Core Viewpoint - The exhibition "West Lake Imprint - Phase Results of the Fourth National Cultural Relics Census in Hangzhou West Lake Scenic Area" showcases the achievements of cultural heritage protection and highlights the importance of the fourth national cultural relics census in adapting to new challenges in cultural heritage preservation [1][2] Group 1: Cultural Heritage Protection - The fourth national cultural relics census is a fundamental task for national cultural heritage protection, responding to new challenges posed by urbanization and environmental changes [1] - The census employs advanced technologies such as digitalization and satellite positioning to comprehensively assess the preservation status of cultural relics, enhancing the management system for cultural heritage [1] Group 2: Exhibition Details - The exhibition is divided into three main sections: an overview of the cultural relics census, re-examinations, and new discoveries, featuring 20 to 30 representative immovable cultural relics in each of the latter two sections [2] - The exhibition aims to raise public awareness of cultural relics protection and encourage community participation in preserving cultural heritage [2]

Core Viewpoint - The article emphasizes the integration of technology and creativity in the protection of cultural heritage in Zhejiang, particularly focusing on the West Lake, Grand Canal, and various intangible cultural heritages, showcasing a model of sustainable cultural preservation and innovation. Group 1: Cultural Heritage Protection - Zhejiang has achieved a breakthrough in world cultural heritage, with sites like West Lake and the Grand Canal being recognized, alongside 13 projects included in the intangible cultural heritage list [2] - The province boasts 20 historical cultural cities, 94 towns, 218 villages, and over 70,000 immovable cultural relics, indicating a rich cultural heritage landscape [2] Group 2: Technological Empowerment - Digital technology is being utilized in cultural heritage protection, such as AR guides in museums and smart management systems for the Grand Canal, enhancing visitor experience and management efficiency [3][4] - The "Liangzhu Cultural Comprehensive Enhancement Project" has implemented smart applications to monitor environmental conditions at heritage sites, improving management precision [3] Group 3: Major Cultural Projects - The "Chinese Historical Painting Series" project has been ongoing for 20 years, resulting in a comprehensive archive of ancient Chinese paintings, addressing the dual challenge of preservation and accessibility [6][7] - The project has produced 64 volumes and 244 books, creating the most extensive documentation of ancient Chinese art [6] Group 4: Intangible Cultural Heritage - Zhejiang leads the nation with 241 national intangible cultural heritage projects and 271 representative inheritors, reflecting a strong commitment to preserving traditional crafts [8] - Local initiatives encourage young artisans to engage in heritage protection, fostering a new generation of craftsmen [8] Group 5: Creative Cultural Development - Young creators in Zhejiang are innovating within the cultural sector, developing new products and experiences that blend traditional crafts with modern consumer interests [10] - The integration of local culture with creative industries is being promoted through various initiatives, enhancing cultural tourism and community engagement [10]

Core Viewpoint - The resilience protection system is essential for the rapid response and adaptive management of cultural heritage in the face of climate change and external shocks [1][2] Group 1: Climate Change Impact - Climate change poses a significant threat to cultural heritage, affecting temperature and precipitation averages over time, as well as their variability [1] - Different regions and materials (such as soil, wood, brick, stone) require tailored responses to climate change, with a particular focus on the over 80% of earthen sites in China [1] Group 2: Restoration and Preservation Techniques - Restoration is crucial for recovering the original appearance of cultural artifacts, while also enhancing their resilience against external shocks and erosion [1] - Modern restoration emphasizes detailed scientific exploration, testing, research, and evaluation before applying various restoration measures, moving beyond mere restoration to strengthening the artifacts [1] Group 3: Environmental Considerations - The protection of cultural heritage must include the safeguarding of surrounding environments, as many ancient buildings are integrated with their surroundings [2] - There is a consensus on the need to study the safety of the environments where cultural artifacts are located [2] Group 4: Technological Integration - Current technology is no longer a limiting factor for protection, but the disconnect between technology application and cultural heritage preservation remains an issue [2] - A comprehensive understanding of the value, characteristics, and properties of cultural artifacts is necessary to effectively utilize technology for early diagnosis of deterioration and enhance monitoring capabilities [2] Group 5: Goals of the Resilience Protection System - The resilience protection system aims to maximize the self-healing and sustainable development capabilities of cultural artifacts in response to external shocks [2] - It requires a shift from reactive "emergency restoration" to proactive "adaptive maintenance," necessitating improved knowledge and understanding of cultural heritage [2] - There is a need to integrate existing cultural heritage protection data and systems, establishing cross-disciplinary collaboration platforms for data sharing and resource coordination [2]

