中国经济网北京11月18日讯（记者 成琪）11月17日，"中华文明起源系列——'看·见殷商'"展览总结暨博物馆高质量发展研讨会在北京大运河博物馆（首 都博物馆东馆）举行。北京市委宣传部、北京市文物局、北京广播电视台、"看·见殷商"展览借展单位、中央在京博物馆等44家单位的120位代表出席会议， 共同回顾"看·见殷商"展览的创新实践，并就新时代博物馆高质量发展的路径展开深入研讨。 下午的研讨会围绕"文博高质量发展"和"博物馆展陈建设"两大主题展开分组讨论，为博物馆发展建言献策。文博高质量发展研讨会上，与会代表围 绕"体制机制改革""文商旅体融合""博物馆职业伦理"等议题展开深入探讨；首都博物馆展陈建设研讨会则聚焦"一馆六址"差异化发展路径。 本次研讨会既是对"看·见殷商"展览经验的系统总结，更是对博物馆未来发展的前瞻谋划。与会代表表示，在文化强国建设背景下，博物馆不仅要收藏 过去，更要参与构建未来，加强跨界融合，以更开放的姿态、更丰富的形式、更优质的服务，让文物活起来，让文化传下去。 作为首都博物馆在深化文化文物单位改革试点下推出的首个大型展览，"看·见殷商"自筹备之初便备受关注。展览以殷商文明为核心，通过文物 ...

Group 1 - The core viewpoint emphasizes the necessity of institutional and mechanism innovation to eliminate bottlenecks that hinder high-quality development, ensuring smooth flow of various production factors [2][3] - The cultural industry is projected to achieve an operating income of 19.14 trillion yuan in 2024, representing a 37.7% increase compared to 2020 [2] - The "14th Five-Year Plan" period has seen a flourishing of cultural and artistic creation, with the National Arts Fund supporting 3,568 projects in creation, performance, exhibition, and talent [2] Group 2 - The need to break through outdated concepts and interests that solidify barriers is highlighted as essential for achieving high-quality development [3] - The simplification of processes through "classification and layered review" has facilitated the integration of micro-short dramas into the arts and internet sectors [3] - Continuous reform and innovation in systems are deemed crucial for enhancing the dynamism and vitality of economic and social development, contributing to the long-term stability of Chinese modernization [3]

Core Viewpoint - The integration of technology and cultural heritage is transforming the way museums present artifacts, enhancing audience engagement and cultural confidence through immersive experiences [1][4]. Group 1: Cultural Heritage Activation - The concept of "cultural co-creation" emphasizes the importance of activating cultural relics and engaging audiences to foster a deeper cultural appreciation [1][4]. - The Nanjing Museum's VR exhibition of the "Kunyu Wanguo Quantu" showcases how technology can revitalize static artifacts into dynamic experiences, attracting significant audience interest [1][2]. Group 2: Innovative Product Development - Museums like the Henan Museum are creatively merging cultural relics with culinary experiences, such as coin-shaped chocolates, to appeal to younger audiences and enhance cultural engagement [2]. - Successful cultural products, like those from the Forbidden City, demonstrate the effectiveness of combining artistic and practical elements to meet consumer needs for both material enjoyment and spiritual experience [2]. Group 3: Audience Interaction and Experience - The use of VR technology allows visitors to interact with historical narratives, such as experiencing the voyages of Zheng He through immersive storytelling, enhancing both credibility and engagement [3][4]. - The shift from passive observation to active participation transforms museums into cultural communities where audiences can contribute to the narrative [3][4]. Group 4: Future Opportunities - The ongoing popularity of cultural tourism and the integration of technology present new opportunities for the activation and transformation of cultural resources [4]. - Emphasizing protection, activation, content quality, experience optimization, and innovative supply will sustain the momentum of cultural heritage engagement and enrich public cultural life [4].

