《马到功成》大 片首映式 本报记者 陶磊 摄 阔别公众视野两年有余，正在经历建馆以来最大规模升级改造的上海科技馆，在2026年开年之际，按下 了重启"热身键"：昨天下午，全球首部生肖动物巨幕电影《马到功成》首映式在焕然一新的上海科技馆 巨幕影院隆重揭幕；同一时刻，作为开馆重头戏之一的故宫联名大展"奇骥奔腾"正式开启早鸟票预售。 长期以来，国内科技馆的特种影院主要处于单向引进海外片源的状态。而本次上映的《马到功成》，则 呈现出一种截然不同的模式。这部影片由中央广播电视总台、上海科技馆携手新疆青少年出版社、广东 普星达文化、贰零贰零生肖影视文化传媒联合出品，将目光锁定中国传统的生肖文化符号——"马"。作 为中央广播电视总台年度重点项目，影片展现出惊人的国际号召力：曾参与BBC《冰冻星球II》等世界 级制作的导演马克·布朗罗（MarkBrownlow）应邀加盟，与中国团队共同打磨创作。 历时一年，摄制团队的足迹跨越了亚洲、欧洲、中东和美洲，为这部关于马的生命史诗赋予了全球化的 影像语言。上海科技馆馆长倪闽景在首映式致辞中表示，这种"中国内涵、全球表达"的创作路径，正是 上海在全球科普资源配置中由"跟跑"转向"领跑" ...

从重庆到上海，从常州到大理，今年跨年夜，很多城市都通过一场无人机光影盛宴，为人们献上了浪漫的新年祝福。 新年前夕，国家主席习近平发表的二〇二六年新年贺词中，特别提到了"无人机演绎绚丽'烟花'"。这既是对科技与艺术融合创新的高度肯定，也象征着新 时代中国蓬勃向上的生机与活力。 自去年4月起，每逢周六与节假日，重庆主城两江四岸核心区常态化上演的"新韵重庆"无人机灯光秀，已成为重庆的一张文化新名片，吸引了广泛关注。 创新创造催生了新质生产力，也让生活更加多姿多彩。一场场山城"赛博烟花"，以其独特的魅力，重新定义了现代城市的夜间美学，也为节庆氛围注入了 中国式的"硬核"浪漫。 光影聚气，解锁节日文旅的新玩法 节日的核心是欢聚，而山城无人机灯光秀，则成为激活节日文旅市场的新"流量密码"，让重庆的每个节假日都充满烟火气与仪式感。 自去年四月常态化演出后，无人机灯光秀便成了重庆的新晋"顶流"。山城常态化开办的无人机表演，虽只有短短的20分钟，却因其极具辨识度的科技范、 艺术风、山城韵，吸引着大量市民和游客驻足仰望。2025年，其现场观看人数超600万人次。 线下火热，线上同样沸腾。社交平台上，无人机表演的精彩片段被市民游客 ...

Core Viewpoint - The integration of technology empowerment and cultural soft power is becoming a new engine for the high-quality development of the securities industry, as emphasized by the leadership of Dongfang Securities [1]. Group 1: Digital Transformation and Cultural Integration - The digital transformation of securities companies is not only a technical upgrade but also an opportunity to reshape corporate culture, embedding cultural values into business processes [2]. - Dongfang Securities aims to create a digital culture that fosters agile response, open innovation, and efficient collaboration, which are essential soft powers for adapting to the new competitive landscape [2]. - The company is committed to enhancing its compliance management through digital means, including the development of a dynamic compliance monitoring system and intelligent compliance analysis tools [3]. Group 2: Risk Management and Compliance - Dongfang Securities is advancing its risk management system towards a digital and intelligent evolution, utilizing big data and AI to build a unified risk control platform [3]. - The company has developed a credit risk data system covering over 7,000 effective market entities, supporting various business types and enhancing risk measurement capabilities [3]. Group 3: Customer-Centric Services - The company is enhancing its core value of "customer-centric" by integrating it into its digital DNA, improving service temperature and precision through technology [4]. - Dongfang Securities has upgraded its "Dongfang Winner" app, achieving over 97% online business processing rate and significantly improving efficiency in the account opening process [4][6]. - The company has developed a multi-layered trading service system to meet diverse customer needs, including the "Dongfang Yuyun Rapid Trading System" for institutional investors [5]. Group 4: Organizational Innovation and Collaboration - Dongfang Securities is breaking down organizational barriers through technology, fostering a collaborative system that promotes resource sharing and process integration [6][7]. - The company is enhancing its "three investment linkage" mechanism to strengthen industry thinking and value discovery capabilities, focusing on hard technology and green finance [7]. Group 5: Future Opportunities and Challenges - The securities industry is facing significant opportunities and challenges as the Chinese bond market exceeds 130 trillion yuan and capital market reforms deepen [9]. - Dongfang Securities emphasizes the need for a dual-spiral strategy of "technology + culture" to ensure sustainable development and high-quality growth in the industry [9].

