本次活动由北京市教委主办，北京市少年宫和密云区教委承办。形式多元的生态作品展示，是孩子们走 出教室、拥抱自然的生动写照，通过观察、记录与创作，孩子们不仅锻炼了动手能力，更在心中种下环 保的种子，激励更多青少年投身于生态保护的实践中。此次活动还组织师生开启"神奇种子农场"研学考 察之旅，这里汇聚中国农业科学院、中国农业大学、北京市农林科学院、北京农学院等顶尖科研团队， 依托现代化园区与千亩良田，开展各类谷物前沿实验，让学生们真切领悟万物生长。 本报讯（记者 任洁 通讯员 王玉梅） 北京市中小学生"生态与生命"科技实践活动总结表彰展示活动近日 在密云区举办，孩子们用作品诠释"人与自然和谐共生"的理念。 （来源：劳动午报） 转自：劳动午报 ...

Core Viewpoint - The significance of China's advocacy for harmonious coexistence between humans and nature reflects its commitment to ecological construction [1] Group 1: Tim Flach's Contributions - Tim Flach, a renowned British animal photographer, emphasizes the emotional connection between viewers and wildlife through his work, prompting deep reflections on the coexistence of humans and nature [3] - Flach employs a method of "critical anthropomorphism" to capture the individuality and emotions of animals, breaking down barriers between species and fostering empathy and conservation awareness [3] Group 2: China's Ecological Efforts - Flach praises China's efforts in wildlife protection, noting specific actions such as afforestation and the establishment of nature reserves that contribute to ecological improvement [4] - He highlights that these initiatives are important measures for creating a healthy ecosystem for the future and serve as a model for other countries [4] Group 3: Personal Connection to China - Flach's connection to China is not only personal, due to his Chinese wife, but also stems from his long-term interest in documenting ecological conservation efforts in regions like Yunnan and Sichuan [3] - He has published five books in Chinese, sharing stories of rare species and their conservation progress with Chinese readers [3]

Group 1 - China is entering a new stage characterized by "solid bottom line and open upper limit," emphasizing safety, stability, and resilience while also focusing on technological innovation and social progress [1][11] - The IMF's classification of countries highlights that wealth alone does not equate to being developed; structural maturity, institutional reliability, social inclusiveness, and sustained innovation are core indicators of development [2][3] - High-income countries may not necessarily be classified as developed economies due to factors such as economic structure concentration and vulnerability to external shocks [2][3] Group 2 - The concept of "moderate development" is defined not as a vague middle ground but as a stage with clear structural characteristics and capabilities, indicating a transition from primary development stages [4][5] - A "moderate" economy should have a complete industrial chain and system, demonstrating resilience and the ability to move towards high-end manufacturing and high-value services [4][5] - Governance in a "moderate" economy should reflect transparency and stability, with macro policies showing foresight and continuity [5] Group 3 - China's modernization aims to create a sustainable and inclusive modern civilization, addressing the challenges of a large population and regional disparities [7][8] - Key features of Chinese-style modernization include a large population, common prosperity, coordination between material and spiritual civilization, harmony with nature, and peaceful development [9][10] - The transition to a "moderate developed" status signifies a solid foundation while still allowing for improvements in civilization capacity, technological strength, and governance levels [11]

由中央广播电视总台联合国家林业和草原局、中国花卉协会共同打造的大型花文化融媒体节目《花开中国》，将于12月20日18:00在CCTV-1综合频道播出 广州篇（上）。本期节目聚焦"花城"广州的生态建设与花卉文化传承。 《花开中国》广州篇通过多维度呈现，展示了一座现代化城市实现人与自然和谐共生的生动实践【来源：节目预告正文末段】。 编辑：王爽宇 在花卉科技方面，广州自主培育的"广州1号"矮牵牛成为广东省首个杂交F1代草花新品种，并在2023年世界花园大会上荣获镀金奖。 节目还将深入社区，展现花卉融入日常生活的生动场景。在旧南海县社区等地，居民以花为媒，通过种植可食用植物等方式，让花卉文化在社区生活中延 续传承。 广州市坚持生态优先，已构建"森林围城、绿道穿城、绿意满城、四季花城"的生态格局。截至2025年2月，全市森林面积超30万公顷，拥有各类公园1500 余个，绿道总长近4000公里。 节目将展示广州特色立体绿化景观。其中，覆盖420多座桥梁、绵延350余公里的簕杜鹃"空中花廊"尤为壮观。这一景观始于2004年广州市林业和园林局的 桥梁绿化探索，通过科学养护实现四季花开。 ...

