Group 1 - The core viewpoint of the article is the willingness of Gansu's provincial leadership to deepen cooperation with EU countries in various fields [1] - Gansu aims to expand practical cooperation in cultural relic protection, renewable energy development, water resource management, and desertification control [1] - The meeting signifies a step towards enhancing friendly cooperation between Gansu and EU nations [1]

1997年，他和当时的南岸区文管所所长戴月英一同来到安达森洋行旧址。一到这里，他就惊喜地喊了出 来："'沿山坡建造的四栋仓库'，这不正是书里描述的场景！" 惊喜之余，胡昌健也感到一阵心酸：1997年，从江边走上仓库都不是一件易事；在抗战时期，这群"文 人"将文物运上去的过程该有多艰难。在那个战乱的年代，他们不仅要面对炮火的威胁，还要带着文物 翻山越岭，这种敬业精神令人动容。 在重庆故宫文物南迁纪念馆的一栋建筑上，写着两个已经有些模糊的红色大字——"不拆"。这座"不能 拆"的建筑，承载着一段不能忘记的历史。这两个字，也诉说着重庆和故宫多次"相遇"的故事。 1931年九一八事变爆发后，故宫博物院理事会决定将故宫文物的精品南迁，以避日寇劫掠。1933年2月 初，13427箱59万件文物分批从故宫运出。这些文物历经坎坷，历时十几年，行程数万里，播迁十余省 份，在颠沛流离中完成了一场大规模的文物迁徙。 有很长一段时间，故宫文物和重庆的"相遇"都是一件"不为人知"的事。 "那时，故宫文物南迁是绝对的秘密，鲜有文献记叙。"重庆中国三峡博物馆原研究馆员胡昌健说，一次 偶然的机会，他在一本书中读到故宫文物曾流离重庆的线索。之后 ...

Core Points - The event "Shenyang 2025 Cultural and Natural Heritage Day" was officially launched, focusing on public participation and technological empowerment in cultural heritage protection [1][3] - The event aims to integrate legal education, cultural heritage awareness, and archaeological experiences, promoting a deeper connection between the public and cultural heritage [1][3] - The newly revised "Cultural Relics Protection Law" was highlighted, with efforts to make legal knowledge accessible to the public [1][3] Group 1: Event Overview - The event is guided by various cultural and tourism authorities and aims to engage the public in cultural heritage protection through a series of activities [1] - A total of over 200 activities were organized across Shenyang's districts, including exhibitions, competitions, and educational programs [10][14] - The event features a knowledge competition based on the new Cultural Relics Protection Law, attracting widespread participation from various demographics [3][4] Group 2: Public Engagement and Participation - The competition received 1,598 valid responses, with participants ranging from 9 to 73 years old, showcasing broad public interest [3][4] - The event utilized new media platforms to enhance outreach, with over 250,000 views during the live broadcasts [4][10] - Activities included immersive archaeological experiences, allowing participants to engage directly with cultural heritage [8][15] Group 3: Archaeological Discoveries - The event showcased the results of the fourth national cultural relics census, revealing over 230 new immovable cultural relics, with a discovery rate of 15.3% [5][7] - Significant archaeological finds included artifacts from various historical periods, enhancing the understanding of Shenyang's cultural history [5][8] - The census results were presented using digital displays, making the information more accessible to the public [7][8] Group 4: Future Directions - The event marks a new starting point for Shenyang in promoting cultural heritage protection as a collective action [17] - The city aims to transform public consensus on cultural heritage into active participation and protection efforts [17] - Future initiatives will continue to focus on integrating cultural heritage into daily life and community engagement [16][17]

Group 1 - The ongoing fourth national cultural relics census focuses on material cultural heritage reflecting the history of the Communist Party, New China, reform and opening up, and the history of socialism, enhancing the registration and protection of important historical sites [1][2] - The census is a significant national condition and strength survey, essential for the development of cultural relics, aiming to identify and protect more relics, ensuring comprehensive protection [2][3] - The census work connects scattered fragments of civilization into a "genealogy" of cultural relics, providing important references for drawing wisdom from civilization, inheriting cultural roots, and promoting national and contemporary spirit [2][3] Group 2 - The protection of cultural relics requires both professional efforts and public participation, with awareness of cultural relics protection growing through this process [3] - The standards for relic identification are continuously improving, expanding the scope of protected objects and enriching the value connotation of cultural relics [3] - The approach emphasizes "protection first, rescue first, reasonable use, and strengthened management," with a focus on utilizing cultural heritage to meet public cultural service needs [3][4] Group 3 - Examples of utilizing cultural relics for public cultural services include the construction of fitness trails near ancient rock paintings in Yunnan and the development of rural tourism in Nujiang, which attracts visitors [4] - The transformation of the old Xi'an Film Studio into an art venue and commercial hub illustrates the economic potential of cultural relics [4] - Each census promotes the leap-forward development of the cultural relics sector, establishing a solid foundation for high-quality development in this field [4]

