中国经济网天津8月7日讯（记者 秦佳鸣） 作为"九河下梢"的水陆要冲，天津自古便是南北文化交融的枢纽。今日，"何以中国 和合共生"网络主题宣传活动 走进天津西青区杨柳青古镇，循着年画的墨香、古建的肌理，探寻这座古镇里流淌千年的文化共生密码。 民俗文化馆：一馆藏尽年画千年史 采访团首站来到杨柳青古镇民俗文化馆。这座坐落于柳口路光明大殿内的场馆，以5000余平米的展陈空间，构建起一幅"历史·民艺·传承"的立体画卷。 馆内以杨柳青木版年画为主线，串联起"运河通航--年画起源柳口""乡淀富足--年画祈福民生"等六大展区。千余件年画珍品、民俗老物件、老照片在灯光下 静静陈列，步入式复原场景里，旧时古镇的市井喧嚣仿佛穿越时空——运河码头的商船、年画作坊的刻版声、街头巷尾的叫卖声，与全息投影、自助语音导 览等现代技术交织，让"运河带来商机，商机催生年画"的历史脉络清晰可触。 一层的"DIY空间手工艺体验"区更显"和合"意趣：设置有年画、风筝、软陶等体验制作的这一区域，参与性互动性强，活化了杨柳青特色文化产业，在寓教 于乐中加强了杨柳青历史文化的传承与保护，为游客提供轻松愉悦的体验氛围。 玉成号年画坊：五道工序里的传承坚守 ...

Group 1 - The central theme of the news is the visit of a service team organized by the Central United Front Work Department to Gansu, aimed at providing expert advice for the province's high-quality economic and social development [1][2] - The service team consisted of nearly 30 experts from various fields, including basic sciences, cutting-edge technologies, advanced manufacturing, and humanities and social sciences [1] - The team conducted in-depth discussions and exchanges with local representatives from state-owned and private enterprises, focusing on issues such as improving the business environment and leveraging local industries for growth [1][2] Group 2 - Experts provided targeted suggestions for Gansu's development across various sectors, including new industrialization, high-quality agriculture, and traditional industry upgrades [1][3] - The team emphasized the importance of enhancing research infrastructure and securing national support for local agricultural initiatives, particularly in wheat breeding [3] - The visit highlighted the potential for collaboration in medical research and technology, particularly in the context of advanced domestic medical devices being utilized in Gansu [3][4] Group 3 - The cultural and historical richness of Gansu was acknowledged, with suggestions to further leverage cultural resources for development, particularly in relation to the Silk Road studies [4][5] - Recommendations were made for talent attraction and retention strategies, emphasizing a service-oriented approach to create a supportive environment for professionals [5] - The overall sentiment from the service team was one of optimism regarding Gansu's future potential, recognizing the province's unique blend of history, culture, and development opportunities [5]

Core Points - The article emphasizes the significance of the Maijishan Grottoes, particularly highlighting the prevalence of smiling Buddha and Bodhisattva statues, which reflect a unique aspect of Chinese Buddhist art [1][7] - The Maijishan Grottoes are recognized as one of China's four major grottoes, often referred to as the "Eastern Sculpture Museum" due to their rich collection of sculptures [1][7] Summary by Sections Overview of Maijishan Grottoes - Located in Tianshui City, Gansu Province, Maijishan is known for its unique mountain shape resembling a stack of wheat, leading to its name [1] - The grottoes were established during the Southern and Northern Dynasties and have been expanded and renovated through various dynasties, preserving a total of 221 caves and over 10,632 statues [7] Artistic Features - The article describes the "Eastern Smile" as a key characteristic of the statues, with many figures displaying serene smiles that convey a sense of peace and wisdom [2][7] - Notable examples include the statue in Cave 44, which is believed to be modeled after the empress of the Western Wei, showcasing intricate details and a captivating smile [2] Cultural Significance - The smiling figures in Maijishan reflect a blend of local emotional life and spiritual aspirations, presenting a more humanized and secular approach to Buddhist art compared to other grottoes like Yungang and Longmen [8] - The craftsmanship in Maijishan emphasizes a connection between the divine and the local community, portraying a vision of a blissful world that resonates with the everyday experiences of the people [8] Visitor Information - The Maijishan Grottoes are open year-round, with various ticket prices for general and special caves, making it accessible for visitors [9][10]

