在过去的几年里，区块链技术迅速进入了多个行业，艺术品市场也不例外。传统的艺术品拍卖模式一直 存在许多问题，包括艺术品的真伪难以验证、所有权转移过程繁琐且缺乏透明度等问题。而如今，区块 链技术的应用，特别是通过NFT（非同质化代币），正逐渐解决这些问题，为艺术品拍卖带来了革命性 的变化。 NFT（非同质化代币）是建立在区块链技术基础上的数字资产，它代表着一个唯一的、不可复制的物 品。在艺术品拍卖中，NFT可以被用作艺术品的数字化证明，确保每一件艺术品的唯一性与来源。艺术 家或拍卖行可以为每一件艺术品创建一个NFT，并将其与艺术品的实体对应起来，这样就能够实现对艺 术品的溯源追踪。 NFT不仅能确保艺术品的真伪，还能为艺术品附加一个永久的数字身份。每个NFT都包含了艺术品的详 细信息，包括创作背景、所有权记录、交易历史等。这些信息在区块链上是公开透明且不可篡改的，因 此任何人都可以轻松查询到艺术品的完整历史，避免了传统拍卖中信息不对称的情况。 自动化的所有权转移 区块链技术的优势 区块链，作为一种去中心化的分布式账本技术，具有不可篡改、透明公开和安全可靠的特点。这些优势 使得区块链成为处理艺术品真伪和所有权的理想 ...

在过去很长一段时间里，艺术品市场对于藏家而言，变现之路布满荆棘。渠道的极度有限是首要难题，传统上，主要依赖拍卖行和古玩市场这两大途径。 2025年，艺术品市场正经历着一场意义深远的变革，而这场变革的背后，是政策的深度干预与强力推动。随着《艺术品经营管理办法》的深化实施，曾经 混沌的艺术品市场正大步迈向"阳光化"发展阶段，开启全新篇章。 变革前的混沌之态 在政策深度介入之前，艺术品市场乱象丛生。从交易数据来看，虽然市场规模呈增长态势，但繁荣之下隐藏着诸多问题。以拍卖市场为例，据相关机构统 计，过去几年间，全国艺术品拍卖成交额逐年上升，然而其中却暗藏隐忧。 鉴定难题也始终困扰着藏家。艺术品的真伪鉴定缺乏统一、权威的标准，不同鉴定机构和专家的观点时常存在分歧。这使得买家在购买藏品时疑虑重重， 不敢轻易出手，大大降低了藏品的流通性。比如，在书画鉴定领域，即便是经验丰富的专家，面对一些年代久远、风格复杂的作品，也可能难以迅速判断 真伪。而且，市场上赝品泛滥，进一步扰乱了市场秩序，让藏家的变现之路雪上加霜。 再看市场供需关系，也处于一种失衡状态。许多民间藏品的种类和数量过于分散，难以形成集中的市场需求。比如一些小众的艺术 ...

春风拂面，学意正浓，当"税务知识"遇上创业脑洞，会碰撞出怎样的火花？不久前，税务干部化身"税 务学姐"来到长春大学旅游学院创客中心，把专业的税收知识变成了"创业版"趣味课堂。 走入旅游学院创客中心，缀满铃铛的苗族银发冠随着穿堂风发出细碎的叮当声，后面的衣架上三件风格 迥异的衣裙并肩而立，温婉柔和的旗袍旁是极具设计的漏肩长裙，厚实的羽绒服在旁边也不显笨重，视 线右移，一个个微缩世界映入眼帘，园林风景和古建筑都被微缩在小小的展台上，环顾四周，屋内装满 了同学们的"创业脑洞"。 长春大学旅游学院创客中心是"创业脑洞"的孵化园，近年来，共获批了1个国家级平台和7个省级平台， 年收入额稳定增长，从成立至今共孵化了44家企业，目前在孵企业17家，涉及新媒体运营、艺术品加 工、数媒电商、旅游路线开发等多个领域，均在双阳区注册纳税。 围绕同学们最关注的就业创业内容，税务干部对高校毕业生创业就业税费优惠政策、个人所得税纳税申 报缴纳等内容开展详细讲解，不仅列举了重点群体创业就业的优惠政策，更把申报过程"划重点"，从申 领《就业创业证》到申报纳税时通过相关纳税申报表享受政策，结合创客中心内的项目分析政策如何落 地实施。 "原来创 ...

