五年来，全国旅游供给体系实现跨越式发展，新增58个5A级旅游景区。A级景区总数达到1.65万个，县域覆盖率提升至97%。刚刚过 去的国庆中秋假期，县级宝藏小城迎来爆发式增长。阿尔山、腾冲、婺源、桐庐等，跻身国内热门小城榜单前列。其中，阿尔山赏 秋之旅以340%的热度涨幅，成为旅行目的地首选。今年上半年，国内居民出游32.85亿人次，总花费达到3.15万亿元，再创新高。 央视网消息：今年是"十四五"规划收官之年。五年间，我们的生活变化千千万，高铁通到了家门口；天更蓝、水更清，绿意在眼前 与心间蔓延；大飞机翱翔蓝天，神舟航天员往返天地间；乡村振兴让村庄更美、日子更甜；年GDP有望突破140万亿元。"十四五"， 家在改变，国在奋进。成绩单上，有高分，有满分，也有尚未写完的答案。10月9日开始推出系列报道【"十四五"成绩单】，一起梳 理梳理这五年家的账本、国的账单，看看国家如何把一个个规划变成现实。在刚刚过去的国庆中秋假期，很多人出门旅游，看山看 水看风景，买东买西市场旺。"十四五"，文旅深度融合发展，让"诗与远方"的风景不一般。 这五年，文化遗产工作开创新局面。北京中轴线、西夏陵和中国茶、春节申遗成功。截至今年7月 ...

Core Viewpoint - The article highlights the cultural significance and economic revitalization of Yangliuqing Ancient Town in Tianjin, showcasing its rich history through various cultural activities and exhibitions [1][4]. Group 1: Cultural Heritage - Yangliuqing Ancient Town serves as a historical hub where northern and southern cultures converge, with a focus on the traditional woodblock New Year paintings [1][4]. - The Folk Culture Museum features over 5,000 square meters of exhibition space, presenting a narrative of history, folk art, and cultural inheritance through six major exhibition areas [4][6]. - The Yuchenghao New Year Painting Workshop, established in 1926, is recognized as a living heritage site for traditional painting techniques, emphasizing the meticulous craftsmanship involved in creating these artworks [6][8]. Group 2: Economic Impact - As of June 2025, Yangliuqing Ancient Town is projected to achieve cumulative revenue of approximately 15.605 million yuan, reflecting a year-on-year growth of 106.4% [8]. - The number of visitors to the town is expected to reach around 3.241 million, marking a year-on-year increase of 115.8% [8]. - Future plans for the town include a 3.0 version upgrade focusing on cultural and creative products, interactive experiences, commercial services, and performance activities to further enhance the New Year painting brand [8].

Group 1 - The central theme of the news is the visit of a service team organized by the Central United Front Work Department to Gansu, aimed at providing expert advice for the province's high-quality economic and social development [1][2] - The service team consisted of nearly 30 experts from various fields, including basic sciences, cutting-edge technologies, advanced manufacturing, and humanities and social sciences [1] - The team conducted in-depth discussions and exchanges with local representatives from state-owned and private enterprises, focusing on issues such as improving the business environment and leveraging local industries for growth [1][2] Group 2 - Experts provided targeted suggestions for Gansu's development across various sectors, including new industrialization, high-quality agriculture, and traditional industry upgrades [1][3] - The team emphasized the importance of enhancing research infrastructure and securing national support for local agricultural initiatives, particularly in wheat breeding [3] - The visit highlighted the potential for collaboration in medical research and technology, particularly in the context of advanced domestic medical devices being utilized in Gansu [3][4] Group 3 - The cultural and historical richness of Gansu was acknowledged, with suggestions to further leverage cultural resources for development, particularly in relation to the Silk Road studies [4][5] - Recommendations were made for talent attraction and retention strategies, emphasizing a service-oriented approach to create a supportive environment for professionals [5] - The overall sentiment from the service team was one of optimism regarding Gansu's future potential, recognizing the province's unique blend of history, culture, and development opportunities [5]

