以下文章来源于毒眸 ，作者毒眸编辑部 毒眸 . 看透娱乐，死磕真相 来 源丨毒眸（ID： DomoreDumou ） 作者丨 杨睿琦 图源丨摄图网 最近，"短剧造星"论调再起。 平台方面，腾讯、爱奇艺的两档综艺，"西装暴徒"代高政隔空对打新晋顶流"柯淳"；公司角度，爆款 演员韩雨彤被听花岛签下，至此，听花岛旗下已有赵佳、王道铁、李柯以、韩雨彤、曾辉等多位短剧 爆款演员。 平台和制作公司的齐齐发力，让行业视线再次集中于"短剧造星"这一话题。 演员韩雨彤（图源：@听花岛官方微博） 从行业发展的角度看，"短剧造星"是行业快速发展的直接证明：只有足够有C端消费力的内容产品， 才拥有造星的可能。 以听花岛为代表的制作公司以及以爱奇艺为代表的平台发力，更是从产业层面论证、确认短剧演员的 商业空间与内容潜力。 但从这场讨论的核心——演员出发，情况就没有那么美妙。 从目前的爆款演员发展态势来看，大体分为扎根短剧、进军长剧两条路。前者需要面对日复一日的套 路化剧本与标签化人设，在日薪过万与长期发展间进退维谷；后者则需要面对长期镶边、演技对比惨 烈等诸多残酷问题。 整体来看，尽管当下前景大好，但短剧演员如果想谋求更长期的职业发展 ...

Core Insights - The short drama market in China is rapidly expanding, with annual production reaching 40,000 episodes and revenue for producers hitting 12 billion yuan, narrowing the gap with traditional long dramas which generate 31 billion yuan [1] - The market size for short dramas is projected to soar to 50.4 billion yuan in 2024, with user numbers surpassing 660 million, indicating a significant growth opportunity [3] Group 1: Market Dynamics - The emergence of hit short dramas through seasonal releases has maintained user engagement, with total viewing time sometimes exceeding that of long dramas [3] - User behavior shows that traditional horizontal dramas reach 77% of users, while vertical short dramas reach 61%, with 38% of users switching between formats, creating a unique "dual-ecology" [3][33] - The competition among over 10 platforms in the short drama space is intensifying, with various strategies being employed to capture market share [3] Group 2: Key Players and Strategies - The short drama landscape is categorized into four main factions: - "Web Literature Platform Faction" includes players like Hongguo, Hema, and Qimao, leveraging IP resources for content creation [6][8] - "Video Platform Faction" consists of Douyin, Kuaishou, and Tencent Video, focusing on video content and user engagement [12][14] - "Vertical Ecology Faction" includes Xiaohongshu and Bilibili, targeting niche audiences with tailored content [16] - "E-commerce Cross-border Faction" features platforms like Taobao and Meituan, integrating content with commercial strategies [18] - Hongguo is currently leading the market with 173 million monthly active users, supported by its parent company ByteDance's resources [10] Group 3: Trends and Future Directions - The industry is shifting towards "cooperation for mutual benefit," with major platforms collaborating to enhance content quality and production efficiency [20][21] - Content quality is being prioritized, with platforms like Tencent Video and iQIYI investing in high-quality short dramas and classic IP adaptations [22][25] - User acquisition strategies are evolving, focusing on building strong community ties and targeting high-value user segments [27][30] Group 4: Business Model Evolution - The short drama industry is witnessing a transition from reliance on user payments to a mixed monetization model combining advertising and user payments, indicating a shift in revenue generation strategies [31][33] - The relationship between horizontal and vertical dramas is becoming complementary, with both formats coexisting and appealing to different audience preferences [33][34]

