图片自上而下分别为河南南阳黄山遗址出土的玉璜，山西西吴壁遗址墓葬出土的铜、陶礼器，安徽凌家 滩遗址出土的玉版。 资料图片 前不久，2025年中国考古新成果于中国社会科学院考古论坛发布，首次在"六大发现"之外增设研究成果 发布环节。由高星、付巧妹、张弛等学者领衔的10项重要研究成果，涵盖从旧石器早期到唐代的漫长历 史，涉及微痕分析、古DNA测序、聚落考古等多种技术方法，从中可以看到中国考古学正从由发现主 导向由前沿科技与理论推动的深刻转型。 解读文明赓续的脉络 中华文明的连续性不仅载录于史书典籍中，更镌刻在物质文化与基因血脉的深处。多学科手段、方法的 运用，使我们有能力借古人不经意间留下的一鳞半爪，窥见文明赓续的脉络。 利用微痕分析与残留物检测技术，高星团队确认云南甘棠箐遗址中35件木质材料系古人类精心制作、长 期使用的专业工具，主要用于挖掘植物根茎等作为食物。为测定这些木器的年代，古生物地层学、古地 磁学、光释光和电子自旋共振等多种方法被交叉使用，最终检验、确认它们制作于距今约30万年前的旧 石器时代早期，是迄今东亚地区所见最古老的木器。这项发表于国际知名学术期刊《科学》上的研究， 有力反驳了过往认为中国旧石 ...

展览中，河南安阳殷墟妇好墓出土的玉马格外引人注目。这是国内目前所知最早的马形象，它形制小 巧，马鬃呈锯齿状，耳后钻有小圆孔，虽造型古朴，却巧妙地呈现出马的灵动姿态。 二里头文化的玉璋，西周时期的玉覆面，满城汉墓出土的玉具剑，唐宋时期沿丝路而来的多元器形，清 代独具特色的"西番作"玉器……丰富的文物生动体现中华玉文化的源远流长，直观揭示历代工匠的非凡 智慧。 展览以时间为序，通过"玉出东方""玉见文明""玉礼天下""玉润中华"四大篇章展现玉器在形制、功能与 文化内涵上的变迁。展览开篇，出土于内蒙古敖汉兴隆沟遗址的玉玦、玉匕、玉璜等集中亮相，这是中 国目前所知年代最早的玉器。 本报讯（记者金瑶）"玉文化与中华文明——中国历史研究院珍藏玉器展"日前在中国考古博物馆开幕。 展出的155件（组）珍贵玉器均为新石器时代以来的代表性器类，串联起中华玉文化发展脉络。 ...

Core Viewpoint - The Wuwangdun archaeological exhibition at the National Museum showcases over 200 newly unearthed artifacts, marking the first comprehensive public display of findings from the Wuwangdun tomb, which belongs to the late Warring States period of the Chu state [1][2]. Group 1: Artifacts and Their Significance - The Wuwangdun tomb is identified as the burial site of King Xiong Yuan of the Chu state, with a bronze vessel inscribed with "Chu Wang Zai Qian made a gold vessel for annual offerings," serving as a key piece of evidence for identifying the tomb's owner [1]. - Among the artifacts, the largest bronze ding (cauldron) discovered has set a new record in China's ranking of large dings [1]. - The exhibition features a significant set of nine dings, visually representing the historical Nine Ding system, with two dings showcasing intricate scales and decorative motifs, indicating the cultural context of the late Warring States period [2]. Group 2: Cultural Exchange and Artistry - The Wuwangdun tomb yielded a unique bronze ding with an iron base, notable for its 18-character inscription, which references the "Left Envoy Vehicle (Warehouse)," a term specific to the state of Zhongshan, reflecting the cultural exchanges during the late Warring States period [2]. - The exhibition includes exquisite artifacts such as bronze bells, stone chimes, jade discs, and rare ball-shaped jars, collectively illustrating the ceremonial significance and material achievements of the Chu state [2].

