聚力创新动能，共绘行业崭新蓝图。大会将邀请蒋胜男、血红、骁骑校、何常在、麦苏、吱吱等知名作 家，以及阅文集团、番茄小说、晋江、幻想纵横、知乎、中文在线、掌阅科技、金影科技、百度小说、 咪咕等网络文学平台代表，抖音、爱奇艺等视频平台负责人，各方将围绕新时代网络文学如何创作精 品、做好IP转化、扩大海外影响力等核心议题展开深入交流，共同探索"网络文学+"新业态的成长路 径。 深耕创作沃土，激发创新活力。创作引导是大会的核心，会议期间，将组织30余位网络文学作家，分赴 中国人民抗日战争纪念馆、前门历史文化街区、荣宝斋等承载厚重历史文化的场所，以及北京智慧电竞 赛事中心、小米汽车工厂等展现"科技+文化"融合活力的前沿地点，进行采风活动，引导作家们扎根现 实，书写时代精神。"创作评论分论坛"还将邀请北京、上海、浙江、江苏等地作协及企业代表交流创作 心得，分享成功经验。大会还专设"青年分论坛"，邀请著名作家、评论家、企业负责人、影视平台代表 与青年创作者面对面交流，激发他们创作灵感，培育青年作家新生力量。 锚定高质量发展，共绘生态新图景。会议期间，将举办以"新驱动：网络文学+引领力"为主题的科技赋 能论坛，深入探讨AIG ...

Core Viewpoint - The recent ruling by a U.S. judge that allows AI companies to use copyrighted works for training AI models under the doctrine of fair use has created significant concern among content creators and copyright holders [1] Group 1: Impact on Content Creators - Content creators and copyright holders are facing a "survival crisis" as users increasingly prefer to obtain information through AI chatbots rather than visiting original content links, leading to a 30% decrease in click-through rates for traditional URLs since the launch of Google's AI Mode [8][10] - The emergence of AI companies has shifted the dynamic from a dispute over revenue sharing to a more existential threat for copyright holders, as many AI firms do not compensate for the content they scrape [10] Group 2: Cloudflare's Response - Cloudflare has announced a default feature to block AI crawlers from scraping content without the website owner's permission, aiming to restore control to creators while still supporting AI innovation [3][5] - The company offers a "pay-per-use" model for AI firms to access content, providing a feasible path for AI companies to obtain content legally while empowering smaller websites to protect their data [15] Group 3: Technical Measures Against AI Crawlers - Cloudflare employs advanced techniques such as the "5-second challenge" and "AI Labyrinth" to differentiate between human users and automated tools, effectively thwarting many AI crawlers [10][12][13] - The "AI Labyrinth" strategy involves embedding hidden links that lead crawlers to meaningless content, thereby wasting their computational resources and bandwidth [12][13] Group 4: Market Dynamics - The competitive landscape is shifting as Cloudflare positions itself as a protector of content creators while also facilitating a payment structure for AI companies, creating a win-win scenario [6][15] - Major AI firms, such as Google and OpenAI, are already investing significantly in content acquisition, indicating a willingness to pay for quality content, which highlights the potential for a structured payment system [15]

（原标题：短剧《家里家外》被烛影心光抄袭，听花岛发声明坚决维权） 7 月 2 日，知名短剧厂牌听花岛发布声明，称旗下热门短剧《家里家外》遭南京烛影心光科技有限公司 抄袭，对方未经授权将抄袭内容用于商业获利，严重侵犯其合法权益。 《家里家外》于今年 3 月 14 日首播，讲述了 20 世纪 80 年代初川渝地区，单身父亲、工程师陈海清投 身救灾，与因洪水家园尽毁的墨水厂工人蔡晓艳相识相知并结为夫妻，二人带着各自子女组成新家庭， 共同面对生活挑战的故事。该剧凭借温情的故事、精良的制作，播出后广受好评，全网播放量预计已超 50 亿，相关话题多次登上抖音热榜，成为短剧行业现象级作品。 6 月 26 日，听花岛收到举报线索，称《歪出一片烟火人间》涉嫌抄袭《家里家外》，且已在快手、微 信小程序、抖音等多平台上线播出。经仔细比对，听花岛发现《歪出一片烟火人间》在情节串联、顺序 安排、分镜设计、镜头语言、画面衔接，甚至台词等方面，均与《家里家外》高度相似。例如，两部剧 都有男主在救灾现场与女主争吵，以及嫂子逼女主嫁单身汉等多处雷同情节。而《家里家外》早在今年 年初就已杀青，于 3 月正式上线，《歪出一片烟火人间》6 月底才上 ...

