Core Insights - The exhibition aims to create a "tipsy" feeling through various artistic mediums, inviting visitors to experience a state of warmth and lightness without external stimuli [1][2] - Artists utilize different forms such as oil painting, installation art, and video storytelling to evoke emotions and encourage viewers to engage with the art on a deeper level [1][2] Exhibition Details - Duration: October 25, 2023 - February 28, 2026 [3] - Curator: Zhang Chong [3] - Participating Artists: Chai Haoran, Guo Yujian, Huang Lan, Lin Ke, Li Hanwei, Liu Ren, Liu Yaohua, Grape Warship, Shao Wei, Wang Zhiyuan, Wang Xuan, Yu Aijun, Zhou Wendou [3] - Location: Langfeng Art, 777 Gaoqing West Road, Floor 2, No. 31, Qiantan, Pudong New District, Shanghai [3]

Core Viewpoint - The article discusses the tax policies related to export goods and services, focusing on the exemption and refund of value-added tax (VAT) and consumption tax for eligible export enterprises and goods [2][5][10]. Group 1: Tax Exemption Policies - Eligible export goods and services are exempt from VAT, and if they are subject to consumption tax, the consumption tax is also exempted, although previously paid consumption tax is not refundable [2][7]. - The policy applies to various categories of goods, including those exported by small-scale VAT taxpayers, contraceptives, old books, and software products classified under specific customs tariff codes [3][4]. Group 2: Applicable Conditions - The export goods must be those that have been customs declared and actually leave the country, which can be self-exported or entrusted exports [8]. - The policy also covers goods exported under foreign aid, foreign contracting, and goods sold to international financial organizations or foreign government projects [9]. Group 3: Refund Policies - For eligible export goods and services, there are two methods for VAT refund: the exemption and refund method, and the exemption method, where non-manufacturing export enterprises can receive refunds for input VAT [7][8]. - The article specifies that certain goods, such as those containing precious metals and used equipment, are also eligible for tax exemption or refund [6][8]. Group 4: Policy Basis - The policies are based on the official notifications from the Ministry of Finance and the State Administration of Taxation, which outline the VAT and consumption tax policies for export goods and services [10].

Core Viewpoint - The integration of "red art" into the cultural and tourism landscape of Liaoning is being driven by the Luxun Academy of Fine Arts, which aims to elevate the region's rich historical and cultural resources into a cohesive brand experience [1][7]. Group 1: Empowerment Paths of Red Art Creation - Content Empowerment: The academy is exploring and reshaping Liaoning's stories by conducting in-depth research on red landmarks, industrial heritage, and notable figures, creating contemporary art that reflects modern interpretations of "model worker spirit" and "craftsman spirit" [2]. - Form Empowerment: The integration of technology and art is being emphasized through immersive experiences using VR/AR and holographic projections, transforming red-themed artworks into interactive art spaces and developing IP-based cultural products to attract younger audiences [2]. - Space Empowerment: Urban and rural revitalization efforts include public art installations in cities and the design of rural aesthetics that incorporate red memories and local characteristics, promoting red-themed tourism [2]. Group 2: Building a High-Quality Integration Demonstration Area - The academy serves as a creative engine, integrating policy support, industry collaboration, and educational training to create a multi-layered development system that enhances aesthetic influence and promotes cultural and economic integration [3]. - Red Art + Cultural Tourism: A "Northeast Red Art Tourism Golden Route" is being developed, connecting major red memorials and museums, with the Luxun Academy's museum as the core, hosting regular exhibitions and events to attract art enthusiasts and tourists [3]. - Red Art + Sports and Leisure: The integration of red spirit into sports events, including designing visual systems and mascots for major competitions, aims to merge sportsmanship with cultural heritage [3]. Group 3: Achievements in Demonstration Area Construction - Brand Upgrade: The academy has transformed Liaoning's cultural tourism image into a "Chinese Red Aesthetic Experience Destination," enhancing the aesthetic value and emotional resonance of cultural products [5][6]. - Industry Stimulation: The initiative has spurred the development of downstream industries such as cultural products, art exhibitions, and educational tourism, creating a collaborative and efficient industrial chain that drives regional economic growth [6]. - Talent Gathering: The academy is attracting talent in art, design, and planning through academic influence and resource advantages, injecting innovation and cultural strength into the revitalization of old industrial bases [6]. Group 4: Cultural Confidence - High-level artistic presentations are effectively enhancing local residents' cultural pride and community cohesion by narrating Liaoning's historical and cultural achievements through various art forms [6].