中国和吉尔吉斯斯坦两国青少年同台演出。 熊宣然摄 吐尔尕特口岸。 哈提甫江摄 在克州慕士塔格峰下的喀拉库勒湖畔，民众在玛纳斯国际 文化旅游节上齐唱玛纳斯。 克孜勒苏柯尔克孜自治州委宣传部供图 图片来源：新疆维吾尔自治区自然资源厅 审图号为新S（2025）040号 在新疆阿图什市的克州民俗风情园，游客在观看玛纳斯 演出后选购民族服饰。 新华社记者 王 菲摄 克州乌恰县吉根乡斯木哈纳村，是我国境内太阳最晚落山 的地方。 刘学文摄 视频报道请看人民日报国际微信公众号 在2024年中央广播电视总台龙年春晚舞台上，我国少数民族三大史诗同台唱响。其中，柯尔克孜族史诗 玛纳斯，主要流传于新疆克孜勒苏柯尔克孜自治州（以下简称"克州"）等地。 克孜勒苏柯尔克孜自治州博物馆展示的《玛纳斯》（汉文 全译本）。 新华社记者 徐宏岩摄 克州境内有昆仑山最高峰公格尔峰、被誉为"冰山之父"的慕士塔格峰，由此衍生出"西王母之邦"的传 说。据说雪山脚下美丽神秘的喀拉库勒湖，就是当年周穆王赴昆仑所访原始部落的"西王母瑶池"。 在这片古老神奇的土地上，史诗玛纳斯传唱千载。它讲述了英雄玛纳斯及其七代子孙，率领柯尔克孜人 民抵御外侵、守护家园的传奇故 ...

Core Viewpoint - The legend of "Gao Liang Chasing Water" reflects the historical significance of water resources in Beijing and the cultural memory associated with the Gao Liang Bridge and Gao Liang River, highlighting the challenges of water scarcity faced by the city's residents throughout history [6][12][13]. Summary by Relevant Sections Legend and Historical Context - The legend narrates how General Gao Liang chased away dragons to save Beijing's water supply, ultimately leading to the establishment of Gao Liang Bridge to commemorate his efforts [6][8]. - The story, while fictional, encapsulates the historical struggles of Beijing's residents with water scarcity, emphasizing the importance of water resources in their daily lives [7][9]. Water Scarcity in Beijing - Historical records indicate that Beijing has long faced water shortages, with a significant portion of its wells providing poor-quality water [7][10]. - The reliance on wells for daily water needs and the high cost of purchasing drinkable water reflect the ongoing challenges faced by the city's inhabitants [7][8]. Cultural Significance of Gao Liang Bridge and River - Gao Liang Bridge and River have been integral to Beijing's history, serving as vital components of the city's water system since the Jin Dynasty [9][10]. - The bridge and river have also been popular recreational spots for residents, contributing to their cultural significance [11][12]. Heritage Protection and Modern Relevance - Recent efforts have been made to preserve Gao Liang Bridge as a cultural heritage site, highlighting its historical value amidst urban development [12][13]. - The legend of "Gao Liang Chasing Water" serves as a means to raise awareness about the importance of protecting cultural heritage and understanding the historical context of Beijing's water resources [13][14].

Core Viewpoint - The transformation of Shaoxing Cangqiao Straight Street serves as a vivid example of Zhejiang's deepening cultural construction through the "Eight Major Projects" over the past 20 years, emphasizing the importance of preserving historical authenticity and continuity [1][2]. Group 1: Cultural Construction Achievements - Over the past 20 years, Zhejiang has continuously deepened cultural construction, resulting in the increase of historical buildings to 11,000 and the recognition of three world cultural heritage sites: West Lake, Grand Canal, and Liangzhu Ancient City [2]. - The "Chinese Historical Painting Series" project has gathered over 12,000 national treasures scattered globally, showcasing a shift from rescue protection to systematic protection and innovative development [2]. - The cultural production capacity has been liberated and developed, with the "new three samples" of culture, including online literature, web dramas, and online games, gaining international traction [2]. Group 2: Cultural Services and Accessibility - The establishment of 101 rural art museums has expanded cultural access, allowing the essence of Jiangnan ink painting to reach rural areas [2]. - The initiative of mobile theater performances has evolved into the creation of over 14,000 "15-minute quality cultural life circles," enhancing cultural services across urban and rural settings [2]. - The coverage of rural libraries and urban reading rooms has deepened cultural services, providing spiritual nourishment to the community [2]. Group 3: Future Cultural Initiatives - Zhejiang is fostering a talent-rich environment through initiatives like "Wenjie Action," "Wenxin Action," and "Wenyuan Action," aiming to enhance cultural vitality [3]. - The province is focused on highlighting its cultural identity through the "Tracing Back" initiative, which aims to invigorate cultural heritage [3].