Core Insights - The article discusses the historical significance and archaeological findings of the Da Bao En Temple, tracing its origins from the Eastern Wu period to its reconstruction during the Ming Dynasty, highlighting its cultural and architectural importance in Chinese history [2][4][16] Historical Background - Da Bao En Temple was originally built as Jianchu Temple in 248 AD during the Eastern Wu period, making it the second temple in China after the White Horse Temple in Luoyang [2] - The temple underwent several reconstructions and name changes, including its renaming to Changgan Temple and later to Da Bao En Temple during the Ming Dynasty [3][5] Archaeological Discoveries - Significant archaeological findings include the discovery of a thousand-year-old underground palace beneath the temple, which revealed numerous artifacts such as the Seven Treasures Ashoka Tower and various Buddhist relics [6][9][16] - The excavation has uncovered a variety of relics, including gold and silver items, ceramics, and inscriptions that provide insights into the temple's historical evolution and the development of Buddhist art in China [14][16] Architectural Features - The temple's architecture features a grand nine-story glazed pagoda, which was a significant landmark in Nanjing and is noted for its intricate design and construction [5][9] - The layout of the temple complex includes various halls and structures, with the main buildings arranged along a central axis, showcasing traditional Chinese architectural principles [7][8] Cultural Impact - The Da Bao En Temple has been recognized as one of the most important ancient temple sites in China, with its archaeological findings contributing to the understanding of Buddhist culture and royal rituals during the Ming and Qing dynasties [16] - The site has been developed into a cultural park that not only preserves the archaeological remains but also serves as a tourist attraction, allowing visitors to engage with the historical and cultural significance of the temple [16]

Group 1 - The article highlights the celebration of intangible cultural heritage in Shanghai, particularly through various events and markets showcasing traditional crafts and cultural practices [1][2] - The "Follow the Intangible Cultural Heritage in Life" themed market in Baoshan District features traditional crafts such as Luojing Cross-Stitch and Wusong Noodle Sculpture, aiming to promote cultural heritage [1] - The event includes a series of activities like the "Cultural and Natural Heritage Day" and the "Traditional Chinese Medicine Culture Benefit Activities," emphasizing the integration of traditional crafts with modern aesthetics [1][2] Group 2 - The event in Xuhui District showcases ten representative intangible cultural heritage projects, including hand-spun cotton weaving and traditional Chinese clothing techniques, enhancing community engagement [2] - Interactive experiences such as herbal medicine demonstrations and traditional Chinese medicine tastings are provided, making cultural heritage accessible and engaging for the public [2] - The "Haipai Memory" cultural exhibition presents over ten intangible cultural heritage projects, reinforcing the idea that cultural heritage is an integral part of daily life in the community [2]

Core Viewpoint - The event aims to promote the integration of intangible cultural heritage (ICH) into modern life, enhancing public engagement and appreciation of traditional culture through immersive experiences and various activities [1][2]. Group 1: Event Overview - The "Cultural and Natural Heritage Day" event in Wuhan was organized by the Wuhan Municipal Bureau of Culture and Tourism and the Wuchang District People's Government, featuring a variety of activities such as ICH exhibitions, performances, and interactive experiences [1]. - The event introduced the "Follow the ICH to Explore Wuhan" themed routes, which include five major themes and ten ICH tourism routes, covering over 50 locations [1]. Group 2: Activities and Attractions - The event featured a non-heritage market with over 40 booths, showcasing ICH projects that attract visitors with their unique charm, including traditional crafts and culinary experiences [2]. - Notable ICH projects such as the Yellow Crane Tower legend and traditional food items like Doupi and Hot Dry Noodles were highlighted, providing visitors with a tangible connection to local culture [2]. - The event included nearly 60 themed activities during the "Cultural and Natural Heritage Day," aimed at bringing ICH closer to the public through exhibitions, performances, and community engagement [2].

