（来源：光明日报） 转自：光明日报 光明图片/视觉中国 《中国编辑出版史二十讲》 刘运峰 编著 天津人民出版社 《艺文类聚》 光明图片/视觉 在中国文化传统中，孔子常被尊为"至圣先师"，但少有人强调他作为编辑家的身份。尽管孔子一生未曾 著书，却通过删《诗》《书》、定《礼》《乐》、赞《周易》、作《春秋》的系统性整理工作，奠定了 中华经典的基本格局。这一带有明确价值判断的选择、校勘与重构，正是编辑活动的核心：编辑并非被 动抄录者，而是主动的知识组织者与文化建构者。从这个意义上说，中国编辑出版的历史，至少可以上 溯至两千五百年前的孔子时代。 自20世纪80年代起，肖东发主编的《中国编辑出版史》，方厚枢的《中国出版史话》和魏隐儒的 《中国古籍印刷史》等著作，初步奠定了出版史研究的基础。21世纪以来成果迭起，不仅涌现出九卷本 《中国出版通史》这样的大型集体成果，也有一批视角多维的专题研究，章宏伟的《出版文化史论》、 李常庆的《〈四库全书〉出版研究》聚焦出版与社会文化变迁，王余光、张仲民引介西方"阅读史"方 法，陈平原、邹振环等学者融合不同学科，共同推动了出版史研究日益丰富深入。 "人"与"典"为核心的历史叙事 与传统通 ...

翰林院中遭焚劫 1900年6月20日下午，北京，东交民巷使馆区。 永乐五年（1407年），历时5年、3000多人参与的一部大型类书终于定稿进呈明成祖朱棣。朱棣钦赐书 名——《永乐大典》。 《永乐大典》正文22877卷，分装11095册，总字数达3.7亿字，汇集了明以前的文学、历史、哲学、天 文、地理、阴阳、医术、宗教、戏剧、应用科学等文献达七、八千种之多，是一部当之无愧的百科全 书。 然而，《永乐大典》却命运多舛，火灾、战乱、偷盗、巧取豪夺……皇皇一万多册至民国初年只剩下64 册。此后的百余年间，在无数中华儿女努力下，幸存的《永乐大典》被一点一点寻找回来。至今，国家 图书馆收藏《永乐大典》224册，居全世界收藏机构之首。 因国运衰而散，因国运昌而聚。《永乐大典》折射了一部中华民族600年沧桑史。 本已惶惶不可终日的各国公使团和外国侨民陷入了前所未有的恐慌。当天下午，德国公使克林德不顾众 人劝阻，执意前往总理衙门交涉公使团的离京事宜。仅仅十五分钟后，与他一同前往的翻译柯士达，跌 跌撞撞逃回东交民巷——克林德被清军枪杀了。 6月10日，义和团的大队人马已经开进北京。北京城的局势虽然一日紧似一日，但义和团始终没有正 ...

Core Viewpoint - The exhibition "Eternal Cultural Heritage" showcases the historical significance and cultural journey of the "Siku Quanshu" (Complete Library of the Four Treasuries), emphasizing its role in preserving Chinese civilization and its connection to national identity [3][12]. Group 1: Exhibition Overview - The exhibition is part of the 20th anniversary series of Zhejiang Province's cultural construction initiatives and is co-hosted by several cultural organizations [3]. - It features five thematic units that chronologically outline the history of the "Siku Quanshu," including its compilation, preservation during wars, and global dissemination [3]. Group 2: Historical Context - The "Siku Quanshu," completed during the Qianlong era, is recognized as the largest collection of ancient Chinese literature, comprising 34,610 titles and 79,309 volumes, with a significant portion being classified as "classical literature" [6][9]. - The project involved extensive efforts to collect and correct texts, contributing significantly to the preservation of Chinese literary heritage [6][9]. Group 3: Cultural Significance - The "Siku Quanshu" serves as a cultural summary of ancient Chinese scholarship, reflecting the intertwining of literary and national identity [7][11]. - The exhibition highlights the dedication of scholars and collectors throughout history who have worked to safeguard and restore these texts, particularly during tumultuous periods [10][11]. Group 4: Modern Implications - The ongoing publication project of the "Siku Quanshu" aims to continue the legacy of cultural preservation and enhance cultural confidence in contemporary society [12][13]. - The completed editions are now housed in various prestigious institutions worldwide, facilitating international scholarly exchange and reinforcing the global presence of Chinese culture [13].

