放飞梦想（中国画） 张 琳、杨 可作 飞天港（中国画） 王 利作 星空下的梦（雕塑） 刘 松作 拔节生长（油画） 马佳伟作 书香飘村镇（中国画） 梁文博、赵 鹏、宋 欣作 金色土地（中国画） 沈晓明作 自新中国成立以来，一批批赞颂伟大祖国、记录时代风貌、表现人民生活的美术佳作不断涌现，不仅以 视觉艺术形式见证社会变迁，也在中国美术史上留下精彩的一笔。新时代以来，广大美术工作者守正创 新，将家国情怀融入笔端，浓墨重彩展现大国奋进的坚毅步伐，描绘科技发展的崭新成果，勾勒日新月 异的幸福生活，激发起人们心中浓烈的爱国之情。 值此新中国76周年华诞，本版从国家主题性美术创作项目、筑梦——我们的新时代美术摄影作品展、第 十四届全国美术作品展览等项目中，选登部分美术新作，与读者一起在笔墨丹青中感受时代新变，坚定 奋进信心，激荡奋斗之志。 ——编 者 (责编：卫嘉、白宇) 高铁进山啦（中国画） 蔡 超、边 涛、李鸿莉作 美丽的塞罕坝（油画） 谭智群作 丹青凝练历史、映照时代。 向海图强 逐梦深蓝（壁画） 马 鑫作 ...

今年71岁的油画家杨飞云是中国第三代油画家，早在上世纪八九十年代便是中国油画"古典风"的重要代表之一，也是中国写实油画的标志性人物，智通财 经获悉，9月22日，"丰盛生命——杨飞云近作展"在苏州博物馆本馆对外开幕，展出了杨飞云59幅代表性作品，集中呈现艺术家近20年来的艺术探索。 杨飞云《书房》90x120cm 布面油彩 2012年 此次展览呈现了杨飞云20多年来艺术创作的时间脉络：2000年起延续至今的国内外风景画写生，全国各地、欧洲各国等东西方景象的记录；2007年开启的 人物画写生与画室研究，以"近观"视角捕捉普通人生命中的神性微光，从古典式的庄严过渡到对平凡生命的温情观照；2017年重病康复后转向的中国历史 画与古圣先贤肖像创作，更让齐白石、武圣关羽等形象成为东西方绘画体系对话的载体。 "看欧洲的经典油画，最迷人的，是暗褐色的底子，浑厚华彩的服饰，衬出人物栩栩如生的生动面庞。在中国大批的仰慕者和研学者中，杨飞云是最突出 的一位。他成功地将深褐色系，笼在中国的器具和环境上，罩成一片厚重朴实的生存的周遭。这一周遭不仅与中国人的土地属性丝丝入扣，而且还与人物 的服饰一道构成一种油画独有的古典美质。正是在这种 ...

Core Viewpoint - The exhibition "Guangzhou Imprint - Art Sea Collection and Painting Exhibition" opened on August 27, showcasing over 170 pieces from 30 renowned artists, highlighting the evolution of Chinese art from ancient to contemporary times [1][3]. Group 1: Exhibition Details - The exhibition features a diverse range of artworks, including traditional Chinese paintings, calligraphy, oil paintings, letters, and first-day covers [3]. - Notable artists represented include Chen Chun, Zhang Ruitu, Hai Rui from ancient times, and modern masters like Wu Changshuo, Qi Baishi, and Xu Beihong, as well as contemporary figures such as Guan Shanyue, Li Xiongcai, and Lai Shaoqi [3]. Group 2: Artistic Significance - Professor Fang Chuxiong from Guangzhou Academy of Fine Arts emphasized the importance of collecting original works from masters, stating it enriches one's understanding and appreciation of art [5].

Core Viewpoint - The 2025 Second China Baotou Art Expo has opened, showcasing nearly 4,000 art pieces across various categories, catering to diverse audience appreciation needs [1] Group 1: Event Overview - The expo is held at the Baotou International Convention and Exhibition Center in Inner Mongolia [1] - The event features a wide range of art forms including traditional Chinese painting, calligraphy, oil painting, sculpture, photography, cultural creativity, pottery, purple clay, and intangible cultural heritage prints [1] Group 2: Market Dynamics - On the first day of the event, the venue was crowded with art enthusiasts, collectors, and families, indicating strong public interest [3] - The total transaction amount during the VIP preview day exceeded 3.5 million yuan, demonstrating the market appeal of the expo [3] Group 3: Participation and Offerings - Rongbaozhai, as a guiding unit and core exhibitor, has organized eight major sections, featuring works from modern masters like Qi Baishi and Zhang Daqian, as well as contemporary artists [3] - The expo includes innovative experiences such as interactive AI robot calligraphy and online-offline auction integration, enhancing the art consumption experience [6] Group 4: Educational and Cultural Activities - The event will host multiple public lectures and academic seminars aimed at enhancing public understanding of art, shifting from mere observation to deeper appreciation [6] - The expo will run until July 18, accompanied by various cultural tourism activities in Baotou, enriching the artistic and cultural experience for visitors [6]

