Core Viewpoint - The 2025 Second China Baotou Art Expo showcases over 3,000 artworks from more than 60 renowned domestic and international art institutions, highlighting a diverse range of artistic expressions and enhancing public engagement with art [1] Group 1: Event Overview - The expo is held at the Baotou International Convention and Exhibition Center, covering an area of 5,800 square meters [1] - It features participation from over 260 artists, presenting various art forms including traditional Chinese painting, calligraphy, oil painting, sculpture, photography, cultural and creative products, pottery, purple clay, and intangible cultural heritage prints [1] Group 2: Interactive and Educational Initiatives - An interactive segment titled "AI Robot Calligraphy" explores new artistic forms through human-machine collaboration [1] - The event incorporates an "online + offline" auction model, combining art live streaming with real-time bidding to create an immersive art consumption experience [1] - Multiple public lectures and academic seminars are organized to shift public art perception from mere observation to deeper understanding, stimulating public interest in art creation [1] Group 3: Additional Activities - The expo will run until July 18, during which Baotou City will offer various supporting cultural and tourism activities, providing citizens and visitors with a rich and diverse artistic cultural experience [1]

Core Viewpoint - The exhibition "Yuliang - Pan Yuliang Art Exhibition from Anhui Museum" showcases over 70 representative works of Pan Yuliang, highlighting her rich artistic career and unique style that blends Eastern and Western art [1][18]. Artist Background - Pan Yuliang, born in 1895 in Yangzhou, Jiangsu, was one of the early female Chinese painters to study Western painting abroad and achieved significant success [2][3]. - She faced a challenging upbringing but was supported by Pan Zanhua, who facilitated her education in art, leading her to become one of the first female students in a Chinese higher art school [3][4]. Artistic Development - During her studies abroad, Pan Yuliang learned various Western art techniques, including Impressionism and Fauvism, while maintaining her cultural roots [4][5]. - She became the first female director of the Western Painting Department at Shanghai Art College and held the first solo exhibition of Western painting by a Chinese woman in Shanghai [4][5]. Artistic Philosophy - Pan Yuliang's core artistic philosophy is "combining Eastern and Western styles," where she integrates Western modernist techniques with traditional Chinese aesthetics [5][6]. - She believed that art should transcend geographical and cultural boundaries, merging the strengths of both Western realism and Eastern expressive qualities [6][7]. Artistic Contributions - Pan Yuliang's works span various genres, including portraits, figure studies, landscapes, and still lifes, showcasing her innovative use of color and form [8][10][12]. - Her paintings often reflect a deep emotional resonance and a unique perspective on femininity, contributing significantly to the representation of women in art [15][18]. Market Recognition - Pan Yuliang's artworks have gained significant attention in the art market, with notable auction prices reflecting her artistic value, such as her oil painting "Double Fan Dance" sold for 18.4 million yuan in 2019 [14]. - The increasing prices of her works indicate a growing recognition of her contributions to modern Chinese art and her unique artistic voice [14][15]. International Influence - Pan Yuliang has received international acclaim, with her works exhibited in countries like France and Italy, enhancing the global appreciation of Chinese art [16][18]. - She serves as a vital bridge for cultural exchange between China and the international art community, elevating the status of Chinese art on the world stage [16][18].

Core Viewpoint - The Guilin Art Museum serves as a significant cultural platform, showcasing local art and promoting the beauty and cultural heritage of Guilin through various exhibitions and events [1][2][3] Group 1: Museum's Role and Activities - Established for 61 years, the Guilin Art Museum has been a vital window for locals to view the world and for the world to understand Guilin [2] - Since its first exhibition in 1964, the museum has documented Guilin's development and the people's struggles through rich cultural and artistic activities [2] - The museum has launched a series of exhibitions, including the "Paintings of Guilin" series, featuring works that highlight the beauty and cultural essence of Guilin [1][2] Group 2: Artistic Contributions and Community Engagement - The museum has actively explored and showcased local artistic resources, establishing the "Li River Painting School" to promote regional cultural characteristics [2] - Recent exhibitions have included works from renowned artists, enhancing the museum's reputation and providing cultural enrichment to the community [3] - The museum aims to strengthen academic leadership and diversify its collection, contributing to the cultural service quality for the public and supporting Guilin's development as a world-class tourist city [3]

Core Viewpoint - The Shanxi Museum has opened a "green channel" for students who have just completed their high school entrance exams, allowing them to visit the "Original Spanish Oil Paintings Exhibition since the 19th Century," which aims to enhance artistic appreciation among youth [1][6]. Group 1: Exhibition Details - The exhibition features 75 works from 23 Spanish artists, including various art forms such as sculpture, oil painting, ceramics, and mixed media, with many pieces making their debut in China [3][4]. - The exhibition will run until October 8, 2025, and aims to attract visitors from across the country [6]. Group 2: Student Experiences - Students expressed that the exhibition provided a rare opportunity to see original artworks, deepening their understanding of Western art and its underlying themes [4][6]. - Participants noted that the experience helped them realize that art is not just about aesthetic appreciation but also about provoking thought and personal interpretation [4][6].