Core Viewpoint - The article discusses the phenomenon of "Western pseudohistory" and the belief that the "Yongle Encyclopedia" is a symbol of civilization superiority, reflecting a cultural defense mechanism in response to globalization and historical grievances [7][34][41]. Group 1: Historical Context - The "Yongle Encyclopedia," compiled during the Ming Dynasty, is presented as a monumental work that symbolizes ancient wisdom and knowledge [4][20]. - The belief that Western civilizations have fabricated their histories, particularly regarding ancient Greece, Egypt, and Rome, is central to the pseudohistory narrative [7][8]. Group 2: Cultural Phenomenon - The popularity of the "Yongle Encyclopedia" as a source of knowledge stems from a societal reverence for encyclopedias, particularly during periods of rapid social change and educational competition [21][22]. - The article highlights the historical context of encyclopedia consumption as a reflection of societal aspirations for knowledge and security during transformative periods [22][26]. Group 3: Psychological Drivers - The belief in the "Yongle Encyclopedia" as a source of all knowledge is linked to a collective desire for recognition and dignity in the face of cultural and historical challenges [34][35]. - The rise of pseudohistory narratives is seen as a coping mechanism for feelings of loss and insecurity in a rapidly changing world [34][37]. Group 4: Contemporary Relevance - The article notes a significant increase in videos promoting or refuting pseudohistory on platforms like Bilibili, indicating a growing interest in these narratives among younger audiences [37]. - The discussion emphasizes that engaging in pseudohistory may not effectively address the underlying issues of cultural identity and historical understanding [38][41].

Core Viewpoint - The article discusses the phenomenon of the "Yongle Dadian" (永乐大典) becoming a symbol in conspiracy theories, particularly in the context of Western pseudohistory, and explores the psychological and cultural factors driving this belief [1][3][24]. Group 1: Historical Context and Significance - The "Yongle Dadian" was compiled under the Ming Dynasty by Emperor Zhu Di, resulting in over 22,000 volumes, which has been viewed as a key to understanding ancient wisdom and civilization [1]. - The text has been misappropriated in modern narratives that claim Western civilizations have plagiarized Chinese knowledge, particularly the "Yongle Dadian" [3][4]. Group 2: Cultural and Psychological Factors - The belief in the "Yongle Dadian" as a source of all knowledge reflects a broader phenomenon of "encyclopedic worship," where people seek comprehensive knowledge as a form of security in rapidly changing societies [10][15]. - This phenomenon is not unique to China; similar trends have been observed globally, where encyclopedias serve as symbols of truth and knowledge during times of societal transformation [11][13]. Group 3: Modern Implications and Trends - The rise of conspiracy theories surrounding the "Yongle Dadian" correlates with a growing sentiment of cultural defensiveness in response to globalization and perceived Western dominance [24][27]. - Videos promoting or refuting foreign pseudohistory have surged in popularity, particularly among younger audiences, indicating a cultural backlash against Western narratives [27][30].

Core Points - The "Yongle Dadian" Shanxi Special Exhibition opened at the Shanxi Provincial Library during the Fourth National Reading Conference, showcasing the significance of this historical work [1][5][19]. Group 1: Exhibition Overview - The exhibition is divided into five units, displaying a total of 36 items related to the "Yongle Dadian," highlighting its rich knowledge system, philosophical ideas, and cultural values [6][19]. - Special attention was given to include content related to Shanxi, featuring historical, geographical, and literary information pertinent to Taiyuan [11][12]. Group 2: Interactive Elements - The exhibition includes interactive touchscreen games, allowing visitors to experience the characteristics of Yongle calligraphy and learn about ancient book formats [12][19]. Group 3: Institutional Collaboration - The exhibition is co-hosted by the National Library (National Classics Museum) and the Shanxi Provincial Library (Shanxi Ancient Books Protection Center), running until October 23 [29].

今天没发生大新闻，咱们就碎碎嘴闲聊吧。 第一个话题是后台有不少读者留言让我说说中国历史上top10人物，我想了一下给出我个人的看法。 孔子：儒家创始人。 嬴政：第一位皇帝，统一文字、货币、度量衡。 司马迁：开创纪传体史学，中国史学祖师爷。 孙中山：领导辛亥革命，推翻帝制。 主席：开国领袖。 这样就9位了，还多一个位置正好留给你们发挥，其实我心里面的人选是邓公，他主导的改革开放是华夏文明一个重要的转折点，重要性超过了以往中国 史上的任何一次变革。 有些遗憾的是古代中国没有成体系的科学，所以榜单里没有科学家，大都还是以君主和文学家为主。现在互联网上有一个段子，说各个门类的科学都在 《永乐大典》里有记载，欧美那边是拿到了流传出去的碎片才研究出了现代科学。可笑的不是这个段子，而是我发现互联网上真的有不少人信了这个段 子，前几天我说牛顿是科学家no1的时候就真有不少人用这个来劝说我，我真的... ps：成吉思汗我没想好算不算中国人，如果算的话那就再加上他。 …… 李世民：创立大唐，文治武功没有短板，我心目中最优秀的古代君王。 李白：古代浪漫主义文学的最高峰。 苏轼：古往今来第一才子。 康乾：祖孙两捆绑算一个吧，主要功劳 ...