Core Viewpoint - The article emphasizes the significance of瓦当 (wadang) in Chinese architectural history, highlighting its artistic, cultural, and historical value as a representation of the evolution of Chinese civilization [2][9]. Group 1: Historical Development -瓦当, also known as "瓦头" or "勾头," is a traditional architectural component used in ancient Chinese buildings, originating from the Xia Dynasty [2][3]. - The earliest瓦当 were discovered during the Longshan culture period, with significant usage beginning in the Western Zhou Dynasty [3][5]. - The artistic development of瓦当 reflects the evolution of Chinese civilization, with various decorative patterns emerging over time, such as cloud patterns, animal motifs, and textual designs [3][5]. Group 2: Artistic Significance -瓦当 serves not only a functional purpose in protecting wooden structures but also showcases the aesthetic pursuits of ancient artisans through intricate designs [4][6]. - The Han Dynasty marked a golden age for瓦当, with the emergence of文字瓦当 (textual瓦当) and四神瓦当 (Four Divine Beasts瓦当), which were characterized by elaborate craftsmanship and artistic expression [5][6]. - The artistic styles of瓦当 evolved, with influences from Buddhism during the Wei, Jin, and Northern and Southern Dynasties, leading to the popularity of lotus and beast face motifs [6][7]. Group 3: Cultural Reflection -瓦当 reflects ancient customs and societal values, with inscriptions conveying aspirations for prosperity and well-being, such as "长乐未央" (Long-lasting happiness) and "汉并天下" (Unity of the Han Empire) [7][9]. - The craftsmanship of瓦当 demonstrates the advanced skills of ancient artisans, with variations in calligraphy and design that embody the wisdom and creativity of the time [7][8]. -瓦当 has transcended its original architectural function, becoming a unique art form that continues to influence modern design and cultural expressions [8][9].

Core Viewpoint - The article emphasizes the importance of enhancing cultural heritage and its economic value through innovation and digital transformation, as highlighted by President Xi Jinping's directive during the National People's Congress [1] Group 1: Cultural Heritage and Economic Development - The need to deepen urban and rural spiritual civilization construction and promote cultural industries to drive high-quality economic development is underscored [1] - Jiangsu province is rich in cultural heritage, with 3 world-class sites, 251 national key cultural relics, and over 29,000 intangible cultural heritage projects, indicating significant potential for cultural economic growth [1] Group 2: Brand Value Transformation - The article discusses the activation of cultural heritage IP and the establishment of an innovative transformation system to enhance brand value [2] - It suggests a tiered development system for cultural heritage elements, allowing for effective market testing and optimization to create consumer-friendly cultural brands [2] Group 3: Digital Technology Integration - The integration of digital media and cultural heritage is essential for enhancing the cultural economy, with a focus on high-value cultural content and services [3] - The use of digital technologies can improve consumer engagement and create a balanced development of material and spiritual civilization [3] Group 4: Innovative Cultural Experiences - The article highlights the use of interactive technologies to reshape the perception of cultural heritage, creating immersive experiences that engage audiences [4] - Examples include the Nanjing Museum's restoration room, where participants can interactively learn about artifact preservation [4] Group 5: Dual Development System - A dual development system for cultural heritage is proposed, merging historical resources with modern industry [5] - The use of digital twin technology to recreate historical scenes and enhance audience interaction is emphasized [5] Group 6: Global Brand Communication - The article outlines strategies for enhancing the global dissemination of cultural heritage brands, focusing on a layered communication approach [6] - It stresses the importance of cultural translation tools tailored to different regional markets to effectively convey cultural narratives [6] Group 7: International Certification and Trade Mechanisms - Establishing an international certification system and tailored output mechanisms is crucial for facilitating trade in cultural heritage brands [7] - The article advocates for a comprehensive standard framework to ensure authenticity and market acceptance of cultural products [7] Group 8: Cross-National Cooperation - The article promotes a model of cross-national cooperation and shared benefits to enhance the social value of cultural heritage brands [8] - It suggests a "cultural heritage management and development" model for developing countries, providing comprehensive services for digital protection and brand operation [8]