Group 1 - The fourth China (Macau) International High-Quality Consumption Expo and Hengqin World Bay Area Forum will be held from September 3 to 7, featuring a special "Everlasting New" intangible cultural heritage exhibition area [1] - The exhibition will showcase intangible cultural heritage from various regions, integrating ancient techniques with contemporary trends, thus promoting cultural consumption [1][2] - The event aims to explore innovative paths for the integration of cultural and economic values, transforming traditional intangible cultural heritage into new consumption trends [1][2] Group 2 - The "Everlasting New" exhibition area will adopt a dual approach of "exhibition + experience," allowing visitors to engage with the heritage through hands-on activities, enhancing public recognition and driving consumption [2] - The vitality of intangible cultural heritage lies in continuous innovation and adaptation, with the expo facilitating the transition from display to participation and from protection to activation [2] - China has over 100,000 intangible cultural heritage projects and nearly 140,000 related enterprises, highlighting the potential for these cultural treasures to become new growth points in consumption [2] Group 3 - Macau's unique geographical and policy advantages position it as a key node in the Belt and Road Initiative, allowing the expo to integrate and promote intangible heritage resources within the global consumer market [3] - The event seeks to establish a sustainable development path that drives heritage transmission through consumption and stimulates innovation through market engagement [3]

Group 1 - The core viewpoint of the articles highlights the rich traditional cultural activities organized by various intangible cultural heritage (ICH) venues across the country during the summer, aimed at immersing children in the charm of ICH [1][3]. - The China Intangible Cultural Heritage Museum hosted nearly 500 performances and experiential activities during the summer, attracting an average of over 13,000 visitors daily [3]. - In Hunan Province, the "I Come to Learn Skills" experiential activity featured over ten traditional ICH techniques, with 45 sessions fully booked, allowing children to learn from heritage inheritors [5]. - The Zhejiang Province ICH Museum conducted 90 experiential activities during the summer, with an average of over 5,500 visitors daily, where children learned unique dyeing techniques [7].

Core Viewpoint - The article highlights the efforts made in Tibet's Ali region to transition from static protection to dynamic innovation in the preservation and development of intangible cultural heritage, showcasing the significance of traditional culture in contemporary society [2][6]. Group 1: Cultural Heritage Initiatives - The Tibet Autonomous Region has made significant progress in the protection and innovation of cultural heritage over the past 60 years, leveraging its cultural resource advantages [2]. - From 2012 to 2024, a total of 473 million yuan has been allocated by the central and regional governments for the protection of intangible cultural heritage projects, documentation of national-level inheritors, and the construction of facilities for protection and utilization [2]. Group 2: Intangible Cultural Heritage Projects - There are currently 2,760 representative projects of intangible cultural heritage at various levels in Tibet, with 1,668 recognized inheritors [2]. - The "Guoerzi Dance," which has a history of over 1,300 years, was included in the national intangible cultural heritage list in 2011 [6]. - The "Xuan Dance," a traditional folk dance in Tibet, was recognized as a national intangible cultural heritage in 2008, incorporating elements of Tibetan opera, dance, and folk art [8]. Group 3: Traditional Costumes and Performances - The "Pulan Costume," known for its intricate design resembling a peacock, weighs over 20 kilograms and is adorned with gold, silver, amber, coral, and turquoise [2]. - The "Garl Traditional Costume," made from lambskin and wool, is characterized by its simple square shape and is both warm and decorative [10][12]. - The "Senguo Costume," referred to as the "Rainbow Costume," is made from five colors of fabric and is celebrated for its vibrant appearance [18].

Group 1 - The event "Xinjiang is a Good Place" showcases the innovative integration of intangible cultural heritage (ICH) and digital technology, highlighting the importance of preserving cultural traditions while making them accessible to modern audiences [1][3] - Digital fireworks and interactive installations, such as the "Mud Gugu" digital art device, create immersive experiences that connect traditional art forms with contemporary technology, appealing particularly to younger generations [1][2] - The "Mud Gugu" art form, recognized as a national intangible cultural heritage since 2006, is presented through a digital experience that allows audiences to interact and engage with cultural narratives, symbolizing the continuity of cultural memory [2][3] Group 2 - The Central Academy of Fine Arts emphasizes that the essence of digital works is to bridge the gap between ICH and daily life, encouraging greater public engagement with diverse cultural heritages [3] - The exploration of technology as a contemporary language for ICH aims to enhance its appeal without altering its cultural core, thus revitalizing traditional practices in the context of modern society [3]

