在浙江大学紫金港校区西南角，一座灰红砖墙相间、兼具现代感与历史气息的建筑静静伫立——这就是浙大艺术与考古博物馆。作为国家一级博物馆，浙大 艺博馆自诞生之初便承载着"以物见史"的使命，从史前文明到近现代艺术，跨越千年的文物在此汇聚，诉说着中华文明的灿烂，更点燃了无数青少年心中的 文化火种。 今天，我们一起走进浙大艺博馆。 这个假期，浙大艺博馆迎来一批又一批年轻的面孔。从良渚玉璧的神秘纹路，到颜真卿《西亭记》碑的苍劲笔触，从秦汉瓦当的云气流转，到南宋官窑的青 釉凝脂——每一件文物，都在无声中唤醒人们对历史的敬畏与共鸣。 杭州市省府路小学学生杨思晨：我可以学习一下古人们画画的方法，比如留白，我们一般都是直接用白色颜料涂上去的，但是古人们又运用了留白的方法， 有特别的艺术感。 浙江大学艺术与考古学院学生许辰鱼：直观真切地感受到中国山水画的发展历程，以及在岁月当中所蕴含的文化力量。 艺博馆不仅免费向公众敞开大门，更以"一个展览即一门课"的理念，打造没有围墙的大学。《造物之美》常设展打破传统历史叙事，以材料、形制、颜色为 线索，展示不同历史时期的工艺技术和审美变迁，构建起理解文明的多元视角。 浙江大学艺术与考古学院硕士研 ...

这个假期，浙大艺博馆迎来一批又一批年轻的面孔。从良渚玉璧的神秘纹路，到颜真卿《西亭记》碑的苍劲笔 触，从秦汉瓦当的云气流转，到南宋官窑的青釉凝脂——每一件文物，都在无声中唤醒人们对历史的敬畏与共鸣。 浙江大学艺术与考古学院学生 许辰鱼：直观真切地感受到中国山水画的发展历程，以及在岁月当中所蕴含的文化 力量。 艺博馆不仅免费向公众敞开大门，更以"一个展览即一门课"的理念，打造没有围墙的大学。《造物之美》常设展 打破传统历史叙事，以材料、形制、颜色为线索，展示不同历史时期的工艺技术和审美变迁，构建起理解文明的多元 杭州市省府路小学学生 杨思晨：我可以学习一下古人们画画的方法，比如留白，我们一般都是直接用白色颜料涂 上去的，但是古人们又运用了留白的方法，有特别的艺术感。 在浙江大学紫金港校区西南角，一座灰红砖墙相间、兼具现代感与历史气息的建筑静静伫立——这就是浙大艺术 与考古博物馆。作为国家一级博物馆，浙大艺博馆自诞生之初便承载着"以物见史"的使命，从史前文明到近现代艺 术，跨越千年的文物在此汇聚，诉说着中华文明的灿烂，更点燃了无数青少年心中的文化火种。 今天，我们一起走进浙大艺博馆。 浙江大学艺术与考古学院硕士研 ...

一场体验、一件文物、一次展览……面对科技自立自强的时代命题，各地高校将科学精神融入育人全链 条，激荡青年学子心有大我、至诚报国的家国情怀。 初秋，主题为"破壁者的越洋归航"的系列科学活动在上海交通大学启幕，纪念杰出校友钱学森归国70周 年。从专家导览到微宣讲，上海交大以多元形式传播科学精神，让人民科学家的报国之心成为指引青年 奋进的灯塔。 在"学长说"历史沉浸式体验中，学生化身"历史探秘者"，在《纽约时报》剪报、钱学森手稿等文物中寻 找线索，还原70年前科学家突破阻挠、毅然归国的历史场景。 "从被动听讲到主动参与，历史'活'了起来，我更深刻理解了钱老'五年归国路，十年两弹成'的抉 择。"上海交大机械与动力工程学院"钱学森班"2025级新生何志源说。 无数个体抉择与国家命运交织的珍贵记忆，在高校博物馆的展陈中呈现。 新华社北京10月1日电 题：心有大我 至诚报国——感受高校科学精神 新华社记者 "为什么要研究科学的过去？是为了看到科学一步步发展过来的'足迹'，也是为了传承包含理性、人本 等在内的科学精神。"清华大学科学史系2025级硕士生杨明繁说。 "科学博物馆的作用无法取代，我们不仅展示科技成果，更希望传递其 ...

