Mansion," "Live Broadcast of the Founding Ceremony," and "Beijing's Law Source Temple" [1] - A total of 16 performances were held, with tickets selling out rapidly, indicating strong demand and interest [1] Group 2: Cultural Significance - The revival of the Shanghai performance season after five years symbolizes the resurgence of Chinese drama in its birthplace, highlighting the cultural mission of the national team [1] - The event represents a significant intersection between the development of Chinese theater and Shanghai's ambition to become an Asian performing arts hub [1] Group 3: Expert Forum - An expert seminar was held, co-hosted by various cultural organizations, focusing on the future of Chinese-style drama and its relevance in contemporary society [1]
文化之约丨触摸峥嵘岁月的精神密码
Core Viewpoint - Anti-war literature in China serves as a profound spiritual epic, reflecting the resilience and spirit of the Chinese nation during the 14 years of the War of Resistance against Japan, starting from the September 18 Incident [5][6][10]. Group 1: Historical Context and Significance - The War of Resistance against Japan not only forged the will and spirit of the Chinese people but also gave rise to a unique genre of literature that bears historical significance [5][6]. - Anti-war literature is characterized as a strategic cultural counteroffensive led by the Chinese Communist Party, highlighting the role of writers in documenting the struggles and sacrifices during the war [6][10]. Group 2: Themes in Anti-war Literature - The literature addresses the questioning and exploration of national fate, exemplified by works like Lao She's "Four Generations Under One Roof," which symbolizes the collapse of traditional society under the violence of war [7]. - It also captures the suffering of the nation, with contrasting depictions in works like Xiao Jun's "August Village" and Xiao Hong's "The Field of Death," showcasing the impact of war on individual lives and society [7][8]. Group 3: Literary Techniques and Impact - The literature employs stark realism to critique the violence of war, as seen in A Lang's "Nanjing Blood Sacrifice," which serves as a powerful indictment of the atrocities committed during the Nanjing Massacre [8]. - Anti-war literature has played a crucial role in awakening national consciousness, embedding the idea of collective responsibility in the hearts of the people [10][11]. Group 4: Cultural Mobilization - The literature became a tool for mobilizing the masses, with works like Zhao Shuli's "Little Erhei Gets Married" making revolutionary narratives accessible to the rural population [12]. - The imagery of the red flag evolved from a concrete symbol to an emblem of the anti-war spirit, as illustrated in works like Zhou Libo's "Stormy Rain" [12]. Group 5: Performance and Community Engagement - Street plays and wall poetry during the war created a unique literary landscape, engaging audiences in a participatory manner that blurred the lines between performers and spectators [13]. - The collective experience of performances, such as the street play "Put Down Your Whip," fostered a sense of unity and urgency in the fight against Japanese imperialism [13][14]. Group 6: Legacy and Cultural Memory - The enduring impact of anti-war literature is evident in its ability to resonate across generations, as seen in the communal experiences during the re-screening of films like "Tunnel Warfare" [14]. - These literary works not only represent artistic achievements but also serve as a cultural self-rescue plan for the Chinese nation during a time of existential crisis [14].
大地铭记·时代的号角
Ren Min Ri Bao· 2025-09-04 22:57
Core Viewpoint - The article emphasizes the significant role of theater and art in uniting the Chinese people during the Anti-Japanese War, showcasing how various performances inspired collective action and national consciousness [5][8][12]. Group 1: Historical Context - The Anti-Japanese War prompted a surge in theatrical productions, with street plays and operas becoming vital tools for mobilizing public sentiment against invaders [6][7]. - Notable works like "The White-Haired Girl" and "Defending Lugou Bridge" resonated deeply with audiences, reflecting the struggles and aspirations of the people during wartime [6][9]. Group 2: The Role of Art and Theater - Theater served as a battlefield, with performances acting as weapons to inspire and galvanize the masses, fostering a sense of unity and shared purpose [13][14]. - The creative output from institutions like the Lu Xun Academy of Arts (鲁艺) was characterized by a focus on real-life experiences, capturing the essence of the people's struggles and triumphs [11][12]. Group 3: Impact on Society - The emotional connection established through performances led to increased participation in the war effort, with audiences feeling compelled to act in solidarity with the characters portrayed on stage [13][14]. - The portrayal of ordinary individuals as heroes in plays helped to elevate the collective spirit, encouraging a sense of agency among the populace [12][15]. Group 4: Legacy and Reflection - The legacy of wartime theater continues to resonate, with modern adaptations and performances honoring the spirit of resistance and the sacrifices made during the Anti-Japanese War [16][18]. - The article underscores the importance of remembering and celebrating these artistic contributions as a means of preserving national identity and collective memory [16][19].