Core Viewpoint - The article highlights the increasing number of various bird species that have chosen Jiangxinzhou Island in Nanjing as their winter habitat, emphasizing the island's unique ecological environment and its suitability for wildlife [1][11]. Group 1: Bird Species and Habitat - Jiangxinzhou Island hosts over thirty species of birds, making it a popular wintering site for these avian populations [11][16]. - The island's favorable conditions, including abundant flora and fauna, as well as a tranquil environment, contribute to its appeal for birds seeking refuge during winter [7][11]. Group 2: Ecological Environment - The island is surrounded by the Yangtze River, which provides excellent water quality, further enhancing the natural habitat for birds [7]. - Continuous improvements in the island's environment over the years have attracted an increasing number of birds to congregate there [11][16]. Group 3: Community Engagement - The presence of these birds has drawn many citizens and tourists to Jiangxinzhou Island, promoting birdwatching and recreational activities [20]. - The harmonious coexistence of humans and nature is depicted as a beautiful scene unfolding on the island [24].

骐骥驰骋 2026年马年春晚吉祥物发布 中新社北京12月18日电 (记者 高凯)中央广播电视总台《2026年春节联欢晚会》18日发布吉祥物形 象，"骐骐""骥骥""驰驰""骋骋"四匹骏马，活泼可爱、意气风发。 "骋骋"的设计原型是普氏野马。作为地球上唯一现存的野生马种，普氏野马是拥有6000万年漫长进化史 的"生物基因活化石"。如今，中国普氏野马种群数量居世界之首，是中国生物多样性保护、生态文明建 设的重要成果。"骋骋"的外形粗壮结实、身形矫健，是人与自然和谐共生的生动见证。(完) 来源：中国新闻网 编辑：徐世明 其中，"骐骐"的设计灵感源自西周盠驹尊，配色取自"骐"字本意——青黑色的马，气质庄重而典 雅。"骐骐"头戴当卢，高束发髻、彬彬有礼，尽显朝气蓬勃、心怀远志的昂扬奋进之姿。 "骥骥"的设计灵感源自汉代天马。它的身姿参考国宝级文物铜奔马，翅膀借鉴错金银镶松石狩猎纹铜伞 铤上的飞马造型。"骥骥"双翼舒展、腾云逐日的英姿，彰显奋发向上的精气神。 "驰驰"的设计灵感源自唐代三花马。三花马因马鬃被修剪成三瓣而得名，是以昭陵六骏等为代表的唐代 文物和史料中所见良马的最高规格。"驰驰"意气风发，束起的马尾更添英武之 ...

Core Viewpoint - Guangdong has issued the 2025 No. 3 General Forest Chief Order, focusing on comprehensive bird protection and combating illegal hunting and trading of birds over a three-year period, aiming to establish a new ecological civilization that promotes harmony between humans and nature [1] Group 1: Implementation and Responsibilities - The order emphasizes the need to enhance political awareness and establish a responsibility system, with strict implementation of the bird protection action plan during the key migratory period from September to April [1] - A work mechanism involving "Forest Chief leadership, departmental collaboration, and local responsibility" will be established to ensure regulatory responsibilities are met in key periods, areas, and aspects [1] Group 2: Source Governance and Protection Measures - The order highlights the importance of source governance to ensure the safety of migratory birds, mandating the removal of illegal bird-catching tools as the first line of defense [2] - It calls for the comprehensive elimination of prohibited hunting tools and a strict crackdown on activities threatening bird survival, while balancing bird protection with agricultural needs [2] Group 3: Law Enforcement and Public Awareness - Strict law enforcement and regulatory measures will be implemented to create a comprehensive protection effort, focusing on monitoring the entire chain from hunting to trading [3] - The order encourages public education and awareness campaigns to promote bird protection, including monitoring public sentiment and exposing typical cases to create a strong deterrent [3] - As part of the bird protection initiative, Guangdong's forestry department has initiated actions resulting in 305 joint law enforcement operations and the removal of 3,262 bird-catching nets [3]