Core Viewpoint - The 2025 Second China Baotou Art Expo showcases over 3,000 artworks from more than 60 renowned domestic and international art institutions, highlighting a diverse range of artistic expressions and enhancing public engagement with art [1] Group 1: Event Overview - The expo is held at the Baotou International Convention and Exhibition Center, covering an area of 5,800 square meters [1] - It features participation from over 260 artists, presenting various art forms including traditional Chinese painting, calligraphy, oil painting, sculpture, photography, cultural and creative products, pottery, purple clay, and intangible cultural heritage prints [1] Group 2: Interactive and Educational Initiatives - An interactive segment titled "AI Robot Calligraphy" explores new artistic forms through human-machine collaboration [1] - The event incorporates an "online + offline" auction model, combining art live streaming with real-time bidding to create an immersive art consumption experience [1] - Multiple public lectures and academic seminars are organized to shift public art perception from mere observation to deeper understanding, stimulating public interest in art creation [1] Group 3: Additional Activities - The expo will run until July 18, during which Baotou City will offer various supporting cultural and tourism activities, providing citizens and visitors with a rich and diverse artistic cultural experience [1]

Core Viewpoint - The exhibition "Yuliang - Pan Yuliang Art Exhibition from Anhui Museum" showcases over 70 representative works of Pan Yuliang, highlighting her rich artistic career and unique style that blends Eastern and Western art [1][18]. Artist Background - Pan Yuliang, born in 1895 in Yangzhou, Jiangsu, was one of the early female Chinese painters to study Western painting abroad and achieved significant success [2][3]. - She faced a challenging upbringing but was supported by Pan Zanhua, who facilitated her education in art, leading her to become one of the first female students in a Chinese higher art school [3][4]. Artistic Development - During her studies abroad, Pan Yuliang learned various Western art techniques, including Impressionism and Fauvism, while maintaining her cultural roots [4][5]. - She became the first female director of the Western Painting Department at Shanghai Art College and held the first solo exhibition of Western painting by a Chinese woman in Shanghai [4][5]. Artistic Philosophy - Pan Yuliang's core artistic philosophy is "combining Eastern and Western styles," where she integrates Western modernist techniques with traditional Chinese aesthetics [5][6]. - She believed that art should transcend geographical and cultural boundaries, merging the strengths of both Western realism and Eastern expressive qualities [6][7]. Artistic Contributions - Pan Yuliang's works span various genres, including portraits, figure studies, landscapes, and still lifes, showcasing her innovative use of color and form [8][10][12]. - Her paintings often reflect a deep emotional resonance and a unique perspective on femininity, contributing significantly to the representation of women in art [15][18]. Market Recognition - Pan Yuliang's artworks have gained significant attention in the art market, with notable auction prices reflecting her artistic value, such as her oil painting "Double Fan Dance" sold for 18.4 million yuan in 2019 [14]. - The increasing prices of her works indicate a growing recognition of her contributions to modern Chinese art and her unique artistic voice [14][15]. International Influence - Pan Yuliang has received international acclaim, with her works exhibited in countries like France and Italy, enhancing the global appreciation of Chinese art [16][18]. - She serves as a vital bridge for cultural exchange between China and the international art community, elevating the status of Chinese art on the world stage [16][18].

Core Viewpoint - The article discusses the evolution and significance of watercolor painting in China, highlighting its development, challenges, and the establishment of dedicated exhibitions to promote this art form [6][7]. Group 1: Historical Context - The author initially engaged with watercolor materials in a provincial performance unit, using homemade pigments for early works [2]. - Formal education in art began at the Central Academy of Drama, where oil painting was the primary focus until watercolor painting was introduced later in the curriculum [3][4]. - Influential teachers returning from the Soviet Union played a crucial role in integrating watercolor painting into stage design and broader artistic practices in China [4]. Group 2: Artistic Development - The author rediscovered watercolor painting after a long hiatus, appreciating its versatility and ease of use compared to oil painting [5]. - The establishment of the Beijing Watercolor Painting Research Association marked a significant moment for the promotion and organization of watercolor artists in China [6]. Group 3: Current Trends and Future Prospects - The third National Watercolor Painting Exhibition, held after ten years, saw a significant increase in participation, with over 4,000 artists submitting works [7]. - The article emphasizes the growing recognition of watercolor painting's unique qualities and its role in contemporary art, despite challenges such as a lack of distinct thematic expression among artists [7].

