未经许可侵权传播《德云斗笑社》《长相思》，适用惩罚性赔偿 某平台分别被两家高院判赔6000 万、2910万 近日，某平台因未经许可传播《德云斗笑社》第一季和第二季、《长相思》（第一季）侵权纠纷两案，分别由广东省高级人民法院、重庆 市高级人民法院作出终审判决。两家高级人民法院均认定该短视频平台存在大量侵权行为，判令其立即采取过滤、拦截等有效措施阻止侵 权视频传播，并分别赔偿权利人经济损失及合理开支6000万元和2910万元。此前，爱奇艺起诉该短视频平台侵权《狂飙》案，由江苏省高 级人民法院作出终审判决，全额支持3000万元诉讼请求。 2025年1月，最高人民法院发布的《关于以高质量审判服务保障科技创新的意见》指出，应依法充分发挥赔偿制度作用，让侵权行为付出 更大代价。司法审判应当充分吸收和贯彻司法意见的要求和指引，进一步提高损害赔偿金额。各地法院纷纷加大版权侵权判赔力度。 为进一步打击侵权盗版，2025剑网行动的重点整治工作之一就是加强对电影、电视剧、微短剧、短视频的版权保护，打击非法搬运、传 播、售卖视听作品的侵权行为，加强对网站平台帮助侵权治理。 "播出即盗版"，侵权持续时间长、规模大、情节严重 其中，《德 ...

证据显示，《德云斗笑社》在维权过程中，向快手公司共发送2179 封"下线通知函"，但平台上仍存在 大量重复侵权账号，使侵权范围及影响进一步扩大。 责任编辑：王翔 近日，快手因未经许可传播《德云斗笑社》第一季和第二季、《长相思》（第一季）侵权纠纷两案，分 别由广东省高级人民法院、重庆市高级人民法院作出终审判决。两家高级人民法院均认定该短视频平台 平台存在大量侵权行为，判令其立即采取过滤、拦截等有效措施阻止侵权视频传播，并分别赔偿权利人 经济损失及合理开支6000万元和 2910万元。 新浪科技就此事询问快手方面，对方暂无回应。 据悉，《德云斗笑社》第一季和第二季、《长相思》（第一季）自开播以来，快手平台中出现大量与正 片同步播出的侵权剪切端视频，并在侵权视频搜索结果页面投放广告。同时，快手平台中存在大量侵权 视频合集，平台上侵权话题"#长相思"的播放量高达86.1亿，其中账号"七七看剧"项下的单个侵权视频 合集"长相思"，内有15个侵权视频，播放量为2159.1万次。 ...

Core Viewpoint - The recent surge in the film and television sector is closely linked to the "21 Measures" issued by the National Radio and Television Administration (NRTA), which aims to revitalize the industry by addressing key pain points such as the 40-episode limit and restrictions on seasonal dramas [1][4][10]. Group 1: Industry Impact - The NRTA's "21 Measures" include lifting the 40-episode cap, removing the one-year interval requirement for seasonal dramas, and relaxing the broadcast ratio for historical dramas, which are expected to significantly benefit the industry [1][10]. - The film and television industry has faced multiple challenges, including tightened procurement by platforms and a decline in production, leading to a situation where short dramas are squeezing the space for long dramas [4][8]. - The measures are seen as a "timely rain" for the industry, with many production companies accelerating their project preparations in response to the positive news [4][12]. Group 2: Market Response - On August 18, the cultural media index rose by 3.11%, with a net inflow of over 10.2 billion yuan into the film and television sector, indicating strong market confidence following the announcement [5][8]. - Major stocks in the sector, including Huazhi Shumedia (300426.SZ) and Huace Film & TV (300133.SZ), experienced significant gains, with several stocks hitting the daily limit [5][8]. - The NRTA's measures are expected to stimulate both supply and demand sides of the market, enhancing creative space and consumer choice [8][12]. Group 3: Future Prospects - The adjustments in policy are anticipated to lead to a resurgence in long dramas, particularly benefiting companies focused on high-quality IP development [9][12]. - The industry has seen a significant decline in production, with the number of dramas receiving distribution licenses dropping from 429 in 2014 to just 115 in 2024, a decrease of 73% [8][13]. - The measures are expected to attract capital back into the long drama sector, which has been overshadowed by the rise of short dramas, thus potentially reversing the current downward trend in production [12][13].

