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"我的阿勒泰"，注定只属于李娟一人。因为书中的每一段思考、每一份记忆、每一句叙述，都带着她独 有的内心温度。读着书中的文字，仿佛是李娟正坐在北疆的炕头，将那些司空见惯的寻常琐事，向你细 细诉说。在书中，她带着几分"婆婆妈妈"的细腻，讲述着诉说着那些生活碎片、家长里短。她用无数 的"小我"，造就了独一无二的"我的阿勒泰"。正如她在自序中所言："信笔写就的文字，往往比郑重雕 琢的篇章更真诚，也更可靠。" 这部书分为"记忆之中"与"角落之中"两辑。"记忆之中"一辑主要记录李娟在喀吾图和阿克哈拉村的日常 生活片段，如与家人相处的点滴、乡村的四季变迁等，时间跨度为2007年至2009年；"角落之中"一辑主 要记录李娟和母亲、外婆随牧民迁徙的流动日常，内容包括开杂货铺、做小裁缝、帮牧民缝补衣物、采 野生木耳等，时间为2002年至2006年。戈壁的辽阔、草原的苍茫、森林的幽深、雪山的圣洁，还有奔腾 的骏马、悠然的牧民，在这部书中，李娟以细腻明亮的笔触，勾勒出牧民在边地深远而丰富的生活图 景。 开篇《我所能带给你们的事物》一文，写尽了温情与趣味。文中，在乌鲁木齐打工的李娟，在回家时满 心欢喜地为家人带了一堆礼物。礼物中有两只 ...

●马志强 郭颖 优质文化产品是凝聚精神力量的重要载体。"十四五"以来，新疆题材文艺创作硕果累累，《远去的牧 歌》等电影连续7届获"五个一工程"奖，《本巴》斩获茅盾文学奖，《我的阿勒泰》等电视剧在全国乃 至海外热播。同时，大力弘扬中华优秀传统文化，重点保护少数民族优秀文化，通过支持维吾尔族木卡 姆艺术、柯尔克孜族史诗《玛纳斯》等非遗项目传承，推动各民族文化在中华文化沃土中交融共生。这 些举措将社会主义核心价值观融入审美体验，让各族群众在文化浸润中强化中华文化认同，在共同精神 追求中凝聚起建设美丽新疆的磅礴力量。 以文载道提升中华文明国际影响力。推进文化强国建设，既要坚守自身文化立场，又要承担起文明传承 与国际传播的时代责任。《建议》明确提出"提升中华文明传播力影响力"，这一部署将文化国际传播嵌 入中国式现代化的宏大框架，既回应了全球对中国文明认知的需求，也直指当前国际传播"提质增效"的 核心命题。在多元文明交融交锋的当下，国际传播早已不是单一维度的信息传递，而是"中国话 语"与"世界表达"的有机统一，需要构建兼具文明高度、实践温度与传播效度的叙事体系。 新疆在以文载道实践中，始终坚守中华文化主体性，将文化传承创 ...

Group 1 - The 2025 Beijing International Audio-Visual Conference gathered representatives from over 20 countries to discuss the global dissemination of Chinese audio-visual works and international collaboration in the industry [3] - The conference emphasized that only works with depth of thought, artistic charm, and cultural warmth can transcend borders and resonate with audiences [4] - The success of Chinese dramas like "My Alatai" and "The Story of Roses" in various countries highlights the growing interest in Chinese narratives and cultural themes [5][6] Group 2 - The acceptance of Chinese aesthetics in European markets is increasing, with shows like "Guose Fanghua" successfully airing on Hungarian national television [6] - The rise of micro-short dramas in Latin America is attributed to their narrative style aligning with local audience preferences, with predictions of the market size exceeding $10 billion in the next 2-3 years [7] - The shift from simple copyright transactions to collaborative IP development signifies a new phase in international audio-visual cooperation, focusing on sustainable ecosystems [8] Group 3 - Technological innovations, particularly AI, are reshaping the global audio-visual industry, enabling faster production and localization of content [9] - AI tools can significantly reduce the time required for dubbing and subtitling, allowing for broader participation from countries with limited resources [9] - The establishment of platforms utilizing blockchain technology aims to address digital copyright issues in the industry [9] Group 4 - Audio-visual media is recognized as a vital tool for cultural exchange and economic value creation, facilitating cross-cultural understanding [10]