《多样武夷：吴磊的国家公园观察日记》系列纪录片官方海报。主办方供图 《多样武夷：吴磊的国家公园观察日记》系列纪录片16日在北京发布。 该纪录片由国际环保机构野生救援(WildAid)和武夷山国家公园福建管理局共同制作和出品、中国 绿色碳汇基金会联合出品。 据介绍，《多样武夷：吴磊的国家公园观察日记》系列纪录片是以国家公园体制建设和生物多样性 保护为核心主题的自然纪录片，分为上、下两集，围绕"生物多样性观察员"吴磊走访武夷山国家公园的 亲身经历展开。上集聚焦武夷山国家公园完整而多样的生态系统所孕育的丰富的物种多样性，并探讨生 态文明建设与当地社区可持续发展之间密不可分的关系。下集着重展现武夷山国家公园"昆虫世界"的奇 妙有趣，同时突出科学监测、智慧管理、执法巡护等保护措施的不可或缺。 《多样武夷：吴磊的国家公园观察日记》是继《寻护者》和《一网无弃》之后，野生救援三年来拍 摄的第三部自然纪录片。野生救援北京代表处首席代表余冲在发布会上介绍，《多样武夷：吴磊的国家 公园观察日记》突破了传统自然风光片或科普教育片的既有风格，通过野生救援公益大使吴磊以第一视 角记录的现场感和实地参与过程中的真情流露，将国家公园、生物多 ...

Core Insights - The report highlights Wuhan's recognition as a key research subject in the "Annual Research Plan on Urban International Influence," alongside cities like Beijing and Shanghai, reflecting its growing international communication efforts and showcasing a model of Chinese modernization [1] Group 1: International Influence and Communication Strategies - Chinese cities, including Wuhan, Chengdu, and Chongqing, have gained international recognition, with Wuhan's unique approach combining "going out" and "inviting in" strategies for international communication [2] - Wuhan has developed a collaborative system around the Yangtze River, integrating "cultural corridors, night tourism economy, and new media communication" to enhance its overall competitiveness [2] - The city hosted a 10-day joint interview event called "Walking China: Discovering Wuhan," inviting over 20 mainstream media journalists from countries like Thailand and Turkey to showcase its ecological protection, technological innovation, and cultural heritage [2] Group 2: Urban Livability and Cultural Branding - The international livability reputation of cities like Wuhan is a significant factor in their global influence, with Wuhan leveraging unique IPs to tell its urban story [3] - The "Yangtze Dolphin" character, representing Wuhan, was featured at the Chinese Cultural Festival in Washington, marking its debut as a cultural symbol on the global stage [3] - Innovative content dissemination strategies, such as live broadcasts and AI short videos, have reached over a million views, effectively promoting the Yangtze Dolphin's image and ecological narratives [3] Group 3: Engaging International Audiences - The "Wuhan at 18" program features foreign influencers exploring the city, enhancing the relatability and vibrancy of Wuhan's narrative through diverse cultural perspectives [4] - Influencers from various countries have highlighted Wuhan's local culture, cuisine, and technological advancements, creating a broad resonance on international social media platforms [4] - Wuhan's multifaceted international communication practices aim to elevate its global influence, with a focus on historical depth and innovative vitality [4]

Core Viewpoint - The article emphasizes the rich ecological philosophy embedded in traditional Chinese culture, particularly through landscape and flower-and-bird paintings, which reflect the harmonious coexistence of humans and nature, contributing to global sustainable development and ecological civilization in China [1][4]. Group 1: Ecological Aesthetics - Ecological aesthetics is rooted in a profound understanding of the beauty of nature, with artists observing and depicting natural elements in various ways, showcasing the changing forms of nature across seasons [1][2]. - The concept of "qi yun" (气韵) in Chinese painting represents the rhythm of life, emphasizing the pursuit of vitality and spirit in art, particularly in flower-and-bird paintings, which focus on the essence of life rather than mere physical characteristics [2][3]. Group 2: Relationship Between Humans and Nature - Traditional Chinese paintings serve as a bridge between humans and nature, highlighting the interdependence and holistic relationship between the two, which distinguishes them from other aesthetic models [3][4]. - The integration of human figures in landscape paintings illustrates the idea that humans are an integral part of nature, revealing the harmonious relationship between the two [4]. Group 3: Contribution to Sustainable Development - The principles reflected in traditional Chinese landscape and flower-and-bird paintings align with contemporary goals of building a shared global ecological community, suggesting that studying and inheriting these ecological aesthetic wisdoms can energize this development trend [4].