越王勾践剑
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越王勾践剑 吴王夫差矛 用了哪些铸造技术?
Xin Lang Cai Jing· 2026-01-10 07:05
All 7 24 2418 Tit 战国时期青铜剑 剑首 上海博物馆藏 中国青铜兵器发展到东周时期,出于诸侯争霸的需要,兵器的形制和制作技术有了显著进步。吴国、越 国的兵器技术更是名满天下,从相继出土的越王勾践剑和吴王夫差矛上便可见一斑。上海博物馆与新民 晚报联合打造的公益文化品牌——上博讲坛第五季第六讲将由上海博物馆研究员廉海萍,以"东周时期 吴越青铜技术三绝"为题,在1月16日19时开讲,并将通过视频号"上海时刻"、视频号"上海博物馆"、新 浪微博"上海博物馆",以及上海博物馆B站直播间进行直播。 关于菱形纹饰的成分、结构及其形成工艺仍无定论。菱形纹饰兵器的表面处理技术就是通过某种方法, 在铸造而成的青铜剑表面形成有规则分布的富锡的表面细枝晶区。 剑首同心圆位于剑首端部,有的剑首同心圆凸棱多达11道,在多圈同心圆的槽底,分布着极细凸起的绳 纹,增加了剑首同心圆的美感和装饰性。如此精细严密的薄壁同心圆,使这种剑首以现代的机械加工方 法亦不可实现。这证明在2500多年前,我国已掌握极为精密的铸造成形技术。 本报记者 徐翌晟 越王勾践剑(见左图)1965年在原楚国属地湖北江陵楚墓中出土,剑身上有8字鸟篆铭文"越 ...
文博日历丨一把青铜戈存档春秋时期的艺术字
Yang Shi Xin Wen· 2025-11-26 01:51
Core Viewpoint - The bronze dagger, dating back over 2000 years, features unique inscriptions and represents significant historical evidence related to the Jin, Wu, and Chu states during the Spring and Autumn period [6][13]. Group 1: Historical Significance - The bronze dagger is a high-quality artifact from the late Spring and Autumn period, showcasing exquisite craftsmanship and a sharp blade [6]. - It bears seven well-preserved gold-inlaid inscriptions, including the name "Wang" and the phrase "Wang Zi Yu Zhi Yong Ge," indicating it was used by the Wu King Liao before his ascension [10][13]. - The dagger serves as important physical evidence of the "Alliance of Wu to Control Chu" strategy, highlighting the cultural exchange between the southern Wu state and the northern Jin state during their rivalry [16][17]. Group 2: Artistic Features - The inscriptions on the dagger are crafted in a special artistic font known as "Bird-Worm Seal," which incorporates bird and insect motifs, popular in the southern states during the Spring and Autumn period [16]. - This unique font not only serves a writing function but also adds decorative value, enhancing the dagger's luxurious appearance [17]. - Similar artistic styles are found in other ancient artifacts, such as the famous "Sword of Goujian," which also features inscriptions in Bird-Worm Seal, showcasing the aesthetic and cultural significance of such designs in ancient China [17].
湖北省博物馆称未授权发行与越王勾践剑相关文创!系镇馆之宝
Nan Fang Du Shi Bao· 2025-08-08 15:46
Core Viewpoint - The Hubei Provincial Museum has announced that it has not authorized any entity to issue or sell digital assets related to the "Sword of King Goujian" in 2025, asserting that any such products are not associated with the museum and legal action may be pursued for infringement [1][3]. Group 1: Museum's Announcement - The Hubei Provincial Museum emphasizes that the "Sword of King Goujian" is one of its top ten treasures and has not authorized any sales or distribution of related digital assets for 2025 [1]. - The museum warns that any unauthorized products related to the "Sword of King Goujian" will be considered infringing, and the museum reserves the right to take legal action [1]. Group 2: Description of the Sword - The "Sword of King Goujian" measures 55.6 centimeters in length and 5 centimeters in width, featuring a unique design with a round disc-shaped tip and 11 finely crafted concentric circles [3]. - The sword is adorned with black diamond patterns and has inscriptions in bird seal script, stating "Sword made by King Goujian for personal use" [3]. - Renowned for its exquisite craftsmanship, the sword has remained free of rust and retains clear patterns after over 2500 years, earning the title of "the best sword in the world" [3].
