数贸会上，怎么能少得了良渚元素？来自良渚数字文化社区的良源文化有限公司带来了动画作品 《汉字小精灵》，该作品将良渚文化七大玉器元素融入汉字精灵形象设计，以动画语言讲述中华文明故 事。而思享无限文化科技有限公司则运用AI技术，通过"AI拍照亭"让游客"一秒穿越"良渚古城。 下一步，良渚文化大走廊将继续聚焦"双招双引"、新兴产业培育等重点领域，加快建设高能级文化 产业平台。 游客参观"小热昏"摊位 "宁可一天不吃荤，不可一天不听小热昏。"这是68岁的省级非遗代表性传承人俞康发常常挂在嘴边 的话。9月25日，他把这段话带到了第四届全球数字贸易博览会（以下简称"数贸会"）的现场。 在"数字文娱"展区3号馆的"浙江老字号"区块，俞康发站在杭州小热昏食品科技有限公司（以下简 称"小热昏食品"）的展位前，穿着蓝色长衫，戴上清朝瓜皮帽，一段传统小热昏曲艺表演吸引了众多游 客驻足。而另一边，小热昏食品公司负责人郑磊正向参观者介绍新品"数字音乐梨膏棒棒糖"。该产品采 用骨传导技术，内置歌曲《千年等一回》与小热昏传统唱段两首乐曲，将传统梨膏糖与数字音乐相结 合，实现"可听可食"的创新体验。 这是良渚文化大走廊上文化科技企业在本届数 ...

核心阅读 在浙江杭州良渚博物院，活跃着一支银龄志愿者队伍，他们不仅为游客提供精彩生动的讲解，还发挥各 自特长助力良渚文化焕发出新的活力。71岁的海红作为其中的一员，已经在这里服务了15年，她曾凭借 年度超2000小时的服务时长被评为"杭州市功勋志愿者"。她自豪地说："良渚文化像一本书，我们与游 客一同阅览。" 一张工作证、一件别着徽章的蓝色马甲、一个"小蜜蜂"话筒，这是良渚文化银龄志愿者海红日常的工作 所需。在位于浙江杭州市余杭区的良渚博物院，71岁的海红留着干练的短发，声音洪亮。 "从2010年4月加入良渚文化志愿者总队至今，我在这里当了15年志愿者。"海红自豪地说，"良渚文化像 一本书，我们与游客一同阅览。" 在良渚文化志愿者总队，65岁以上的银龄志愿者有77位，他们服务于良渚博物院和良渚古城遗址公园。 精心准备 细致讲解 "一定要去看看良渚古城遗址公园，爬上大莫角山。沿着木栈道拾级而上，走到古城的中心，视野非常 开阔，站在那里环顾四周，想象自己站在巅峰……"在良渚博物院文明圣地展厅的古城沙盘模型前，海 红正为大家讲解。 除了讲解词，她还会提前做好功课，准备与生活相关的话题。比如讲到稻作文明时，她会提到余 ...

Core Insights - The article discusses the archaeological significance of the Chenghu site, highlighting its historical importance and the discoveries made there, particularly related to the Liangzhu culture and its early writing symbols [1][10]. Archaeological Discoveries - Chenghu was originally a lake approximately 45 square kilometers in size, known for its rich archaeological finds, including over 1,200 artifacts from various periods, spanning 5,000 years from the Neolithic to the Tang and Song dynasties [2][11]. - Excavations revealed remnants of a Neolithic settlement from the Songze culture, including housing structures, water systems, and rice paddies, indicating advanced agricultural practices [3][4]. Cultural Artifacts - The artifacts from the Liangzhu culture are particularly notable, featuring pottery that reflects artistic creativity, such as animal-shaped vessels and intricately designed pots with symbolic engravings [4][5][6]. - A significant find includes a pottery vessel with engraved symbols, which has sparked considerable academic interest regarding the origins of Chinese writing, suggesting that these symbols may represent an early form of written language [7][9]. Historical Context - The article outlines the historical evolution of the Chenghu area, noting its prominence during the Wu and Yue states in ancient China, and how it transitioned from a thriving settlement to being submerged under water due to natural and human-induced changes [10][12]. - The formation of Chenghu as a lake is attributed to climatic changes and human activities, particularly during the Song dynasty, which led to significant flooding and the eventual disappearance of the ancient settlements [12][14].

