Core Viewpoint - The article discusses the evolution of online literature in China, highlighting its reflection of societal changes and the impact of different historical periods on literary themes and genres [5][6]. Group 1: Evolution of Online Literature - Online literature has undergone significant transformations, paralleling the industrial and technological revolutions from the 1980s to the present [6][7]. - The article categorizes online literature into four main genres: Wuxia (martial arts), time travel, cultivation (Xianxia), and female-oriented narratives [8]. Group 2: Wuxia Literature - Wuxia literature represents the agricultural society, emphasizing collective values and the traditional master-apprentice relationship [10][12]. - The genre reflects a high moral standard and a strong sense of justice, rooted in the historical context of small artisan communities [12]. Group 3: Time Travel Literature - Time travel narratives resonate with the industrial era, often portraying protagonists who seek to improve the past using modern knowledge [13][18]. - The genre is experiencing a decline due to the rapid industrialization and the saturation of historical periods available for exploration [19][20]. Group 4: Cultivation Literature - Cultivation literature mirrors contemporary society, characterized by individualism and a hierarchical structure similar to modern corporate environments [21][23]. - The genre emphasizes personal growth and the importance of resources, reflecting a realistic approach to success and achievement [31]. Group 5: Female-Oriented Narratives - Female-oriented literature encompasses various genres but primarily focuses on themes of love and human nature, appealing to both male and female readers [33][34]. - This genre has proven commercially viable, with many popular adaptations originating from female-oriented narratives [33][36]. Group 6: Future of Online Literature - The article suggests that the future of online literature may align with China's advancements in science and technology, potentially leading to a resurgence of science fiction [38][39]. - The evolution of online literature serves as a mirror to societal changes, emphasizing the need to understand the underlying production forces shaping narratives [41][42].

Core Viewpoint - The article critiques the portrayal of female characters in the drama "The Age of Tempering," highlighting the tension between the concept of independence and the reality of emotional dependence within a patriarchal narrative structure [2][3][6]. Group 1: Female Characterization - The drama features female characters who are economically independent but emotionally dependent, leading to a critique of their supposed independence [3][5][6]. - The character 崔冰冰 exemplifies the struggle between career ambitions and emotional sacrifices, often compromising her own needs for the male protagonist [4][5][9]. - The portrayal of women as "tools" in the narrative serves to reinforce traditional gender roles, where their independence is superficial and ultimately serves male character development [7][8][10]. Group 2: Narrative Structure - The narrative structure of "The Age of Tempering" centers around male characters, with female roles primarily serving to support the male protagonist's journey [7][8][10]. - The article compares this with "female-centric" narratives, suggesting that while female characters in such stories may appear empowered, they often replicate male power dynamics [10][11]. - The lack of depth in female character arcs leads to a failure in portraying genuine independence, as their stories are often overshadowed by male narratives [15][16]. Group 3: Societal Reflection - The article reflects on societal expectations of women, where balancing career and family is seen as a measure of independence, yet this often masks deeper emotional struggles [5][14][16]. - The portrayal of women in the drama is criticized for being unrealistic and catering to male fantasies, rather than presenting authentic female experiences [14][16]. - The article calls for a shift in storytelling that allows for more nuanced and complete representations of female characters, emphasizing their individuality and emotional complexity [15][16].

Group 1 - The core viewpoint of the article highlights the cultural impact of Chinese television dramas in Seychelles, fostering emotional connections and understanding between the two nations [2][3][6] - Recent popular Chinese dramas such as "Ideal City" and "The Great River" have become hot topics among the Seychellois, showcasing the struggles and perseverance of ordinary people during times of reform [2][3] - The narratives in these dramas resonate with the local audience, providing insights into Chinese society and enhancing the friendship between the peoples of Seychelles and China [2][3][6] Group 2 - The availability of Chinese dramas in Seychelles addresses the scarcity of local television content, enriching the cultural life of the Seychellois and allowing them to experience diverse storytelling [3][6] - The collaboration between the Chinese Embassy in Seychelles and the National Radio and Television Administration has led to the selection of four outstanding Chinese dramas for broadcast, emphasizing the theme of ordinary people's struggles across different eras [3][6] - The broadcasting of these dramas is seen as a means to deepen cultural exchanges and promote mutual understanding between China and Africa, contributing to the construction of a community with a shared future [6]