Core Insights - The micro-short drama market is projected to reach 50.5 billion yuan in 2024, surpassing the total annual box office revenue [1] - The rapid growth of the micro-short drama sector is evidenced by a monthly active user base of 173 million and a year-on-year growth rate of 220.3% for the Hongguo free short drama app [1] - Zhengzhou has emerged as a new production hub for short dramas, surpassing Hengdian in the number of short dramas produced, becoming the second-largest production center in the country [1] Industry Trends - The rise of micro-short dramas has led to increased competition among platforms, with major players like iQIYI and Youku launching dedicated micro-short drama apps [1] - The shift from paid to free short dramas has attracted a younger audience, changing the demographic landscape of viewers [11] - The content of micro-short dramas is increasingly influenced by web literature, with a significant number of web authors transitioning to scriptwriting for short dramas [8][9] Regional Development - Zhengzhou's growth in the short drama industry is likened to the success of Foxconn, benefiting from a large pool of young labor and lower production costs [6][7] - The city offers a diverse range of filming locations, from modern urban settings to traditional rural scenes, making it attractive for various genres [8] - The transportation infrastructure in Zhengzhou facilitates easy access to surrounding cities, enhancing its appeal as a filming location [8] Actor Experience - Actors in Zhengzhou, like Zhang Xinmiao, have found opportunities in the micro-short drama sector, with higher daily wages compared to major cities like Beijing [5] - The fast-paced nature of short drama production requires actors to adapt quickly, often leading to a more exaggerated style of performance [4][12] - The increasing quality of scripts and production values in short dramas reflects a trend towards more sophisticated storytelling, moving away from clichéd character tropes [12][13]

Group 1 - Tencent Video recently released a list of high-quality short dramas featuring strong casts, including works like "Parrot" and "Zhuque Hall" [1] - The short drama market is experiencing a trend where the boundaries between short and long dramas are becoming increasingly blurred, with some short dramas adopting extreme and absurd themes [3][5] - The popularity of short dramas is driven by their potential for profitability and impactful content that captures user attention, leading to a collective pursuit of quality in the market [5][10] Group 2 - Major companies in the short drama sector are shifting from sensational content to more refined storytelling, with examples like "Tinghuadao" achieving over 1 billion views with a focus on female narratives [10] - Companies like "Majiang" and "Xianwen" are also producing high-quality short dramas that resonate with audiences, moving away from traditional tropes [12][13] - The competition in the short drama space has intensified, with major platforms like Douyin and Kuaishou launching their own short drama initiatives, emphasizing a move towards quality content [16][18][20] Group 3 - Traditional media companies are entering the short drama market, with examples like Ningmeng Media and Perfect World focusing on specific demographics and themes [22][24] - Companies are leveraging existing long drama IPs to create short dramas, indicating a trend towards brand extension in the industry [27] - Despite the rapid changes in the short drama landscape, companies are optimistic about capturing audience attention during fragmented viewing times, although they face challenges in maintaining viewer engagement [29]

A股三大指数今日集体调整，截至收盘，沪指跌0.07%，深成指跌0.47%，创业板指跌0.84%，北证50指 数跌1.34%。全市场成交额10916亿元，较上日缩量1892亿元。全市场超3600只个股飘绿。板块题材 上，白酒、光伏设备、固态电池板块涨幅居前；脑机接口、短剧游戏板块跌幅居前。盘面上，港口航运 板块反弹，宁波海运（600798）、兴通股份（603209）涨停。固态电池板块活跃，海科能源、诺德股份 （600110）、湘潭电化（002125）涨停。光伏概念股涨幅居前，赛伍技术（603212）、协鑫集成 （002506）涨停。白酒股反弹，皇台酒业（000995）涨停，迎驾贡酒（603198）、金种子酒（600199） 涨超5%。稳定币概念局部活跃，楚天龙（003040）上演地天板，安妮股份（002235）涨停。脑机接口 板块跌幅居前，爱朋医疗（300753）跌超10%。短剧游戏概念股集体调整，元隆雅图（002878）、川网 传媒（300987）、中文在线（300364）、欢瑞世纪（000892）等多股跌超5%。 暗盘资金流向曝光！提前捕捉庄家建仓信号>> ...

