8月8日，南都N视频记者注意到，湖北省博物馆发布了一则声明称，"越王勾践剑"为湖北省博物馆馆藏十大镇馆之宝之一，其2025年未授权任何企业、单位 或个人在任何平台发行、销售与"越王勾践剑"相关的数字资产（文创）产品，"此类产品与我馆无任何关联，如有侵权，我馆将保留依法追究其法律责任的 权利"。 （文章来源：南方都市报） 越王勾践剑。 据介绍，越王勾践剑长55.6厘米，宽5厘米，剑首向外翻卷呈圆盘形，内铸11道精细的同心圆，剑身满饰黑色菱形花纹。在剑身正面靠近剑格处还写有两行 鸟篆铭文，分别是"越王鸠浅自作用剑"。越王勾践剑因制作精美，历经2500余年仍纹饰清晰，毫无锈蚀，被誉为"天下第一剑"。 ...

Core Viewpoint - The article emphasizes the significance of cultural heritage and the increasing interest of Chinese people in their historical artifacts, particularly through museum visits and the return of lost treasures [4][6][11]. Group 1: Cultural Heritage and Artifacts - The Smithsonian Institution returned the lost artifacts "Wuxing Ling" and "Gongshou Zhan" to China after 79 years [2][3]. - Over 10 million cultural relics have been lost from China since 1840, many of which are now housed in major museums like the British Museum and the Metropolitan Museum of Art [4]. - The return of these artifacts symbolizes the historical memory of the Chinese nation and its journey towards cultural revival [6]. Group 2: Public Interest in Museums - There is a growing trend among Chinese people to visit museums, especially during holidays, with over 70 million visitors reported during a recent holiday [9]. - Major attractions included the Terracotta Army Museum with over 420,000 visitors, the Forbidden City with over 650,000, and the Chengdu Museum with over 2.06 million [9]. - Cambridge professor Martin expressed admiration for the Chinese people's connection to their cultural artifacts, highlighting the stories each piece tells [11]. Group 3: The Importance of Art and Aesthetics - The article discusses the emotional and historical significance of various artifacts, such as the Jiahu bone flute and the Terracotta Warriors, which connect modern viewers to ancient civilizations [13][17]. - The narrative emphasizes that understanding these artifacts enriches one's appreciation of Chinese history and culture [20][28]. Group 4: Promotion of "The Complete Book of Chinese National Treasures" - The article promotes "The Complete Book of Chinese National Treasures," which features over 1,000 artifacts from 50 museums, aiming to provide a comprehensive view of 10,000 years of Chinese civilization [28][70]. - The book is described as a treasure trove for art lovers, offering high-quality images and detailed descriptions of each artifact [36][70]. - It is marketed as an essential resource for both children and adults to enhance their understanding of Chinese culture and history [144][145].

Group 1 - Hubei province introduced over 100 new cultural and tourism consumption scenarios and products during the "May Day" holiday, significantly boosting the tourism market [1] - Wuhan saw a 70% year-on-year increase in inbound travel orders during the holiday, with 11 cruise ships offering customized Yangtze River light shows that were popular among overseas tourists [1] - Yichang's inbound tourism market performed well, with daily Southeast Asian charter flights and an average of 6 European and American tour groups visiting popular attractions like the Three Gorges Dam [1] Group 2 - Major tourist attractions in Hubei experienced a surge in visitors, with the Yellow Crane Tower and other sites nearing capacity, leading to flow restrictions [2] - Wudang Mountain received 161,500 visitors, a 40.68% increase year-on-year, while the Red Cliffs battlefield welcomed 105,700 visitors, marking an 80% increase [2] - During the holiday, Hubei's A-level tourist attractions received 17.81 million visitors, a 24.61% increase, and star-rated hotels had an average occupancy rate of 75.46%, up by 7.12 percentage points [2]

Core Viewpoint - The Hubei Provincial Museum has launched a new VR experience project titled "Through the Bronze Age," allowing visitors to interact with historical artifacts like the Sword of Goujian and the Zeng Hou Yi chime, creating an immersive cultural experience [1][3][5]. Group 1: Project Overview - The VR theater spans 1,000 square meters, where visitors can don VR headsets to explore the details of the Bronze Age in China, guided by a virtual creature [3]. - The project features over 30,000 model assets, including characters, artifacts, and architecture, with a focus on high-fidelity restoration of museum collections [5][8]. - The project celebrates the 60th anniversary of the discovery of the Sword of Goujian, showcasing a "giant sword spectacle" that magnifies the sword by 10,000 times [5][8]. Group 2: Cultural Significance - The project represents a technological innovation in cultural heritage and aims to pass down the spirit of ancient artifacts to contemporary audiences [7]. - The team behind the project has dedicated nearly 400 days to its development, emphasizing the importance of craftsmanship and historical legacy [7][8]. Group 3: Technical Aspects - The project is produced by the Hubei Provincial Museum in collaboration with local cultural technology companies, utilizing award-winning technology previously used in notable animations [8]. - The music for the experience is developed in partnership with a team known for their work on the game "Black Myth: Wukong," enhancing the immersive experience [8]. Group 4: Visitor Engagement - The VR project is now available for ticket reservations, expected to attract significant interest during the upcoming May Day holiday [10].