走在福建武平一处古雅景区，一群群少男少女身着汉服，时而投壶，时而射覆，"巧笑倩兮，美目盼 兮"，令旁观者忍不住跟着微笑。不远处，一场古制婚礼正在举行。这不是拍戏，而是此地承办的中式 婚礼。宾客们凝眸欣赏源远流长的华夏礼乐——"告祖，亲迎，簪笄出阁！三拜成礼！同牢合卺，解缨 结发……"摄影团队为新郎新娘录下永生难忘的幸福时刻。 譬如某些"古风"影楼，将仙侠风的头饰、清代的刺绣、唐代的披帛胡乱堆砌于一身，丝毫不考虑所属朝 代、妆容礼仪、服饰形制是否准确、协调。如此生搬硬套、漏洞百出的伪"古雅"，可谓画虎类犬。另一 类常见的误区则是捡了糟粕、丢了精华，没有与时俱进。比如某些地方将传统道德作为本地文旅主打， 将各种掌故反复讲解推广，却没有意识到部分旧时叙事，已与现代社会的价值理念相悖。组织者自以为 是在弘扬优良传统，殊不知现代道德观念更强调对每个生命的尊重，而诸如"孝"这类美德的精髓，更应 是慈爱与感恩的双向奔赴。 试看广东文学馆，数字卷轴微投影让张九龄的诗画"动起来""活起来"；将墙上的耳机戴到头上，画中粤 剧人物随即唱起婉转南韵……同行的一群95后年轻人直呼不想走，还强烈要求下一站去广东省博物馆纵 览岭南古今。这 ...

Core Insights - The 14th China Arts Festival is being held from October 16 to November 5, showcasing a variety of artistic performances and exhibitions, allowing audiences to enjoy cultural tourism experiences [1][2]. Group 1: Performance Highlights - Revolutionary-themed artistic works have gained significant attention, with performances like the acrobatic drama "First Sound" and the play "Awakening Era" resonating deeply with audiences [2]. - Realistic themes are also well-received, as seen in the play "Life Book," which explores the changes in urban and rural life, prompting reflections on the relationship between countryside and city [2]. - Over 100 outstanding stage art pieces are featured, highlighting the achievements of contemporary stage art and showcasing the beauty of Chinese history and culture [2]. Group 2: Youth Engagement - The festival includes a "Youth Art Creation Week," featuring performances and exhibitions from schools in Sichuan and Chongqing, aimed at fostering artistic innovation among young people [3]. - Activities such as script readings and music creation are organized to showcase contemporary youth artistic achievements and encourage a global perspective [3]. Group 3: Community Involvement - The festival emphasizes grassroots participation, with community artists presenting works across six categories, contributing to the 20th Star Award [4]. - The event aims to enhance cultural engagement and satisfaction among the public, focusing on relatable themes such as neighborhood warmth and rural revitalization [4]. Group 4: Art Exhibitions - The festival features exhibitions in painting, calligraphy, and photography, creating an immersive artistic experience for attendees [5]. - Activities like academic lectures and community exhibitions are designed to make art accessible and engaging for the public, enhancing overall aesthetic appreciation [5]. Group 5: Cultural Tourism Integration - The festival promotes a new model of cultural tourism, linking performances with travel experiences, such as the "Cultural Travel Version" drama "Su Dongpo" [6]. - Initiatives like "Follow the Performance to Travel" and "Museum Night" are developed to stimulate cultural and tourism consumption, expanding new spaces for cultural tourism [6].

Core Viewpoint - The "Daily Art Reading" multimedia column utilizes AI and digital media technology to creatively transform and innovate traditional Chinese painting, enhancing cultural transmission and engagement in contemporary contexts [6][9][10]. Group 1: Cultural Significance - Chinese painting is a vital part of the rich heritage of Chinese culture, and the "Daily Art Reading" initiative aims to revitalize these classic artworks through modern technology [6][8]. - The program aligns with Xi Jinping's cultural thoughts, promoting the creative transformation and innovative development of traditional culture [6][9]. Group 2: Technological Integration - The initiative employs AI technology to accurately restore the essence of artworks while also creatively interpreting their meanings, thus bridging the gap between ancient and modern aesthetics [7][9]. - By integrating dynamic visual and auditory elements, the program creates an immersive experience that enhances emotional resonance with the audience [7][8]. Group 3: Educational and Emotional Engagement - "Daily Art Reading" provides insightful interpretations of artworks, decoding their historical context, philosophical meanings, and aesthetic values, thereby fostering a deeper appreciation of traditional culture [8][9]. - The column encourages a dialogue between the audience and the artworks, enhancing emotional engagement and cultural understanding [7][9]. Group 4: Future Prospects - The initiative aims to expand its cross-cultural communication, promoting dialogue between Chinese and foreign art, and showcasing Chinese painting as a window to Eastern wisdom [10]. - There is a vision to explore the integration of various art forms through digital technology, presenting a comprehensive view of the rich cultural heritage of the Chinese nation [10].

