不会笑青年 . 全网唯二的程序员主题漫画公众号。 分得◎不会笑青年〇 距离下班,还有 最后一分钟... 原创 出品 25, 1.5); 009; } t: 3.125ree; } bezier (8.65, -1, 0.25, 1.75) ; } tion; slide-right 011 iant Bren Lr. IS rom ft; B. = 3.12rem 00:81 日 18:00 以下文章来源于不会笑青年 ，作者不会笑青年 81 不对劲! 下班时间已到 但办公室却没有任何波澜 所有同事若无其事 继续保持着平静的工作状态 MP 男里啪啦 版 11 * D amon 示安装 原创 品 白天的时候看着都挺闲啊? 下班了倒一个个忙起来了? 都不着急回家啊? C 88 0 不会笑 日任 原创 出品 如果我就这么走了, 是不是不太好看... C 不如再坐- -会儿 15分钟后.. 要里啪啦 0 第三期成 U 84 0 88 @ 示会笑 青年 0 原创 出品 这TM的 ..... U · 11 U 又过15分钟 ... ② =>>> 不 ■ I 公笑青年の 原创 出品 E 21 命罪記 真正的童十 敢于面对惨淡 ...

Core Viewpoint - The article discusses the significant financial losses incurred by the manga industry due to the proliferation of free piracy websites, estimating a total loss of 8.5 trillion yen [2]. Group 1: Financial Impact - The manga industry has suffered losses amounting to 8.5 trillion yen, which translates to approximately 57.5 billion USD [2]. - The rise of piracy websites has led to a drastic decline in sales for original content creators, impacting their revenue streams significantly [2]. Group 2: Industry Response - The industry is exploring various strategies to combat piracy, including legal actions and enhancing the availability of legitimate content [2]. - There is a growing emphasis on educating consumers about the value of original content and the negative effects of piracy on creators [2].

Core Insights - The recruitment market is increasingly seeing game and comic companies adding "AI editor" positions or specifying AI skills in job requirements, indicating a profound transformation in industry workflows [1] - AI's application has transcended mere assistance, directly engaging in the construction of worldviews and character settings, touching the creative core of content creation [1] - The key question is whether AI's deep involvement is replacing human labor or redefining the boundaries of creation, focusing on the fundamental changes AI brings to the creative ecosystem [1] Industry Changes - Many game and animation companies are now using AI to generate character backgrounds and future experiences based on brief character descriptions, addressing issues of narrative consistency and character development [3][5] - AI can produce multiple versions of character stories, allowing editors to select and combine them into a cohesive character profile, thus enriching character depth [5][6] - The use of AI is seen as a method to avoid narrative breakdowns that often occur due to the pressures of long-term serialization and fast-paced updates in the industry [8] Efficiency and Cost Reduction - AI significantly enhances creative efficiency, allowing teams to save time and focus on gameplay design and experience optimization, thus reducing both time and financial costs [12][14] - Previously, creating a world framework could take years, but with AI, it can now be accomplished in days by inputting core keywords [12] - AI assists in identifying narrative inconsistencies and providing modification suggestions, which is crucial for maintaining player engagement in fast-paced gaming environments [14] AI as a Tool - Despite the growing use of AI in building worldviews and enhancing narratives, industry professionals view AI as a tool rather than the main creator, emphasizing that human creativity remains central [9][10] - AI is compared to traditional tools like computers and animation software, which help streamline repetitive tasks, allowing creators to focus on more meaningful aspects of storytelling [10] - The industry is shifting from debating whether AI can replace humans to exploring how to effectively utilize AI to enhance creative power [15]

Group 1 - The core viewpoint is that China's economy has shown resilience and progress, with a GDP growth of 5.2% year-on-year in the first three quarters, maintaining a leading position among major global economies [1][2] - New policy financial tools have accelerated funding deployment, with 500 billion yuan fully allocated to support over 2,300 projects, totaling an investment of approximately 7 trillion yuan, focusing on digital economy, AI, and urban infrastructure [1] - The National Development and Reform Commission (NDRC) is enhancing support for major economic provinces and key sectors, aiming to expedite project construction and increase effective investment for high-quality development [1] Group 2 - The NDRC is promoting effective investment policies, with an additional 500 billion yuan allocated for local government debt to enhance financial capacity and investment expansion [2] - The life service industry is experiencing rapid innovation and development, creating multiple trillion-yuan market opportunities, particularly in emotional consumption related to gaming and comics [2] - International economic organizations have raised their growth forecasts for China's economy, indicating a positive outlook for 2025, with the NDRC planning to strengthen policy research and timely implementation [2]