Core Viewpoint - The article critiques the portrayal of female characters in the drama "The Age of Tempering," highlighting the tension between the concept of independence and the reality of emotional dependence within a patriarchal narrative structure [2][3][6]. Group 1: Female Characterization - The drama features female characters who are economically independent but emotionally dependent, leading to a critique of their supposed independence [3][5][6]. - The character 崔冰冰 exemplifies the struggle between career ambitions and emotional sacrifices, often compromising her own needs for the male protagonist [4][5][9]. - The portrayal of women as "tools" in the narrative serves to reinforce traditional gender roles, where their independence is superficial and ultimately serves male character development [7][8][10]. Group 2: Narrative Structure - The narrative structure of "The Age of Tempering" centers around male characters, with female roles primarily serving to support the male protagonist's journey [7][8][10]. - The article compares this with "female-centric" narratives, suggesting that while female characters in such stories may appear empowered, they often replicate male power dynamics [10][11]. - The lack of depth in female character arcs leads to a failure in portraying genuine independence, as their stories are often overshadowed by male narratives [15][16]. Group 3: Societal Reflection - The article reflects on societal expectations of women, where balancing career and family is seen as a measure of independence, yet this often masks deeper emotional struggles [5][14][16]. - The portrayal of women in the drama is criticized for being unrealistic and catering to male fantasies, rather than presenting authentic female experiences [14][16]. - The article calls for a shift in storytelling that allows for more nuanced and complete representations of female characters, emphasizing their individuality and emotional complexity [15][16].

Group 1 - The media conference held by the China Television Production Industry Association, along with major video platforms like Youku, Tencent Video, and iQIYI, focused on the issue of copyright infringement in the film and television industry, coinciding with the "Sword Net 2025" initiative aimed at combating online infringement of audiovisual works [1] - A landmark case was highlighted where Youku and iQIYI jointly sued for short video infringement, resulting in a court ruling for compensation of 800,000 yuan, marking the first instance of these two platforms collaborating as plaintiffs [1] - In another significant case, a short video platform was ordered to pay 30 million yuan for infringing on the rights of iQIYI regarding the series "Kuang Biao," which is one of the highest compensation amounts awarded in similar domestic cases [1] - A man was criminally detained for setting up over a hundred illegal piracy websites, illegally collecting unauthorized film and television works, with illegal earnings amounting to several hundred thousand yuan [1] - A second-instance court ruling found a short video platform liable for severe infringement of the series "Qing Yu Nian," imposing punitive damages of 9.64 million yuan, which is a rare application of punitive compensation in such cases [1] Group 2 - In a notable case involving Tencent, a federal court in Texas ruled in favor of Tencent against an infringement case involving an Android TV box, awarding a total of 84.75 million USD (approximately 616 million yuan), with "Chang Xiang Si" alone receiving 11.7 million USD (approximately 85.27 million yuan), marking the highest compensation awarded to a domestic company in overseas video rights protection [2]

Core Viewpoint - The recent controversy surrounding the drama "Lan Xiang Ru Gu" involves the renaming of main characters, which has drawn criticism from the original author He Yan Shan, highlighting the tension between original works and their adaptations [3][4]. Group 1: Character Renaming Issues - The drama "Lan Xiang Ru Gu" officially started filming on May 7, revealing the names of the main characters, with the female lead Chen Xiang Lan renamed to Xu Lan Xiang and the male lead Lin Jin Lou changed to Lin Jin Qi [3]. - He Yan Shan expressed the significance of the original names in two Weibo posts, explaining that Chen Xiang Lan symbolizes a character who has experienced much and settled down, while Lin Jin Lou's name suggests a connection to the female lead, indicating a deeper narrative meaning [3]. Group 2: Industry Practices and Reactions - The alteration of character names during the adaptation process is common, driven by factors such as censorship, historical sensitivities, and the need to enhance the drama's appeal and commercial viability [4]. - Public opinion is divided on the original author's comments, with some arguing that the rights to modify characters typically belong to the production company after the copyright sale, while others believe the author's insights add depth to the discussion [4]. Group 3: Production Details - "Lan Xiang Ru Gu" stars Tan Song Yun and Liu Xue Yi, with a script co-written by Tong Hua and Xiao Lou, and directed by Huang Ying Xiang and Chen Dan [4]. - The production is a collaboration between Tencent Video and Xing Lian Film and Television, and it is adapted from He Yan Shan's web novel "Lan Xiang Yuan" [4].