Core Idea - The core idea of realism in creation is the pursuit of truth, which should go beyond merely representing the surface reality of social life. It requires a poet's perspective to seek the truth of characters' inner lives and an ethnographic approach to explore the cultural causes behind social life [1][2]. Group 1: Cultural Understanding and Exploration - The work of Nobel Prize-winning Hungarian author Laszlo exemplifies the importance of understanding cultural forms. He opposes a Eurocentric view of culture, advocating for the recognition of human culture as a collective memory of all ethnic groups [3][4]. - Laszlo's admiration for Chinese culture is evident in his appreciation for Laozi's "Tao Te Ching" and the "Book of Songs" compiled by Confucius, which he believes opened the path for the diversification of Chinese literature [4]. - His exploration of the cultural context that produced the poet Li Bai involved visiting multiple cities in China, highlighting the significance of understanding the cultural environment that shapes individual character [4]. Group 2: Ethnographic Approach in Cultural Analysis - The example of American cultural anthropologist Clifford Geertz illustrates the importance of deep engagement in different cultures through fieldwork. His study of the cockfighting culture in Bali emphasizes that understanding social behavior requires interpreting the meanings of cultural symbols [5]. - The discussion emphasizes that in a globalized era, incorporating diverse perspectives in realism can enhance the exploration of cultural causes behind social phenomena and the inner truths of individuals [5]. Group 3: Innovations in Narrative Structure - Traditional narrative structures are characterized by linear time, causal logic, clear conflict, and a complete closure. The article discusses the potential for breaking these conventions to allow for more innovative storytelling [6][7]. - The concept of leaving open-ended interpretations, as seen in poetry and films like "Rashomon," encourages a broader understanding of narratives beyond strict cause-and-effect relationships [7]. - The call for a return to a combination of realism and classic narrative forms suggests that contemporary literature and art should draw from various innovative achievements to create significant works that resonate with the current era [7].

Core Points - The article discusses the achievements and initiatives of Beijing during the "14th Five-Year Plan" period, focusing on cultural development and the establishment of Beijing as a national cultural center [3][4][5][6][7][8][9][10][11][12]. Group 1: Cultural Development Initiatives - Beijing has focused on promoting various cultural themes, including ancient, red, and innovative cultures, under the framework of "one core, one city, three belts, and two zones" [3]. - Significant events such as the centenary of the Communist Party, the Beijing Winter Olympics, and the 75th anniversary of the founding of New China were organized with high standards, showcasing the city's openness and cultural richness [4]. - The city has made substantial progress in promoting socialist core values and has recognized numerous individuals as national moral models, enhancing the moral atmosphere [5]. Group 2: Heritage and Historical Preservation - The city has strengthened the protection of cultural heritage, with over 31 early revolutionary sites being preserved and utilized, and more than 3.1 million visitors to major red culture venues [5][7]. - The application for the World Heritage status of the Beijing Central Axis has been a key focus, leading to the restoration of historical sites and the recognition of 312 historical buildings [7][8]. Group 3: Cultural Consumption and Events - The cultural consumption in Beijing has seen significant growth, with over 57,000 performances expected in 2024, attracting more than 12.8 million viewers and generating over 3.9 billion yuan in ticket sales [9][10]. - The city has launched initiatives to support bookstores and reading activities, with the "Ditan Book Fair" achieving over 100 million yuan in sales, marking a 37.8% increase from the previous year [10]. Group 4: Cultural Industry and Economic Impact - The cultural industry has become a significant contributor to Beijing's GDP, accounting for 11.4%, with policies in place to support new cultural business models [11]. - The integration of culture and technology has been emphasized, with new cultural and technological projects being developed, leading to over 70% of cultural enterprises' revenue coming from new business models [11][12]. Group 5: Integration of Culture, Commerce, and Tourism - Beijing has created mechanisms for the integration of culture, commerce, tourism, and sports, promoting a "one-stop" consumption experience through various events and activities [12].

Core Points - The 10th China International Copyright Expo and 2025 International Copyright Forum was held in Qingdao, Shandong, where the China Copyright Gold Award was presented [1] - Six works, including the book "My Aletai," the film "Nezha: Birth of the Demon Child," the TV series "Northwest Years," the game "Black Myth: Wukong," the full Kunqu opera "Peony Pavilion," and the variety show "National Treasure: Exhibition Season," received the China Copyright Gold Award [1] - Five organizations, including People's Education Press, Alpha Animation & Culture Co., Mango Excellent Media Co., China National Museum, and Bank of Beijing, received the Promotion and Application Award [1] - Five units, including the Intellectual Property Trial Court of Pudong New Area, Beijing Fourth Procuratorate, Anhui Provincial Public Security Department's Intellectual Property Crime Investigation Team, Changzhou Cultural Market Comprehensive Administrative Law Enforcement Team, and the Ministry of Industry and Information Technology's Fifth Electronic Research Institute, received the Protection Award [1] - Four units, including Qingdao News Publishing Bureau, Cangzhou Copyright Bureau, Anhui Copyright Bureau Management Office, and Fujian Copyright Bureau Management Office, received the Management Award [1] - The China Copyright Gold Award, co-hosted by the China National Copyright Administration and the World Intellectual Property Organization, was established in 2008 and is awarded every two years, representing the highest honor in China's copyright field [1] - The award aims to encourage and recognize outstanding contributions in copyright creation, promotion, protection, and management, contributing to technological progress, cultural prosperity, and high-quality economic development [1]