陆于平表示，敦煌藏经洞文物具有特殊的历史状态：20世纪初发现时，洞内的经卷、绢画长期折叠受 压，修复须极度谨慎。"数字化远不止于拍摄，最关键的是确保文物安全——须先安全展开、移动文 物，完成必要修复后，才能进入数字化环节。"大英博物馆自20世纪初即开展相关修复，2000年后启动 大规模系统项目，耗时十年完成藏经洞及新疆文物的修复与数字化。"正是这些漫长而艰巨的工作与大 量资源投入，才使今天的呈现成为可能。"目前，大英博物馆所有敦煌文物已完成修复与数字化，并全 部实现与敦煌研究院的共享。陆于平强调，中英合作的核心是"人的联结"。自2017年签署合作备忘录以 来，双方人员往来密切：大英博物馆前馆长、亚洲部主任多次访敦煌，中方学者也赴英研究，"未来敦 煌研究院有任何需求，我们也将全力配合"。 【环球时报驻英国特约记者 孙微】今年是敦煌莫高窟藏经洞发现125周年。5月31日，"数字藏经洞"数 据库平台在甘肃敦煌发布。这一平台集纳了国内外多家机构收藏的藏经洞文物数字资源，推进了流失海 外敦煌文物在数字世界"重聚"。2017年，大英博物馆启动了对馆藏最大敦煌刺绣《凉州瑞像图》的修复 工作。也正是这次修复，让"数字化"成为 ...

Group 1 - The 2025 Greater Bay Area Cultural Investment Conference showcased eight quality enterprises in fields such as intelligent robots, AI chess robots, 3D printing, and AR, indicating strong investor interest in cultural technology integration [3] - Investors expressed a strong desire to participate in new financing rounds for promising projects, highlighting a growing trend towards investment in cultural industries that leverage key technologies [3][5] - The cultural manufacturing sector is anticipated to become a hot investment market following the explosion of AI technology investments [3] Group 2 - Shenzhen Intelligent Technology Co., Ltd. aims to achieve a revenue target of 5 billion within three years, leveraging its position as a leading consumer-grade 3D printing brand with a compound annual growth rate of 30%-50% over the past five years [4][5] - The company has expanded its offerings to include self-developed 3D design software and mobile apps, providing comprehensive support for users from virtual modeling to printing [5] - The company has maintained profitability since its inception and is now seeking to strengthen its R&D capabilities through strategic investments, including one from DJI [5] Group 3 - The conference highlighted the role of local tech companies in supporting popular cultural products, such as the game "Black Myth: Wukong," showcasing innovations in AI and spatial computing [6] - Companies presented advanced technologies, including optical positioning algorithms and motion capture techniques, which enhance the digital content generation for gaming [6] - TourBox, developed by Hefei Tuwatech Co., Ltd., is a hardware-software integrated solution that significantly improves creative efficiency for digital creators, already adopted by over 500,000 creators globally [7] Group 4 - The 2025 Guangdong-Hong Kong-Macao Greater Bay Area Cultural Industry Investment Trend Report indicates that from 2020 to October 2025, there will be approximately 720 financing events in the cultural industry, with an estimated total financing amount of about 56.41 billion [9] - Investment events are primarily concentrated in Guangzhou and Shenzhen, accounting for 85% of the total, focusing on cultural technology integration, digital creative production, cultural manufacturing, and new cultural consumption [9] - The integration of digital technologies such as AI, AR, VR, and NFTs into the cultural industry presents significant investment opportunities [9]

