致远，数字技术演绎东方画境。古画跃出纸本，在虚实之间铺展成境，化身可交互的文化空间。比如依托裸眼3D、体感交互技术制作的《光 影丹青》沉浸式体验，让观众走进画卷，触摸千年笔墨。此类文化再生产，在人文与科技融合中开辟了文旅发展的新路径，也推动中华优秀传 统文化在全民共享中持续活化。 浙江大学、浙江省文物局编纂出版的"中国历代绘画大系"，是一项规模浩大、纵贯历史、横跨中外的国家级重大文化工程。历经20年精心实 施，"大系"汇聚散落在世界各地的中国古画，汇集成迄今最大规模的中国古代绘画图像文献库。 "当《清明上河图》上的舟船开始摇橹、行人开始走动，一个沉睡的北宋都城在代码中'苏醒'了。越来越多的人发现，曾经静静陈列于博物馆 的古画，如今在数字光影的照映下，正以更加丰富的呈现形式走向我们：AI让古画栩栩如生，数字沉浸展流光溢彩，古画从展柜深处走来， 到万千场景中去。"浙江大学艺术与考古图像数据实验室研究员陈晓皎表示，应用数字技术，助古画"焕新、达意、致远"，是千年丹青走向当 代表达的新起点。伴随国家文化数字化战略的推进实施，千年丹青被注入时代语汇，也为中华文化打开了全新的想象空间。 何为"焕新、达意、致远"？陈晓皎一 ...

本报记者 江 南 图①：西班牙巴塞罗那欧洲现代艺术博物馆"丹青吟咏 盛世相辉——'中国历代绘画大系'之宋画展"现 场。 图②：中国历代绘画大系典藏馆外景。 图③：浙江大学艺术与考古博物馆举办的"盛世修典 ——'中国历代绘画大系'成果展之元画专题展"。 图④："中国历代绘画大系"各断代全集封面。 图⑤： 空中俯瞰中国历代绘画大系典藏馆。 以上图片均由浙江大学出版社提供 纸绢上的线条笔触、勾皴点染，画面里的溪山树木、花鸟人物，背景处的亭台楼阁、烟云薄暮，在这些 笔墨和留白、精工和写意中，蕴藏着中华文明赓续传承的基因密码。 257册敦实厚重的画册，汇集全球260余家文博机构、超1.2万件(套)中国古代绘画藏品。 由浙江大学、浙江省文物局编纂出版的"中国历代绘画大系"(以下简称"大系")，是习近平总书记亲自批 准，多年来一直高度重视、持续关注的一项规模浩大、纵贯历史、横跨中外的国家级重大文化工程。历 经20年精心实施，"大系"已成为迄今精品佳作收录最全、出版规模最大的中国古代绘画图像文献集成。 笔墨有魂，丹青飘香。项目启动20周年之际，围绕"大系"成果保护、利用、研究等工作仍是"进行 时"。"大系"正在书写赓续千年文 ...

AI让古画栩栩如生，数字沉浸展流光溢彩，古画从展柜深处走来，到万千场景中去 当《清明上河图》上的舟船开始摇橹、行人开始走动，一个沉睡的北宋都城在代码中"苏醒"了。越来越 多的人发现，曾经静静陈列于博物馆的古画，如今在数字光影的照映下，正以更加丰富的呈现形式走向 我们：AI让古画栩栩如生，数字沉浸展流光溢彩，古画从展柜深处走来，到万千场景中去。 应用数字技术，助古画"焕新、达意、致远"，是千年丹青走向当代表达的新起点。伴随国家文化数字化 战略的推进实施，千年丹青被注入时代语汇，也为中华文化打开了全新的想象空间。 焕新，数字技术重塑丹青画卷。古画正从静止的孤本展藏，走向跨越时空的光影重聚。历时数十年完成 数字建档的"中国历代绘画大系"，让散落海内外的艺术瑰宝得以重聚、同框共展。依托3D建模和打印 技术制作的云冈石窟可移动复制版本，让镌刻于山崖之上的石刻艺术走出山川、奔赴人群。这些实践， 都是数字技术推动古画跨越时空壁垒，进入公共艺术文化空间的鲜活写照。 达意，数字技术解读传统画意。古画之美，不止于形貌，更藏有千年意蕴。中国古代绘画不仅描摹自 然、记录社会，更蕴含丰富的思想观念与审美追求。以设色为例，其中既有随类赋 ...