Core Viewpoint - The "Red Boat Spirit" has been a significant theme in contemporary art, reflecting historical and cultural values while inspiring new artistic expressions [2][3][4]. Group 1: Historical Context and Significance - The "Red Boat Spirit" was first articulated by Xi Jinping in 2005, emphasizing its importance in Chinese revolutionary history [2]. - The "Red Boat" symbolizes the beginning of the Chinese Communist Party's journey and serves as a spiritual beacon for individuals [3]. - The "Red Boat Song" art exhibition showcases 68 artworks that explore the profound meanings of the "Red Boat Spirit" through various artistic interpretations [2][4]. Group 2: Artistic Expression and Modern Relevance - Contemporary artists are reinterpreting the "Red Boat Spirit" through innovative perspectives, merging historical narratives with modern societal contexts [3][4]. - The artworks not only depict historical scenes but also reflect the vibrant life and landscapes of modern Jiaxing, enhancing the connection between history and contemporary life [4]. - The exhibition serves as a platform for artists to engage with revolutionary culture and its relevance in today's society, promoting a dialogue between past and present [4][5]. Group 3: Impact on Art and Culture - The "Red Boat Song" exhibition has set a precedent for thematic art exhibitions, encouraging new narrative structures and cross-regional cultural reflections [5]. - The integration of digital technology in art creation is seen as a way to expand aesthetic dimensions and enhance audience engagement [6]. - The "Red Boat Spirit" continues to inspire artistic innovation, serving as a driving force for creative expression in the contemporary art landscape [6].

胖东来和山姆的现象级火爆，是过去两年零售业引发反思的热门话题。 今年五一，胖东来接待游客超300万人次，成群结队的外地人和研学团涌向十一家胖东来门店，把河南 小城许昌变成一座没有淡季的6A级商超景区； 在南方珠江口，北上过周末的港澳居民涌入深圳福田、珠海的山姆会员店，在后备箱塞满卫生纸、麻薯 蛋糕和烤鸡，让港珠澳大桥喜提"山姆大桥"的别称。 胖东来和山姆的销售额，在中国零售大盘中加起来占比不到百分之一。但"逛胖东来如同朝圣""山姆门 口像过关口岸"的热潮背后，是一个席卷零售行业的长期趋势： 消费者不再只是为拥有某个商品付费，而是为购买过程中的安心、愉悦、效率感买单。这是二十一世纪 的第二个十年里，供给极大丰富滋养出的中国人的全新偏好。 消费市场的热点瞬息万变，但发生在底层供应链的重构是长期不变的。 在高峰中见顶的线上渠道感触尤为深刻。上一个十年，中国电商顺着的 流量、补贴的滚烫潮水，靠平台 型打法扩张，但进入存量时期，消费行为变迁，前台已经陷入内卷困局。 竞争开始转向更加隐秘的后台。谁能重塑供应效率，谁就能抓住新的结构性机会。这个时候，看似最笨 重的京东，反而在各种消费新业态上显得游刃有余。 昨天刘强东和媒体 ...

Core Viewpoint - The article discusses the evolution and significance of watercolor painting in China, highlighting its development, challenges, and the establishment of dedicated exhibitions to promote this art form [6][7]. Group 1: Historical Context - The author initially engaged with watercolor materials in a provincial performance unit, using homemade pigments for early works [2]. - Formal education in art began at the Central Academy of Drama, where oil painting was the primary focus until watercolor painting was introduced later in the curriculum [3][4]. - Influential teachers returning from the Soviet Union played a crucial role in integrating watercolor painting into stage design and broader artistic practices in China [4]. Group 2: Artistic Development - The author rediscovered watercolor painting after a long hiatus, appreciating its versatility and ease of use compared to oil painting [5]. - The establishment of the Beijing Watercolor Painting Research Association marked a significant moment for the promotion and organization of watercolor artists in China [6]. Group 3: Current Trends and Future Prospects - The third National Watercolor Painting Exhibition, held after ten years, saw a significant increase in participation, with over 4,000 artists submitting works [7]. - The article emphasizes the growing recognition of watercolor painting's unique qualities and its role in contemporary art, despite challenges such as a lack of distinct thematic expression among artists [7].

