中国历代绘画大系

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文化保护的动能从科技创意匠心汇聚中奔涌
Zhong Guo Qing Nian Bao· 2025-08-02 01:30
Core Viewpoint - The article emphasizes the integration of technology and creativity in the protection of cultural heritage in Zhejiang, particularly focusing on the West Lake, Grand Canal, and various intangible cultural heritages, showcasing a model of sustainable cultural preservation and innovation. Group 1: Cultural Heritage Protection - Zhejiang has achieved a breakthrough in world cultural heritage, with sites like West Lake and the Grand Canal being recognized, alongside 13 projects included in the intangible cultural heritage list [2] - The province boasts 20 historical cultural cities, 94 towns, 218 villages, and over 70,000 immovable cultural relics, indicating a rich cultural heritage landscape [2] Group 2: Technological Empowerment - Digital technology is being utilized in cultural heritage protection, such as AR guides in museums and smart management systems for the Grand Canal, enhancing visitor experience and management efficiency [3][4] - The "Liangzhu Cultural Comprehensive Enhancement Project" has implemented smart applications to monitor environmental conditions at heritage sites, improving management precision [3] Group 3: Major Cultural Projects - The "Chinese Historical Painting Series" project has been ongoing for 20 years, resulting in a comprehensive archive of ancient Chinese paintings, addressing the dual challenge of preservation and accessibility [6][7] - The project has produced 64 volumes and 244 books, creating the most extensive documentation of ancient Chinese art [6] Group 4: Intangible Cultural Heritage - Zhejiang leads the nation with 241 national intangible cultural heritage projects and 271 representative inheritors, reflecting a strong commitment to preserving traditional crafts [8] - Local initiatives encourage young artisans to engage in heritage protection, fostering a new generation of craftsmen [8] Group 5: Creative Cultural Development - Young creators in Zhejiang are innovating within the cultural sector, developing new products and experiences that blend traditional crafts with modern consumer interests [10] - The integration of local culture with creative industries is being promoted through various initiatives, enhancing cultural tourism and community engagement [10]
“中国历代绘画大系”捐赠仪式在佛罗伦萨美院举行
人民网-国际频道 原创稿· 2025-05-27 03:02
人民网罗马5月26日电 (记者谢亚宏)浙江大学"中国历代绘画大系"捐赠签约仪式近日在意大利佛罗伦萨美 术学院隆重举行。佛罗伦萨美术学院校长乔瓦尼·伊奥万、中国驻佛罗伦萨总领事尹琦、联合国教科文组织中国创 业教育联盟主席徐小洲、浙江大学意大利校友会代表张锡琪、中艺国际主席张修中、意大利威尼斯华侨华人企业 家联合总会第一常务副会长周云强等出席捐赠仪式。 捐赠仪式现场。张锡琪摄 尹琦在致辞中指出,《大系》是一项意义重大的中国文化工程,收集的中国历代名画是中国传统艺术的典型 代表作,在海内外产生了重大影响,对了解中国传统文化精华具有重要作用。佛罗伦萨美术学院是世界上第一所 美术学院,办学历史悠久、实力雄厚,浙江大学捐赠《大系》给该校是中西艺术交流的盛事,对推动中意文化交 流影响深远。 乔瓦尼·伊奥万代表佛罗伦萨美术学院对浙江大学捐赠《大系》表示诚挚感谢。他指出,《大系》工程浩大, 体现了中国传统美术的杰出水平,是西方国家了解中国传统艺术的重要媒介,对促进中意艺术思想交流合作具有 重要作用。 本次捐赠是中意高校在人文艺术领域合作的重要行动,彰显了浙江大学着力推动中外文明交流互鉴、增进民 心相通的责任担当,对构建人类命运 ...