行业优质影视内容层出不穷的同时，传播盗版内容的侵权问题从未被根本性解决。盗版问题的严重性体现在「播出即盗版」和「无一幸免」的 现象上，给行业带来了每年 200 亿元以上的损失，严重冲击着影视行业的商业模式。 今年5月，新剧《藏海传》《折腰》在播出引发热议的同时，也迎来了盗版侵权行为的疯涨，一批未经授权的「资源」在网络大肆传播。「对于平台来 说，作品的制作成本每分钟几万、几十万甚至上百万，但盗版视频的成本十分低廉。」早在2021年，爱奇艺CEO龚宇就曾公开谈论过侵权行为的低成本。 当月底，国家版权局官网公布2025年度第六批重点作品版权保护预警名单，包括《长安的荔枝》《折腰》《陷入我们的热恋》《藏海传》等在内18部剧集 的版权受到保护。在不同公开场合，头部视频平台负责人也都多次提到侵权的严峻性。 「影视项目的策划制作周期可能长达5到8年，头部电影投资规模上亿美元，头部综艺的投资也有数亿元，不可能让盗版者将创作者时数年、花费重金打磨 的作品在未授权的情况下，直接传播出去。」腾讯在线视频首席执行官孙忠怀曾如是说道。 「全国电视剧行业每年因盗版侵权造成平台损失达200亿以上（不含微短剧被侵权的数字）。」中制协副会长兼 ...

构建跨部门协同治理网络。联动区文旅局、市场监管局、司法局、网信中心等9个职能部门，联合书法 家协会、摄影家协会等15家行业机构，成立"芝罘版权保护联盟"，开通版权登记"绿色通道"，建立侵权 行为快速响应机制，构建"政府主导、部门协同、社会参与"的版权保护共同体。 实施全民版权意识提升行动。开展"版权进社区""版权政策送春风"等系列活动80余场，发放宣传手册 4.2万份，惠及群众9.5万人次；举办自媒体版权合规培训6场，覆盖50余家新媒体机构；成功化解"某网 店擅用商标盈利侵权"等纠纷14起，挽回经济损失80余万元。 近年来，烟台市芝罘区深入践行"保护版权就是守护创新"理念，聚焦版权管理模式创新、价值挖掘、生 态构建等核心领域，通过全链条服务体系构建、跨部门协同治理、数字化转型赋能等务实举措，全面提 升版权创造、运用、保护及转化效能，为区域经济高质量发展注入强劲动力。 构建"政企社"协同治理体系，筑牢版权保护根基 创新专员驻企服务机制。设立"芝罘区版权服务专员"工作机制，选派6名行业专家入驻烟台喜旺食品、 三环锁业等重点企业，指导企业组建专业化版权管理团队，累计开展版权专题培训12场次，覆盖企业员 工2000余 ...

Group 1 - The report "Research on the Development and Protection of Intellectual Property Rights in China's Film and Television Industry (2024)" indicates a resilient film market in 2024, with a 15% year-on-year increase in the registration of film and television works compared to 2023 [1] - The annual retail sales of licensed products in China's domestic market reached 155.09 billion yuan, marking a 10.7% year-on-year growth, with new IP categories in cartoon animation, cultural arts, and film and television variety shows being the most significant [1] - AI technology is reshaping the creative ecosystem in the film and television industry, covering script evaluation, virtual shooting, and post-production effects, with regulatory bodies clarifying the responsibilities for labeling AI-generated content [1] Group 2 - The "Research Report on the Cultivation of Film and Television Talent in Chinese Audiovisual Platforms 2025" highlights the growing importance of online audiovisual platforms in nurturing high-quality film and television talent [2] - A platform ecosystem integrating copyright supply, creative incubation, technical support, and promotional collaboration is forming in China, which benefits the career development of film and television talent [2] - Over the past five years, the company has launched various initiatives to support talent development, resulting in 294 screenwriters and 38 directors having their debut series launched on the platform [2]