Core Insights - The exhibition titled "Encountering King Koryo: Archaeological Achievements of the No. 1 Tomb of King Wu Wang Dun" is hosted by the National Museum of China and the Anhui Provincial Government, running for four months starting December 26, 2025 [2]. Group 1 - The exhibition showcases over 200 artifacts unearthed from the No. 1 Tomb of King Wu Wang Dun, divided into four sections: "Sealed Treasures," "Coffin Burials," "Exquisite Chuchan Treasures," and "Belongings of Huaxia" [3]. - Notable items include a bronze ritual vessel set of nine tripods and eight basins, a complete set of bronze bells and stone chimes, exquisite jade discs and pendants, and a painted lacquer wood table adorned with dragon and phoenix motifs, highlighting the scientific excavation process and the cultural significance of the tomb [3]. - The No. 1 Tomb of King Wu Wang Dun is the largest, highest-ranking, and most complex royal tomb of the Chu state from the Eastern Zhou period, providing crucial evidence for studying royal burial systems, cemetery planning, and burial customs from the late Warring States period to the Western Han dynasty [5].

Core Insights - The exhibition "Encountering King Koryo - Archaeological Discoveries from the No. 1 Tomb of King Wu Wang Dun in Huainan, Anhui" opened at the National Museum of China, showcasing the largest and most complex royal tomb of the Chu state from the Warring States period [2] - Over 10,000 precious artifacts have been unearthed from the site between 2020 and 2024, with the exhibition featuring more than 200 selected items [2] - The exhibition is divided into four sections: "Sealed Treasures," "Coffin Inscriptions," "Exquisite Chu Treasures," and "Belonging to Huaxia," highlighting significant bronze ritual vessels and exquisite jade artifacts [2] Group 1 - The No. 1 Tomb of King Wu Wang Dun is recognized as a "cultural treasure trove" of the Chu state, with artifacts that span over a thousand years [2] - The exhibition will last for four months, allowing visitors to engage with the historical artifacts directly [2] - Notable items include a set of bronze ritual vessels, a complete set of bronze bells, and intricately designed jade pieces, showcasing the craftsmanship of the era [2] Group 2 - The tomb also revealed two sets of musical bells, known as "Niu Bells," which are characterized by their decreasing sizes and intricate designs, reflecting the musical culture of the Chu people [3] - A rare spherical bronze urn, believed to have been used for holding fine wine or soup, exemplifies the romantic aesthetic of Chu culture [3] - The exhibition features a painted lacquer wood table adorned with dragon and phoenix motifs, along with a matching lacquer cup, highlighting the unique artistic expression of the Chu civilization [3]

Core Viewpoint - The archaeological exhibition of the Wuwangdun site showcases over 200 newly unearthed artifacts, marking the first comprehensive public display of these findings related to the tomb of King Koa of the late Warring States period in the Chu state [1][9]. Group 1: Artifacts and Their Significance - The exhibition features a significant bronze vessel, a bronze zun, inscribed with a key phrase that helps identify the tomb's owner, King Koa [1]. - A notable highlight is a set of nine bronze ding, which visually represents the historical nine ding system, with two pieces exhibiting intricate craftsmanship that reflects the cultural decline of the Chu state [3]. - The largest bronze pot unearthed from the tomb has set a new record in China's ranking of large ding [4]. Group 2: Cultural Insights - The Wuwangdun tomb excavation team leader, Gong Xicheng, noted that the unique design of the bronze ding, characterized by a waist and flat bottom, distinguishes it from round ding, indicating the craftsmanship of the Chu state during its peak [6]. - A bronze vessel with iron feet, inscribed with 18 characters, reveals cultural exchanges during the late Warring States period, as it features elements from the Zhongshan state, indicating a blend of cultures [8]. - The exhibition includes a complete set of bronze bells, exquisite jade artifacts, and rare ceremonial items, collectively illustrating the rich material culture and ceremonial practices of the Chu state [9]. Group 3: Exhibition Details - The exhibition is part of the National Museum's important exhibition plan, aiming to provide an immersive archaeological experience and enhance understanding of Chu culture's role in the broader context of Chinese civilization [11].