Core Points - The article emphasizes the significance of the Maijishan Grottoes, particularly highlighting the prevalence of smiling Buddha and Bodhisattva statues, which reflect a unique aspect of Chinese Buddhist art [1][7] - The Maijishan Grottoes are recognized as one of China's four major grottoes, often referred to as the "Eastern Sculpture Museum" due to their rich collection of sculptures [1][7] Summary by Sections Overview of Maijishan Grottoes - Located in Tianshui City, Gansu Province, Maijishan is known for its unique mountain shape resembling a stack of wheat, leading to its name [1] - The grottoes were established during the Southern and Northern Dynasties and have been expanded and renovated through various dynasties, preserving a total of 221 caves and over 10,632 statues [7] Artistic Features - The article describes the "Eastern Smile" as a key characteristic of the statues, with many figures displaying serene smiles that convey a sense of peace and wisdom [2][7] - Notable examples include the statue in Cave 44, which is believed to be modeled after the empress of the Western Wei, showcasing intricate details and a captivating smile [2] Cultural Significance - The smiling figures in Maijishan reflect a blend of local emotional life and spiritual aspirations, presenting a more humanized and secular approach to Buddhist art compared to other grottoes like Yungang and Longmen [8] - The craftsmanship in Maijishan emphasizes a connection between the divine and the local community, portraying a vision of a blissful world that resonates with the everyday experiences of the people [8] Visitor Information - The Maijishan Grottoes are open year-round, with various ticket prices for general and special caves, making it accessible for visitors [9][10]

Core Insights - The article discusses the historical significance and archaeological findings of the Da Bao En Temple, tracing its origins from the Eastern Wu period to its reconstruction during the Ming Dynasty, highlighting its cultural and architectural importance in Chinese history [2][4][16] Historical Background - Da Bao En Temple was originally built as Jianchu Temple in 248 AD during the Eastern Wu period, making it the second temple in China after the White Horse Temple in Luoyang [2] - The temple underwent several reconstructions and name changes, including its renaming to Changgan Temple and later to Da Bao En Temple during the Ming Dynasty [3][5] Archaeological Discoveries - Significant archaeological findings include the discovery of a thousand-year-old underground palace beneath the temple, which revealed numerous artifacts such as the Seven Treasures Ashoka Tower and various Buddhist relics [6][9][16] - The excavation has uncovered a variety of relics, including gold and silver items, ceramics, and inscriptions that provide insights into the temple's historical evolution and the development of Buddhist art in China [14][16] Architectural Features - The temple's architecture features a grand nine-story glazed pagoda, which was a significant landmark in Nanjing and is noted for its intricate design and construction [5][9] - The layout of the temple complex includes various halls and structures, with the main buildings arranged along a central axis, showcasing traditional Chinese architectural principles [7][8] Cultural Impact - The Da Bao En Temple has been recognized as one of the most important ancient temple sites in China, with its archaeological findings contributing to the understanding of Buddhist culture and royal rituals during the Ming and Qing dynasties [16] - The site has been developed into a cultural park that not only preserves the archaeological remains but also serves as a tourist attraction, allowing visitors to engage with the historical and cultural significance of the temple [16]

Group 1 - The article highlights the celebration of intangible cultural heritage in Shanghai, particularly through various events and markets showcasing traditional crafts and cultural practices [1][2] - The "Follow the Intangible Cultural Heritage in Life" themed market in Baoshan District features traditional crafts such as Luojing Cross-Stitch and Wusong Noodle Sculpture, aiming to promote cultural heritage [1] - The event includes a series of activities like the "Cultural and Natural Heritage Day" and the "Traditional Chinese Medicine Culture Benefit Activities," emphasizing the integration of traditional crafts with modern aesthetics [1][2] Group 2 - The event in Xuhui District showcases ten representative intangible cultural heritage projects, including hand-spun cotton weaving and traditional Chinese clothing techniques, enhancing community engagement [2] - Interactive experiences such as herbal medicine demonstrations and traditional Chinese medicine tastings are provided, making cultural heritage accessible and engaging for the public [2] - The "Haipai Memory" cultural exhibition presents over ten intangible cultural heritage projects, reinforcing the idea that cultural heritage is an integral part of daily life in the community [2]

Core Viewpoint - The event aims to promote the integration of intangible cultural heritage (ICH) into modern life, enhancing public engagement and appreciation of traditional culture through immersive experiences and various activities [1][2]. Group 1: Event Overview - The "Cultural and Natural Heritage Day" event in Wuhan was organized by the Wuhan Municipal Bureau of Culture and Tourism and the Wuchang District People's Government, featuring a variety of activities such as ICH exhibitions, performances, and interactive experiences [1]. - The event introduced the "Follow the ICH to Explore Wuhan" themed routes, which include five major themes and ten ICH tourism routes, covering over 50 locations [1]. Group 2: Activities and Attractions - The event featured a non-heritage market with over 40 booths, showcasing ICH projects that attract visitors with their unique charm, including traditional crafts and culinary experiences [2]. - Notable ICH projects such as the Yellow Crane Tower legend and traditional food items like Doupi and Hot Dry Noodles were highlighted, providing visitors with a tangible connection to local culture [2]. - The event included nearly 60 themed activities during the "Cultural and Natural Heritage Day," aimed at bringing ICH closer to the public through exhibitions, performances, and community engagement [2].