Core Viewpoint - Gansu Pingliang paper-cutting has been recognized as a key cultural export project by the Ministry of Commerce and other departments, marking a significant opportunity for sustainable cultural trade development [1] Group 1: Cultural Promotion and Communication - The first step in promoting intangible cultural heritage (ICH) abroad is to break communication barriers, necessitating the establishment of a team of cultural promoters with both depth and international perspective [2] - A special fund should be set up to support skilled ICH inheritors in showcasing their work internationally through demonstrations and teaching [2] - The creation of a professional overseas promotion team is essential for brand image building and international media relations, transforming complex cultural symbols into relatable narratives for audiences [2] Group 2: Industrialization and Product Development - The sustainable development of ICH requires a shift from individual craftsmanship to an industrial mindset, creating a modern ICH industry chain [3] - Innovations in design and the establishment of international design workshops are crucial for integrating ICH with foreign cultures, leading to the development of high-value products [3] - Standardization and scalability in production are necessary, alongside the introduction of smart devices to enhance efficiency while maintaining core craftsmanship [3] Group 3: Expanding Cultural Ecosystem - The success of the film "Huangfu Mi Acupuncture" at an international film festival highlights the potential for cultural products to reach broader audiences [4] - Continuous international outreach requires the establishment of self-sustaining market channels and the development of cultural IP to enhance global cultural exchange [4] - Collaborations with international brands can integrate ICH elements into global product lines, facilitating wider market penetration [4]

Core Viewpoint - The newly passed "Regulations on the Protection, Inheritance, and Development of the Ansai Waist Drum" aims to provide a comprehensive legal framework for the preservation and promotion of this traditional art form, emphasizing both protection and innovation [1][2]. Group 1: Legal Framework - The regulations consist of 21 articles covering protection scope, government responsibilities, inheritance and development, and support measures, establishing a systematic legal basis for the Ansai Waist Drum [2]. - The regulations emphasize "living inheritance" rather than mere preservation, encouraging innovation while safeguarding traditional techniques and instruments [2]. Group 2: Cultural Significance - The Ansai Waist Drum has a history dating back over 2000 years to the Qin and Han dynasties, originally serving military purposes before evolving into a vital cultural expression for celebrations and rituals [1]. - Recognized as a national intangible cultural heritage in 2006, the Ansai Waist Drum has undergone significant evolution, developing a unique artistic style over time [1]. Group 3: Implementation and Community Engagement - The regulations aim to integrate the Ansai Waist Drum into contemporary life by promoting its presence in schools and communities, fostering talent development, and encouraging the passing down of skills from masters to apprentices [2]. - The goal is to ensure that the art form is actively practiced and appreciated, with plans for performances and regular training sessions to be legally protected [2].

Core Insights - A small shop named "XianYue Intangible Cultural Heritage Handmade" has gained popularity on social media due to its unique product, the "DianCui Cockroach," which has sold hundreds of items within a month of opening, with 90% of sales attributed to cockroach-related products [1] - The younger generation, particularly those born in the 1990s and 2000s, is driving the consumption of intangible cultural heritage (ICH) products, infusing new creativity and ideas into traditional crafts [1] Industry Overview - As of August 7, there are 163,600 existing ICH-related enterprises in China, with nearly 30% located in the East China region [2] - Over 60% of these enterprises have been established in the last three years, with 35.58% founded between one to three years ago and 26.68% within the past year [3] Registration Trends - The registration of ICH-related enterprises has shown a stable upward trend over the past decade, with a projected total of 39,100 new registrations in 2024, reflecting a year-on-year growth of 6.73% [4] - In the current year, 28,200 enterprises have been registered so far, with 27,500 of those registered in the first seven months, marking a year-on-year increase of 23.81% [4]

Core Viewpoint - The article highlights the innovative efforts of Yang Yuxiao in revitalizing traditional paper-cutting art in her hometown of Linhai, Zhejiang, by integrating modern materials and expanding the product range, thereby enhancing both aesthetic and collectible value of the craft [4][6][10]. Group 1: Innovation and Product Development - Yang Yuxiao has introduced new materials such as silk and cashmere cotton into paper-cutting, successfully applying for 13 national patents [4][6]. - The silk paper-cutting process is more complex than traditional methods, resulting in a price increase, with products priced 10 times higher yet still favored by enterprises [4][6]. - The average price of traditional paper-cutting was only a few dozen yuan, while the new silk series is priced between 200 to 500 yuan, with some pieces selling for over 400 yuan after framing [6][7]. Group 2: Market Strategy and Consumer Engagement - Yang Yuxiao aims to attract more consumers by launching affordable products under 100 yuan, including wearable paper-cutting accessories [7]. - The revenue from customized gifts is significant, and there is potential for growth in educational experiences related to paper-cutting [7][8]. - Yang Yuxiao has organized over 150 training sessions for local villagers, resulting in more than 2,000 graduates and 80 individuals obtaining advanced paper-cutting certificates [8]. Group 3: Cultural Exchange and Global Outreach - Yang Yuxiao's participation in cultural exchanges, such as the 20th anniversary with South Korea's Hongseong County, has broadened her understanding of the potential of paper as a medium for modern design [9][10]. - The article emphasizes the importance of integrating traditional crafts into contemporary aesthetics, as seen in the innovative uses of Korean paper [9][10]. - Yang Yuxiao has utilized online platforms to teach paper-cutting, reaching international audiences, including students at Confucius Institutes [10].