Core Perspective - The "Yangyun Art Life Festival" showcases a dialogue between Eastern aesthetics and contemporary art, featuring various artistic expressions including oil paintings, calligraphy, and Kunqu performances [1][7]. Group 1: Event Highlights - The festival features Wang Dongling's solo exhibition "Calligraphy Can Be Spoken," transforming the historical "Yangyun" courtyard into an experimental space for calligraphy [2]. - The annual art exhibition, a core part of the festival, gathers influential artists like He Duoling to explore the fusion of global artistic language and Eastern philosophy [7]. - The festival includes immersive installations, such as Gu Wenda's "Simplified Words," which reinterprets traditional concepts through modern design [6]. Group 2: Performances and Themes - The core performance "Elephant Without Shape, Music Without Boundaries" is curated by Kunqu artist Zhang Jun, utilizing the natural water surface as a stage to express ancient philosophical ideas [13][15]. - The performance is structured around five thematic chapters, allowing the audience to experience the depth of Eastern philosophy through light and sound [15][16]. - Zhang Jun emphasizes the importance of making philosophy a tangible experience in daily life through this performance [16].

Core Viewpoint - The article highlights the significant contributions of contemporary Chinese art in reflecting the nation's development and the people's lives since the founding of New China, emphasizing the patriotic sentiments and innovative spirit of artists in the new era [14]. Group 1: National Theme Art Projects - A selection of new artworks is presented from national thematic art creation projects, showcasing the artistic expressions that celebrate the achievements and changes in society [14]. - The artworks aim to inspire a strong sense of national pride and confidence in the ongoing progress of the country [14]. Group 2: Art Exhibitions - The article mentions the "Dream Building - Our New Era Art Photography Exhibition" and the 14th National Art Exhibition as platforms for showcasing contemporary artistic works [14]. - These exhibitions serve as a medium for artists to convey the spirit of the times and the aspirations of the people [14]. Group 3: Artistic Contributions - Artists are noted for integrating national sentiments into their works, depicting the resolute steps of the country’s advancement and the new achievements in technology [14]. - The artworks reflect the evolving happiness of life in China, resonating with the public's love for their country [14].

Core Viewpoint - The exhibition "Abundant Life - Recent Works of Yang Feiyun" showcases 59 representative works of the renowned Chinese oil painter, highlighting his artistic exploration over the past 20 years [1][11]. Group 1: Artist Background - Yang Feiyun, born in 1954 in Baotou, Inner Mongolia, is a prominent oil painter and educator, currently serving as the honorary director of the Oil Painting Institute of the Chinese Academy of Arts [5]. - He studied under notable oil painting masters at the Central Academy of Fine Arts and has been deeply engaged in the exploration of oil painting's cultural significance and contemporary expression [5][7]. Group 2: Artistic Journey - The exhibition presents a timeline of Yang's artistic creation, starting from 2000, which includes landscape sketches from various locations in China and Europe [3]. - In 2007, he began focusing on figure painting, capturing the divine essence in ordinary lives, transitioning from classical solemnity to a more tender view of everyday life [3]. - After recovering from a serious illness in 2017, he shifted towards creating historical paintings and portraits of ancient sages, facilitating a dialogue between Eastern and Western painting traditions [3]. Group 3: Artistic Style and Philosophy - Yang Feiyun's work is characterized by a rich use of dark brown tones, which he integrates with Chinese cultural elements, creating a unique classical beauty in his portraits [4]. - The realism in his paintings emerges from meticulous observation and contemplation, where fine details, dynamic light, and serene atmospheres construct a profound expression of reality [9]. - Yang emphasizes the importance of mastering quality oil painting language and deep cultural accumulation to express the aesthetic characteristics of Chinese people and contemporary sentiments [7]. Group 4: Exhibition Details - The exhibition is co-hosted by the Suzhou Museum, the Oil Painting Institute of the Chinese Academy of Arts, the Central Academy of Fine Arts, and the China Oil Painting Society, and will run until December 14, lasting nearly three months [11].

Core Viewpoint - The exhibition "Guangzhou Imprint - Art Sea Collection and Painting Exhibition" opened on August 27, showcasing over 170 pieces from 30 renowned artists, highlighting the evolution of Chinese art from ancient to contemporary times [1][3]. Group 1: Exhibition Details - The exhibition features a diverse range of artworks, including traditional Chinese paintings, calligraphy, oil paintings, letters, and first-day covers [3]. - Notable artists represented include Chen Chun, Zhang Ruitu, Hai Rui from ancient times, and modern masters like Wu Changshuo, Qi Baishi, and Xu Beihong, as well as contemporary figures such as Guan Shanyue, Li Xiongcai, and Lai Shaoqi [3]. Group 2: Artistic Significance - Professor Fang Chuxiong from Guangzhou Academy of Fine Arts emphasized the importance of collecting original works from masters, stating it enriches one's understanding and appreciation of art [5].

