日前，武王墩考古成果展在国家博物馆开幕，200多件套最新出土的文物集中亮相，这也是武王墩考古 成果首次全面与公众见面。 武王墩大墓是战国末期楚国考烈王熊元的陵寝，其中一件青铜簠，铭文记载"楚王酓前作铸金簠以供岁 偿"，这件文物也成了判断墓主人究竟是谁的关键证据之一。与铭文簠遥望的，是大墓出土的最大青铜 镬鼎，它的体量刷新了中国大鼎排行榜。 展览中规模更为庞大的，是9件升鼎组成的礼器组合，文献中记载的九鼎制度，在展厅中得到直观呈 现。仔细观察，其中2件升鼎用极富立体感的垂鳞纹装饰，外壁有神兽攀附，其工艺明显比其他几件更 为精致，这种差异，隐含着战国末期楚国即将走到历史终点的历史脉络。武王墩大墓出土的馈鼎，为铜 身铁足，更珍贵之处在于腹部篆刻的18字铭文。其中"左使车（库）"是战国时期中山国的官办手工业机 构，是中山国特有的名称；而"重四百五十八刀"也是中山国的量制重量。楚国王墓出现中山国的器物， 一定程度上反映出战国末期文化交融的历史图景。成套的青铜编钟与石编磬，工艺精湛的玉璧、玉璜， 纹饰华丽的彩绘龙凤纹漆木案、器形罕见的球形瓮等武王墩大墓代表性器物均在本次展览中呈现，200 多件套文物共同讲述楚考烈王陵墓的 ...

本文转自【人民网-图片频道】； 2025年12月26日，由中国国家博物馆、安徽省人民政府主办的"遇见考烈王——安徽淮南武王墩一号墓考古成果展"在中国国家博物馆开幕，展期4 个月。 武王墩一号墓是东周时期楚考烈王熊元的陵寝，是迄今经过科学发掘的规模最大、等级最高、结构最复杂的楚国王级墓葬。2020至2024年，考古 工作者通过系统而全面的发掘工作，出土了一万余件反映战国晚期楚国物质文明的珍贵遗物，为研究楚国、两周直至西汉时期的王级陵墓制度、 陵园规划、埋葬习俗等问题提供了重要实证。陈彬摄（人民图片网） 1 Vip vip.people. B 大 大 欧 原 六六 s 虎 7 级 虎座尾部铭文 虎座预部铭文 图片 B vip.people.com.cn Vip s 318 vip.people.com.cn Vip 0 the first and 人民图片 W. 本次展览展出武王墩一号墓出土文物200余件（套），分为"启封秘藏""椁藏玄契""琳琅楚琛""以属华夏"四个部分。九鼎八簋的青铜礼器组合，成 套的青铜编钟与石编磬，工艺精湛的玉璧、玉璜，纹饰华丽的彩绘龙凤纹漆木案等代表性器物亮相展览，系统展示考古发掘的科学 ...

"遇见考烈王——安徽淮南武王墩一号墓考古发现成果展"昨天在中国国家博物馆启幕。作为战国时期楚 考烈王熊元的陵寝，武王墩一号墓不仅是经科学发掘的规模最大、等级最高、结构最复杂的楚国王级墓 葬，更是一座深埋地下的"楚国文化宝库"。2020年至2024年间，考古工作者在这里发掘出1万余件珍贵 文物。如今，这些沉睡千年的国宝跨越时空，在国博北1、北2展厅与观众面对面，展期将持续4个月。 展览现场 步入展厅，一组体量巨大的青铜重器瞬间将观众带回战国晚期的诸侯争霸时代。其中，最为震撼的当数 青铜镬鼎。细心的观众可能会发现鼎足上有特殊的"绷带"痕迹。这是考古现场运用的高分子绷带加固技 术，这种"黑科技"在保护文物本体的同时，也保留了考古发掘的现场感。 楚人好乐，武王墩一号墓出土的两套乐钟均为钮钟，尺寸依次递减，体型圆鼓，器身有36个螺旋形枚。 桥形钮，钲间、篆带、鼓部均饰细密蟠虺纹，是战国中晚期至秦汉阶段最为流行的乐钟形制。 展览还呈现了楚人极致浪漫的生活美学。一件球形青铜瓮造型罕见，器身透雕纹饰环绕，被认为是盛放 佳酿或汤羹的容器。此外，展出的彩绘龙凤纹漆木案，纹饰飘逸流畅，绘有龙、凤、仙鹤等图案，四角 还饰有鎏金铜包角 ...