Core Insights - Dafen Oil Painting Village, known as "China's First Oil Painting Village," has transformed from a small agricultural community into a major global oil painting production and trading hub, with an expected output value of 3 billion yuan in 2024 [1][2] - The village hosts over 1,200 galleries and related businesses, employing more than 20,000 people, creating a complete oil painting industry chain that includes creation, production, sales, trading, and supporting services [1][2] Historical Development - In the 1980s, Dafen Village was primarily an agricultural area with around 300 residents. The oil painting industry began to take shape in 1989 when a Hong Kong art dealer recognized the area's low labor costs and proximity to Hong Kong, leading to mass replication of oil paintings for export [2][3] - By 2004, Dafen Oil Painting Village gained international recognition after becoming the only sub-venue for the first China (Shenzhen) International Cultural Industry Fair, significantly increasing its export orders [2] Challenges and Adaptation - The global financial crisis in 2008 severely impacted Dafen's export orders, prompting a shift towards original artwork production. The local government supported this transition by promoting original artists and developing proprietary products [3][4] - Dafen Art Museum has played a crucial role in nurturing original artists, hosting around 1,000 exhibitions and events since its establishment in 2007, including various art competitions and exhibitions [3][4] Talent Development - Dafen Oil Painting Village has implemented initiatives to support original talent, including a painting skills competition that has attracted approximately 200 artists and provided housing for artists through dedicated apartments [4] - Currently, there are over 400 professional artists in Dafen, with many recognized by various art associations, contributing to the cultural development of Shenzhen [4] Market Expansion - Dafen Oil Painting Village is actively exploring new market segments such as art experiences, cultural tourism, and educational programs, enhancing its role in local economic and cultural prosperity [6][7] - The village has seen a rise in experiential consumption, with businesses transforming traditional art training into engaging, shareable experiences that attract a broader audience [6][7] Internationalization and Innovation - The oil painting industry in Dafen is evolving through digital art creation, art derivative product development, and the integration of artificial intelligence, aiming to transition from a "world oil painting factory" to an "international art hub" [8][9] - Companies like Yajin Cultural Group are leveraging AI technology to produce high-quality paintings at a fraction of the cost, while also facilitating the internationalization of Dafen's art products [8][9] Future Outlook - The Dafen Oil Painting Village is poised for further growth, with plans to enhance original capabilities, attract young artists, and expand its international market presence, supported by a strong network of over 800 member organizations [10]

Core Viewpoint - The article discusses the transformation of Zhao Xiaoyong from a mass-production oil painter in Dafen Village, Shenzhen, to an original artist, highlighting the impact of the documentary "Chinese Van Gogh" on his artistic journey and the changing landscape of the oil painting industry in China. Group 1: Zhao Xiaoyong's Background and Transformation - Zhao Xiaoyong, born in 1972, became a painter in Dafen Village after a difficult upbringing, where he initially worked as a laborer and apprentice [3][4]. - At the peak of Dafen Village's oil painting industry, he could receive large orders, with 70% of oil paintings in the U.S. market sourced from China, primarily Shenzhen [3][4]. - The documentary "Chinese Van Gogh" inspired Zhao to pursue original art rather than just copying famous works, leading to a personal and professional transformation [4][11]. Group 2: Current Artistic Endeavors - In January of this year, Zhao held his first original art exhibition in Shenzhen, although it was modestly attended [5][6]. - His original works reflect his experiences and the changes in Dafen Village over the past few decades, capturing the essence of life as a painter [19][20]. - Zhao's wife, who also works as a painter, represents a contrasting approach, focusing on reproducing famous works while Zhao seeks to establish his unique style [22][36]. Group 3: Industry Changes and Challenges - The demand for mass-produced oil paintings has significantly declined, leading to the disappearance of many traditional oil painting factories in Dafen Village [43][51]. - The village is evolving into a hub for original artists, but many still associate it with low-cost, mass-produced art [45][50]. - The rise of AI-generated art has not yet significantly impacted the traditional oil painting market, as hand-painted art remains valued for its uniqueness and craftsmanship [50].