年轻人的消费观，正悄然改变着中国市场的格局。周末假日，熙攘的商场里，年轻男女手持奶茶，低头刷着手机，网红店前人潮涌动，他们构成了消费市场 的主力军，以蓬勃的活力推动着消费升级。然而，这股青春风暴却给一些传统产业带来了寒流。曾经备受推崇的白酒、邮票、红木家具等，如今却在年轻一 代面前遭遇了"滑铁卢"，市场遇冷，销量下滑。这究竟是为何？ 因此，白酒、红木家具等非必需品若继续坚持高价策略，在这个新一代消费者逐渐占据主导地位的市场中，注定难以长久生存。 信息来源: (此处补充具体信息来源，例如新闻链接、学术报告等) 让我们先从白酒说起。在中国，白酒拥有悠久的历史，曾是人际交往的润滑剂，逢年过节、商务宴请，总少不了它的一席之地。几千年来，独特的酒桌文 化，将劝酒、敬酒甚至拼酒，塑造成了某种社交"潜规则"。然而，这种潜规则如今却在年轻人中日渐式微。数据显示，2000年至2015年间，20多岁饮用白酒 的比例逐年下降，到2020年已不足10%，且仍在持续下滑。白酒产量也应声减少，同比下降近30%。茅台等龙头企业也未能幸免于跌价的浪潮。白酒市场， 已不再是昔日盛景。 白酒的困境并非个例。曾经在拍卖行拍出天价的字画古董，如今也 ...

Core Insights - The "2025 Art Market Trends Report" provides an in-depth analysis of the global art market, focusing on key trends, important data, and critical conclusions, emphasizing the need for a dynamic understanding of the art ecosystem [4][6]. Group 1: Market Trends - The report identifies ten key trends in the art market, highlighting changes in trading dynamics, market structure, and the impact of technology on the art ecosystem [12]. - The gallery sector is experiencing two main trends: slowing sales and rising costs, leading to increased pressure on small and medium-sized galleries [12][17]. - A significant number of galleries, over 30, have closed recently, indicating a broader trend of consolidation and transformation within the industry [13]. Group 2: Auction Market Dynamics - The global auction market remains relatively tight, with major auction houses like Christie's and Sotheby's facing performance pressures, projecting a 16% decline in Christie's global sales to $4.2 billion in 2024 [22]. - Auction houses are adapting by adjusting commission structures and exploring new client acquisition strategies to stabilize market dynamics [22][24]. - There is a growing focus on emerging markets, particularly in Asia and Africa, as auction houses seek to mitigate the impact of traditional market declines [27]. Group 3: Regional Market Insights - The Chinese art auction market exhibits cyclical patterns influenced by economic conditions, policy changes, and artistic trends, maintaining basic stability despite challenges [29][31]. - The Basel Art Fair continues to lead the global art fair market, with Paris gaining prominence as a key player following Brexit, while London remains influential with a 12% increase in transaction volume in 2023 [33][35]. - Hong Kong's art market has faced three consecutive years of declining performance, yet it remains a crucial hub for connecting domestic and international markets [39][41].

Core Insights - The "2025 Art Market Trends Report" symposium was held to analyze key issues in the art market and forecast its development direction, with contributions from various experts in the field [3][7]. Group 1: Market Trends - The global art market is undergoing a deep adjustment, with China's auction market showing a trend of "reducing quantity while improving quality," leading to resource concentration among top players [4]. - The international market is experiencing significant differentiation, with European and American auction houses facing operational efficiency challenges due to parent company debts, while Asian markets are developing in a multi-center manner [4]. - The primary market is seeing a decline in gallery sales and frequent changes among art fair exhibitors, leading to increased resource dispersion and operational challenges for traditional galleries [4]. Group 2: Financial Innovation - Experts discussed the current state of art finance, highlighting the rise of "emotional consumption" as a new market driver and the need for art finance to empower the art industry rather than just focus on investment tools [5]. - The demand for art assetization remains strong, with the expansion of art collateral financing in Europe and the U.S. presenting new opportunities in the art asset and derivative markets [5]. Group 3: Technological Impact - Technological innovations, particularly AIGC, are reshaping the art ecosystem, prompting discussions about the essence of art and leading to new pricing mechanisms and professional roles [6]. - Data governance and information integration are crucial for the healthy development of the art market, with challenges such as data fragmentation and non-standardization needing to be addressed through industry collaboration [6]. Group 4: Academic and Market Interaction - The symposium emphasized the importance of academic and market interaction for the development of the art industry, calling for continued collaboration to promote high-quality growth in the art market [7]. - The report aims to clarify the direction of the art market during its transformation phase, advocating for a focus on structural adjustments and dynamic processes in building the art ecosystem [7].