Core Viewpoint - The article highlights the importance of preserving historical cultural heritage during urban renewal projects, exemplified by the successful transformation of the Zhonghai Dajixiang project in Beijing, which integrates traditional architecture with modern commercial elements, attracting significant foot traffic. Group 1: Project Overview - Zhonghai Dajixiang is located in the core area of Beijing and preserves numerous historical buildings from the Ming and Qing dynasties, including significant cultural heritage sites [3] - The project faced challenges in restoring historical buildings, leading to the implementation of tailored renovation plans for each structure, utilizing digital methods for precise evaluation and restoration [3] - Traditional craftsmanship was employed throughout the restoration process, adhering to principles of authenticity in rebuilding historical architecture [3] Group 2: Cultural Engagement - The project includes six cultural heritage courtyards functioning as free museums, showcasing themes like Silk Road civilization and calligraphy, allowing citizens to engage with history [5] Group 3: Space Utilization - The project creatively addresses space limitations by developing underground commercial and recreational areas, aligning with recent urban renewal policies that encourage the use of underground space [9] - The design incorporates feedback from local residents, resulting in the addition of green spaces and recreational facilities, enhancing community engagement [11] Group 4: Economic Impact - After nine years of development, Zhonghai Dajixiang fills a commercial gap in southern Beijing, with a focus on integrating urban renewal with consumer demand [13] - The project boasts a commercial leasing rate exceeding 96% and an opening rate of 91%, with over 150 premium brands, including a 50% ratio of flagship and customized stores [15] - The commercial area of 80,000 square meters features diverse offerings, blending traditional cultural elements with modern lifestyle needs [15]

Core Viewpoint - The article discusses the creation of a television series titled "Guardians of the Treasure," focusing on cultural heritage protection and archaeology, aiming to counter the sensationalism of tomb raiding depicted in previous works [1][2]. Group 1: Themes and Narrative Structure - The series aims to highlight the importance of cultural heritage protection and the legal responsibilities associated with tomb raiding, rather than glorifying the act itself [1]. - The narrative will intertwine real events, such as the Jiangcun Tomb case, and will feature a storyline centered around the Han Emperor's mausoleum, showcasing the struggles of archaeologists and cultural preservationists [1][2]. - The series will employ a multi-threaded narrative structure, including international artifact recovery and significant archaeological cases, to enhance emotional depth and engagement [2]. Group 2: Production and Artistic Approach - The production team emphasizes realism in the portrayal of archaeological practices, utilizing actual locations in Xi'an and Hancheng for filming [2]. - The artistic style aims to authentically recreate historical burial sites, with detailed attention to the differences in tomb structures from various dynasties [2]. - The series incorporates expert guidance to ensure accurate representation of archaeological techniques and cultural heritage preservation [2]. Group 3: Cultural Significance - The project is seen as a bridge connecting the past and future, reflecting the romantic notion of archaeology as a means to understand history [3]. - The series represents a significant step in addressing the narrative around cultural heritage and aims to educate the audience on the importance of preservation efforts [3].

5月21日至23日，以"守护丝路遗产·锻造大国工匠"为主题的西北四省(区)文物保护工匠技能竞赛暨甘肃 省第一届文物行业职业技能竞赛在甘肃兰州举行，来自甘肃、青海、宁夏、新疆四省(区)的百余名文物 修复领域的能工巧匠同台竞技。 随着"考古文博热"持续升温，在古丝路贯穿全境的西北四省(区)，越来越多年轻力量涌入文物修复和考 古勘探发掘一线。青海省文物考古研究院的王旖萱便是其中一员，已从业4年多。 此次是王旖萱首次参加该领域赛事。"有点紧张，进入节奏后慢慢静下来。"王旖萱23日接受中新社记者 采访表示，逛博物馆是她自幼的爱好，大学期间也因此选择了文物保护专业，"和文物接触很有意思， 当你触摸它、与它对视，仿佛能感受到千年前，也曾有一位古代工匠同样触摸过它，这就是文化传承的 力量"。 如愿从事热爱的工作后，在西北大漠中跟随前辈前往考古勘探现场、在戈壁滩上开展田野调查，这些在 王旖萱看来都并非苦差，反而是与大自然的亲密接触。她说，"如今网络发达，资讯繁多，有人将精力 和时间花在追逐时新事物上，但也总得有人沉下心来做文化传承守护的工作，我愿意成为这样的人。" 本次竞赛，来自西北四省(区)文博单位、相关企业、高校、职业院校 ...