美归还的中国国宝,刺痛了多少中国人
凤凰网财经· 2025-06-17 13:28
Core Viewpoint - The article emphasizes the significance of cultural heritage and the increasing interest of Chinese people in their historical artifacts, particularly through museum visits and the return of lost treasures [4][6][11]. Group 1: Cultural Heritage and Artifacts - The Smithsonian Institution returned the lost artifacts "Wuxing Ling" and "Gongshou Zhan" to China after 79 years [2][3]. - Over 10 million cultural relics have been lost from China since 1840, many of which are now housed in major museums like the British Museum and the Metropolitan Museum of Art [4]. - The return of these artifacts symbolizes the historical memory of the Chinese nation and its journey towards cultural revival [6]. Group 2: Public Interest in Museums - There is a growing trend among Chinese people to visit museums, especially during holidays, with over 70 million visitors reported during a recent holiday [9]. - Major attractions included the Terracotta Army Museum with over 420,000 visitors, the Forbidden City with over 650,000, and the Chengdu Museum with over 2.06 million [9]. - Cambridge professor Martin expressed admiration for the Chinese people's connection to their cultural artifacts, highlighting the stories each piece tells [11]. Group 3: The Importance of Art and Aesthetics - The article discusses the emotional and historical significance of various artifacts, such as the Jiahu bone flute and the Terracotta Warriors, which connect modern viewers to ancient civilizations [13][17]. - The narrative emphasizes that understanding these artifacts enriches one's appreciation of Chinese history and culture [20][28]. Group 4: Promotion of "The Complete Book of Chinese National Treasures" - The article promotes "The Complete Book of Chinese National Treasures," which features over 1,000 artifacts from 50 museums, aiming to provide a comprehensive view of 10,000 years of Chinese civilization [28][70]. - The book is described as a treasure trove for art lovers, offering high-quality images and detailed descriptions of each artifact [36][70]. - It is marketed as an essential resource for both children and adults to enhance their understanding of Chinese culture and history [144][145].
湖北文旅“上新”新场景 入境游订单量激增
Zhong Guo Xin Wen Wang· 2025-05-05 16:06
Group 1 - Hubei province introduced over 100 new cultural and tourism consumption scenarios and products during the "May Day" holiday, significantly boosting the tourism market [1] - Wuhan saw a 70% year-on-year increase in inbound travel orders during the holiday, with 11 cruise ships offering customized Yangtze River light shows that were popular among overseas tourists [1] - Yichang's inbound tourism market performed well, with daily Southeast Asian charter flights and an average of 6 European and American tour groups visiting popular attractions like the Three Gorges Dam [1] Group 2 - Major tourist attractions in Hubei experienced a surge in visitors, with the Yellow Crane Tower and other sites nearing capacity, leading to flow restrictions [2] - Wudang Mountain received 161,500 visitors, a 40.68% increase year-on-year, while the Red Cliffs battlefield welcomed 105,700 visitors, marking an 80% increase [2] - During the holiday, Hubei's A-level tourist attractions received 17.81 million visitors, a 24.61% increase, and star-rated hotels had an average occupancy rate of 75.46%, up by 7.12 percentage points [2]
新时代中国调研行之文化中华丨穿越青铜纪
Bei Jing Ri Bao Ke Hu Duan· 2025-04-30 03:44
Core Viewpoint - The Hubei Provincial Museum has launched a new VR experience project titled "Through the Bronze Age," allowing visitors to interact with historical artifacts like the Sword of Goujian and the Zeng Hou Yi chime, creating an immersive cultural experience [1][3][5]. Group 1: Project Overview - The VR theater spans 1,000 square meters, where visitors can don VR headsets to explore the details of the Bronze Age in China, guided by a virtual creature [3]. - The project features over 30,000 model assets, including characters, artifacts, and architecture, with a focus on high-fidelity restoration of museum collections [5][8]. - The project celebrates the 60th anniversary of the discovery of the Sword of Goujian, showcasing a "giant sword spectacle" that magnifies the sword by 10,000 times [5][8]. Group 2: Cultural Significance - The project represents a technological innovation in cultural heritage and aims to pass down the spirit of ancient artifacts to contemporary audiences [7]. - The team behind the project has dedicated nearly 400 days to its development, emphasizing the importance of craftsmanship and historical legacy [7][8]. Group 3: Technical Aspects - The project is produced by the Hubei Provincial Museum in collaboration with local cultural technology companies, utilizing award-winning technology previously used in notable animations [8]. - The music for the experience is developed in partnership with a team known for their work on the game "Black Myth: Wukong," enhancing the immersive experience [8]. Group 4: Visitor Engagement - The VR project is now available for ticket reservations, expected to attract significant interest during the upcoming May Day holiday [10].