武王墩大墓出土的这件馈鼎，为铜身铁足，更珍贵之处在于腹部篆刻的18字铭文。其中"左使车（库）" 是战国时期中山国的官办手工业机构，是中山国特 有的名称；而"重四百五十八刀"也是中山国的量制重量。楚国王墓出现中山国的器物，一定程度上反映出战国末期文化交融的历史图景。 武王墩墓考古发掘队领队 宫希成：铭文的内容，跟中山国铜器上的铭文内容是完全一样，器物形态来说，也是三晋地区的鼎的典型形态。怎么到了楚国， 到了考烈王手里，还要再做研究。 央视网消息：12月26日，武王墩考古成果展在国家博物馆开幕，200多件套最新出土的文物集中亮相，这也是武王墩考古成果首次全面与公众见面。 武王墩大墓是战国末期楚国考烈王熊元的陵寝，展览从介绍考烈王开始，这件青铜簠，铭文记载"楚王酓前作铸金簠以供岁偿"，这件文物也成了判断墓主人 究竟是谁的关键证据之一。 展览中规模更为庞大的，是9件升鼎组成的礼器组合，文献中记载的九鼎制度，在展厅中得到直观呈现。仔细观察，其中两件升鼎用极富立体感的垂鳞纹装 饰，外壁有神兽攀附，其工艺明显比其他几件更为精致，这种差异，隐含着战国末期楚国即将走到历史终点的历史脉络。 与铭文簠遥望，是大墓出土的最大青铜镬鼎 ...

武王墩一号墓是东周时期楚考烈王熊元的陵寝，是迄今经科学发掘的规模最大、等级最高、结构最复杂 的楚国王级墓葬。2020至2024年，考古工作者通过系统而全面的发掘工作，出土了一万余件反映战国晚 期楚国物质文明的珍贵遗物，为研究楚国、两周直至西汉时期的王级陵墓制度、陵园规划、埋葬习俗等 问题提供了重要实证。 本次展览精选武王墩一号墓出土文物200余件套。展览以武王墩一号墓考古成果为主题，分为"启封秘 藏""椁藏玄契""琳琅楚琛""以属华夏"四个部分。展品包括九鼎八簋的青铜礼器组合，成套的青铜编钟 与石编磬，工艺精湛的玉璧、玉璜，纹饰华丽的彩绘龙凤纹漆木案等代表性器物，系统展示考古发掘的 科学历程、楚考烈王陵墓的礼制内涵、楚国物质文明的璀璨成就，以及战国时期文化交融的图景，全面 揭示武王墩一号墓蕴含的丰富历史信息。 （来源：千龙网） 2025年12月26日，"遇见考烈王——安徽淮南武王墩一号墓考古成果展"在中国国家博物馆开幕。 ...

12月12日，参加媒体预览的人员在观看展品。 12月12日，参加媒体预览的人员在观看良渚文化陶器。 12月12日，参加媒体预览的人员在观看展品。 12月12日在展厅拍摄的炭化稻米。 12月12日，参加媒体预览的人员在观看玉璧。 12月13日，观众们在参观展览。 12月13日，观众们在参观展览。 ...