Core Viewpoint - The article highlights the importance of cultural heritage preservation in China, particularly through the lens of Xi Jinping's experiences and initiatives regarding historical artifacts and sites, such as the Longmen Grottoes and the Longzang Temple stele [4][10][12]. Group 1: Cultural Heritage Significance - The Longmen Grottoes in Luoyang, with 2,345 niches and nearly 110,000 stone carvings, represent a significant historical and cultural site [4]. - Xi Jinping's recollection of protecting the Sui stele during his tenure in Zhengding emphasizes the need for safeguarding cultural relics [5][8]. - The Longzang Temple stele, dating back to 586 AD, is recognized for its artistic value and is considered a precursor to the development of regular script in Chinese calligraphy [6][10]. Group 2: Preservation Efforts - During his time as a county party secretary, Xi Jinping initiated various measures to protect historical sites and artifacts, including organizing cultural heritage surveys and establishing protection protocols [9][10]. - The preservation of the Sui stele was a direct result of Xi's intervention, which prevented further deterioration and ensured its survival [8][10]. - The revitalization of historical sites has contributed to the growth of tourism in Zhengding, showcasing the economic benefits of cultural heritage preservation [10][12]. Group 3: Cultural and Economic Impact - The article notes that China has over 760,000 immovable cultural relics, positioning the country as a significant cultural resource [12]. - The integration of culture and tourism has led to new trends, such as virtual museum tours, enhancing public engagement with cultural heritage [12]. - Xi Jinping's ongoing commitment to cultural preservation reflects a broader national strategy to promote and disseminate Chinese culture [12].

中新社洛阳5月21日电 题：越过千年，龙门石窟何以永葆"容颜" 中新社记者 阚力 李贵刚 初夏时节，在河南洛阳龙门石窟研究院内，"文物医生"李心坚手拿专业文物修复工具，正在清理一件文 物残片的历史浮尘。27年来，这位"文物医生"一直致力于让这片千年石窟群"美颜"永驻。 近几年，李心坚带领团队在修复文物、维保石窟之余，还承接了十余个文物保护项目。一丝不苟间，他 们已完成佛龛残片的清理、粘接，在李心坚的指导下，开始填补缝隙。 5月20日，河南洛阳，龙门石窟研究院的"文物医生"对文物进行修复。中新社记者 阚力 摄 20世纪30年代，《帝后礼佛图》浮雕等文物流失海外。 为此，龙门石窟研究院依托高精度数字资源，开展残损文物虚拟复原及流散文物虚拟复位。如联合西安 交通大学、美国芝加哥大学等单位，对散落全球的石窟碎片进行三维数据采集。 张国锋介绍，目前，已将陈列在美国的"皇后礼佛图"与龙门石窟宾阳中洞浮雕残壁、文物碎块"数字复 活"，让其真实"容颜"显世。 千年前，古人的智慧让龙门石窟惊艳世界。自建成至今，其一直遭受自然侵蚀、裂隙渗水等"病害"侵 扰。 龙门石窟研究院研究馆员马朝龙20日告诉记者，20余年来，龙门石窟在石窟 ...

并非所有文物都面临如此境遇，从整体来看，全社会对文物保护的重视程度正日益提高。日前，流 失海外79年之久的"子弹库帛书"回归祖国。这批被誉为"国之瑰宝"的战国帛书，是迄今发现的中国最早 的帛书和首个典籍意义上的古书，于1942年在长沙出土，1946年非法流失美国。经过多年的外交努力和 学术界持续关注，才得以部分回归。寻回国宝的过程，显示了国家层面对珍贵文物的高度重视和保护决 心。 文物保护不应是少数珍品的荣耀，更应赋予每一处历史遗存的尊严。在快速变化的社会环境中，需 要重新思考博物馆和文保机构的角色定位，建立更具包容性、参与性和创新性的文化遗产保护体系。唯 有如此，才能确保散落民间的历史碎片得到应有的尊重和保护，使其在连接过去与未来、传承文明火种 的使命中发挥应有的作用。毕竟，今天如何对待文物，就决定了后人如何看待我们这一代人的文化自觉 与历史担当。 那么，是什么原因造成了文物保护中如此悬殊的待遇差异？从资金分配来看，虽然中央财政通过国 家文物保护专项资金和对地方的转移支付，支持重点文物保护项目，且省级及以下文物保护单位保护项 目预算占本省一般项目补助总额的比例上限，由15%提高至30%，但经费投入只是文物保 ...