Core Viewpoint - The "100-Day Action Plan for Winter Ice and Snow Tourism in Heilongjiang Province (2025-2026)" aims to establish Heilongjiang as a world-class ice and snow tourism destination, enhancing visitor experiences through various initiatives and attractions [3][4][6]. Group 1: Action Plan and Initiatives - The action plan will run from November 8, 2025, to February 28, 2026, under the brand "Ice and Snow Crown, Beautiful Longjiang" [3]. - The plan includes "Ten Enhancement Actions" to create a comprehensive ice and snow tourism experience [3][6]. - The 27th Harbin Ice and Snow World is expanding to 1.2 million square meters, with a total ice and snow volume of 400,000 cubic meters, the largest in history [4][5]. Group 2: Tourism Experience and Attractions - The province is developing a multi-layered, full-spectrum ice and snow product matrix, featuring ten themed routes that highlight various attractions across the region [6]. - Major attractions include the Sun Island Snow Sculpture Art Expo and the Songhua River Ice and Snow Carnival, offering over 60 entertainment projects [4][6]. Group 3: Cultural and Artistic Integration - The Harbin Grand Theatre will host a series of performances, including original musicals and ballet, enhancing the cultural experience for visitors [7][8]. - The integration of various cultural and entertainment offerings aims to create immersive experiences, such as "Ice and Snow + Research" and "Ice and Snow + Events" [8]. Group 4: Service Enhancements - The province is implementing a "Safe Travel" initiative, providing warm services and amenities for tourists, including "warm stations" with free hot drinks and charging stations [9][10]. - A credit rating system for travel agencies has been established, allowing tourists to select reliable service providers based on their ratings [10].

本报记者 方 圆 哈尔滨大剧院全景。 哈尔滨大剧院供图 "淘学企鹅"巡游现场。 哈尔滨极地公园供图 《黑龙江省冬季冰雪旅游"百日行动"实施方案(2025—2026年)》近日正式印发，定于2025年11月8日至 2026年2月28日，开展2025—2026年黑龙江省冬季冰雪旅游"百日行动"，以"冰雪之冠·大美龙江"为品牌 引领，系统实施"十大提升行动"，全力打造世界级冰雪旅游度假胜地和冰雪经济高地，让每一位游客的 龙江之旅更加安心、舒心、暖心。 特色焕新 11月15日，哈尔滨极地公园开启首场"淘学企鹅冰雪巡游"，在哈尔滨极地公园极地广场免费向公众开 放。 构建多层次、全谱系冰雪产品矩阵 尽管凛冬未至，哈尔滨冰雪大世界的存冰场内，已是一派繁忙景象。工人们操作着专业设备，小心翼翼 地拆下冰垛最外层的保温遮盖，20万立方米晶莹剔透的存冰逐渐显露真容。"这些存冰是建设第二十七 届冰雪大世界的基础，从选冰到储存都要精益求精。"现场工作人员介绍，他们为冰体构建了严密的"保 护屏障"，并定期检查，确保存冰保持最佳状态。运输队伍和机械设备严阵以待，只待气温达标，便启 动打造今冬的冰雪奇迹。 "第二十七届哈尔滨冰雪大世界正在全速 ...

Core Viewpoint - The integration of technology in performances, such as dance and children's theater, is attracting younger audiences to theaters, enhancing their viewing experience and engagement with the arts [1][2]. Group 1: Dance Performances - The dance drama "Peacock" has commenced its national tour in 2025, showcasing Eastern aesthetics through modern stage language and innovative technologies like 3D projection and a specially designed 2000-piece feather magnetic device [2]. - The artistic director Yang Liping emphasizes that the "Peacock" represents a natural life form and reflects Eastern people's understanding of beauty and life, symbolizing the changes of seasons [2]. Group 2: Children's Theater - The 14th China Children's Theater Festival featured 42 productions from 21 theater groups across four countries, totaling 185 performances, including the XR digital music children's drama "Dunhuang Nine-Colored Deer King," which tells a fantastical story of a boy's adventure in the Dunhuang mural world [2][4]. - The use of XR digital technology and artificial intelligence in children's theater breaks traditional stage limitations, creating immersive experiences that captivate young audiences [4]. Group 3: Cultural Integration and Accessibility - The festival also launched the "Excellent Productions 2025 Summer Tour 100+" initiative, providing affordable and public tickets to ensure quality cultural resources reach grassroots communities [4]. - The China Children's Art Theater is enhancing cultural tourism integration by organizing children's theater workshops and travel activities, allowing children to experience the charm of theater both on and off stage [5].