Core Viewpoint - The Chinese art market is experiencing significant growth and is becoming an important part of the global art market, with expectations for broader development opportunities from 2023 to 2025 [1][2]. Government Support and Policies - The government has increased its support for the cultural industry, implementing policies that encourage the creation, trading, and collection of art, thereby revitalizing the art market [2][6]. - Various art exhibitions and exchange activities are being organized across regions, attracting more artists and collectors, which further promotes the prosperity of the art market [2][6]. Market Trends and Consumer Behavior - The art market is entering a new phase of stratification and segmentation, with diverse preferences among different social classes, injecting more vitality into the market [4]. - Data indicates that Chinese millionaires allocate 17% of their assets to luxury goods and art, with 18.2% specifically invested in art collections, reflecting a growing enthusiasm for art investment among the wealthy [4]. Future Outlook - The rapid advancement of technology will enhance art authentication and protection methods, providing comprehensive support for the art market's future development [2][6]. - The art market's growth is not only a reflection of China's economic development but also a manifestation of people's desire for a richer cultural and spiritual life [2][6]. - The combination of supportive policies, technological innovation, and diverse market demand is expected to drive the art market towards a prosperous future, showcasing the unique charm and profound heritage of Chinese culture [6].

中古陶拍卖董事长张崇檀也表达了类似观点，"艺术品市场整体是回暖的态势，高精尖稀的拍品一直比 较坚挺，尤其是明清官窑、元代瓷器市场都是向好的，但原有的春秋大拍模式不断受到冲击，过去人山 人海的景象恢复还需要假以时日"。 继香港春拍收官之后，内地市场进入集中拍卖时间。从成交结果来看，一场审慎而微妙的价值重构大戏 正在悄然发生。正如中国嘉德董事总裁胡妍妍所讲，"春拍预展与拍场人气显著回升，磨砺三十载的收 藏群体，正以空前文化自觉重构本土艺术价值坐标，于资本与审美的共振中，逐渐塑就根植于东方美学 的市场"。 "曙光"初现 2025春拍首轮鏖战率先在香港市场点燃，尤其是元代书法家饶介作品《草书韩愈柳宗元文》历经95分钟 竞投，最终以2.5亿港元成交，给市场带来更多想象空间。作为内地市场风向标的中国嘉德不遑多让， 最终交出16亿元总成交额的答卷，北京保利、中贸圣佳、北京永乐、北京银座等陆续收槌，市场艰难中 仍传递出诸多积极稳健信号。 《2025年巴塞尔艺术展与瑞银集团环球艺术收藏调查报告》显示，2024年全球艺术品市场销售额达到 575亿美元（约合人民币4158亿元），同比下跌12%。令人欣慰的是，在充满不确定性的经济环 ...

第二个十年，是中贸圣佳发展相对缓慢的阶段。2009年，清代徐扬《平定西域献俘礼图》手卷以1.344 亿元成交，成为内地市场首件破亿拍品，拉开亿元时代的序幕。第三个十年，自2015年开始，中贸圣佳 进入快速发展期，经过十年不懈努力，再度回归国内一线拍卖公司行列。 北京商报：在过去的30年里，文物艺术品拍卖市场发生巨大变化，中贸圣佳的调整和应对策略是什么？ 薛世清：从2009年到2011年，中国文物艺术品市场总额达到历史峰值。2012年以后市场逐步发生变化， 尤其疫情以来，受外部经济影响，市场滑坡比较严重，根据中拍协年报，市场总成交额与高峰期相比萎 缩四成左右。 2025年，恰逢中贸圣佳而立之年，三十载栉风沐雨，是从行业开拓者到引领者的生动注脚。在春拍之 际，我们与中贸圣佳拍卖总经理薛世清展开深度对话，共同解码这家老牌劲旅长盛不衰的商业密码，聆 听其对行业未来发展的深刻洞察与前瞻思考。 "三十载坚守与突破" 北京商报：回望中贸圣佳拍卖30年发展历程，您觉得关键的历史节点有哪些？ 薛世清：如果按照公司的发展脉络划分，我认为有三个关键节点，即中贸圣佳的三个"十年"。从1995年 初创到2005年，是中贸圣佳的第一个十 ...

据了解，此次拍卖出现在全球首场初代藏品级LABUBU艺术专场。该款LABUBU尺寸为高131cm， 材质为PVC，颜色为薄荷色，在备注栏标注了"全球唯一一只"。除此之外，一款全球限量15版棕色 LABUBU以82万元成交。 今日，在永乐2025春季拍卖会上， 一款显示为初代藏品级薄荷色的LABUBU最终以108万元的价格 完成竞拍 。 ...