Core Insights - The Beijing Cultural Relics Development Think Tank held its reorganization meeting and seminar on November 10, 2023, at the Confucius Temple and Guozijian Museum [1] Group 1: Think Tank Formation and Structure - The Beijing Cultural Relics Development Think Tank was officially established in July 2022 by the Beijing Municipal Bureau of Cultural Heritage [1] - The first session of the think tank included 65 experts, while the current session has expanded to 151 experts, incorporating professionals from the National Cultural Heritage Administration, Tsinghua University, Peking University, and major museums [1] - The expert group is organized into four specialized committees: cultural relics protection, archaeology, museums, and a comprehensive committee, with an additional special committee for the central axis as needed [1] Group 2: Achievements and Contributions - Since its establishment, the think tank has organized over 20 specialized seminars to enhance the scientific and professional nature of decision-making related to museum city construction, cultural relics technology innovation, and the planning of the 870th anniversary of Jinzhongdu [1] - The think tank has provided consulting advice over 190 times on topics such as the evaluation of the 14th Five-Year Plan, international cultural relics exchange cooperation, and the design of central axis signage [1]

Core Insights - The conference focused on the integration of artificial intelligence (AI) with cultural heritage protection, aiming to enhance the preservation, transmission, and utilization of cultural relics [2][6] - The event gathered over 60 representatives from various cultural and heritage organizations, emphasizing the importance of digital transformation in the cultural sector [1][2] Group 1: Opportunities and Innovations - The Vice Mayor of Yancheng highlighted the need to leverage AI for cultural heritage, promoting digital collection, intelligent management, and immersive displays to revitalize cultural narratives [2] - Jiangsu Province has successfully utilized digital methods to innovate cultural relic displays, attracting over 2.1 million visitors through initiatives like "Exhibitions at Your Doorstep" [2] - The President of the Chinese Society of Cultural Relics emphasized the urgency of protecting and transmitting China's rich cultural resources, noting significant advancements in AI applications for cultural heritage [2][3] Group 2: Technological Applications - The Director of the Chinese Cultural Relics Information Center outlined plans for enhancing information technology capabilities across the industry to support high-quality development in cultural heritage [3] - Various speakers presented case studies on the use of AI and GIS for dynamic monitoring and scientific decision-making in cultural resource management [3][4] - The Yancheng Museum showcased its digital transformation efforts, including immersive experiences and AR-guided tours, which have garnered over 40 million online interactions and 2.56 million visitors [3][6] Group 3: Challenges and Frameworks - A researcher from Nanjing Museum discussed the limitations of AI in museum applications and proposed a "layered governance" framework for controlled implementation [5] - The Director of the Sichuan Cultural Exchange and Information Center emphasized the need for a data ecosystem that integrates protection, development, utilization, and feedback [5] - The Deputy Director of the Yuanmingyuan Management Office presented innovative practices in virtual restoration and interactive experiences to narrate cultural stories [5] Group 4: Future Directions - The conference concluded with a focus on the importance of digital protection, intelligent research, and innovative utilization of cultural heritage as a mission for the future [6] - The Yancheng Museum aims to continue building a digital resource library for Chinese salt culture, deepening the integration of technology and culture [3][6]

Core Viewpoint - The Greek government plans to enhance security measures at museums and archaeological sites nationwide in response to a recent robbery at the Louvre Museum in Paris, aiming to protect cultural heritage and artifacts [1] Group 1: Security Measures - The Greek Ministry of Culture and the Ministry of Citizen Protection are collaborating to develop a security plan that includes deploying approximately 300 special security personnel dedicated to the safety of cultural institutions, with the new guards expected to start in the first quarter of 2026 [1] - Currently, security responsibilities at these institutions are primarily handled by civil staff from the Ministry of Culture [1] Group 2: Risk Assessment - The Ministry of Culture will conduct a security assessment to identify museums housing rare artifacts and artworks as high-risk locations for enhanced protection [1] Group 3: Context of Recent Events - The robbery at the Louvre Museum involved the theft of several pieces of jewelry, which remain missing [1] - Greece has a history of art theft, including notable incidents in 2012 when works by Picasso and other masters were stolen from the National Gallery in Athens, and a theft occurred at the Archaeological Museum of Ancient Olympia in the same year [1]

Core Insights - The Tianyi Pavilion in Ningbo, Asia's oldest private library, is revitalizing its heritage through advanced restoration techniques and digital technology [1][2][3] Group 1: Restoration Efforts - A Ming Dynasty rare book, "Beiqu Lian Zhu," underwent extensive restoration led by national intangible cultural heritage inheritor Wang Jinyu, resulting in a significant improvement in its condition [1] - The restoration of the Qin Clan Ancestral Hall, a key cultural site, received the "Craftsmanship Cup" for heritage protection in Zhejiang Province, showcasing meticulous efforts in preserving traditional craftsmanship [3][5] Group 2: Digital Innovation - The Tianyi Pavilion has implemented digital twin technology, allowing virtual tours and exhibitions, enhancing accessibility for global audiences [2] - A successful ancient text recognition system was developed, achieving over 95% accuracy, converting 90,000 pages of ancient texts into digital formats [2] Group 3: Cultural Engagement - The pavilion has hosted 110 exhibitions in various fields over the past five years, promoting cultural heritage through immersive experiences [2] - The restored Qin Clan Ancestral Hall now serves as a living example for research on traditional Jiangnan architecture, integrating modern activities with historical preservation [5]