Core Viewpoint - The 2025 Beijing Cultural Forum emphasizes the integration of technology and culture, exploring how technological advancements can enhance cultural originality and heritage preservation [1][7]. Group 1: Technology and Cultural Heritage - The forum featured discussions on the project "Chinese Historical Painting Series," which aims to systematically organize and protect ancient Chinese painting heritage, involving over 12,500 pieces from more than 200 museums worldwide [3][4]. - Advanced technologies such as high-resolution imaging and digital processing are utilized to catalog and preserve ancient artworks, addressing threats like fading and deterioration [3][4]. - The use of traditional film cameras, despite the prevalence of digital technology, is highlighted for its superior color depth and image quality in preserving cultural artifacts [4]. Group 2: Cultural Originality and Modern Interpretation - Cultural originality is viewed as a blend of tradition and modernity, with examples like Chinese shadow puppetry evolving through digital animation and projection technology [5]. - The forum discusses the importance of protecting cultural heritage while also reinterpreting it for contemporary audiences, showcasing how technology can facilitate this process [5][6]. - New humanistic thoughts are encouraged to respect collective interests while affirming individual value, aligning with technological advancements and ethical considerations [6]. Group 3: Future of Cultural Creation - The future of cultural originality is seen as a collaborative effort between humans and AI, with potential for a new renaissance in artistic expression through human-AI interaction [6][7]. - The role of technology is not just as a tool but as a powerful engine driving cultural innovation, reshaping the landscape of artistic creation [7].

Core Viewpoint - The article emphasizes the integration of technology and creativity in the protection of cultural heritage in Zhejiang, particularly focusing on the West Lake, Grand Canal, and various intangible cultural heritages, showcasing a model of sustainable cultural preservation and innovation. Group 1: Cultural Heritage Protection - Zhejiang has achieved a breakthrough in world cultural heritage, with sites like West Lake and the Grand Canal being recognized, alongside 13 projects included in the intangible cultural heritage list [2] - The province boasts 20 historical cultural cities, 94 towns, 218 villages, and over 70,000 immovable cultural relics, indicating a rich cultural heritage landscape [2] Group 2: Technological Empowerment - Digital technology is being utilized in cultural heritage protection, such as AR guides in museums and smart management systems for the Grand Canal, enhancing visitor experience and management efficiency [3][4] - The "Liangzhu Cultural Comprehensive Enhancement Project" has implemented smart applications to monitor environmental conditions at heritage sites, improving management precision [3] Group 3: Major Cultural Projects - The "Chinese Historical Painting Series" project has been ongoing for 20 years, resulting in a comprehensive archive of ancient Chinese paintings, addressing the dual challenge of preservation and accessibility [6][7] - The project has produced 64 volumes and 244 books, creating the most extensive documentation of ancient Chinese art [6] Group 4: Intangible Cultural Heritage - Zhejiang leads the nation with 241 national intangible cultural heritage projects and 271 representative inheritors, reflecting a strong commitment to preserving traditional crafts [8] - Local initiatives encourage young artisans to engage in heritage protection, fostering a new generation of craftsmen [8] Group 5: Creative Cultural Development - Young creators in Zhejiang are innovating within the cultural sector, developing new products and experiences that blend traditional crafts with modern consumer interests [10] - The integration of local culture with creative industries is being promoted through various initiatives, enhancing cultural tourism and community engagement [10]

Group 1 - The core idea emphasizes the importance of cultural construction as a soft power that enhances comprehensive competitiveness, with a focus on implementing the "Eight Major Projects" in Zhejiang's cultural development [1][2][10] - The "Eight Major Projects" include various initiatives such as cultural quality projects, cultural research projects, and cultural industry promotion projects, all designed to strengthen the cultural foundation of the province [1][2][4] - The strategic planning and top-level design are crucial for the successful implementation of these cultural projects, ensuring that they are interconnected and systematically coordinated [2][4] Group 2 - The implementation of the "Eight Major Projects" requires tangible support and clear measures to ensure that cultural construction is taken seriously alongside economic and social development [2][5] - A collaborative mechanism involving various departments and local governments is essential for the successful execution of cultural projects, emphasizing the need for collective effort and resource coordination [4][5] - The establishment of a robust management system and operational mechanism is necessary to facilitate the ongoing development and success of cultural projects, ensuring accountability and effective resource allocation [5][6] Group 3 - Continuous commitment to cultural projects is highlighted as a long-term goal, with an emphasis on maintaining momentum across different administrative terms [7][10] - The cultural research project serves as a prime example of effective organization and collaboration, involving numerous experts and institutions to produce significant academic contributions [6][9] - The financial investment in cultural projects has shown substantial growth, with cultural spending in Zhejiang increasing from 2.765 billion yuan in 2003 to 5.660 billion yuan in 2007, reflecting a strong commitment to cultural development [9]

Core Points - The donation ceremony for the "Comprehensive Collection of Chinese Paintings" by Zhejiang University took place at the Florence Academy of Fine Arts, marking a significant cultural exchange between China and Italy [1][4][6] - The collection includes 12,405 pieces of Chinese paintings from 263 cultural institutions, making it the largest and most comprehensive documentation of ancient Chinese painting [5][6] Group 1: Cultural Significance - The "Comprehensive Collection" is a major cultural project that showcases the essence of traditional Chinese art and has a significant impact both domestically and internationally [4][5] - The donation is seen as a bridge for cultural exchange, reflecting the shared artistic sentiments and mutual understanding between China and Italy [5][6] Group 2: Institutional Collaboration - The event highlights the collaboration between Chinese and Italian higher education institutions in the field of humanities and arts, emphasizing Zhejiang University's commitment to promoting cultural exchange [6] - Following the ceremony, discussions on further cooperation in cultural exchange, talent cultivation, and academic research were held among the attendees [6]