Group 1: Cultural Consumption Trends - Cultural consumption is becoming a significant driver for economic growth, with the national performance in the performing arts market reaching a total revenue of 796.29 billion yuan in 2024, marking a year-on-year increase of 7.61% [1] - The 2025 Spring Festival box office reached 95.10 billion yuan, setting a new record for the Chinese film industry during this period, showcasing the resilience and consumption potential of the Chinese film market [1] - The increasing material wealth of residents is leading to cultural consumption becoming a new hotspot, stimulating domestic demand and contributing to national economic growth [1] Group 2: Xi Ken International Cultural Group - Xi Ken International Cultural Group, established in 2000, is a pioneer in cultural performance exchanges and has produced numerous high-quality domestic and international performances, operating in over 100 theaters across 23 provinces [4][5] - The group has successfully introduced international productions to China and exported domestic cultural products abroad, hosting over 10,000 performances and winning numerous awards [4][5] - Notable productions include the dance drama "Peacock," the play "De Ling and Cixi," and the musical "Fudeli," which reflect the company's commitment to cultural exchange and innovation [5][10] Group 3: Innovative Cultural Experiences - Xi Ken has embraced technological advancements in the arts, creating immersive experiences such as the "Yujian Future" immersive theater and the "Cat God in the Forbidden City" performance space [7] - The company has developed a popular original pop music brand, the Beijing International Pop Music Week, featuring over 300 high-quality performances and attracting millions of online and offline viewers [6][7] - The group emphasizes the importance of cultural confidence and aims to enhance the global influence of Chinese culture through both "bringing in" and "going out" strategies [10] Group 4: Emerging Cultural Venues - The Drum Tower West Theater, a new cultural landmark in Beijing, hosts a variety of performances, including traditional and contemporary plays, and has become a popular destination for audiences [13][16] - The theater focuses on high-quality productions and has a professional creative team dedicated to presenting original and adapted works [17] - It also integrates a café and bookstore, creating a multifaceted cultural experience for visitors [18] Group 5: Cultural Tourism Development - The "Only Dream of Red Mansions: Drama Fantasy City" in Langfang is a new cultural tourism landmark, offering immersive performances based on the classic Chinese novel "Dream of the Red Chamber" [20][21] - This venue has attracted over 1.93 million visitors since its opening, showcasing the potential of cultural tourism to drive local economies [23] - The project has received multiple awards for its innovative approach to cultural tourism and is recognized as a model for integrating culture and tourism in the Beijing-Tianjin-Hebei region [22][23]

Core Insights - The seventh Jiangnan Cultural Arts and International Tourism Festival concluded on May 30, showcasing the vibrant cultural heritage of Suzhou and achieving record economic benefits [1][7] - The festival attracted 42.095 million visitors, a year-on-year increase of 21.4%, with nearly 70% being from outside the region [1][7] - The event featured a variety of performances, including 82 shows from 41 major productions, generating over 20 million yuan in ticket sales [1][5][7] Group 1: Cultural Significance - The festival serves as a living example of Suzhou's "humanistic economics," integrating cultural heritage with economic development [6][7] - The event highlighted the importance of youth participation in cultural activities, with student theater groups showcasing their talents [3][6] - The "登临计划" (Denglin Plan) was introduced during the festival, promoting the creative transformation of traditional Chinese culture through performances of classic plays [6] Group 2: Economic Impact - The festival's activities stimulated local tourism and hospitality sectors, with significant ticket sales and increased visitor numbers contributing to the local economy [7][8] - The opening performance of the dance drama "The Peony Pavilion" attracted over 60% of ticket buyers from major cities, indicating a strong regional interest in cultural events [7] - Various themed activities during the festival, such as the "Z Generation" events, created new consumer experiences and engaged younger audiences [8][9] Group 3: International Engagement - The festival featured international productions, including a London West End play, enhancing Suzhou's cultural offerings and attracting diverse audiences [4][5] - The integration of global theatrical works with local performances showcased the city's commitment to high-quality cultural exchanges [5][6] - The festival aimed to promote Jiangnan culture on a global scale, encouraging international appreciation of Chinese cultural heritage [9]