Group 1: Disaster Recovery and Community Development - The earthquake in Dingri County, which registered a magnitude of 6.8, severely impacted Gu Rong Village, prompting immediate community response and recovery efforts [13][14]. - The reconstruction of Gu Rong Village is progressing well, with the main structure of new homes nearing completion, allowing residents to transition from temporary housing to permanent homes [14]. - The recovery efforts have created job opportunities for local residents, reducing the need for them to seek work elsewhere, thus improving the overall quality of life in the village [14]. Group 2: Cultural and Tourism Development - The establishment of the Sakya Art Space, the first county-level contemporary art venue in Tibet, aims to promote the integration of traditional culture and contemporary art, benefiting local tourism [15][16]. - The local government has invested in cultural tourism projects, enhancing the appeal of Sakya County as a tourist destination, which has led to increased visitor numbers and economic benefits for local businesses [15][16]. - The shift in tourism strategy emphasizes cultural experiences alongside accommodation, allowing local residents to thrive in the tourism sector [15][16]. Group 3: Infrastructure Development - The expansion of Gonggar Airport is crucial for accommodating the increasing passenger volume, with a target of 5.5 million passengers annually, necessitating improvements in external transportation [17][18]. - The project aims to alleviate traffic congestion around the airport, enhancing accessibility and supporting the region's economic growth [17][18]. - Local employment opportunities are being created through the construction projects, contributing to the community's development [17][18]. Group 4: Education and Youth Development - The educational environment in Tibet is improving, with modern facilities and diverse extracurricular activities available to students, fostering a well-rounded learning experience [19][20]. - Students are encouraged to engage in various interest groups, promoting physical activity and teamwork, which contributes to their overall development [19][20]. - The aspirations of local youth to pursue higher education and careers outside their hometowns reflect a growing ambition and potential for future contributions to society [19][20]. Group 5: Preservation of Cultural Heritage - The traditional pottery-making technique in Penggang Village is being revitalized, with efforts to teach younger generations and promote local craftsmanship [21][22]. - The recognition of Penggang pottery as an intangible cultural heritage highlights its significance in the local culture and economy [21][22]. - Plans to establish a cooperative for pottery artisans aim to enhance employment opportunities and strengthen the local economy through cultural tourism [21][22]. Group 6: Healthcare Development - The introduction of specialized medical training in anesthesia at the local hospital addresses the shortage of medical professionals in the region, improving healthcare services [23][24]. - The collaboration with medical teams from other regions has facilitated knowledge transfer and skill development for local healthcare workers [23][24]. - The successful completion of numerous surgical procedures by local doctors demonstrates the growing capacity of the healthcare system in Tibet [23][24].

Group 1 - The core viewpoint of the articles highlights the integration of technology with intangible cultural heritage (ICH) in Sichuan, enhancing the vibrancy and accessibility of traditional cultural practices [1][2][4] - The "Tianxia Jiuzhai" performance showcases the fusion of traditional Tibetan songs with modern technologies like AI and holography, attracting tourists and reshaping perceptions of Jiuzhai Valley [1] - The 9th China Chengdu International Intangible Cultural Heritage Festival features AR effects and interactive AI experiences, promoting diverse cultural engagement among visitors [2] Group 2 - The launch of the "24 Solar Terms" game by Chengdu East Extreme Six Senses Technology Co., Ltd. immerses players in a dynamic representation of rural life in Sichuan, integrating local cultural elements [3] - Policies introduced in 2025 aim to support AI design services in ICH, offering financial incentives to institutions achieving significant service revenue, thus modernizing the protection of ICH [4] - The 31st Zigong International Dinosaur Lantern Festival attracted 2.0873 million visitors, generating a revenue of 236 million yuan, demonstrating the successful commercialization of ICH [4] Group 3 - The establishment of the Lantern Academy in collaboration with Sichuan University of Light Chemical Technology focuses on training young creative teams in lantern design and production, fostering innovation in ICH [5] - The introduction of a digital ICH visual creation micro-major at Sichuan Cultural Industry Vocational College aims to cultivate talents skilled in both ICH and digital technology, promoting cross-disciplinary innovation [5]