Core Points - The 10th China International Copyright Expo and the 2025 International Copyright Forum opened on October 16 in Qingdao, Shandong [3] - The China Copyright Gold Award ceremony recognized six works, including the book "My Altay," the film "Nezha: Birth of the Demon Child," the TV series "Northwest Years," the game "Black Myth: Wukong," the Kunqu opera "Peony Pavilion," and the variety show "National Treasure: Exhibition Season" [3] - The China Copyright Gold Award, established by the National Copyright Administration of China and the World Intellectual Property Organization, is the highest award in the copyright field in China [3] Awards and Recognitions - Six works received the China Copyright Gold Award, highlighting excellence in various media [3] - Five organizations, including People's Education Press Co., Ltd., received the Promotion and Application Award [3] - Five entities, such as the Intellectual Property Tribunal of the People's Court in Pudong New District, Shanghai, were awarded the Protection Award [3] - Four organizations, including the Qingdao Municipal Bureau of Press and Publication, received the Management Award [3]

Group 1 - The National Copyright Administration of China announced the winners of the 2025 China Copyright Gold Award, which includes various categories such as works, promotion, protection, and management awards [1][2] - The list of winners includes notable works such as "My Aletai" (book), "Nezha: The Devil's Child" (film), and "Black Myth: Wukong" (game), showcasing a diverse range of creative industries [2] - The award recognizes contributions from different sectors, including publishing, animation, television, and traditional performing arts, highlighting the importance of copyright in fostering creativity [2] Group 2 - The winners of the promotion award include organizations like People's Education Press Co., Ltd. and Mango Super Media Co., Ltd., indicating a focus on enhancing the reach and impact of creative works [2] - The protection award recognizes institutions such as the Shanghai Pudong New Area People's Court Intellectual Property Tribunal, emphasizing the role of legal frameworks in safeguarding intellectual property rights [2] - The management award highlights the efforts of various administrative bodies in overseeing copyright-related activities, reflecting the collaborative approach to copyright management in China [2]

Core Viewpoint - The news highlights the significant achievements in the broadcasting and network audio-visual industry during the "14th Five-Year Plan" period, emphasizing China's emergence as a major player in this sector, both in terms of user base and content production [1] Group 1: Governance and User Experience - The "dual governance" initiative launched by the National Radio and Television Administration (NRTA) aims to enhance user experience and service quality, with a focus on achieving millions of micro set-top boxes and integrated TVs [2] - The NRTA has implemented measures to address user concerns, such as transforming "automatic renewal" into "self-renewal" and enabling 93% of smart TV models to disable startup ads with a single button [2] Group 2: Content Creation and Quality - The broadcasting and network audio-visual sectors have seen a flourishing of content creation, with a focus on high-quality productions that convey mainstream values and resonate emotionally with audiences [3] - Notable productions include various commemorative works for the 80th anniversary of the victory in the War of Resistance Against Japan, as well as successful series and documentaries that reflect traditional culture and contemporary society [3] Group 3: Regulatory Framework and Industry Environment - The NRTA is committed to creating a healthy and orderly development environment by strengthening policy support and regulatory frameworks, including the revision of key regulations like the "Television Drama Management Measures" [4] Group 4: Ultra-High Definition Development - The promotion of ultra-high definition (UHD) content is a priority, with new UHD channels launched across various provinces and a significant increase in UHD programming on major streaming platforms [5][6] - The total number of UHD set-top boxes for cable TV and IPTV has surpassed 280 million units, with ongoing efforts to establish standards for mobile UHD displays [6] Group 5: International Outreach and Cultural Exchange - The broadcasting sector has played a crucial role in promoting cultural dialogue and international friendship, with a 40% increase in the export scale of audio-visual programs during the "14th Five-Year Plan" [7] - Chinese audio-visual content has reached over 200 countries, generating significant overseas revenue, with notable successes in international viewership for specific programs [7][8]