Core Viewpoint - The "Daily Art Reading" multimedia column utilizes AI and digital media technology to creatively transform and innovate traditional Chinese painting, enhancing cultural transmission and engagement in contemporary contexts [6][9][10]. Group 1: Cultural Significance - Chinese painting is a vital part of the rich heritage of Chinese culture, and the "Daily Art Reading" initiative aims to revitalize these classic artworks through modern technology [6][8]. - The program aligns with Xi Jinping's cultural thoughts, promoting the creative transformation and innovative development of traditional culture [6][9]. Group 2: Technological Integration - The initiative employs AI technology to accurately restore the essence of artworks while also creatively interpreting their meanings, thus bridging the gap between ancient and modern aesthetics [7][9]. - By integrating dynamic visual and auditory elements, the program creates an immersive experience that enhances emotional resonance with the audience [7][8]. Group 3: Educational and Emotional Engagement - "Daily Art Reading" provides insightful interpretations of artworks, decoding their historical context, philosophical meanings, and aesthetic values, thereby fostering a deeper appreciation of traditional culture [8][9]. - The column encourages a dialogue between the audience and the artworks, enhancing emotional engagement and cultural understanding [7][9]. Group 4: Future Prospects - The initiative aims to expand its cross-cultural communication, promoting dialogue between Chinese and foreign art, and showcasing Chinese painting as a window to Eastern wisdom [10]. - There is a vision to explore the integration of various art forms through digital technology, presenting a comprehensive view of the rich cultural heritage of the Chinese nation [10].

Core Insights - The Zhejiang University Art and Archaeology Museum serves as a national first-class museum, aiming to showcase history through artifacts, spanning from prehistoric civilization to modern art, and igniting cultural interest among youth [1] Group 1: Museum Overview - The museum features a blend of modern and historical architecture, located in the southwest corner of Zhejiang University’s Zijingang Campus [1] - It has become a popular destination for young visitors, with exhibits that evoke respect and resonance for history through various artifacts [1] Group 2: Educational Initiatives - The museum adopts the philosophy of "one exhibition equals one course," providing free access to the public and creating a university without walls [5] - It has developed practical teaching courses in collaboration with multiple departments, allowing students to engage directly with artifacts [7] - The museum has established a teaching collection system covering 15 categories, from the Stone Age to modern art [8] Group 3: Student Engagement - Students express a deep emotional connection to the artifacts, emphasizing the importance of experiencing history firsthand rather than through glass [10] - The museum's permanent exhibition, "The Great Series of Chinese Painting," includes over 12,400 pieces, making it a favored spot for students [12] - A new general education course titled "Chinese Civilization in Historical Paintings" has gained popularity among undergraduates, enhancing their understanding of traditional culture [14] Group 4: Technological Integration - The integration of AI technology in art restoration has significantly reduced the time required for traditional restoration processes from one year to three months [14][16] - Researchers are exploring the intersection of computer science and traditional art, aiming to revitalize ancient cultural treasures [18]

Core Viewpoint - Zhejiang University Art and Archaeology Museum serves as a national first-class museum, showcasing artifacts from prehistoric civilization to modern art, aiming to ignite cultural awareness among youth [1][5]. Group 1: Museum's Role and Educational Impact - The museum adopts the philosophy of "one exhibition is one course," providing free access to the public and creating an open university environment [3][5]. - The permanent exhibition "The Beauty of Creation" breaks traditional historical narratives, using materials and aesthetics to illustrate the evolution of craftsmanship and cultural understanding [3][5]. - The museum has developed a teaching collection system covering 15 categories, from the Stone Age to modern art, allowing visitors to explore diverse cultural heritage [5][7]. Group 2: Student Engagement and Learning - Students from various disciplines participate in hands-on learning experiences, such as organizing and preserving artifacts, which enhances the integration of theory and practice [7][9]. - The "Comprehensive Course on Chinese Civilization in Historical Paintings" has become popular among undergraduates, fostering a deeper appreciation for traditional culture [13]. - AI technology is being utilized to enhance traditional art restoration processes, significantly reducing the time required for restoration from one year to three months [13][15]. Group 3: Cultural Identity and Future Aspirations - The museum is a place where young people find cultural identity and purpose, with many expressing a desire to contribute to the field of cultural heritage [15][17]. - The integration of computer science with traditional art is seen as a way to revitalize ancient cultural treasures, making them relevant for contemporary audiences [17].

Core Insights - The article emphasizes the integration of scientific spirit into education at various universities, fostering a sense of national pride and responsibility among students [1][2][3] Group 1: Educational Initiatives - Shanghai Jiao Tong University launched a series of scientific activities titled "The Return of the Wall Breakers Across the Ocean" to commemorate the 70th anniversary of alumni Qian Xuesen's return to China, using diverse formats to promote scientific spirit [1] - Tsinghua University's Science Museum showcases thousands of scientific artifacts, aiming to convey the stories of scientists and the underlying scientific spirit and national sentiment [2] - Zhejiang University's Art and Archaeology Museum hosts exhibitions that transform art history into an interactive experience, encouraging students to engage as active participants in cultural heritage [3] Group 2: Student Engagement - Students at Shanghai Jiao Tong University actively participate in historical experiences, deepening their understanding of Qian Xuesen's choices and contributions to science [1] - Tsinghua University aims to build a permanent science museum by 2027, with a vision to connect local, national, and global scientific narratives [2] - The educational approach at Zhejiang University emphasizes the role of museums as platforms for inquiry and cultural transmission, fostering critical thinking among students [3]