Core Insights - The 2025 Greater Bay Area Cultural Investment Conference showcased eight high-quality companies in fields such as robotics, AI, 3D printing, and AR, indicating strong investor interest in cultural and technological integration [1][3] - The cultural manufacturing sector is expected to become a new hotspot for investment following the surge in AI technology investments [1][3] Company Highlights - Shenzhen Intelligent派科技有限公司 aims to leverage 3D printing technology to create a creative ecosystem that bridges the virtual and physical worlds, targeting a revenue of 5 billion in three years [3][6] - The company has over 1,000 employees and a production area of 50,000 square meters, achieving a compound annual growth rate of 30%-50% over the past five years [5][6] - The company has recently attracted strategic investment from DJI to enhance its R&D capabilities and plans to initiate a new round of financing [6] Investment Trends - The 2025 Greater Bay Area Cultural Industry Investment Trend Report indicates that from 2020 to October 2025, there were 720 financing events in the cultural industry, with an estimated total financing amount of approximately 56.41 billion [12] - Investment events are primarily concentrated in Guangzhou and Shenzhen, accounting for 85% of the total [12] - Key investment focuses include cultural technology integration, digital creative production, cultural manufacturing, and new cultural consumption [12] Market Opportunities - The integration of technology and culture presents significant investment opportunities, particularly in the context of the fourth industrial revolution driven by AI [13] - Companies are encouraged to explore international markets, leveraging China's engineering talent and efficient manufacturing infrastructure to replicate successful overseas experiences [13]

Core Insights - The per capita clothing consumption expenditure in Beijing for 2024 is projected to be 2031 yuan, which is higher than the national average of 1521 yuan, but it only accounts for 4.08% of the total per capita consumption expenditure of 49748 yuan, ranking fifth lowest among 31 provinces [2] - In comparison, Shanghai's per capita clothing consumption expenditure is 1936 yuan, with a total per capita consumption expenditure of 52722 yuan, resulting in a clothing consumption share of 3.67%, which is lower than Beijing's [2] - The five regions with the lowest clothing consumption share are Beijing, Guangdong, Guangxi, Shanghai, and Hainan, with Beijing being the only northern city in this group [2] - In the housing consumption sector, Beijing and Shanghai rank highest in the country, with per capita housing consumption expenditures of 19232 yuan and 17867 yuan, respectively, and housing consumption shares of 38.66% and 33.89% [2][3] Consumption Analysis - Long-term market research indicates that Beijing's clothing consumption share is in the mid-to-lower range, reflecting the city's fundamental characteristics [3] - High housing prices in Beijing and Shanghai lead to a higher share of housing consumption, which in turn squeezes the consumption space for clothing and other sectors [3] - Chengdu, as an example, has a lower per capita housing consumption of 2191 yuan, which contributes to a more vibrant retail environment and a higher proportion of clothing stores [4] Industry Development Initiatives - The "Implementation Plan for High-Quality Development of the Fashion Industry in Beijing (2025-2027)" aims to promote high-quality development in the fashion industry by integrating technology and culture [5] - The plan encourages the combination of modern aesthetics with traditional cultural elements, the use of new materials and technologies, and the support of AI pattern-making and 3D printing for customized services [5] - It also emphasizes the importance of sustainable fashion, encouraging the development of functional and environmentally friendly materials [5]

Group 1 - The core idea of the articles emphasizes the integration of culture and technology in enhancing the tourism experience in Shaanxi, particularly in Xi'an and Baoji [1][2] - The "Great Tang Night City" in Xi'an showcases a vibrant atmosphere with cultural performances and immersive experiences, utilizing technology such as holographic projections to engage visitors [1] - The Baoji Bronze Museum employs digital methods to provide an interactive experience, significantly increasing visitor engagement, with over 20,000 daily visitors during peak holidays [1] Group 2 - The articles highlight the importance of cultural innovation and the role of technology in reviving historical memories and enhancing social civilization in Shaanxi [2] - The Baoji Bronze Museum aims to improve cultural heritage protection and education through high-quality exhibitions and diversified educational programs [1] - The integration of cultural industries and market operations is emphasized, with a focus on developing new cultural formats and enhancing the overall value of cultural products [1]