在当前的绘画市场中，优秀的毕业作品正逐渐受到更多关注。《祷》已确定售出，尽管价格未公开，但 从其火爆程度来看，市场对这类具有创新性与思想深度的作品有着浓厚兴趣。这反映出绘画市场不再仅 仅关注名家名作，那些能够敏锐捕捉社会热点、表达深刻内涵的新兴作品也开始崭露头角。艺术院校毕 业展成为了绘画市场发掘潜力作品与新人的重要平台，为艺术市场注入了新鲜血液。像《祷》这样的作 品走红，也预示着绘画市场未来将更加多元化，更加注重作品所承载的社会意义与艺术价值，艺术作品 与社会相互影响、相互塑造。《祷》的爆火只是一个缩影，透过它，我们看到了艺术作品对社会问题的 揭示、自身多元价值的展现以及在绘画市场中的新动向。在未来，我们期待更多像《祷》这样的作品出 现，在艺术的舞台上绽放光彩，引领我们对社会和自我进行更深入的思考。 （原标题：从《祷》的爆火看艺术作品与当下社会的交融） 在当下艺术的多元图景中，四川美术学院本科毕业展上安琪创作的油画作品《祷》以其独特魅力脱颖而 出，吸引了无数观众，在各类大小媒体以及社交平台上掀起了广泛讨论的热潮。 《祷》这幅作品乍看之下，红黄蓝三原色鲜明夺目，构建出一位正在祈祷的女性形象。她头上戴着耳 机、 ...

（原标题：当代的回响——欧美艺术家联展| 贝尔杰·查克坚(Berdj Tchakedjian)） 贝尔杰·查克坚(Berdj Tchakedjian) 贝尔杰·查克坚1939年出生于埃及开罗，毕业于埃及最好的艺术学院之一达芬奇艺术学院。受到埃及知 名艺术家Sayed AbdelRassoul的熏陶和指导，对他日渐鲜明的个人风格大有裨益。1966年贝尔杰移民加 拿大。 1996年6月《Magazin'art》,2001年美国《Billiards Digest》,2002年10月《Magazine parcours》,2003年和 2007年黎巴嫩贝鲁特的《AztagDaily》,以及2007年和2008年蒙特利尔《Horizon》都有刊登报道过关于 贝尔杰·查克坚的文章。此外，他的两幅作品曾出现在1998年和2001年法国巴黎贝尔丰德出版社出版的 两部小说的封面上。 艺术家干净、柔和而饱满的线条，并将几何元素相叠加，感性简约的运动曲线及明朗温暖的色彩交相呼 应。使得其作品气氛宁静而带有均衡之美。贝尔杰的构图充实，娴熟而具有特点的技法，加之敏感而细 腻的笔触，风格则鲜明又独特，让人感觉到天真中透露着智慧、通透与圆 ...

嘉宾参观展览。 观众参观展览。 此次展览主题——"其命惟新"，出自《诗经·大雅·文王》中"周虽旧邦，其命维新"的诗句。中国美术家 协会副主席、广东省美术家协会主席林蓝介绍，将原句中的"维"改为"惟"，意在体现"创新是粤港地区 的使命"，也是岭南美学能够不断向前发展、拥有蓬勃生命力的关键所在。 迎客松（中国画） 黎雄才作 （本文配图由主办方提供） 粤港两地山水相连文脉相通。5月22日至6月2日，"其命惟新——广东美术百年大展"在香港举行。现场 展出高剑父、高奇峰、关山月、黎雄才等岭南画派名师的160余件经典作品，吸引众多香港市民和游客 到场观看。 此次展览既是对广东美术百年发展革新的历史回顾，也是粤港文化同源、湾区文艺共荣的生动实践。正 如大展组委会所言，"愿这场展览，成为一扇窗，让世界看见中华文明的现代转型；成为一座桥，连接 起两地同胞的文化认同；更成为一声号角，召唤新一代艺术家以'其命惟新'的勇气，在大湾区的热土 上，续写属于这个时代的文艺史诗。" 守正中创新 坚定文化自信 李铁夫的肖像画凝练如诗，关良的戏曲人物画稚拙天成，余本的香港乡土油画浸润着港岛烟火气……在 黎雄才的大型画作《迎客松》前，市民益女士观 ...