Core Viewpoint - The short drama industry is facing criticism for producing content that is increasingly bizarre and illogical, as exemplified by the recent drama "Kirin Sends Children" where a character gives birth to 99 sons, highlighting a trend of low-quality and sensationalist storytelling [1][3][6] Group 1: Industry Trends - The short drama market has been criticized for its lack of quality control, with many productions violating basic moral and ethical standards [4][6] - Despite calls for stricter regulation, the short drama market continues to grow chaotically, with many shows featuring absurd plots that defy common sense [3][6] - The industry has seen a rise in lowbrow content that prioritizes shock value over narrative quality, leading to a perception of short dramas as "low" entertainment [7][8] Group 2: Audience Reception - The bizarre content of short dramas, such as the aforementioned 99 sons, has sparked outrage among viewers, leading to discussions on social media and calls for accountability [6][9] - While some high-quality short dramas have emerged, they remain the exception rather than the rule, as the majority of content continues to be formulaic and sensationalist [6][8] Group 3: Economic Models - The profitability of short dramas relies heavily on user engagement, with two main revenue models: IAP (In-App Purchase) and IAA (Ad-Supported Free Viewing) [8] - The industry's focus on maximizing viewer engagement through extreme and sensational content has become a prevalent strategy, often at the expense of narrative integrity [8][9] Group 4: Future Outlook - The short drama industry is at a crossroads, needing to shift from a focus on shock value to a more sustainable model that emphasizes quality content [9][11] - The current trend of prioritizing low-quality, sensationalist content poses long-term risks to the industry's health and reputation, as audiences may become desensitized to extreme narratives [11]

Core Viewpoint - The phenomenon of "multiple adaptations from a single script" has become a common practice in the short drama industry, leading to both diverse viewing experiences and concerns over content homogenization and lack of innovation [2][18][19]. Group 1: Industry Trends - The trend of "multiple adaptations" is characterized by different production teams creating various versions of the same story, often resulting in similar dialogue and filming angles, with only minor differences in details and emotional presentation [2][19]. - This practice has led to a dynamic and interactive creative ecosystem where production teams incorporate current trends and audience feedback into their adaptations, enhancing viewer engagement [4][10]. - The short drama industry has seen a significant increase in the number of adaptations, with some stories being adapted into over ten versions, reflecting a market demand for familiar narratives [2][14]. Group 2: Audience Reception - Audience reactions to the "multiple adaptations" phenomenon are mixed, with some viewers appreciating the unique elements added to each version, while others express fatigue from the repetitive nature of the content [6][18]. - The incorporation of audience feedback into new adaptations has been noted as a strategy to keep the content fresh and appealing, allowing for quick adjustments based on viewer preferences [3][10]. Group 3: Production Strategies - Production companies are increasingly opting for low-cost, high-return strategies by adapting already popular scripts, which minimizes risk compared to original content creation [9][11]. - The competitive landscape has led to a "trial and error" approach, where successful elements from previous adaptations are retained and refined in new versions, enhancing their market viability [10][11]. - Platforms are investing heavily in IP licensing and script adaptation incentives, with significant funds allocated to support quality short drama creation, further fueling the "multiple adaptations" trend [14][16].

DataEye研究院注意到，近30天，枫叶互动旗下海外短剧应用ReelShort投放力度持续走高，并跻身上周（5.12-5.18）海外微短剧APP素材投放增长榜TOP 3。 本期，DataEye研究院对ReelShort平台进行客观分析，带大家从平台下载量、投放素材量、媒体分布、素材特征等多重角度观察近期ReelShort的动向。 一、ReelShort数据表现 （一）下载量趋势 点点数据显示，近30天，ReelShort全球市场双端预估下载量呈"V"型走势，由最初的日下载量约65万次左右，逐步下滑，至5月9日左右达最低点，日下载 量不足30万次，而后再度回升，至今日下载量达66万次左右。 对比发现，上周（5.12-5.18）ReelShort投放素材量较4月最后一周（4.21-4.27）增加了4912组，环比增长73.1%。 （三）媒体分布 | | | ReelShort 近30天投放媒体分布 | | | --- | --- | --- | --- | | 排名 | 譯体 | 累材数 | 占比 | | B | F Facebook | 26856 | 90.90% | | 0 | O Instagram | ...

