Core Viewpoint - The 2025 Second China Baotou Art Expo showcases over 3,000 artworks from more than 60 renowned domestic and international art institutions, highlighting a diverse range of artistic expressions and enhancing public engagement with art [1] Group 1: Event Overview - The expo is held at the Baotou International Convention and Exhibition Center, covering an area of 5,800 square meters [1] - It features participation from over 260 artists, presenting various art forms including traditional Chinese painting, calligraphy, oil painting, sculpture, photography, cultural and creative products, pottery, purple clay, and intangible cultural heritage prints [1] Group 2: Interactive and Educational Initiatives - An interactive segment titled "AI Robot Calligraphy" explores new artistic forms through human-machine collaboration [1] - The event incorporates an "online + offline" auction model, combining art live streaming with real-time bidding to create an immersive art consumption experience [1] - Multiple public lectures and academic seminars are organized to shift public art perception from mere observation to deeper understanding, stimulating public interest in art creation [1] Group 3: Additional Activities - The expo will run until July 18, during which Baotou City will offer various supporting cultural and tourism activities, providing citizens and visitors with a rich and diverse artistic cultural experience [1]

Core Viewpoint - The exhibition "Yuliang - Pan Yuliang Art Exhibition from Anhui Museum" showcases over 70 representative works of Pan Yuliang, highlighting her rich artistic career and unique style that blends Eastern and Western art [1][18]. Artist Background - Pan Yuliang, born in 1895 in Yangzhou, Jiangsu, was one of the early female Chinese painters to study Western painting abroad and achieved significant success [2][3]. - She faced a challenging upbringing but was supported by Pan Zanhua, who facilitated her education in art, leading her to become one of the first female students in a Chinese higher art school [3][4]. Artistic Development - During her studies abroad, Pan Yuliang learned various Western art techniques, including Impressionism and Fauvism, while maintaining her cultural roots [4][5]. - She became the first female director of the Western Painting Department at Shanghai Art College and held the first solo exhibition of Western painting by a Chinese woman in Shanghai [4][5]. Artistic Philosophy - Pan Yuliang's core artistic philosophy is "combining Eastern and Western styles," where she integrates Western modernist techniques with traditional Chinese aesthetics [5][6]. - She believed that art should transcend geographical and cultural boundaries, merging the strengths of both Western realism and Eastern expressive qualities [6][7]. Artistic Contributions - Pan Yuliang's works span various genres, including portraits, figure studies, landscapes, and still lifes, showcasing her innovative use of color and form [8][10][12]. - Her paintings often reflect a deep emotional resonance and a unique perspective on femininity, contributing significantly to the representation of women in art [15][18]. Market Recognition - Pan Yuliang's artworks have gained significant attention in the art market, with notable auction prices reflecting her artistic value, such as her oil painting "Double Fan Dance" sold for 18.4 million yuan in 2019 [14]. - The increasing prices of her works indicate a growing recognition of her contributions to modern Chinese art and her unique artistic voice [14][15]. International Influence - Pan Yuliang has received international acclaim, with her works exhibited in countries like France and Italy, enhancing the global appreciation of Chinese art [16][18]. - She serves as a vital bridge for cultural exchange between China and the international art community, elevating the status of Chinese art on the world stage [16][18].

Core Viewpoint - The article discusses the evolution and significance of watercolor painting in China, highlighting its development, challenges, and the establishment of dedicated exhibitions to promote this art form [6][7]. Group 1: Historical Context - The author initially engaged with watercolor materials in a provincial performance unit, using homemade pigments for early works [2]. - Formal education in art began at the Central Academy of Drama, where oil painting was the primary focus until watercolor painting was introduced later in the curriculum [3][4]. - Influential teachers returning from the Soviet Union played a crucial role in integrating watercolor painting into stage design and broader artistic practices in China [4]. Group 2: Artistic Development - The author rediscovered watercolor painting after a long hiatus, appreciating its versatility and ease of use compared to oil painting [5]. - The establishment of the Beijing Watercolor Painting Research Association marked a significant moment for the promotion and organization of watercolor artists in China [6]. Group 3: Current Trends and Future Prospects - The third National Watercolor Painting Exhibition, held after ten years, saw a significant increase in participation, with over 4,000 artists submitting works [7]. - The article emphasizes the growing recognition of watercolor painting's unique qualities and its role in contemporary art, despite challenges such as a lack of distinct thematic expression among artists [7].

经济日报记者 杨阳腾 走进位于深圳市龙岗区布吉街道的大芬油画村，空气中弥漫着松节油和颜料的气息，一块块镶着油 画的方形画框在街巷两旁渐次陈列，街巷墙面上色彩跳跃的涂鸦作品引得游客频频驻足拍照。 大芬油画村被誉为"中国油画第一村"，是全国最大的油画生产、交易基地，也是全球重要的油画交 易集散地，曾获评全国首批国家文化产业示范基地和深圳市十大特色文化街区。数据显示，2024年，大 芬油画村产值达30亿元，集聚了超过1200家画廊及相关产业门店，辐射周边地区及产业的从业人员超2 万人，形成集创作、生产、销售、交易、配套服务于一体的完整油画产业链。 从昔日默默无闻的客家村落，到如今全球瞩目的油画产业地标。大芬油画村的蜕变之路不仅是一支 笔一幅画绘就的传奇，更成为传统村落转型升级、打造文化产业高地的范本。 主动转型求变 上世纪80年代，大芬油画村还被称为大芬村，是一个以种植水稻为主、原住居民仅有300余人的农 耕村落。1989年，香港画商黄江看中这里低廉的人力成本和毗邻香港的区位优势，带领学徒在此批量化 临摹、复制油画，并销往海外，从而形成了大芬油画产业的雏形。 "这种油画制造模式迅速产生集聚效应，全国各地的画家、画商 ...