Core Viewpoint - The article discusses the significance of the Cidun archaeological site in Changzhou, highlighting its cultural richness and historical importance in the context of the Liangzhu culture and the broader Yangtze River Delta civilization [1][12]. Archaeological History - The Cidun site, an oval-shaped earth mound approximately 20 meters high, was first discovered in 1973 when villagers found jade artifacts from the Liangzhu culture [2]. - From 1978 to 1995, multiple archaeological investigations were conducted, uncovering over 2,200 square meters of the site, primarily focusing on the Liangzhu culture noble burial grounds [2]. Key Findings - The Cidun site has been included in the "Archaeological China - Civilization Patterns in the Lower Yangtze Region" research project since 2016, with significant discoveries made since 2019, including burial sites and architectural remains from the Songze and Liangzhu cultures, dating back approximately 5,500 to 4,500 years [3]. - The site features a range of archaeological remains, including residential areas, burial sites, and ritual zones, covering an area of 100 meters in length and 80 meters in width [4]. Cultural Artifacts - Artifacts from the site include pottery, jade, stone, and bone tools, reflecting the production, lifestyle, and cultural aspects of the local residents around 5,000 years ago [9][10]. - The pottery from the Songze culture is characterized by gray and red clay, while Liangzhu culture pottery includes a variety of forms, such as large ceremonial vessels and intricately decorated jars [9][10]. Social Structure - The burial sites indicate a social stratification during the Songze culture period, with evidence of wealth disparities among the deceased, suggesting a complex social structure [12]. - The discovery of large-scale wooden structures and intricate pottery indicates a high level of craftsmanship and social organization, reflecting the advanced state of the society at that time [12]. Cultural Connections - The presence of artifacts with characteristics of the Dawenkou culture from Shandong suggests cultural exchanges between the lower Yangtze region and the Yellow River basin, indicating a broader interaction among ancient Chinese civilizations [14].

Group 1 - The article explores the historical significance of jade in early Chinese civilization, highlighting its dual role as a symbol of both divine and royal power [2][12][32] - Jade artifacts from different periods reflect the evolution of cultural practices, transitioning from spiritual communication tools to symbols of social hierarchy [12][32] - The craftsmanship of jade artifacts, such as the intricate designs and techniques used in the production of jade items, showcases the advanced skills of ancient artisans [5][18][24] Group 2 - The article discusses the transformation of jade from ritualistic objects in the Xia and Shang dynasties to more secular and decorative items in the Ming dynasty, indicating a shift in societal values [24][28][32] - Specific jade pieces, like the jade crown and belt buckles from royal tombs, illustrate the intertwining of art, power, and social status in ancient China [25][30][32] - The exhibition at Hubei Provincial Museum serves as a comprehensive showcase of jade artifacts across various dynasties, providing insights into the cultural and historical context of jade in Chinese civilization [33]

Core Insights - The discovery of three jade dragons from the Hongshan culture in Inner Mongolia marks the highest annual output in recent years, including the largest jade dragon found to date, which measures 15.8 cm in length, 9.5 cm in width, and 3 cm in thickness [1][2] - The excavation site, Yuanbaoshan, dates back 5,100 to 5,000 years and is significant for understanding the social structure of the late Hongshan culture [2][3] Group 1: Archaeological Findings - The newly discovered jade dragon is part of a larger collection of over a hundred jade artifacts, including jade rings, discs, and other items, indicating a rich cultural heritage [1] - The Yuanbaoshan site is the only known example of a southern round and northern tomb structure from the Hongshan culture in Inner Mongolia [1][2] Group 2: Cultural Significance - The Hongshan culture is a crucial part of the study of the origins of Chinese civilization, having evolved from the late Neolithic period around 6,500 years ago and entering the ancient state civilization phase approximately 5,800 years ago [2] - The Hongshan culture is recognized as one of the three major jade culture centers in prehistoric China, alongside Lingjiatan and Liangzhu, highlighting its importance in the development of early Chinese civilization [2][3] Group 3: Regional Insights - The city of Chifeng, where the Yuanbaoshan site is located, is the birthplace of the Hongshan culture, with over 700 archaeological sites identified in the region [2] - Recent discoveries in Hebei province, particularly in Zhangjiakou, suggest that the late Hongshan culture extended beyond its core area, indicating migration patterns and cultural exchanges that contributed to the formation of a diverse Chinese civilization [3]