第五届粤港澳大湾区文化艺术节9月起“焕新”登场
Core Viewpoint - The fifth Guangdong-Hong Kong-Macao Greater Bay Area Cultural Arts Festival will take place from September 16 to October 16, featuring over 100 performances, 18 art exhibitions, and 150 public welfare performances across 11 cities, aiming to create a cultural feast for the public [1][2][8] Group 1: Event Overview - The festival includes five main sections: "Art Gathering in the Bay Area," "Art Harmony," "Artistic Coexistence," "Artistic Life," and "Artistic Exchange," showcasing a diverse range of performances and exhibitions [1][2] - A total of 35 selected performances will be featured, including 10 international productions, 17 domestic productions, and 8 provincial productions, covering various art forms such as opera, dance, drama, and concerts [2][3] Group 2: Featured Productions - International highlights include productions like the Russian Vakhtangov Theatre's "Eugene Onegin" and the Greek National Opera's "La Traviata," while domestic productions feature acclaimed works such as "Four Generations Under One Roof" and "Confucius" [3][4] - The opening performance, a themed symphonic concert titled "Bay Area Chapters," will be conducted by Huang Yi, showcasing selected original symphonic works from Guangdong [3] Group 3: Academic and Trade Initiatives - The festival will host high-profile art lectures and an international performing arts trade fair, aiming to enhance the quality of performing arts in the Bay Area [5][6] - The trade fair will feature nearly 300 performing arts institutions from 20 countries and regions, promoting international collaboration and cultural exchange [7] Group 4: Community Engagement and Accessibility - The festival emphasizes public welfare, offering significant ticket discounts and free tickets for specific groups, with some performances having over 50% of tickets priced at 30 yuan [8] - Activities such as outdoor performances and a writing contest titled "Art Lights Up Life" will encourage community participation and engagement [9]
我心中的抗战文学经典(烽火记忆·时代回响·纪念抗战胜利80周年)
Group 1 - The article commemorates the 80th anniversary of the victory in the Chinese People's War of Resistance Against Japanese Aggression and the World Anti-Fascist War, highlighting the enduring impact of anti-war literature on national memory and youth [9][12][21] - The translation of Lao She's "Four Generations Under One Roof" into English, titled "The Yellow Storm," is emphasized as a significant cultural contribution, showcasing the collaborative efforts of translator Pu Aide and the importance of preserving literary heritage [11][12] - The article discusses the role of anti-war literature in shaping national identity and resilience, with references to various classic works that continue to resonate with readers today [21][23] Group 2 - The enduring popularity of "Iron Road Guerrillas" is noted, with over 3 million copies sold since its first publication in 1954, illustrating its significant cultural impact and the representation of heroic figures in Chinese anti-war literature [21][22] - The article highlights the global reach of Chinese anti-war literature, which has been translated into multiple languages, contributing to a more diverse historical narrative and promoting understanding of China's role in the anti-fascist struggle [23]
《时代摘要》第三季对话田沁鑫:为戏剧造梦 为时代而歌
Xin Hua Wang· 2025-08-12 06:00
Core Perspective - The article highlights the unique contributions of Tian Qinxin, the director and president of the China National Theatre, emphasizing her focus on grand narratives and deep humanistic concerns in her theatrical works [1][10]. Group 1: Artistic Vision and Influence - Tian Qinxin describes drama as her "best friend," emphasizing its irreplaceable artistic value and the unique interaction between actors and the audience [2][4]. - Her works, such as "Life and Death Field" and "Green Snake," showcase her ability to blend traditional Chinese aesthetics with contemporary artistic concepts, creating innovative stage expressions [4][5]. - The recent production "Su Di Chun Xiao" reflects her exploration of historical narratives and the human experience, revealing the depth of the character Su Dongpo [5][7]. Group 2: Leadership and Cultural Responsibility - As the first female president of the China National Theatre, Tian Qinxin aims to innovate and promote Chinese drama on the international stage, emphasizing the importance of cultural storytelling [10][12]. - The theatre has initiated programs to support young directors, encouraging them to create works that reflect contemporary societal themes and the essence of Chinese culture [12]. - Tian Qinxin envisions the theatre as a platform for showcasing the richness of Chinese language and culture to a global audience, aiming to enhance the international perception of Chinese artistic heritage [10][12].