Core Viewpoint - The article emphasizes the significance of瓦当 (wadang) in Chinese architectural history, highlighting its artistic, cultural, and historical value as a representation of the evolution of Chinese civilization [2][9]. Group 1: Historical Development -瓦当, also known as "瓦头" or "勾头," is a traditional architectural component used in ancient Chinese buildings, originating from the Xia Dynasty [2][3]. - The earliest瓦当 were discovered during the Longshan culture period, with significant usage beginning in the Western Zhou Dynasty [3][5]. - The artistic development of瓦当 reflects the evolution of Chinese civilization, with various decorative patterns emerging over time, such as cloud patterns, animal motifs, and textual designs [3][5]. Group 2: Artistic Significance -瓦当 serves not only a functional purpose in protecting wooden structures but also showcases the aesthetic pursuits of ancient artisans through intricate designs [4][6]. - The Han Dynasty marked a golden age for瓦当, with the emergence of文字瓦当 (textual瓦当) and四神瓦当 (Four Divine Beasts瓦当), which were characterized by elaborate craftsmanship and artistic expression [5][6]. - The artistic styles of瓦当 evolved, with influences from Buddhism during the Wei, Jin, and Northern and Southern Dynasties, leading to the popularity of lotus and beast face motifs [6][7]. Group 3: Cultural Reflection -瓦当 reflects ancient customs and societal values, with inscriptions conveying aspirations for prosperity and well-being, such as "长乐未央" (Long-lasting happiness) and "汉并天下" (Unity of the Han Empire) [7][9]. - The craftsmanship of瓦当 demonstrates the advanced skills of ancient artisans, with variations in calligraphy and design that embody the wisdom and creativity of the time [7][8]. -瓦当 has transcended its original architectural function, becoming a unique art form that continues to influence modern design and cultural expressions [8][9].

Core Viewpoint - The article emphasizes the importance of enhancing cultural heritage and its economic value through innovation and digital transformation, as highlighted by President Xi Jinping's directive during the National People's Congress [1] Group 1: Cultural Heritage and Economic Development - The need to deepen urban and rural spiritual civilization construction and promote cultural industries to drive high-quality economic development is underscored [1] - Jiangsu province is rich in cultural heritage, with 3 world-class sites, 251 national key cultural relics, and over 29,000 intangible cultural heritage projects, indicating significant potential for cultural economic growth [1] Group 2: Brand Value Transformation - The article discusses the activation of cultural heritage IP and the establishment of an innovative transformation system to enhance brand value [2] - It suggests a tiered development system for cultural heritage elements, allowing for effective market testing and optimization to create consumer-friendly cultural brands [2] Group 3: Digital Technology Integration - The integration of digital media and cultural heritage is essential for enhancing the cultural economy, with a focus on high-value cultural content and services [3] - The use of digital technologies can improve consumer engagement and create a balanced development of material and spiritual civilization [3] Group 4: Innovative Cultural Experiences - The article highlights the use of interactive technologies to reshape the perception of cultural heritage, creating immersive experiences that engage audiences [4] - Examples include the Nanjing Museum's restoration room, where participants can interactively learn about artifact preservation [4] Group 5: Dual Development System - A dual development system for cultural heritage is proposed, merging historical resources with modern industry [5] - The use of digital twin technology to recreate historical scenes and enhance audience interaction is emphasized [5] Group 6: Global Brand Communication - The article outlines strategies for enhancing the global dissemination of cultural heritage brands, focusing on a layered communication approach [6] - It stresses the importance of cultural translation tools tailored to different regional markets to effectively convey cultural narratives [6] Group 7: International Certification and Trade Mechanisms - Establishing an international certification system and tailored output mechanisms is crucial for facilitating trade in cultural heritage brands [7] - The article advocates for a comprehensive standard framework to ensure authenticity and market acceptance of cultural products [7] Group 8: Cross-National Cooperation - The article promotes a model of cross-national cooperation and shared benefits to enhance the social value of cultural heritage brands [8] - It suggests a "cultural heritage management and development" model for developing countries, providing comprehensive services for digital protection and brand operation [8]