Core Viewpoint - The Jiangxi Province has issued a plan for the construction and protection of the Yangtze National Cultural Park, emphasizing high-quality development and cultural heritage preservation [1] Group 1: Planning and Scope - The plan covers 46 counties (cities, districts) across 11 prefecture-level cities in Jiangxi Province, focusing on significant cultural heritage along the Yangtze River and its tributaries [1] - The primary task is to ensure the holistic and systematic protection of cultural heritage [1] Group 2: Development Philosophy - The plan adheres to the principles of "coordinated major protection, no major development" and "ecological priority, green development" [1] - It aims to integrate the protection of cultural heritage, ecological environment, and urban-rural landscape [1] Group 3: Cultural and Tourism Integration - The plan seeks to enhance thematic displays and create a distinctive Yangtze cultural exhibition system with local characteristics [1] - It promotes the innovative integration of culture and tourism, aiming to develop a shining pearl on the international golden tourism belt of the Yangtze River [1] Group 4: Future Goals - By 2027, the plan aims to establish a cultural heritage protection supervision system and a mechanism for the protection of cultural heritage [1] - By 2035, it envisions a clear responsibility and efficient management model for comprehensive and systematic protection of cultural heritage, positioning Jiangxi as a core area for inheriting and promoting Yangtze culture [1]

Core Viewpoint - The successful application of Beijing's Central Axis for World Heritage status marks a significant milestone in cultural heritage protection and urban development in China, showcasing the country's commitment to preserving its historical and cultural identity [1][17][18]. Group 1: Historical Context and Significance - The concept of Beijing's Central Axis was formally recognized in the 20th century, with significant contributions from scholars like Liang Sicheng, who detailed its historical and architectural importance [2][4]. - The Central Axis, spanning 7.8 kilometers, is the longest urban axis in the world, representing a unique blend of material and intangible cultural heritage [4][14]. Group 2: Application Journey - The journey to apply for World Heritage status began post-2008 Beijing Olympics, with a series of initiatives and plans laid out by local and national authorities to protect and promote the Central Axis [6][7]. - Key milestones included its inclusion in the national cultural heritage preparatory list in 2012 and the establishment of a dedicated working group for its protection and promotion [6][8]. Group 3: Core Work for Heritage Protection - A comprehensive protection system was developed, focusing on cultural heritage preservation, environmental improvement, public engagement, and technological integration [10][12]. - Significant restoration efforts were made on key historical sites along the Central Axis, adhering to international heritage protection standards [10][11]. Group 4: Unique Value of the Central Axis - The Central Axis serves as a model for balancing heritage protection with urban development, providing valuable insights for other historical cities worldwide [14][15]. - Its successful application for World Heritage status highlights China's cultural confidence and the continuity of its civilization [18]. Group 5: Future Implications - The recognition of the Central Axis as a World Heritage site is expected to enhance Beijing's role as a national cultural center, guiding future urban planning and development [17][18]. - Ongoing efforts will focus on maintaining the heritage's value, ensuring public participation, and integrating modern urban life with historical preservation [18].

Core Points - The Netherlands has officially returned 119 Benin bronzes to Nigeria, emphasizing the importance of heritage preservation and cultural promotion for national identity [1][2] - The bronzes, which were taken by British forces in 1897, include various artifacts such as human figures, animal figures, and royal insignia [1] - The return of these artifacts is part of a broader initiative by the Dutch government to address historical injustices related to colonial-era cultural property [2] Group 1 - The return ceremony took place at the National Museum in Lagos, where Nigeria's Minister of Arts, Culture, Tourism, and Creative Economy highlighted the cultural significance of the bronzes [1] - The bronzes were created by the Edo people starting in the 13th century using lost-wax casting, showcasing intricate details and geometric patterns [1] - Among the returned items, notable pieces include a bronze commemorative head from the Benin Kingdom and an ivory sculpture depicting a narrative scene [1] Group 2 - The Dutch government has established an independent advisory body, the "Colonial Era Cultural Property Return Advisory Committee," to evaluate and recommend the return of cultural properties taken during colonial rule [2] - The return agreement was signed in February 2023, with a focus on cooperation and future collaboration between the Netherlands and Nigeria [2] - Initiatives include a digital heritage expert seminar to explore the digital preservation of the Benin bronzes and the development of online exhibition platforms [2]

Group 1 - The Shanghai Cooperation Organization (SCO) Media Think Tank Summit was held in Zhengzhou, China, from July 23 to 27, focusing on themes such as enhancing strategic alignment and deepening political trust among member states [1][2] - The summit emphasized the "Shanghai Spirit," which includes mutual trust, mutual benefit, equality, consultation, respect for diverse civilizations, and seeking common development [1][2] - The SCO has expanded from 6 member states to 26 over 24 years, becoming the largest regional cooperation organization in terms of area and population [2] Group 2 - The report titled "Guarding the Treasures of Human Civilization: The Concept and Practice of Cultural Heritage Protection in New Era China" highlights China's achievements in cultural heritage protection and its commitment to sharing benefits with the public [2] - Experts at the summit recognized the importance of cultural heritage protection as a shared global challenge, advocating for collaborative efforts to preserve human civilization [2][3] - The summit featured over 400 participants from nearly 200 media, think tanks, government institutions, and international organizations, facilitating in-depth discussions and exchanges [3][4] Group 3 - Cultural exchange activities showcased Henan's unique heritage, including traditional tea ceremonies and non-material cultural heritage experiences, fostering mutual understanding among international guests [3][4] - The summit included various forums and activities, such as the "Ambassador's Tea House" and cultural heritage protection discussions, enhancing the collaborative spirit among SCO members [3][4] - The event highlighted the role of media and think tanks in promoting practical cooperation and a shared future for the SCO [4]