Los Angeles, CA, July 08, 2025 (GLOBE NEWSWIRE) -- Limitless X Holdings, Inc. (OTC: LIMX), a multidimensional public company operating at the intersection of health, wellness, entertainment, and complementary high-growth sectors, has completed a $100,000 related-party bridge loan from EM1 Capital, LLC, an entity wholly owned and controlled by Jas Mathur, Chairman and CEO of Limitless X Holdings Inc. The capital is being deployed to fund key operating expenses and strategic corporate initiatives, including l ...

Core Insights - "F1: The Movie" has become Apple's highest-grossing theatrical release, surpassing $293 million at the global box office, outperforming Ridley Scott's "Napoleon" which earned $221 million [1] - The film's success is attributed to its strategic partnership with IMAX, contributing $60 million to its total gross, which is over 20% of the total revenue [4] Company Performance - Apple has released only a few films in theaters since entering the media business, with previous releases like "Killers of the Flower Moon" earning $158 million, "Fly Me to the Moon" at $42 million, and "Argylle" at $96 million [2] - The production cost of "F1" is estimated between $200 million and $300 million, with an additional $100 million for marketing, indicating a significant investment [5] Industry Impact - The film serves as a case study for how streaming services can create films designed for theatrical release while leveraging their technology to promote them [3] - The success of "F1" reflects a shift in how companies like Apple approach profitability in the entertainment sector, as they are not primarily driven by revenue from films [6][7]

Core Insights - Cineverse Corp. has been included in multiple FTSE Russell indexes, effective June 29 and June 30, 2025, enhancing its visibility among institutional investors and index-tracking funds [1][6] - The inclusion reflects Cineverse's strong growth momentum and value profile, which the company believes is underappreciated in the market [2] - Cineverse is positioned as a next-generation entertainment studio, distributing over 71,000 premium films, series, and podcasts, and utilizing proprietary streaming tools and AI technology to redefine entertainment [3] Company Overview - Cineverse is a global streaming technology and entertainment company that empowers creators and entertains fans through innovative content delivery [3] - The company connects audiences with independent stories and has properties including the highest-grossing unrated film in U.S. history and a premier podcast network [3] - Cineverse aims to scale its theatrical releases, monetize technology platforms, and expand streaming channels, indicating significant growth potential [2] FTSE Russell Overview - FTSE Russell is a global index leader providing benchmarking, analytics, and data solutions, with approximately $18.1 trillion benchmarked to its indexes [4] - The indexes cover 98% of the investable market globally and are widely used by institutional and retail investors [4] - FTSE Russell focuses on transparent, rules-based methodologies and adheres to high industry standards in index design and governance [4]

Core Insights - The article highlights the impressive evolution of Hong Kong actress Hu Xinger's Mandarin proficiency and acting skills, particularly in her recent role as a complex character in the drama "A Good Life" [1][3][9] - Hu Xinger's career trajectory reflects a resilient and pragmatic spirit, showcasing her continuous self-improvement and adaptability in the entertainment industry [3][5][10] Group 1: Career Development - Hu Xinger began her career in 1999 after winning third place in the Miss Hong Kong pageant and signed with TVB, where she faced industry scrutiny and initially played supporting roles [5][7] - A significant turning point in her career occurred in 2006 with her role in "Fat Tin's Happy Event," where she gained recognition for her dedication, including gaining 42 pounds for the character [5][7] - In 2015, Hu Xinger transitioned to the mainland Chinese entertainment industry, overcoming language barriers and establishing herself further [7][10] Group 2: Acting Philosophy - Hu Xinger emphasizes the importance of portraying characters with depth, stating that every role should be treated as a living entity with its own motivations, regardless of whether they are perceived as good or bad [9][10] - She believes that the audience values authenticity in performances, focusing on the realism of the character rather than their likability [9][10] Group 3: Industry Insights - The article discusses the evolution of Hong Kong dramas, noting that they have not ceased to innovate over the years, with recent successes drawing renewed attention from audiences [12] - Hu Xinger expresses a desire to contribute to the growth of Hong Kong dramas, collaborating with fellow actors to create resonant and beloved works [12]

