这句话暗含了一个普遍的误解：既然只是培养气质，那么孩子学得浅一点、玩一玩就好，不必刻苦投 入。于是，我们在不少孩子学习艺术的轨迹中，看见了一种"轻量化"的学习模式：学会几个好看的动 作，背几首曲子，画几幅小画，拍漂亮照片时洋洋得意，遇到难处和挑战便急急收场。真正能够培养气 质的，绝非这种蜻蜓点水式的学习。 的确，艺术与玩有类似之处——创造性、愉悦性、开放性并存。爱因斯坦曾回忆自己13岁时因莫扎特奏 鸣曲而真正开始学习音乐，并坦言自己经常在音乐中思考，在音乐中度过白日梦，透过音乐看自己的生 活。这位科学巨匠从小学习小提琴，甚至在物理研究遇到瓶颈时，会通过演奏莫扎特的奏鸣曲寻求灵 感。他的科学突破与艺术修养的深度交融，恰恰是"玩"到极致的生动注脚。 但学习艺术是在趣味中不懈探索、在挑战里收获成就。这种苦尽甘来、甘苦并存，甚至以苦为乐的过 程，恰恰是艺术高于玩的"深度趣味"。教学中有许多这样的例子。有的孩子因迷恋舞台光芒而来，却在 一次次排练中，逐渐发现动作的难度、身体的极限与节奏的微妙变化带来的无限可能。事实上，孩子们 在艺术学习中获得的，远不止技术和表现力本身。长期持续的练习，让他们学会遇到困难不轻言放弃， 培 ...

Group 1 - The article discusses the increasing trend of families taking children to cultural events such as museums and theaters during summer vacations, highlighting a growing appreciation for artistic experiences [1] - There is a notable prevalence of Russian ballet troupes performing "Swan Lake" in China, raising questions about the cultural export dynamics and the motivations behind these performances [3][5] - The article critiques the quality of many performing arts groups, suggesting that some may not meet the expected standards of professionalism and artistry, often referred to as "water troupes" [6][55] Group 2 - The article emphasizes the lack of discernment among audiences due to limited exposure to classical arts, leading to a situation where subpar performances can be mistaken for high-quality productions [7][8] - It points out that many of these troupes use misleading names and branding to create an illusion of prestige, which can mislead audiences about their true nature and quality [12][13] - The article provides examples of how some groups, despite their grand names, are essentially amateur or semi-professional ensembles, raising concerns about the authenticity of their performances [15][20] Group 3 - The article highlights the financial aspects of renting prestigious venues for performances, indicating that the mere presence of a troupe in a well-known theater does not guarantee high-quality performances [29][30] - It mentions that ticket prices for these "water troupes" are often not significantly lower than those of reputable companies, despite the vast differences in performance quality [36][34] - The article suggests that the proliferation of these lower-quality troupes in major cities like Beijing and Shanghai is unusual, given the availability of better artistic resources [55][60] Group 4 - The article identifies the top ballet and symphony companies in Russia and Vienna, emphasizing that only a few truly represent the pinnacle of classical arts [39][41] - It notes that while top-tier companies do tour China, the costs associated with such tours limit their performances primarily to major cities with higher cultural consumption capabilities [45][46] - The article concludes by stressing the importance of genuine artistic education and the need for audiences to be more discerning in their choices, as well as the potential for local talent to rise to prominence [62][59]