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2025年8月电影票房破50亿
Bei Ke Cai Jing· 2025-08-24 10:29
新京报贝壳财经讯 据灯塔专业版,截至8月24日17时47分,2025年8月电影总票房(含预售)突破50亿。《南京照相馆》《浪浪山小妖怪》《捕风追影》 《东极岛》《罗小黑战记2》暂列当月票房前五名。 图/ic "草克林 · 米 上演 版版 · T 88 金融合国务主席引取参考 上利用品高级建交信机服务网 市讯电竞集团有限公司 金利来源:瑞士交易市 - 大 88 金融合国务主席引取会网 上利用品高要建交推行服务网 市讯体委员网10周公网 金利来民营商机器会员 RDEAUT Barcode 扫码区 ...
传媒行业周报系列2025年第32周:中美关税暂缓期再延九十天,腾讯中报业绩盈喜-20250817
HUAXI Securities· 2025-08-17 04:54
Investment Rating - Industry Rating: Recommended [4] Core Insights & Investment Recommendations - The extension of the US-China tariff suspension for another 90 days is expected to provide a buffer for export-oriented industries, reducing the risk of short-term trade friction escalation [2][23] - Tencent's strong Q2 performance shows revenue of 184.5 billion yuan, up 15% year-on-year, and a net profit of 69.2 billion yuan, up 18% year-on-year, driven by AI technology enhancing user retention and monetization efficiency [2][23] - The report maintains a positive outlook on leading Chinese technology companies, emphasizing their long-term value during adjustment cycles, and suggests focusing on the media and entertainment consumption sub-industry [3][24] Sub-industry Data Film Industry - The top three films by box office this week are "浪浪山小妖怪" with 269.7 million yuan (31.9% market share), "南京照相馆" with 251.6 million yuan (29.8%), and "东极岛" with 100.1 million yuan (11.9%) [26][27] Gaming Industry - The top three iOS games are "王者荣耀," "和平精英," and "穿越火线-枪战王者," while the top three Android games are "心动小镇," "我的休闲时光," and "崩坏:星穹铁道" [29][30] TV Series Industry - The top three TV series by broadcast index are "凡人修仙传" (83.9), "生万物" (80.5), and "利剑玫瑰" (79.9) [32][33] Variety and Animation - The top three variety shows are "地球超新鲜" (79.7), "心动的信号第八季" (77.2), and "脱口秀和 Ta 的朋友们第二季" (75.3) [33] - The top three animated shows are "沧元图" (315.8), "开心锤锤" (287.6), and "凡人修仙传" (296.7) [35]
暑期电影怪谭:纸片妖怪完胜光膀子明星
3 6 Ke· 2025-08-15 00:06
Core Insights - The animated film "Wang Wang Mountain Little Monster" has achieved a daily box office of 28.82 million, outperforming the 9.44 million of "Dongji Island" and previously grossing 400 million from "Little Black War 2," indicating a significant trend where animated films are surpassing big-budget productions by renowned directors [1][2][9] - This trend began with "Nezha 2," which easily defeated "Fengshen 2" in box office performance, highlighting a shift in audience preference towards animated films over traditional blockbuster formats [1][9] Industry Trends - The animation sector has evolved significantly over the past decade, with annual box office revenue increasing from 1.657 billion in 2018 to over 10 billion in 2025, showcasing a remarkable growth trajectory [9][18] - Animated films are increasingly exploring diverse themes and narratives, such as "Tea Ah Er Zhong," which focuses on campus life, and "Lion Boy," which integrates traditional culture with modern storytelling [9][12] Audience Preferences - Modern audiences are becoming more discerning, favoring films that resonate emotionally rather than those that rely solely on high production values or star power [20][21] - The success of films like "Nezha" and "Wang Wang Mountain Little Monster" illustrates a shift towards stories that reflect ordinary people's struggles and experiences, contrasting with the declining appeal of grandiose narratives typical of high-budget productions [18][20] Director and Production Dynamics - There is a growing critique of established directors who continue to rely on outdated tropes and aesthetics, such as the obsession with male physicality, which may not align with contemporary audience values [4][6][15] - The industry is witnessing a backlash against the traditional "star-director" model, as audiences increasingly reject films that fail to deliver compelling narratives, regardless of the director's reputation or the film's budget [15][17] Cultural Reflection - The resurgence of animated films often incorporates elements of Chinese traditional culture, indicating a broader cultural renaissance within the industry [12][21] - The narrative focus on relatable, everyday experiences in animated films contrasts sharply with the often convoluted and less relatable plots of recent high-budget live-action films [20][21]
《浪浪山小妖怪》刷新纪录,二维动画逆袭成票房黑马
Qi Lu Wan Bao Wang· 2025-08-12 13:29
Group 1 - The animated film "The Little Monster of Langlang Mountain" has surpassed 574 million yuan in box office revenue, becoming the highest-grossing domestic 2D animated film in Chinese history, surpassing "Big Fish & Begonia" [2] - Since its release on August 2, the film has received positive reviews, achieving a single-day box office of over 100 million yuan on August 9 and becoming the box office champion for that day, marking it as a dark horse of the summer season [4] - The film's first-day box office exceeded 35 million yuan, and it accumulated 133 million yuan over its opening weekend, demonstrating a rare phenomenon of box office growth in a competitive summer market [4] Group 2 - "The Little Monster of Langlang Mountain" is a derivative film of "Chinese Folktales," continuing the narrative of the short film "The Summer of Little Monsters," and it explores classic Journey to the West mythology from the perspective of ordinary monsters [6] - The film effectively reaches multiple age demographics, appealing to children with its cute monsters, engaging teenagers with its adventurous storyline, and resonating with working adults through its workplace metaphors, being described as a "fairy tale for adults" [6] - The film employs "ink wash + 3D rendering" technology, enhancing visual appeal while maintaining a hand-drawn quality, showcasing that 2D animation can be modern and distinctive with a "new national style" label [8] Group 3 - The total box office forecast for "The Little Monster of Langlang Mountain" has increased from an initial estimate of over 400 million yuan to over 1.5 billion yuan, indicating significant market potential despite being smaller in scale compared to "Nezha 2," which grossed over 15 billion yuan [8]
《东极岛》经不住管虎导演这么糟蹋
Hu Xiu· 2025-08-10 13:03
Core Viewpoint - The film "Dongji Island" fails to accurately portray the revolutionary spirit and the people's struggles during wartime, leading to a disconnect with audiences and poor reception [1][4][20]. Box Office Performance - Despite a strong promotional campaign and the context of the 80th anniversary of the victory in the War of Resistance, "Dongji Island" experienced a high opening but quickly declined in box office performance, with a total of 1.80 billion yuan after three days of release [2][3]. Comparison with Other Films - "Dongji Island" is contrasted with "Nanjing Photo Studio," which is praised for its quality and depth, highlighting the failure of "Dongji Island" to reflect the true essence of the people and the revolution [5][24]. Characterization and Themes - The film presents a distorted view of the people as uncivilized and ignorant, while the protagonists are depicted as almost divine figures, which undermines the historical context and the role of the masses in the revolution [6][10][20]. - The narrative structure and character development are criticized for lacking depth and failing to resonate with the audience, resulting in a film that feels disjointed and superficial [13][22]. Historical Representation - The film's portrayal of the people's struggles during the war is seen as overly simplistic and fails to honor their contributions, instead framing them as needing enlightenment from the protagonists [19][21]. - The disconnect between the film's narrative and the actual historical experiences of the people leads to a lack of authenticity and emotional engagement [22][24].