Core Insights - The article discusses the historical origins of facial recognition, tracing it back over 2000 years to the Southern Yue Kingdom, where a piece of pottery with human faces was discovered, indicating early forms of identity verification [6][19]. Group 1: Historical Context - Archaeological findings from the Southern Yue Kingdom reveal a pottery shard with unique human face designs, suggesting that early forms of "selfie" or identity representation existed [6]. - The hairstyle depicted on the pottery, known as "椎髻" (zhuī jì), was popular among workers from Hainan Island, indicating the cultural exchange and migration patterns of that era [12][15]. - The practice of marking products with the craftsman's name for accountability, known as "物勒工名," was implemented during the Spring and Autumn period and continued into the Qin and Han dynasties, serving as an ancient product traceability system [17][19]. Group 2: Cultural Significance - The pottery not only reflects individual identity but also the broader societal practices of the Southern Yue Kingdom, which mirrored the central plains' governance systems [19]. - The discovery of various pottery inscriptions, including names and roles, highlights the organized structure of labor and production in ancient China, akin to modern-day identity verification systems [20][25]. - The article concludes by emphasizing that the concept of "real-name system" in ancient times has left a lasting legacy, showcasing the deep-rooted traditions of craftsmanship and accountability in Chinese manufacturing [31].

Core Points - The collaboration between Xinhua News, the China Cultural Relics Exchange Center, and Suzhou High-tech Zone aims to establish a "Digital Cultural Heritage Resource Copyright Service Platform" and initiate the "China Museum 'Hundred Cities, Hundred Museums' Project" to promote the digital dissemination and creative transformation of traditional Chinese culture [1][14][20] Group 1: Industry Development - The cultural heritage sector has experienced rapid growth, with the number of registered museums in China reaching 7,046 by 2024, attracting nearly 1.49 billion visitors annually [3] - During the National Day holiday in 2025, museums across the country received approximately 86.3 million visitors, an increase of 11.42 million compared to the same period in 2024 [3] - The Ministry of Commerce and nine other departments have issued policies to encourage cultural heritage institutions to extend operating hours and innovate exhibition methods, accelerating the transformation of cultural resources [3] Group 2: Project Details - The "Digital Cultural Heritage Resource Copyright Service Platform" will serve as a national-level hub for digital cultural heritage resources, providing integrated services for copyright confirmation, authorization transactions, and digital display [14] - The platform aims to revitalize cultural relics through digital technology and a comprehensive copyright service system, promoting the transformation of cultural heritage IP into new drivers for cultural industry development [14][15] - The "China Museum 'Hundred Cities, Hundred Museums' Project" seeks to create a cross-regional digital ecosystem for cultural heritage, enhancing the protection, transmission, and value appreciation of culture [15][17] Group 3: Strategic Goals - The collaboration represents a significant step in responding to national strategies for cultural digitalization and aims to create a new ecosystem integrating cultural heritage, cultural creativity, and cultural tourism [20] - The initiative will also contribute to the construction of the "Suzhou International Museum Academy," fostering high-quality talent development in the cultural heritage sector [20]

Core Viewpoint - The Palace Museum, celebrating its 100th anniversary, represents a significant milestone in China's cultural heritage, showcasing the evolution of Chinese civilization and its commitment to cultural preservation and innovation [1][2][3]. Group 1: Historical Significance - The Palace Museum houses 1.95 million cultural relics, reflecting thousands of years of Chinese history and culture [1]. - It has witnessed pivotal moments in Chinese history, including the Anti-Japanese War and the founding of the People's Republic of China, symbolizing the nation's journey towards strength and prosperity [1]. Group 2: Cultural Heritage and Preservation - Emphasis on the importance of protecting the authenticity, integrity, and continuity of cultural relics within the museum [2]. - The museum aims to deepen research and interpretation of its artifacts, highlighting the philosophical and humanistic values embedded in them [2]. Group 3: Modern Integration and Innovation - The Palace Museum is evolving into a "living" museum that integrates traditional and modern elements, enhancing its exhibition capabilities and introducing innovative display formats [3]. - There is a focus on promoting cultural heritage in contemporary life while ensuring the safety of the artifacts [2].