Core Viewpoint - The exhibition "Encountering King Koryo - Archaeological Achievements of the No. 1 Tomb of Wuwangdun in Huainan, Anhui" showcases significant archaeological findings from the tomb of King Koryo of the Chu state, providing valuable insights into the material civilization of the late Warring States period in China [1] Group 1: Archaeological Significance - The No. 1 Tomb of Wuwangdun is the largest, highest-ranked, and most complex royal tomb of the Chu state discovered to date, dating back to the Eastern Zhou period [1] - Over 10,000 valuable relics reflecting the material culture of the late Warring States period were unearthed between 2020 and 2024, offering important empirical evidence for studying royal burial systems, cemetery planning, and burial customs from the Chu state to the Western Han period [1] Group 2: Exhibition Details - The exhibition features more than 200 selected artifacts from the No. 1 Tomb of Wuwangdun, organized into four sections: "Sealed Treasures," "Coffin Inscriptions," "Exquisite Chu Treasures," and "Belonging to Huaxia" [1] - Key exhibits include a bronze ritual vessel set of nine tripods and eight basins, a complete set of bronze bells and stone chimes, exquisite jade discs and pendants, and intricately decorated painted wooden tables, showcasing the scientific process of archaeological excavation and the cultural significance of the Chu royal tomb [1]

Core Insights - The article focuses on the archaeological significance of the Hemudu site, highlighting its discoveries that reshape the understanding of Neolithic culture in the Yangtze River Delta region [9][10][16]. Archaeological Discoveries - The Hemudu site, located in Yuyao, Zhejiang Province, covers an area of 40,000 square meters, with significant findings from two major excavations conducted in 1973 and 1977, revealing a cultural layer approximately 4 meters thick [2][9]. - Notable artifacts include over 150 tons of carbonized rice, which, along with 170 bone farming tools, provides evidence of the earliest rice cultivation in the world [2][9]. - The site features well-preserved stilt houses, showcasing advanced construction techniques, including a 23-meter long house with ventilation and moisture-proofing features [3][14]. Cultural Artifacts - Various pottery types were discovered, including cooking vessels, storage jars, and decorative items, with intricate designs that indicate advanced artistic skills and the domestication of animals [5][6][13]. - The site yielded the earliest jade artifacts in the Yangtze River Delta, characterized by fine craftsmanship and smooth surfaces [6][9]. - Evidence of textile production was found, including wooden and ceramic spinning wheels, indicating a developed textile technology [7][9]. Social Structure - The burial practices at the site suggest social stratification, with some graves containing numerous ceremonial items, while others had minimal offerings, indicating a complex societal structure [8][9]. - The presence of various functional areas within the settlement, such as residential and storage zones, points to an organized community with distinct roles [8][9]. Historical Context - The Hemudu culture dates back approximately 7,000 to 5,000 years, contributing significantly to the understanding of Neolithic civilization in southern China [9][10][20]. - The cultural lineage of Hemudu is believed to be linked to earlier cultures in the region, with recent findings from the Jingtou Mountain site providing insights into its origins [18][19]. Environmental Adaptation - The inhabitants of Hemudu adapted to their coastal environment, utilizing marshlands for rice cultivation and fishing, which led to the development of a prosperous agricultural society [19][20]. - The transition of the Hemudu culture to the Liangzhu culture around 5,000 years ago indicates environmental changes and cultural exchanges in the region [20].

Group 1 - The article explores the historical significance of jade in early Chinese civilization, highlighting its dual role as a symbol of both divine and royal power [2][12][32] - Jade artifacts from different periods reflect the evolution of cultural practices, transitioning from spiritual communication tools to symbols of social hierarchy [12][32] - The craftsmanship of jade artifacts, such as the intricate designs and techniques used in the production of jade items, showcases the advanced skills of ancient artisans [5][18][24] Group 2 - The article discusses the transformation of jade from ritualistic objects in the Xia and Shang dynasties to more secular and decorative items in the Ming dynasty, indicating a shift in societal values [24][28][32] - Specific jade pieces, like the jade crown and belt buckles from royal tombs, illustrate the intertwining of art, power, and social status in ancient China [25][30][32] - The exhibition at Hubei Provincial Museum serves as a comprehensive showcase of jade artifacts across various dynasties, providing insights into the cultural and historical context of jade in Chinese civilization [33]