贪玩(09890)旗下子公司江西贪玩信息技术有限公司("江西贪玩")完成对《天龙八部2：飞龙战天》研发 公司的战略投资，并获得了该游戏App版本在中国大陆地区独家运营权。 江西贪玩与上海阅龙智娱文化科技有限公司("上海阅龙")、完美世界（002624）股份有限公司之附属公 司("完美世界")共同签署一系列协议。根据协议，江西贪玩以人民币1,500万元对价，收购完美世界所持 有的上海阅龙35%股权;并支付研发商上海阅龙人民币3,000万元，获得《天龙八部2：飞龙战天》App版 本在中国大陆地区的独家运营权。 贪玩已率先推出合规授权的小程序版本，此次获得《天龙八部2：飞龙战天》APP中国大陆独家运营 权，是贪玩深化实施"精品大IP+多终端布局"战略的重要一环。此举不仅标志着集团完成了对小程序与 APP移动端的全终端产品覆盖，更显著增强了其在武侠RPG细分领域的产品矩阵与竞争力。 目前，贪玩已成功运营及储备了包括《天龙八部》《笑傲江湖》《射雕三部曲》在内的多个顶级武侠IP 资源。以《天龙八部2：飞龙战天》的独家运营为起点，集团正有序推进金庸IP矩阵的系列化发行与长 线运营，为后续多款金庸武侠作品的规模化上线奠定基础 ...

Group 1 - The core viewpoint of the news is that Ganwan (09890) has secured exclusive operational rights for the game "Tianlong Babu 2: Feilong Zhantian" and acquired a 35% stake in the game developer Shanghai Yuelong [1][2] - Ganwan has paid RMB 15 million to acquire the 35% equity stake in Shanghai Yuelong, and has also signed an agreement to obtain exclusive operational rights for the App version of the game [1] - The company has further signed an exclusive agency cooperation agreement and a network game cooperation agreement with Shanghai Yuelong to gain exclusive agency rights for the H5 version of the game, which is a mini-program version [1][2] Group 2 - The strategic investment in Shanghai Yuelong allows the company to extend its operations from the distribution end to the upstream development end, enhancing its ability to supply stable premium IP products [3] - The acquisition of exclusive operational rights for both the App and mini-program versions of "Tianlong Babu 2: Feilong Zhantian" is a significant step in the company's strategy to build a "Jin Yong martial arts IP game matrix" by 2025 [2] - The company has successfully operated and reserved other Jin Yong martial arts IP games, including "Tianlong Babu 2: Feilong Zhantian," "Xiao Ao Jiang Hu," and "She Diao San Bu Qu" [2]

贪玩(09890)公布，江西贪玩信息技术有限公司(由该集团通过合约安排控制的中国经营实体)(江西贪玩) 与上海阅龙智娱文化科技有限公司(上海阅龙、项目公司)、完美世界（002624）股份有限公司的附属公 司(完美世界)签订《股权转让协议》。据此，江西贪玩支付对价人民币1500万元获得上海阅龙35%的股 权。 与此同时，上海阅龙、江西贪玩与完美世界签订《游戏运营权交接协议》，上海阅龙将《天龙八部2： 飞龙战天》(授权游戏)App版本的独家运营权授予江西贪玩;上海阅龙终止先前授予完美世界授权游戏 App版本的独家运营权;完美世界同意配合上海阅龙向江西贪玩交接授权游戏App版本的独家运营权。 于2024年，该集团已与上海阅龙签订《独家代理合作协议》及《网络游戏合作协议》，从而获得授权游 戏H5版本(即小程序游戏版本)的独家代理合作权。 如今，江西贪玩与上海阅龙再次签订新的授权游戏App版本《独家代理合作协议》，据此，江西贪玩向 上海阅龙支付独家运营权版权金人民币3,000万元，上海阅龙同意授予江西贪玩授权游戏App版本在中国 大陆地区的独家发行权，授权游戏App版本在运营中所获得的全部收益，由双方按照约定分成。 据 ...

Core Insights - The global influence of Jin Yong's novels is significant, with translations available in over twenty countries and regions, starting from 1958 [1] Translation and Dissemination - Jin Yong's novels began to be translated in Southeast Asia, with Thailand being the first country to publish a translation of "The Legend of the Condor Heroes" in 1958 [15] - Following Thailand, Indonesia and Vietnam also produced multiple translations of Jin Yong's works, indicating a growing popularity in these regions [15] - The translation of Jin Yong's novels in Cambodia and Myanmar is less clear, with no confirmed Cambodian translations and a focus on adaptations in Myanmar through film rather than direct translations [16][17] Academic Research - Academic research on Jin Yong's works in Southeast Asia began relatively late, with Thailand starting serious studies around 2000, while Vietnam has produced a wealth of scholarly work on the subject [21][22] - In East Asia, Japan and South Korea have also developed significant academic interest in Jin Yong's novels, focusing on various aspects such as literary analysis and cultural comparisons [22] Western Reception - Jin Yong's novels began to gain attention in the West in the 1990s, with early English translations appearing but not achieving the same level of popularity as in Asia [18][19] - The first complete English translations emerged in the 1990s, with subsequent translations into multiple European languages, indicating a growing interest in Jin Yong's works outside of Asia [19] Ongoing Influence - The influence of Jin Yong's novels continues to grow, with new translations and academic studies being published, suggesting that his works are on the path to becoming "world literature" [24][25]