Group 1: Market Overview - In April 2025, the total download volume of short drama apps in overseas markets reached approximately 100 million, with a month-on-month increase of about 5.03 million downloads [1] - Estimated in-app purchase (IAP) revenue for April is approximately $126 million, reflecting a month-on-month growth of about $6 million [1] - The overseas micro-short drama market has shown signs of recovery since February, with both downloads and revenue surpassing 100 million in April [1] Group 2: Regional Analysis - In April 2025, the highest download volume for overseas short drama apps came from other regions (non-key regions) at approximately 34.73 million downloads, followed by Latin America with 28.18 million and Southeast Asia with about 22.85 million [4] - The United States remains the best-performing region for IAP revenue, generating approximately $61.16 million, accounting for 49% of total overseas micro-short drama app revenue [7] - In Japan, while download volume increased to approximately 2.27 million, revenue saw a slight decline due to a shift from paid to free apps amid economic challenges [12] Group 3: Revenue Insights - In April, the estimated IAP revenue from Southeast Asia was about $11.85 million, ranking third, while the revenue from other non-key regions was approximately $23.23 million [7] - The revenue growth in South Korea is notable, with an increase in IAP revenue despite a decline in download volume, indicating strong user engagement and willingness to pay for membership services [14] - Latin America experienced significant growth in both downloads and revenue, attributed to a young population and the popularity of free short drama apps [20] Group 4: Advertising and Content Trends - The number of advertising materials for overseas short dramas reached approximately 500,000 in April, marking a month-on-month increase of 9.3% and a year-on-year surge of 10 times [22] - The number of participating overseas short drama apps increased to 274 in April, reflecting a 15.6% month-on-month growth and a twofold increase compared to the previous year [26] - Emotional themes accounted for the largest share of advertising materials, with approximately 370,000 pieces, representing 22.7% of the total [29] Group 5: Popular Titles and Trends - The top three overseas short drama apps by advertising material in April were NetShort, DramaWave, and DramaBox, with 90,000, 87,000, and 67,000 materials respectively [36] - The most popular short drama in April was "The Missing Master Chef," achieving a high heat value of 20.78 million, followed by "Falling for a SUPERSTAR" and "CEO Wants My Little Rascal" [42] - The trend indicates a strong preference for urban emotional themes, with 15 out of the top 20 dramas falling into this category [44]

Financial Data and Key Metrics Changes - The company reported revenues of $20.1 million for Q1 2025, a 42.5% increase compared to $14.1 million in Q1 2024 [5][20] - Bookings increased by 13.6% to $22.2 million compared to $19.6 million in the same period last year [22] - The net loss for Q1 2025 was $1.9 million, slightly higher than the loss of $1.8 million in Q1 2024 [21] - EBITDA for the quarter was a loss of $3.2 million, compared to a loss of $1.9 million in the prior year [22] Business Line Data and Key Metrics Changes - Total units sold increased by 45% to 1.5 million, primarily driven by the flagship ARC franchise [5] - The mobile segment saw significant growth, with ARC Ultimate Mobile Edition achieving 4.8 million downloads and an average daily active user count of approximately 144,000 [7][20] Market Data and Key Metrics Changes - PC gaming accounted for approximately 48% of revenue in 2024, compared to 41% from consoles [24] - The company noted that the mobile game segment helps offset broader economic impacts, as it lowers the barriers to entry for new players [24] Company Strategy and Development Direction - The company is focused on expanding its content portfolio and diversifying revenue streams, including a new short drama business [10][19] - Upcoming releases and announcements are planned to celebrate the ten-year anniversary of the ARC franchise, with a focus on engaging a broader audience [26] - The company aims to invest in scalable growth opportunities across adjacent genres and emerging platforms [26] Management's Comments on Operating Environment and Future Outlook - Management expressed cautious optimism regarding the impact of tariffs on the business, noting that while direct impacts are limited, indirect effects could influence consumer spending [23][25] - The gaming industry has historically shown resilience in the face of economic uncertainty, and the company remains confident in its ability to adapt [25] Other Important Information - The company has signed an MOU with MacMetrix Inc. to co-develop at least 10 short drama series over the next twelve months [10][34] - The company is actively exploring new business opportunities and expanding its indie publishing label, Wandering Wizard [19] Q&A Session Summary Question: Can you discuss your approach to revenue diversification? - The company is exploring and investing in new games and businesses, including a short drama initiative and several new game releases [28][30] Question: What are the revenue implications of the MOU with Mega Matrix? - It is too early to measure potential revenue contributions, but the MOU involves co-developing at least 10 drama series over the next year [31][34] Question: Can you elaborate on the increase in advertising and marketing costs? - Marketing expenditures have increased due to a larger portfolio and participation in events like GDC, but the company does not expect such increases to continue in the upcoming quarters [36][38] Question: How should investors view the approach to achieving positive net income? - The company focuses on cost control and diversified monetization strategies, including outsourcing development and expanding into new revenue streams [39][40]