Core Insights - The micro-short drama industry is evolving from rapid growth to a more scaled, high-quality, and ecological development, catering to fragmented viewing needs while enhancing users' cultural experience [1][3] - As of June 2025, the user base for micro-short dramas in China reached 696 million, accounting for nearly 70% of the total internet users, indicating significant content proliferation and industry transformation challenges [1] Group 1: Emotional Resonance - Successful micro-short dramas evoke emotional, cultural, and narrative resonance among viewers, with emotional connection being a traditional strength [1] - Examples like "Home and Away" and "The Tide" illustrate how these dramas reflect real-life challenges and aspirations, resonating deeply with audiences [1] Group 2: Cultural Exploration - Micro-short dramas serve as a window to new cultures, professions, and histories, exemplified by "The Masked Drama," which highlights the cultural heritage crisis in Guizhou [2] - The integration of traditional culture into micro-short dramas represents an innovative approach to creatively transform and develop Chinese cultural heritage [2] Group 3: Narrative Integration - Effective storytelling is crucial, requiring respect for authenticity, seamless integration of cultural elements into character development, and contemporary perspectives to lower cultural appreciation barriers [2] - User feedback emphasizes the importance of these narrative techniques in enhancing the value of micro-short dramas beyond mere entertainment [2] Group 4: Future Directions - The future of micro-short dramas lies in their potential to convey positive social messages, preserve traditional culture, and reflect societal changes, aiming to resonate with audiences on a deeper level [3] - The industry is encouraged to collaborate and deepen its focus, contributing to the cultural enrichment of the public and enhancing the overall cultural experience [3]

Group 1 - The core viewpoint emphasizes the importance of cultural heritage protection and the promotion of traditional culture in Xi'an, aligning with Xi Jinping's cultural thoughts and directives [1][4] - The strategy of cultural prosperity in the city is highlighted, focusing on the creative transformation and innovative development of excellent traditional Chinese culture [1] - The need for cultural institutions to enhance service quality and provide more enriching exhibitions for the public is stressed, aiming to foster cultural confidence among citizens [1] Group 2 - The Guanzhong Academy is recognized as a significant site for the transmission of Guanzhi culture and a historical treasure of Xi'an, with a focus on preserving its cultural heritage [2] - The principle of "protection first" is emphasized for the restoration and enhancement of ancient buildings and their surrounding environments [2] - There is a call for innovative methods to activate and utilize cultural heritage, encouraging community engagement and connecting traditional culture with modern life [2]

Group 1 - The film "Wang Wang Mountain Little Monster" has achieved significant recognition, setting a new box office record for domestic 2D animated films in China, reflecting a growing trend in the animation industry [1] - The narrative focuses on small characters, allowing audiences to resonate with their struggles and ideals, which is a crucial aspect of artistic creation [1][2] - The film creatively transforms traditional Chinese culture, drawing inspiration from the classic "Journey to the West" while presenting an original story that offers a fresh perspective [2][3] Group 2 - The film emphasizes Chinese values and familial relationships, showcasing themes such as maternal love and self-sacrifice, which resonate with the audience's cultural identity [3] - The animation industry in China is experiencing a positive trend towards diversification and professionalism, indicating a bright future for creators who respect audience preferences [3]

Core Viewpoint - The article highlights the significant achievements and ongoing efforts in cultural development in Zhejiang over the past 20 years, particularly through the implementation of the "Eight Major Projects" initiated by Xi Jinping in 2005, which have fostered a strong cultural identity and innovation in the region [1][3]. Group 1: Cultural Development Achievements - The past two decades have seen a fruitful harvest in cultural excellence, research, and preservation, marking a period of substantial cultural growth [2]. - The "Eight Major Projects" encompass various aspects of cultural development, including civilization quality, cultural products, research, protection, industry promotion, and talent cultivation, indicating a holistic approach to cultural enhancement [3]. - Zhejiang has led the nation in major historical art creation projects, establishing a strong foundation for contemporary historical painting and producing a significant number of high-quality artworks [3]. Group 2: Artistic Language and Innovation - The artistic language in Zhejiang emphasizes both global perspectives and local concerns, facilitating creative transformation and innovative development in art [4]. - Recent exhibitions at the China Academy of Art Museum showcase the evolution of traditional Chinese painting and its influence on contemporary art, reflecting the integration of traditional and modern artistic expressions [4]. Group 3: Future Directions - The ongoing commitment to the "Eight Major Projects" aims to leverage technology in cultural initiatives, enhance tourism, and fulfill the mission of serving the public, thereby continuing to write new chapters in cultural revitalization [5].