Group 1 - The core viewpoint of the article highlights the development of the Yuhu Lake project in the core business area of Liangzhu New City, which aims to integrate cultural heritage and modern amenities, creating a vibrant community space [2][3] - The Yuhu Lake Phase III covers an area of approximately 76,000 square meters, including 26,000 square meters of water area and 50,000 square meters of land area, with major construction elements such as an underground parking garage and recreational spaces [2] - A key feature of Phase III is the "Starry Moon Viewing Platform," which spans about 950 square meters and is designed for various cultural and artistic events, enhancing the area's appeal [2] Group 2 - The project includes a 750-meter-long greenway that will improve the leisure walking path system around Yuhu Lake, enriching the experience for residents [3] - The design incorporates small-scale buildings ranging from 100 to 200 square meters, promoting public space and operational diversity, which will inject vitality into the region [3] - An underground parking garage with an area of approximately 18,050 square meters will provide around 530 parking spaces, addressing local parking concerns [3]

Core Viewpoint - The article highlights the development of Yuhu Lake, a new cultural and recreational hub in Hangzhou's Yuhang District, which aims to integrate art, culture, and leisure activities while addressing community needs such as parking and green spaces [1][2][3] Group 1: Yuhu Lake Development - Yuhu Lake is located in the core business area of Liangzhu New City, covering a total area of 688 acres, with phases one and two set to open in November 2024 [1] - The project connects significant cultural heritage sites, including the Liangzhu Ancient City Ruins and the Grand Canal, and features various cultural landmarks [1] - The development includes six major functional areas, creating an "art museum without ceilings or walls" [1] Group 2: Phase Three Highlights - The third phase of Yuhu Lake covers approximately 76,000 square meters, with 26,000 square meters of water area and 50,000 square meters of land area, including about 36,000 square meters of park green space [2] - Key features of phase three include an underground parking garage of 18,050 square meters providing around 530 parking spaces, a 750-meter greenway, and a 950-square-meter ecological viewing platform [2][3] - The design incorporates small independent buildings of 100 to 200 square meters, enhancing public space and operational flexibility [2] Group 3: Community and Commercial Integration - The project aims to alleviate parking issues in the surrounding area while planning to introduce a multifunctional commercial center with high-end hotels, office buildings, and sky gardens [3] - The development is expected to enhance the cultural and ecological functions of the area, contributing to a vibrant urban lifestyle [3]

Core Points - The article explores the historical significance of West Lake in Hangzhou, tracing its development from ancient times to the Southern Song Dynasty, highlighting its cultural and economic importance [1][12][26] Historical Development - Evidence of human activity in Hangzhou dates back 8,000 years, with significant archaeological findings such as the "Chinese First Boat" and the earliest lacquer bow [2][3] - The formation of West Lake began during the Qin and Han dynasties, transitioning from a small bay to a lagoon due to sedimentation from the Qiantang River [5][10] - By the Eastern Han period, West Lake was completely separated from the sea, becoming a freshwater lake due to continuous management and dredging efforts [10][11] Cultural Significance - The name "Hangzhou" first appeared during the Sui Dynasty, marking the city's rise as a cultural and economic hub, especially after the construction of the Grand Canal [12][13] - During the Five Dynasties and Ten Kingdoms period, Hangzhou flourished under the rule of the Wuyue Kingdom, with significant investments in water management [13][15] - The Southern Song Dynasty marked the peak of Hangzhou's prosperity, becoming the national political, economic, and cultural center after the capital was moved there [20][21] Economic Activities - The Southern Song period saw a vibrant market economy in Hangzhou, with various goods, especially ceramics, being traded extensively [17][18] - The establishment of official kilns for producing porcelain for the imperial court further boosted the local economy [18] West Lake's Scenic Reputation - The "Ten Scenic Views of West Lake" were established during the Southern Song Dynasty, representing the lake's natural beauty and cultural heritage [22][23] - The scenic reputation of West Lake was solidified by the royal endorsement during the Kangxi Emperor's reign, further enhancing its status as a tourist destination [23][24]

Core Insights - The Liangzhu Cultural Center project has achieved significant progress with the completion of the underground structure within the 50-meter protection zone for the subway, supporting the goal of overall completion by 2027 [1] - The project is located in the core area of Liangzhu New City, with a total construction area of 80,631.96 square meters, integrating cultural services and urban facilities [1] Group 1: Project Overview - The Liangzhu Cultural Center will include a library, youth activity center, and citizen service center, along with office buildings, underground parking, and civil defense projects, creating a comprehensive public space for cultural dissemination, citizen activities, and administrative services [1] - The design incorporates the essence of Liangzhu culture with modern architectural aesthetics, featuring a library and youth center designed with a streamlined architectural language symbolizing the vibrant development of Liangzhu New City [1] Group 2: Functional and Urban Impact - The project aims to provide diverse public services such as reading, art training, and government services, enhancing the public service level in the region and meeting the diverse needs of citizens [2] - Upon completion, the center will address the shortfall of high-end cultural facilities in the area, optimizing resource allocation along the "Cultural Corridor" and forming a complete chain of "heritage protection, cultural transmission, and modern services" [2]