Core Perspective - The collaboration between Li Ning and the Chinese Olympic Committee signifies a new chapter for the brand, aiming to connect Olympic glory with the broader public market through innovative sportswear that embodies both technology and cultural significance [2][5][11]. Group 1: Product Innovation - The newly launched Olympic attire for the 2026 Milan Winter Olympics features a blend of "Chinese Red" and "Snow Mountain White," integrating cultural elements with winter sports aesthetics [2][5]. - The attire showcases advanced sports technology, achieving breakthroughs in "temperature retention, moisture permeability, and protection," highlighting Li Ning's commitment to innovation [5][6]. - The collaboration with the China National Space Administration has led to the introduction of cutting-edge technologies like "space temperature-locking cotton" and "basalt far-infrared," elevating the performance of the Olympic gear [6][10]. Group 2: Cultural Significance - The Olympic attire serves as a "mobile exhibit" that combines professional technology with Eastern aesthetics, representing a new image of Chinese brands on the global stage [5][8]. - The design incorporates the "Double Victory Pattern," symbolizing victory and harmony, reflecting the athletes' unity with their country and the Olympic spirit [6][10]. - The attire not only represents individual athlete achievements but also embodies the collective spirit of the nation, making the Olympic glory tangible for the public [8][11]. Group 3: Brand Positioning - Li Ning's long-standing relationship with the Chinese Olympic Committee underscores its role as a trusted partner in promoting national sports, transcending traditional commercial interests [10][11]. - The brand's history, rooted in the legacy of Olympic champion Li Ning, reinforces its unique position in the sports industry, emphasizing a commitment to both professional excellence and social contribution [10][11]. - The partnership with the Olympic Committee is viewed as a strategic move to enhance Li Ning's professional image and long-term value, integrating technology, brand ethos, and sports culture [11][13]. Group 4: Market Strategy - The collaboration aims to translate elite sports technology into consumer products, allowing the public to experience the innovations of the Chinese sports delegation [13][14]. - Li Ning's focus on connecting national pride with everyday sports activities reflects a broader trend in the industry, where brands seek to resonate with new generations of consumers [14]. - The brand's commitment to professional integrity and cultural depth positions it for sustainable growth in the competitive sports market [14].

Core Points - The China Pavilion at the Osaka Expo won the Gold Award for large self-built pavilions, marking China's first gold award at an overseas comprehensive expo and the fifth consecutive major award since 1982 [1][3]. Group 1: Award and Recognition - The China Pavilion received the Gold Award from the International Exhibitions Bureau during the award ceremony [1]. - This achievement highlights the pavilion's successful design and presentation, showcasing China's cultural heritage [3]. Group 2: Pavilion Design and Technology - The pavilion, covering 3,500 square meters, features a "Chinese Book" design and narrates three main themes: "Harmony between Nature and Humanity," "Green Water and Green Mountains," and "Endless Vitality" [5]. - The projection technology used in the pavilion is based on ALPD semiconductor laser light source technology, which brings cultural heritage to life through light and shadow [5][22]. Group 3: Exhibition Highlights - The "River of Words" exhibit projects poetry from a height of 13 meters, illustrating the evolution of cultural transmission [8]. - The "Civilization Ruins" exhibit uses projectors and sand table models to showcase ancient water systems and city ruins, making ecological wisdom accessible [10]. - The "Petal Exhibit" consists of four themes related to ecological protection and social development, using projections and sand tables to depict a beautiful China [12]. - The "Ecological Corridor" offers an immersive experience of nature's beauty through interactive design [12]. - The "Guqin Intangible Cultural Heritage" exhibit combines visuals with music, reflecting the philosophical depth of traditional art [14]. - The "Nine Heavens" exhibit features interactive projections that allow visitors to send messages related to space exploration [17]. - The "Five Oceans" exhibit integrates projections with interactive elements, allowing visitors to engage with deep-sea exploration themes [19]. Group 4: Technical Implementation - The projection technology utilized in the pavilion includes over 10 units of the Light Peak Engineering D series and D Pro series projectors, ensuring high-quality visual presentations [9][22]. - The technology is designed to maintain color accuracy and image stability in complex lighting environments, overcoming challenges such as cross-construction and irregular structures [22].