传递守望和平共同心声
Group 1 - The article discusses the significance of Chinese anti-Japanese war literature and its translation and dissemination abroad, highlighting the enduring literary charm and spiritual strength of these works [8][9][12]. - Notable works such as "The Field of Death" by Xiao Hong and "Four Generations Under One Roof" by Lao She are emphasized for their portrayal of national spirit and the impact of war on society [9][12][13]. - The translation efforts by scholars like Ge Haowen and collaborations with translators have played a crucial role in introducing these works to the English-speaking world, enhancing their global reach [9][12][14]. Group 2 - The article highlights the influence of foreign anti-fascist literature, particularly John Steinbeck's "The Moon Went Down," which resonated with Chinese audiences during the war [16][17]. - The translation of Soviet anti-fascist literature into Chinese was timely and extensive, with numerous works being published and gaining popularity [18][19]. - The impact of German anti-fascist literature, such as Günter Grass's "The Tin Drum," is noted for its critical reception and influence on Chinese writers [20][21]. Group 3 - The article mentions the publication of "Schindler's List" by Thomas Keneally, which explores complex moral themes during the Holocaust and has been well-received in China [22][23]. - The "World Anti-Fascist Literature Series" published in China is highlighted as a significant project that compiles representative works from over 60 countries, reflecting the global literary response to fascism [23][24]. - The enduring themes of justice, sacrifice, and the human condition in these literary works continue to resonate with readers across cultures and time [24].
姚晨发文悼念!朱媛媛抗癌5年去世终年51岁,未播出遗作署名为“朱媛元”
21世纪经济报道· 2025-05-24 09:43
Core Viewpoint - The article discusses the passing of renowned actress Zhu Yuanyuan, highlighting her battle with cancer and the impact of her death on the entertainment industry and her colleagues [1][2][12]. Group 1: Zhu Yuanyuan's Life and Career - Zhu Yuanyuan was born on March 18, 1974, in Qingdao, Shandong Province, and was a first-class actress at the National Theatre of China [1][15]. - She dedicated her life to stage and film arts, earning national honors such as the China Television Golden Eagle Award and the Shanghai Film Critics Award for her performances [15]. - Zhu's last completed work was the drama "Zao Cheng Zhe," which she finished shortly before her passing [2][24]. Group 2: Reactions to Her Passing - Following the announcement of her death, many colleagues and friends expressed their shock and sorrow, with numerous tributes shared on social media [2][4][19]. - Notable figures such as Yao Chen and Huang Xiaoming shared heartfelt memories and condolences, reflecting on Zhu's vibrant personality and dedication to her craft [3][4][20]. Group 3: Health and Cancer Awareness - The article touches on the nature of ovarian cancer, referred to as the "king of female cancers," emphasizing its high-risk factors and the importance of early detection [28][29]. - Experts recommend regular screenings for women over 40, as most ovarian cancer cases occur in this age group, highlighting the need for increased awareness and preventive measures [28][29].
朱媛媛,也是一位连吼带叫、天天催孩子写作业的普通妈妈
Mei Ri Jing Ji Xin Wen· 2025-05-21 07:04
Core Viewpoint - The news highlights the sudden passing of actress Zhu Yuanyuan, who was admired for her resilience and warmth during her battle with cancer, leaving a lasting impact on her family and fans [1][4]. Group 1: Personal Life and Legacy - Zhu Yuanyuan was born in March 1974 in Qingdao, Shandong, and her childhood experiences instilled in her a sense of resilience that characterized her life and career [4]. - She had a long-lasting relationship with her university classmate Xin Baiqing, marrying in 2006 after 14 years of dating, and they had one daughter together [5]. - Zhu Yuanyuan's husband expressed in her obituary that she taught them how to face fate with laughter, a testament to her enduring spirit [5]. Group 2: Career Achievements - Zhu Yuanyuan gained recognition for her role as Li Yunfang in "The Happy Life of Pianzui Zhang Damin," winning multiple awards including the 18th China TV Golden Eagle Award for Most Popular Actress [4]. - She achieved the status of a "Grand Slam" actress by winning Best Actress and Best Supporting Actress awards at the Golden Rooster and Hundred Flowers Awards, showcasing her versatility [4]. - Her recent works included the drama "The City Builder," and she continued to engage with her craft even during her illness, demonstrating her dedication to her artistic ideals [4]. Group 3: Impact on Family and Community - Zhu Yuanyuan's acceptance speech at the 34th Golden Rooster Awards emphasized the importance of balancing career aspirations with family responsibilities, resonating with many parents [7]. - She expressed that her achievements were not just personal victories but also a way to inspire her daughter, showing that a mother can shine in her career while being a nurturing figure [5][7]. - Her ability to connect with audiences through her performances and personal experiences created a deep emotional resonance, making her a beloved figure in the industry [6][7].