Group 1 - The incident involving derogatory comments on a talent's video highlights the operational challenges within the production team of the show "New Rap 2025," where most of the team members are interns [1][2] - The reliance on interns in the film and television industry is increasing, raising concerns about the quality of content and the pressure on these young professionals [4][5] - Interns often face low compensation and lack of formal recognition for their contributions, which can lead to dissatisfaction and uncertainty about their future in the industry [6][14] Group 2 - The trend of hiring interns for critical roles in production is prevalent, with many interns taking on significant responsibilities despite their inexperience [4][20] - The competitive nature of the industry is evident as many professionals, including actors and writers, are transitioning to directing roles, often through formal training programs that come with high costs [9][11] - The influx of "star kids" into the industry is creating additional pressure on emerging talent, making it harder for them to secure opportunities [11][13] Group 3 - Interns report a lack of meaningful learning experiences, with many feeling that their roles are limited to menial tasks rather than contributing to creative processes [22][23] - The short-form content market is seen as a challenging environment for those with traditional long-form experience, leading to a perceived hierarchy within the industry [25][27] - The overall sentiment among interns is one of confusion and anxiety about their career paths, as they navigate a highly competitive and often unwelcoming industry landscape [24][26]

新华财经北京6月16日电 周一市场全天低开高走，创业板指领涨。截至收盘，沪指报3388.73点，涨 0.35%，成交4816亿元；深证成指报10163.55点，涨0.41%，成交7335亿元；创业板指报2057.32点，涨 0.66%，成交3576亿元。 板块方面，数字货币、影视、CPO、石油等板块涨幅居前，贵金属、汽车整车、机场、航运等板块跌幅 居前。 盘面热点 盘面上，IP经济概念全天强势，光线传媒等多股涨停；稳定币概念再度走强，协鑫能科、恒生电子等涨 停；化工板块反复活跃，金牛化工等涨停；油气股延续强势，准油股份涨停；下跌方面，足球概念震荡 调整，共创草坪逼近跌停。 个股涨多跌少，全市场超3500只个股上涨。 机构观点 茅台部分省区经销商共同"稳市稳价" 飞天茅台批发参考价小幅回升 据智通财经，记者从多位渠道人士处获悉，近日茅台部分省区经销商联谊会就茅台酒"稳市稳价"事项进 行沟通，并达成一致意见，主要内容包括：限制向电商、批发市场、省外等部分渠道供货；经销商联谊 会将加大市场巡查，对于违反相关规定的，将视情况给予包括停货、上报乃至取消合同的处理。据"易 茅时价"小程序显示，今日2025年53度、500 ...

但对于肖战的下一个"饼"，粉丝们却纷纷表示"不约"，发文抵制《刘医生返乡记》，甚至一度迁怒到了肖战头上。 按理来说，在长剧开机难的市场现状之下，《刘医生返乡记》是难得一见的"大饼"了。该剧由影视行业传统"六大"之一的柠萌影视制作，打造过《好先 生》《三十而已》等多部爆款剧的导演张晓波执导，班底配置相当不错，还是大男主视角，应该是个圈内小生趋之若鹜的"好饼"，倒也配得上"顶流"的身 份，但为何却惨遭肖战粉丝抵制呢？ 观察肖战粉圈的舆论后会发现，粉丝对于《刘医生返乡记》的不满主要来自医疗题材。该剧改编自刘三叔的小说《飞刀》，讲述了北漂医生刘铮亮因做飞 刀手术出现意外而被医院辞退，无奈之下只能回到老家东北小城，在基层医院的急诊科工作所遭遇的一系列故事。 相对于肖战正在热播的《藏海传》，以及正在拍摄的《谍报上不封顶》，《刘医生返乡记》是一个落地现实的故事，涉及医疗故事戏剧张力非常强，但粉 丝却觉得： 一方面，医疗题材本身专业性强、又与现实生活紧密相连，拍摄难度太大，并且涉及飞刀手术，也就是医生去其他地区医院做手术收取额外费用，这部分 内容比较敏感。 另一方面，医疗题材近两年的市场反馈并不好，对肖战的事业发展可能并没有 ...