Core Viewpoint - The article discusses the current state and future prospects of the Hong Kong entertainment industry, particularly focusing on the challenges and strategies of companies like TVB and ViuTV in engaging with the mainland Chinese market [1][19]. Group 1: Current Challenges - The Hong Kong entertainment industry is facing a significant decline in its influence and competitiveness in the mainland market, with a widening aesthetic gap and a lack of quality content production [11][19]. - TVB has experienced continuous profit declines since 2014, leading to reduced investment and quality in productions, which has resulted in fewer high-quality dramas [16][19]. - The emergence of ViuTV has created competition for TVB, as it targets a younger audience and adapts to the streaming trend, further challenging the traditional TV model [16][19]. Group 2: Strategies for Engagement - TVB has attempted to engage mainland audiences through live streaming and collaborations with platforms like Douyin, showcasing a shift towards more interactive and contemporary content [4][7]. - The company has also partnered with Tencent Video and other platforms to co-produce dramas, aiming to leverage the mainland market's potential [9][20]. - ViuTV has been exploring collaborations with mainland platforms to produce original quality dramas, which has helped improve its reputation in the mainland market [17][20]. Group 3: Cultural and Market Dynamics - The article highlights the cultural challenges faced by Hong Kong entertainers in adapting to the mainland market, where the audience's preferences have evolved significantly [19]. - Despite the challenges, there are opportunities for Hong Kong artists to gain recognition in the mainland through nostalgia and cultural connections, as seen with the resurgence of interest in Hong Kong music and dramas [12][14]. - The article emphasizes the need for innovation and adaptation in the Hong Kong entertainment industry to remain relevant and competitive in the rapidly changing landscape of mainland entertainment [20].

Core Viewpoint - TVB is actively embracing the mainland market and focusing on deepening its integration within the Guangdong-Hong Kong-Macao Greater Bay Area as a key part of its overall strategy [1][2]. Group 1: Strategic Collaborations - TVB has announced strategic partnerships with Tencent Video, Huawei, and iFlytek, indicating a comprehensive approach to enhance its presence in the mainland market [1][2]. - The company has established film production centers in Shenzhen and Guangzhou, creating a localized operational system from creative incubation to production [3]. Group 2: Financial Performance and Future Outlook - TVB has faced continuous losses for seven years since 2018, but it projects a positive EBITDA of HKD 295 million for 2024 and anticipates a profit for the fiscal year 2025 [2]. - The company aims to leverage its integration with the mainland market as a crucial pathway to reversing its financial downturn [2]. Group 3: Content Development and Innovation - TVB is focusing on producing locally filmed series, with over ten shows created in the past two years, which have achieved good ratings in the mainland market [3]. - The company is integrating AI technology into its production processes, claiming a 50% increase in post-production efficiency through the application of AIGC technology [4]. Group 4: Talent Development and Market Adaptation - TVB plans to enhance the recognition of Hong Kong artists in the mainland by adopting a mentorship model to provide opportunities for newcomers [4]. - The company recognizes the need for a cultural shift towards innovation and experimentation, particularly in the context of AI applications and market demands [5]. Group 5: Upcoming Projects - TVB's 77 Studio has entered a strategic collaboration with Tencent Video to produce key projects, including adaptations of Jin Yong's classic works and contemporary urban dramas [6][8].

Group 1 - TVB has announced collaborations with Tencent, Huawei, and iFlytek to expand its business in the mainland market, focusing on film production, music creation, and AI technology [1] - The strategic partnership between TVB and Tencent includes a memorandum for joint production of TV series, aiming to create content with both artistic value and market potential [1] - Two major projects announced for collaboration are the classic martial arts series "The Smiling, Proud Wanderer" and the urban emotional drama "Rose War" [1] Group 2 - TVB's revenue from mainland operations increased by 17% year-on-year to 851 million yuan, primarily driven by co-production projects with partners like Youku and Tencent Video [2] - "News Queen 2" is expected to be broadcast this year [2] - TVB anticipates continued growth in EBITDA for 2025, projecting a positive net profit attributable to shareholders for the full year [2]