不久前一则"某漫画平台取消原创漫画稿费保底"的消息在创作者社群炸开了锅。单话收入从2000元骤降到不足500元，许多创作者连夜删光画稿转行。几 乎同时，另一家漫画平台也被曝"吞稿费"，某作者读者打赏超千元，但到手仅8元。 "这都不能算平台的调整，真的是吃相太难看。"从业20年的资深漫画作者肥西告诉骨朵，他作为行业里知名的漫画作者，最近几个月收入没有超过1万的 时候，而几年前他的月收入最少也要十几万。 从2009年有妖气上线开启原创漫画黄金时代，到如今平台"砍保底、吞稿费"成为常态，中国原创漫画短短16年走过了太多十字路口，这一次从业者们又该 如何破局？ 为啥不想给保底了？ "2018年签保底合同时，平台说'放心画，其他的有平台呢'，现在却说'市场不好，保底得砍'。"无花果是2018年开始进入漫画行业的，2019年以每个月 8500元的保底签约了三年，到2023年就变成了3500元。如今三年合同期还没到，某平台就以作品数据不达标、收益不理想为理由取消了他的保底。 "其实也就还有6个月合同就到期了，连两万多都不愿意给我了，可能也是真没了吧。"面临此类困境的不只有无花果一个人，和他一样的漫画作者至少有 上百名。而取 ...

Core Insights - The cancellation of the comic major at Communication University of China has sparked renewed discussions about the state of the domestic comic industry, highlighting issues such as low salaries, overwork, and lack of career prospects [4][30] - Many comic artists are transitioning into the gaming industry, often seen as a means of escape from the struggles of the comic field, yet they encounter similar challenges in the gaming sector [4][31] - The boundaries between comics and games are increasingly blurred, with many creators exploring new forms of expression across both mediums [5][31] Group 1: Industry Challenges - The domestic comic industry is characterized by low pay, overwork, and a lack of job security, leading some professionals to advise against entering the field [4][25] - The cancellation of the comic major has raised concerns about the future of the industry, with some speculating it may be a restructuring rather than a complete dissolution [2][4] - Many comic artists report that the current state of the industry is unsustainable, with a lack of a robust ecosystem to support creators [25][26] Group 2: Transition to Gaming - A number of comic artists are moving into game development, often out of necessity, as they seek new creative outlets and financial stability [4][22] - The gaming industry offers more opportunities compared to comics, with a larger market and more flexible cash flow, allowing for better negotiation power for creators [21][22] - Despite the potential for success in gaming, many comic artists find themselves struggling to adapt to the new medium, facing a steep learning curve and unfamiliar business practices [13][22] Group 3: Creative Exploration - The rise of independent game development has allowed comic artists to experiment with new storytelling methods and interactive formats, although many still view their game projects as creative experiments rather than viable business ventures [22][23] - Artists like 易飘扬 and Ling are actively engaging in both comics and games, reflecting a trend of cross-disciplinary collaboration and innovation [31][32] - The evolution of technology and game engines has lowered the barriers to entry for creators, enabling more artists to explore game development [10][31]

Core Viewpoint - The article highlights the emergence of a new generation of entrepreneurs from the Chaoshan region, characterized by high educational backgrounds and innovative technology ventures, contrasting with the traditional image of grassroots entrepreneurs from the area [7][12][20]. Group 1: New Generation of Entrepreneurs - Zhang Junbin, founder of Yunji Intelligent, recently secured $100 million in funding, led by Tencent and Beijing Robotics Industry Development Investment Fund [4]. - Lu Ce Wu and Wang Se Quan, founders of Qiong Che Intelligent, also from Chaoshan, have successfully raised several hundred million yuan, showcasing the rise of educated entrepreneurs from the region [4][9]. - Yang Zhilin, a 90s graduate from Tsinghua University, created the Kimi model, which gained significant attention in the venture capital circle [5][10]. Group 2: Educational Background and Achievements - Lu Ce Wu, born in 1982, has an impressive academic background, including degrees from multiple prestigious institutions and postdoctoral research at Stanford University [9]. - Yang Zhilin, who excelled in the Olympiad and graduated first in his class from Tsinghua, later pursued a PhD at Carnegie Mellon University, contributing to the development of the Kimi model [10]. - Zhang Junbin founded Yunji Intelligent while studying in Shenzhen, and his company has become a unicorn in the sweeping robot market [11]. Group 3: Changing Perceptions of Chaoshan Entrepreneurs - The article discusses the shift in perception of Chaoshan entrepreneurs from low-education grassroots figures to highly educated innovators in technology [16][20]. - The traditional view of Chaoshan people as primarily business-oriented with less emphasis on education is evolving, as more young entrepreneurs are emerging from prestigious educational backgrounds [15][17]. - The success stories of individuals like Huang Yuanhao, founder of Obsidian Light, and Qiu Chunxin, founder of Su Teng Ju Chuang, illustrate the new wave of educated entrepreneurs making significant impacts in their respective fields [21]. Group 4: Impact of Technology and Innovation - The rise of technology-driven businesses among the new generation of Chaoshan entrepreneurs reflects broader industrial changes in China, moving away from traditional grassroots entrepreneurship [19][20]. - The article emphasizes that the current era favors high-education founders who leverage technological advancements to create innovative solutions [20][23]. - The increasing popularity of Chaoshan as a tourist destination has also sparked interest among young entrepreneurs to return and invest in their hometowns [22].