Core Viewpoint - Disney and Universal have initiated legal action against Midjourney for allegedly using their copyrighted content without permission to train its generative AI models [1][2]. Group 1: Lawsuit Details - The lawsuit was filed in the U.S. District Court for the Central District of California and includes numerous examples of images generated by Midjourney that feature copyrighted characters from Disney and Universal, such as Homer Simpson and Darth Vader [2]. - The studios are seeking monetary damages, a jury trial, and an injunction to prevent further copyright infringement by Midjourney [3]. Group 2: Industry Context - Tech companies, including OpenAI, are advocating for legal protections that would allow them to train AI models on publicly available works, including copyrighted materials, without needing permission or compensation to the original creators [4]. - Some film and television studios have begun to explore generative AI technology, but their efforts have been relatively limited compared to the broader industry push [4].

Core Insights - The article highlights the rapid transformation of the film and television industry in Longgang, driven by advancements in AI and VR technologies, positioning the area as a hub for innovative film production and creative content generation [1][2][6] Group 1: Technological Innovations - The launch of "Nezha 5DVR" showcases a dual-mode experience combining naked-eye 5D holographic scenes and VR immersive interaction, enhancing audience engagement [1] - The "AI Script Factory" developed by Zhongmai Group can generate 30 micro-drama scripts in just 10 minutes, saving at least 70% of the planning and creation time for screenwriters [1][2] - The "Digital Film Companion" public service platform, established through collaboration with Huawei Cloud, aims to accelerate the development of virtual shooting, AIGC (Artificial Intelligence Generated Content), and digital assets in the Longgang film industry [3] Group 2: Economic Impact - The artificial intelligence industry cluster in Longgang is projected to reach an added value of 4.052 billion yuan in 2024, with a growth rate of 6.5% [2] - The AI Visual Creative Competition, "Waka Award," has attracted 3,396 entries globally, reflecting Longgang's open innovation strategy in the AI sector [2] Group 3: Industry Collaboration and Projects - The "All in AI" strategy set for 2025 aims to establish the first national robot theater in the Sakata area, further enhancing the local AI ecosystem [2] - The "All-domain Co-shooting" mechanism supported by the Longgang District government facilitates the production of a situational comedy celebrating the 45th anniversary of the Shenzhen Special Economic Zone, with filming set to begin in July [4][5] Group 4: Creative Ecosystem - Longgang's focus on "Cultural Creation + AI" aims to empower IP development, secondary creation, and industrial transformation through AIGC technology [6] - The establishment of various centers, including the Micro-Drama Center and the Production, Learning, and Research Center, supports the full-chain production of virtual content [4]

Core Insights - The micro-short drama sector is evolving from rapid growth to becoming a key growth engine for the film and television industry, with significant revenue contributions from this segment observed in the financial reports of listed entertainment companies [1][2][24] - The user base for micro-short dramas has reached 662 million, with a usage rate of 59.7% among internet users, indicating a shift in consumer behavior towards service consumption [1][24] Group 1: Company Performance - Many companies, traditionally focused on long dramas, are now seeing revenue growth primarily from micro-short dramas, as evidenced by the financial reports of major players like Reading Group and Hengdian Film [2][4] - Reading Group reported a revenue of 8.12 billion yuan in 2024, a 15.8% increase year-on-year, with a notable rise in the share of revenue from copyright operations and other income, which now includes short drama distribution [2][4] - Hengdian Film's revenue from film investment and production increased by 35.48% despite an overall revenue decline, highlighting the importance of micro-short dramas in their business strategy [4][5] Group 2: Strategic Adjustments - Companies are increasing investments in micro-short drama production, with significant growth in the number of productions and revenue from this segment [8][9] - Reading Group plans to upgrade its short drama business by expanding its IP offerings and enhancing collaboration with writers, indicating a strategic shift towards quality content production [4][18] - Perfect World is adjusting its strategy to focus on micro-short dramas while controlling risks in long drama investments, reflecting a broader industry trend towards shorter formats [10][24] Group 3: Market Trends - The micro-short drama market is expected to see explosive growth, with the potential for overseas market expansion projected to reach $10 billion [11][15] - The industry is witnessing a shift towards free micro-short dramas, which are becoming mainstream and reshaping the business model, moving away from paid content [18][19] - The government is providing substantial support for the micro-short drama industry, including financial incentives for quality productions and international distribution efforts [22][23] Group 4: Consumer Behavior - The transformation in consumer spending patterns is evident, with service consumption becoming a new driving force for economic growth, as micro-short dramas align with this trend [24][25] - The increasing popularity of micro-short dramas reflects a broader cultural shift, with companies recognizing the potential for these formats to drive revenue growth across various platforms [25][26]