不久前，作家莫言开通了新的社交媒体账号一条逛北师大的小视频获得年轻人10万+点赞；一个对"莫言和余华、史铁生偷瓜"的虚构故事的回答，又是近 10万点赞……不到半个月，涨粉超过百万。已经70岁的莫言写道，"我依然对世界充满好奇……我想和年轻人聊聊天。" 13年前，莫言成为第一位获诺贝尔文学奖的中国人，也是迄今为止唯一一位。颁奖词说，"在莫言的作品中，世界文学发出的怒吼淹没了很多同时代人的 声音"。 四十四年重看莫言 电影《红高粱》剧照 1987年，电影《红高粱》拍摄时合影，左起：巩俐、莫言、姜文、张艺谋 其实早在上个世纪八十年代，莫言就已经名扬中国，他的小说《红高粱》被导演张艺谋改编为同名电影，1988年在西柏林电影节上获得金熊奖，《人民日 报》用整整一个专版进行了报道，"妹妹你大胆地往前走"吼遍大江南北。 莫言在家乡高密 他从此变成了一个职业小说家，发明了"高密东北乡"这个文学王国，在其中肆意开垦、建造：《丰乳肥臀》《檀香刑》《生死疲劳》《蛙》……遍拿国 内、国际的文学大奖，当选为中国作家协会副主席。 一条曾面对面采访莫言，他说："我的创作动机曾经非常低俗""要说我对人类精神有什么贡献，那就是打破了作家的神秘 ...

此前，莫言曾打假：这些话不是我说的。 5月5日，中国当代作家、诺贝尔文学奖获得者莫言在其个人公众号回应网友提问，并在线打假：这些 话确实不是我说的。 莫言打假的话包括： 11月22日，据潇湘晨报消息，近日，作家莫言在中国香港参加活动，活动期间接受记者采访，回应了 网上流传他和余华、史铁生去偷瓜的故事，他表示这都是网友们自己杜撰的故事，"我们三个怎么会去 偷瓜呢？""即便去偷瓜怎么会带上史铁生呢？"同时还表示，真去偷瓜丢下史铁生也不符合自己当过兵 的人的性格。 网传"莫言说" 最讨厌正月里走亲戚，你拿两样破东西来我家了，我忙碌半天然后做一桌子菜给你，陪着假笑聊着家 常。 莫言回应 30多年前，我确实写过一篇《过去的年》的文章，文中讲述了我童年时的过年习俗，但没提到正月里 走亲戚的事。其实我是很喜欢正月里走亲戚的，一是可以到亲戚村子里看看风景，二是可以吃好的。 网传"莫言说" 无论山有多高都有鸟飞过去，无论网有多密都有鱼钻过去，真正的强大不是对抗，而是允许一切发生。 莫言回应 这也不是我说的，但我说过类似的话。多年前，我给一个温州籍旅外作家的小说写过序言，其中有两句 话："世界上有鸟儿飞不到的地方，但似乎没有温州 ...

Core Viewpoint - The National Day holiday has seen a surge in high-quality cultural performances across various art troupes, providing a rich cultural experience for the public, with notable productions like the innovative rendition of the classic play "Thunderstorm" [1][4]. Group 1: Performances and Productions - The production of "Thunderstorm," directed by Pu Cunxin and Tang Ye, is being staged at the Beijing International Theatre Center, featuring experimental expansions in stage space that blend symbolic and realistic expressions [4]. - The current version of "Thunderstorm" was created in 2021 and has toured multiple locations, celebrating the 115th anniversary of playwright Cao Yu's birth in 2025 [6]. - The original narrative from Cao Yu's 1934 script is reinterpreted in this production, showcasing the timeless appeal of classic works to contemporary audiences [6]. Group 2: Cultural Events and Festivals - The "Big Drama in Beijing" exhibition season is actively taking place during the National Day holiday, featuring a variety of performances that attract large crowds of citizens and tourists [7]. - The National Centre for the Performing Arts is hosting the original national opera "Red Sorghum," based on Mo Yan's novel, marking its debut on the opera stage with a top-tier creative team [9]. - The "Big Drama in Beijing" exhibition season, themed "Artistic Innovation and Quality for the People," will last for three months, showcasing over 117 premium productions across various genres, highlighting the pinnacle of domestic and international theatrical arts [11]. Group 3: Art Exhibitions - The 2025 International Audio-Visual Artworks Expo is being held, allowing attendees to enjoy a rich artistic atmosphere through performances and exhibitions [11]. - The expo features six exhibition areas covering a total of 15,000 square meters, showcasing nearly 6,000 audio-visual treasures from 17 countries [13]. - Outdoor activities at the Beijing Art Center include free jazz performances and interactive events, enhancing the cultural experience for visitors during the holiday [15].