Core Insights - The article discusses the success of the web novel "Shao Song" after its adaptation into a comic, highlighting significant sales and viewership metrics that indicate a resurgence in interest for the original work [1][3][4] - The author, known for his historical novels, emphasizes the importance of industrialization and commercialization in cultural products, suggesting that adaptations can lead to growth and expansion of the original content [6][9][25] Group 1: Sales and Popularity Metrics - The first volume of the "Shao Song" comic sold over 50,000 copies within six months, and related videos garnered over 1.2 billion views on a short video platform [1] - The original novel's readership increased by 1322% year-on-year, leading it to rank among the top five bestsellers on the Qidian Reading platform [1] - The comic adaptation has topped the historical category subscription charts across all platforms [1] Group 2: Author's Perspective and Creative Process - The author, known as Liudan Pashui, transitioned from writing entertainment-focused works to historical novels, believing that history is his true calling [3][12] - He expresses satisfaction with the adaptation process, noting that the comic's main artist, Li Xiaonan, was a passionate reader of the original work, which contributed to the quality of the adaptation [6][8] - The author believes that the emergence of new media formats like comics and short videos does not diminish the value of written works but rather enhances their reach and audience engagement [9][25] Group 3: Themes and Character Development - "Shao Song" is set against the backdrop of the Jingkang Incident, featuring a modern university student who replaces Song Gaozong Zhao Gou, aiming to reshape Southern Song history [3][4] - The author focuses on creating heroic characters and engaging narratives that resonate with readers, particularly through the reimagining of historical figures like Yue Fei [4][20] - The narrative explores themes of historical reflection and the potential for change, as the protagonist grapples with the consequences of historical decisions [18][23]

Core Viewpoint - The article highlights the emergence of a new generation of highly educated entrepreneurs from the Chaoshan region, breaking traditional stereotypes associated with local businesspeople and showcasing their success in the tech industry [4][12]. Group 1: Entrepreneurial Success Stories - Zhang Junbin, founder of Yunji Intelligent, recently secured $100 million in funding, marking a significant milestone for his sweeping robot company [1]. - Lu Ce Wu and Wang Shi Quan, founders of Qiong Che Intelligent, have also gained attention after raising several hundred million yuan, showcasing the rise of Chaoshan youth in the tech sector [1][4]. - Yang Zhilin, a Tsinghua University graduate, created the popular AI model Kimi, attracting interest from major venture capital firms and tech giants [1][7]. Group 2: Educational Background and Career Paths - Lu Ce Wu, born in 1982, has an impressive academic background, including degrees from multiple prestigious institutions and postdoctoral research at Stanford University [6]. - Yang Zhilin excelled academically, winning competitions and graduating at the top of his class from Tsinghua University before pursuing further studies in the U.S. [7]. - Zhang Junbin founded Yunji Intelligent while studying in Shenzhen, demonstrating a strong interest in robotics from a young age [7][8]. Group 3: Changing Perceptions of Chaoshan Entrepreneurs - Historically, Chaoshan entrepreneurs were viewed as less educated and primarily focused on traditional business practices, but this perception is shifting as younger, highly educated individuals emerge [10][11]. - The article emphasizes that the new generation of Chaoshan entrepreneurs is characterized by a willingness to innovate and embrace technology, contrasting with the traditional "grassroots" image [14][15]. - The success of individuals like Huang Yuanhao, who founded a leading 3D perception chip company, exemplifies the changing landscape of entrepreneurship in the region [14]. Group 4: Impact of Cultural and Economic Shifts - The article notes that the traditional entrepreneurial spirit of Chaoshan, rooted in hard work and risk-taking, is evolving as the region adapts to modern technological advancements [10][12]. - The rise of tech-focused education in Chaoshan, with many students gaining admission to top universities, is contributing to the development of a new wave of entrepreneurs [12][15]. - Recent trends indicate a resurgence of interest in local entrepreneurship, with young Chaoshan individuals considering returning to their hometowns to start businesses [15].