Core Viewpoint - The 2025 Beijing Cultural Forum emphasizes the integration of technology and culture, exploring how technological advancements can enhance cultural originality and heritage preservation [1][7]. Group 1: Technology and Cultural Heritage - The forum featured discussions on the project "Chinese Historical Painting Series," which aims to systematically organize and protect ancient Chinese painting heritage, involving over 12,500 pieces from more than 200 museums worldwide [3][4]. - Advanced technologies such as high-resolution imaging and digital processing are utilized to catalog and preserve ancient artworks, addressing threats like fading and deterioration [3][4]. - The use of traditional film cameras, despite the prevalence of digital technology, is highlighted for its superior color depth and image quality in preserving cultural artifacts [4]. Group 2: Cultural Originality and Modern Interpretation - Cultural originality is viewed as a blend of tradition and modernity, with examples like Chinese shadow puppetry evolving through digital animation and projection technology [5]. - The forum discusses the importance of protecting cultural heritage while also reinterpreting it for contemporary audiences, showcasing how technology can facilitate this process [5][6]. - New humanistic thoughts are encouraged to respect collective interests while affirming individual value, aligning with technological advancements and ethical considerations [6]. Group 3: Future of Cultural Creation - The future of cultural originality is seen as a collaborative effort between humans and AI, with potential for a new renaissance in artistic expression through human-AI interaction [6][7]. - The role of technology is not just as a tool but as a powerful engine driving cultural innovation, reshaping the landscape of artistic creation [7].

Core Viewpoint - The article emphasizes the integration of technology and creativity in the protection of cultural heritage in Zhejiang, particularly focusing on the West Lake, Grand Canal, and various intangible cultural heritages, showcasing a model of sustainable cultural preservation and innovation. Group 1: Cultural Heritage Protection - Zhejiang has achieved a breakthrough in world cultural heritage, with sites like West Lake and the Grand Canal being recognized, alongside 13 projects included in the intangible cultural heritage list [2] - The province boasts 20 historical cultural cities, 94 towns, 218 villages, and over 70,000 immovable cultural relics, indicating a rich cultural heritage landscape [2] Group 2: Technological Empowerment - Digital technology is being utilized in cultural heritage protection, such as AR guides in museums and smart management systems for the Grand Canal, enhancing visitor experience and management efficiency [3][4] - The "Liangzhu Cultural Comprehensive Enhancement Project" has implemented smart applications to monitor environmental conditions at heritage sites, improving management precision [3] Group 3: Major Cultural Projects - The "Chinese Historical Painting Series" project has been ongoing for 20 years, resulting in a comprehensive archive of ancient Chinese paintings, addressing the dual challenge of preservation and accessibility [6][7] - The project has produced 64 volumes and 244 books, creating the most extensive documentation of ancient Chinese art [6] Group 4: Intangible Cultural Heritage - Zhejiang leads the nation with 241 national intangible cultural heritage projects and 271 representative inheritors, reflecting a strong commitment to preserving traditional crafts [8] - Local initiatives encourage young artisans to engage in heritage protection, fostering a new generation of craftsmen [8] Group 5: Creative Cultural Development - Young creators in Zhejiang are innovating within the cultural sector, developing new products and experiences that blend traditional crafts with modern consumer interests [10] - The integration of local culture with creative industries is being promoted through various initiatives, enhancing cultural tourism and community engagement [10]

Group 1 - The core idea emphasizes the importance of cultural construction as a soft power that enhances comprehensive competitiveness, with a focus on implementing the "Eight Major Projects" in Zhejiang's cultural development [1][2][10] - The "Eight Major Projects" include various initiatives such as cultural quality projects, cultural research projects, and cultural industry promotion projects, all designed to strengthen the cultural foundation of the province [1][2][4] - The strategic planning and top-level design are crucial for the successful implementation of these cultural projects, ensuring that they are interconnected and systematically coordinated [2][4] Group 2 - The implementation of the "Eight Major Projects" requires tangible support and clear measures to ensure that cultural construction is taken seriously alongside economic and social development [2][5] - A collaborative mechanism involving various departments and local governments is essential for the successful execution of cultural projects, emphasizing the need for collective effort and resource coordination [4][5] - The establishment of a robust management system and operational mechanism is necessary to facilitate the ongoing development and success of cultural projects, ensuring accountability and effective resource allocation [5][6] Group 3 - Continuous commitment to cultural projects is highlighted as a long-term goal, with an emphasis on maintaining momentum across different administrative terms [7][10] - The cultural research project serves as a prime example of effective organization and collaboration, involving numerous experts and institutions to produce significant academic contributions [6][9] - The financial investment in cultural projects has shown substantial growth, with cultural spending in Zhejiang increasing from 2.765 billion yuan in 2003 to 5.660 billion yuan in 2007, reflecting a strong commitment to cultural development [9]