Core Viewpoint - The film "Wang Wang Mountain Little Monster" is described as an animation that allows everyone to see themselves, continuing the world view of the animated short "Little Monster's Summer" from the series "Chinese Tales" [1] Group 1: Film Overview - The film tells the story of four unnamed little monsters embarking on a "journey for scriptures," showcasing a new narrative structure and visual aesthetics of Chinese animation [1] - The film reflects the profound changes in the Chinese animation industry, balancing the inheritance of decades of artistic tradition with the need to adapt to the diversification of entertainment forms [1][2] Group 2: Creative Philosophy - The creative philosophy of "Shanghai Animation Film Studio" emphasizes originality and avoiding imitation, seeking a balance between artistic individuality and industrial standardization in animation production [2] - The film's production involved over 600 creative team members and the meticulous crafting of more than 1,800 shots, integrating traditional Chinese ink animation with modern techniques [2] Group 3: Audience Reception and Cultural Significance - Early audience feedback highlights the film's appeal across age groups, its representation of national aesthetics, and its innovative approach to the "Journey to the West" theme [3] - The film aims to resonate with audiences by reflecting beautiful emotions and aspirations, drawing inspiration from Chinese mythology and classical literature [3]

Group 1 - The core viewpoint of the article highlights the successful online showcase of the ethnic opera "Liu Liu Zhou," which reflects the theme of integrity in culture and aligns with contemporary values of clean governance [1][2] - The opera is based on the life of Tang Dynasty poet Liu Zongyuan, focusing on his governance practices during his tenure as the governor of Liu Zhou, emphasizing his philosophy of serving the people [1][2] - "Liu Liu Zhou" has been recognized as a key supported project in the "Chinese National Opera Inheritance and Development Project" for 2024-2025 and has received various accolades, including the special award at the 12th Guangxi Drama Exhibition [2] Group 2 - The production features a local creative team and actors from Guangxi, aiming for a high degree of local authenticity in its artistic expression [2] - Significant modifications have been made to the opera, enhancing both content and form, with a focus on integrating world opera elements with national characteristics [2] - Following its premiere in April 2024, the opera has performed over 80 shows across various regions, receiving enthusiastic audience feedback [2][3] Group 3 - The opera will embark on a new tour starting in Xi'an, the birthplace of Liu Zongyuan, symbolizing a journey that connects historical and contemporary narratives [3] - The production aims to contribute to the creative transformation of traditional Chinese culture through localized creation and international expression [3]

Group 1 - The construction of a cultural strong nation is a major task in advancing Chinese-style modernization, enhancing the cultural innovation and creativity of the entire nation, and continuously strengthening the spiritual power for the great rejuvenation of the Chinese nation [2][11] - Chinese-style modernization emphasizes the coordination of material and spiritual civilization, aiming for both material abundance and spiritual richness, which distinguishes it fundamentally from Western modernization [2][3] - The essence of modernization is the modernization of people, which includes not only material living conditions but also the enrichment of spiritual life and the development of moral character [3][4] Group 2 - Cultural prosperity is an important support for promoting high-quality development, integrating deep humanistic values into various aspects of economic, political, social, and ecological construction [4][5] - The integration of culture and technology is crucial for fostering new cultural formats and models, enhancing the cultural tourism industry as a pillar of the economy [5][6] - The enhancement of national cultural soft power is essential for gaining strategic advantages in a changing global landscape, requiring improved international communication effectiveness and the promotion of Chinese culture [5][9] Group 3 - Significant progress has been made in the construction of a cultural strong nation, with a series of major deployments by the Party to elevate cultural construction to a prominent position in governance [6][10] - The vitality of cultural innovation and creativity has been fully unleashed, with advancements in the construction of an independent knowledge system in philosophy and social sciences [7][8] - The spiritual and cultural life of the people has become richer, with improved public cultural service systems and innovative cultural benefit projects [8][9] Group 4 - The international influence of Chinese culture has significantly increased, with successful international events incorporating Chinese cultural elements and promoting cultural exchanges [9][10] - The reform of cultural systems and mechanisms has yielded fruitful results, enhancing the Party's leadership in cultural work and modernizing governance capabilities in the cultural sector [10][11] - The construction of a cultural strong nation aims to enhance the ideological, spiritual, and cultural foundations for national rejuvenation, emphasizing the importance of cultural leadership by the Party [11][12]