Core Viewpoint - The key to contemporary drama dissemination lies in "empathy," emphasizing the importance of emotional connection in theatrical performances and cross-cultural understanding [3][9]. Group 1: Differences Between Eastern and Western Drama - Eastern and Western dramas exhibit significant differences in values and performance systems, rooted in philosophical foundations: the West emphasizes "individual conflict and social critique," while the East focuses on "overall harmony and expressive representation" [5][6]. - The "mask theory" training method proposed for East Asian actors suggests that Eastern performers tend to maintain a level of concealment in their expressions, while Western performances are characterized by emotional openness [5][6]. Group 2: Cultural Exchange and Collaboration - There is a deep cultural foundation shared between Chinese and Korean dramas, yet they also display notable differences in teaching methods and thematic expressions [6][11]. - Recommendations for enhancing collaboration between China and Korea in drama and arts education include strengthening cultural exchanges between universities and participating in international drama festivals [11][14]. Group 3: The Role of Technology in Drama - The digital age presents more opportunities than challenges for the drama field, as students increasingly view drama as a means of emotional expression despite the prevalence of digital screens [13][14]. - Concerns about artificial intelligence replacing human actors have been addressed, with a consensus that the core of drama remains the emotional expression of "human" experiences [14].

Group 1 - Chinese films have achieved significant recognition at major international film festivals in 2023, including awards for "The Land of the Living" at the Berlin International Film Festival, "Wild Times" at the Cannes Film Festival, and "Daytime Hanging" at the Venice Film Festival [1] - The Venice Film Festival has historically been a favorable platform for Chinese cinema, with renowned directors like Zhang Yimou, Ang Lee, and Hou Hsiao-hsien winning prestigious awards, particularly during Marco Müller’s tenure as chairman [3] - Despite the recent surge in box office success for Chinese films, there has been a relative quietness in terms of artistic achievements at major international festivals, with the last award for a Chinese film at Venice being in 2019 [3] Group 2 - Since the late 1980s and early 1990s, Chinese films have gained international attention through European film festivals, with notable films like "Red Sorghum" and "Farewell My Concubine" winning awards and enhancing the global profile of Chinese actors [4] - The new generation of filmmakers, represented by directors like Bi Gan and Wei Shujun, has been increasingly recognized at major film festivals, showcasing the potential and talent of young Chinese filmmakers [4] - Recent short films from Chinese directors have won multiple awards at Cannes, indicating a strong reserve of talent and creativity among the younger generation in the Chinese film industry [4]

Group 1 - The 8th Malaysia International Film Festival is currently taking place in Kuala Lumpur, showcasing the increasing presence of Chinese films, including "My Friend Andre," which is competing for the highest award, the "Golden Ring Award" [1] - The Chinese animated film "Ne Zha" has gained significant attention in Malaysia, providing an excellent opportunity for Malaysian audiences to understand Chinese culture, particularly due to the character's familiarity within the Chinese mythological context [1] - The success of these films is attributed to their effective cross-cultural narratives, addressing universal themes such as justice, bravery, and love, which resonate with Malaysian audiences [1] Group 2 - Recent years have seen innovations and breakthroughs in Chinese cinema, enhancing cultural expression through technology, exemplified by the advanced computer graphics in "Ne Zha," which offers an unprecedented sensory experience [2] - The collaboration between China and Malaysia in film has intensified, with notable projects such as the co-produced documentary "Our Story" and the Malaysia Chinese Film Festival, showcasing various Chinese films to local audiences [2] - There is a natural cultural connection between Malaysia and China, with hopes for increased cooperation in film co-production, distribution, and market expansion to create internationally competitive Chinese-language films [2]