Group 1 - The discovery of two wooden clogs in Ningbo, dating back approximately 5,365 years, pushes the history of clogs in China back by 3,600 years, indicating advanced design based on foot shape by the Liangzhu culture [5][7][9] - The clogs feature a design with a wider front and narrower back, showcasing the understanding of human foot anatomy, and include holes for laces that are embedded in grooves to prevent wear [7][9] - Prior to this discovery, the earliest known wooden clogs in China were found in 1984, which were associated with a tomb from the Eastern Wu period [9][14] Group 2 - The craftsmanship of the clogs involved cutting, drilling, and polishing using stone tools, reflecting the ingenuity of ancient people [9] - The history of wearing wooden clogs in China is believed to have begun in the Spring and Autumn period, with historical anecdotes linking them to Confucius [9][14] - The evolution of footwear, including clogs, illustrates humanity's adaptation to nature and the pursuit of practical and aesthetic values throughout history [14]

Core Viewpoint - The article discusses the significance of the Cidun archaeological site in Changzhou, highlighting its cultural richness and historical importance in the context of the Liangzhu culture and the broader Yangtze River Delta civilization [1][12]. Archaeological History - The Cidun site, an oval-shaped earth mound approximately 20 meters high, was first discovered in 1973 when villagers found jade artifacts from the Liangzhu culture [2]. - From 1978 to 1995, multiple archaeological investigations were conducted, uncovering over 2,200 square meters of the site, primarily focusing on the Liangzhu culture noble burial grounds [2]. Key Findings - The Cidun site has been included in the "Archaeological China - Civilization Patterns in the Lower Yangtze Region" research project since 2016, with significant discoveries made since 2019, including burial sites and architectural remains from the Songze and Liangzhu cultures, dating back approximately 5,500 to 4,500 years [3]. - The site features a range of archaeological remains, including residential areas, burial sites, and ritual zones, covering an area of 100 meters in length and 80 meters in width [4]. Cultural Artifacts - Artifacts from the site include pottery, jade, stone, and bone tools, reflecting the production, lifestyle, and cultural aspects of the local residents around 5,000 years ago [9][10]. - The pottery from the Songze culture is characterized by gray and red clay, while Liangzhu culture pottery includes a variety of forms, such as large ceremonial vessels and intricately decorated jars [9][10]. Social Structure - The burial sites indicate a social stratification during the Songze culture period, with evidence of wealth disparities among the deceased, suggesting a complex social structure [12]. - The discovery of large-scale wooden structures and intricate pottery indicates a high level of craftsmanship and social organization, reflecting the advanced state of the society at that time [12]. Cultural Connections - The presence of artifacts with characteristics of the Dawenkou culture from Shandong suggests cultural exchanges between the lower Yangtze region and the Yellow River basin, indicating a broader interaction among ancient Chinese civilizations [14].

Core Viewpoint - The annual "Hangzhou Liangzhu Day" is set to showcase a series of animated short videos titled "The Quintet of Liangzhu Civilization," highlighting key elements of Liangzhu culture through various artistic styles [1][3] Group 1: Animation Series Overview - The series consists of five episodes: "Pottery," "Jade," "Stone," "Agriculture," and "Fire," each representing crucial aspects of Liangzhu civilization [1] - The animations utilize watercolor, colored pencil, printmaking, ink painting, and paper-cutting techniques to narrate the story of Liangzhu's 5,000-year civilization [1][3] Group 2: Cultural and Artistic Significance - The series aims to deeply explore the rich heritage and unique charm of Liangzhu culture, vividly recreating its achievements and lifestyle through detailed storytelling [3] - It features character-driven narratives, such as the journey of a young potter and a jade craftsman, illustrating personal growth and community resilience [3] Group 3: Innovative Production Techniques - The production incorporates AI technology to enhance character and scene design, ensuring a more accurate representation of Liangzhu culture [3] - Hand-drawn techniques are employed to capture the essence of Chinese design, with meticulous attention to detail in elements like headgear and architectural structures [3] - Each episode adopts a different artistic style based on its theme, showcasing a blend of various art forms to present Liangzhu stories in a fresh and vibrant manner [3]