Core Viewpoint - The 2025 Second China Baotou Art Expo has opened, showcasing nearly 4,000 art pieces across various categories, catering to diverse audience appreciation needs [1] Group 1: Event Overview - The expo is held at the Baotou International Convention and Exhibition Center in Inner Mongolia [1] - The event features a wide range of art forms including traditional Chinese painting, calligraphy, oil painting, sculpture, photography, cultural creativity, pottery, purple clay, and intangible cultural heritage prints [1] Group 2: Market Dynamics - On the first day of the event, the venue was crowded with art enthusiasts, collectors, and families, indicating strong public interest [3] - The total transaction amount during the VIP preview day exceeded 3.5 million yuan, demonstrating the market appeal of the expo [3] Group 3: Participation and Offerings - Rongbaozhai, as a guiding unit and core exhibitor, has organized eight major sections, featuring works from modern masters like Qi Baishi and Zhang Daqian, as well as contemporary artists [3] - The expo includes innovative experiences such as interactive AI robot calligraphy and online-offline auction integration, enhancing the art consumption experience [6] Group 4: Educational and Cultural Activities - The event will host multiple public lectures and academic seminars aimed at enhancing public understanding of art, shifting from mere observation to deeper appreciation [6] - The expo will run until July 18, accompanied by various cultural tourism activities in Baotou, enriching the artistic and cultural experience for visitors [6]

Core Viewpoint - The 2025 Second China Baotou Art Expo showcases over 3,000 artworks from more than 60 renowned domestic and international art institutions, highlighting a diverse range of artistic expressions and enhancing public engagement with art [1] Group 1: Event Overview - The expo is held at the Baotou International Convention and Exhibition Center, covering an area of 5,800 square meters [1] - It features participation from over 260 artists, presenting various art forms including traditional Chinese painting, calligraphy, oil painting, sculpture, photography, cultural and creative products, pottery, purple clay, and intangible cultural heritage prints [1] Group 2: Interactive and Educational Initiatives - An interactive segment titled "AI Robot Calligraphy" explores new artistic forms through human-machine collaboration [1] - The event incorporates an "online + offline" auction model, combining art live streaming with real-time bidding to create an immersive art consumption experience [1] - Multiple public lectures and academic seminars are organized to shift public art perception from mere observation to deeper understanding, stimulating public interest in art creation [1] Group 3: Additional Activities - The expo will run until July 18, during which Baotou City will offer various supporting cultural and tourism activities, providing citizens and visitors with a rich and diverse artistic cultural experience [1]

Core Viewpoint - The exhibition "Yuliang - Pan Yuliang Art Exhibition from Anhui Museum" showcases over 70 representative works of Pan Yuliang, highlighting her rich artistic career and unique style that blends Eastern and Western art [1][18]. Artist Background - Pan Yuliang, born in 1895 in Yangzhou, Jiangsu, was one of the early female Chinese painters to study Western painting abroad and achieved significant success [2][3]. - She faced a challenging upbringing but was supported by Pan Zanhua, who facilitated her education in art, leading her to become one of the first female students in a Chinese higher art school [3][4]. Artistic Development - During her studies abroad, Pan Yuliang learned various Western art techniques, including Impressionism and Fauvism, while maintaining her cultural roots [4][5]. - She became the first female director of the Western Painting Department at Shanghai Art College and held the first solo exhibition of Western painting by a Chinese woman in Shanghai [4][5]. Artistic Philosophy - Pan Yuliang's core artistic philosophy is "combining Eastern and Western styles," where she integrates Western modernist techniques with traditional Chinese aesthetics [5][6]. - She believed that art should transcend geographical and cultural boundaries, merging the strengths of both Western realism and Eastern expressive qualities [6][7]. Artistic Contributions - Pan Yuliang's works span various genres, including portraits, figure studies, landscapes, and still lifes, showcasing her innovative use of color and form [8][10][12]. - Her paintings often reflect a deep emotional resonance and a unique perspective on femininity, contributing significantly to the representation of women in art [15][18]. Market Recognition - Pan Yuliang's artworks have gained significant attention in the art market, with notable auction prices reflecting her artistic value, such as her oil painting "Double Fan Dance" sold for 18.4 million yuan in 2019 [14]. - The increasing prices of her works indicate a growing recognition of her contributions to modern Chinese art and her unique artistic voice [14][15]. International Influence - Pan Yuliang has received international acclaim, with her works exhibited in countries like France and Italy, enhancing the global appreciation of Chinese art [16][18]. - She serves as a vital bridge for cultural exchange between China and the international art community, elevating the status of Chinese art on the world stage [16][18].