Core Viewpoint - The article discusses the rampant issue of copyright infringement in the short drama industry, particularly focusing on the actions taken by the platform "Salt Story" to combat this problem and the broader implications for the industry as a whole [1][4][12]. Group 1: Infringement Issues - The short drama industry has been characterized by a "wild growth" phase, with frequent instances of plagiarism, copyright infringement, and a lack of regulatory oversight [1][5][6]. - Salt Story has identified over 50 cases of short drama infringement, with more than 10 cases formally filed, including a significant case against the short drama "Broken Sect Master Sister" [4][5]. - The platform has established a "Anti-Piracy Processing Center" to encourage users to report infringement cases, highlighting the need for community involvement in addressing these issues [4][6]. Group 2: Legal and Regulatory Challenges - The legal framework surrounding short dramas is still developing, leading to challenges in enforcing copyright laws and determining infringement standards [6][8]. - The short drama format's rapid production cycle complicates the legal recourse for authors, often resulting in minimal compensation for significant time and effort invested in legal battles [6][8]. - Salt Story has taken proactive legal measures, including filing lawsuits against multiple infringing entities, and has been recognized for its efforts in copyright protection [8][12]. Group 3: Industry Dynamics - The short drama format has gained popularity due to its alignment with the fast-paced consumption habits of modern audiences, making it a prime target for copyright infringement [13][18]. - Salt Story's content is well-suited for adaptation into short dramas, as both formats share a focus on concise storytelling and emotional engagement [13][15]. - The article emphasizes the need for improved regulatory measures and industry standards to foster a healthier environment for creators and protect their intellectual property [12][24]. Group 4: Future Outlook - The article suggests that for the short drama industry to thrive, it must prioritize the protection of original content and foster trust between creators and platforms [23][24]. - The establishment of copyright centers by major platforms indicates a growing recognition of the need for structured copyright enforcement in the industry [23][24]. - The ongoing legal actions and advocacy for copyright protection by platforms like Salt Story may lead to a more sustainable and ethical short drama ecosystem in the future [24].

Core Insights - LABUBU has emerged as a leading figure in the trendy toy market, significantly contributing to Pop Mart's revenue and brand recognition [2][4][31] - The collaboration between LABUBU and Pop Mart has resulted in a substantial increase in sales, with LABUBU generating 1.27 billion yuan, accounting for 31% of Pop Mart's total revenue in 2024 [4] - The popularity of LABUBU is driven by various factors, including celebrity endorsements, unique design appeal, and the ability for fans to engage in creative customization [6][8][17] Sales and Revenue - LABUBU's sales reached 1.27 billion yuan in 2024, representing a 726% increase in revenue for the THE MONSTERS series [4] - The resale market for LABUBU products shows a premium of 300%-500% for certain items, indicating high demand and perceived value [4][11] - Pop Mart's market capitalization has surged, reaching approximately 425.36 billion USD, significantly surpassing competitors like Hasbro and Bandai Namco [31][35] Brand and IP Development - LABUBU's character design incorporates elements that resonate with younger consumers, blending cuteness with a quirky aesthetic [8][17] - The brand has expanded its reach internationally, opening theme stores in Thailand and collaborating with local tourism initiatives [4][19] - Pop Mart's strategy focuses on rapid market testing and data-driven decision-making to identify and develop successful IPs [36][49] Market Trends and Consumer Behavior - LABUBU has become a form of "social currency" among young consumers, facilitating social interactions and community building [15][19] - The trend of treating LABUBU products as investment assets has emerged, with some consumers viewing them as financial opportunities [11][14] - The phenomenon of LABUBU reflects a broader cultural trend among Generation Z, who seek unique expressions of identity through their purchases [17][49] Intellectual Property Challenges - LABUBU faces significant challenges related to copyright infringement and counterfeiting, exacerbated by high demand and limited supply [20][24] - Experts suggest that a comprehensive approach to intellectual property protection is necessary, including legal, technological, and community engagement strategies [30][28] - The rapid rise of LABUBU has led to a proliferation of counterfeit products, highlighting the need for effective brand protection measures [26][24] Future Outlook - Despite its current success, Pop Mart's ambition to become "China's Disney" faces challenges due to its relatively weak content ecosystem compared to established brands like Disney [49][51] - The company must diversify its IP portfolio and enhance the depth of its storytelling to sustain long-term growth and consumer engagement [49][55] - The ongoing development of content and immersive experiences will be crucial for Pop Mart to maintain its competitive edge in the evolving market [43][46]

6月19日，中国电视剧制作产业协会（中制协）联合优酷、腾讯视频、爱奇艺三大视频平台召开媒体通 气会，聚焦影视行业盗版治理问题。正值"剑网2025"专项行动重点针对视听作品的网络侵权行为展开整 治之际，本次媒体会就当前行业盗版现状、维权难点及治理思路进行了深入交流，并发布了多个近期典 型案例。 案例3：近期《藏海传》《折腰》等热播剧也难免盗播之灾。一男子以营利为目的，在互联网搭建上百 个盗版影视网站，非法采集未授权的影视作品，累计违法所得数十万元，目前已被刑事拘留。 案例4：某短视频平台侵权《庆余年》案，二审法院认为该平台主观侵权故意明显，侵权情节严重，适 用惩罚性赔偿，判决其赔偿964万元，是少见的采用惩罚性赔偿的案例。 案例5：腾讯诉安博电视盒子侵权案，美国德州西区联邦法院作出终审判决，判赔8475万美元（人民币 约6.16亿元），其中《长相思》获赔1170万美元（人民币约8527万元），这是国内企业在海外视频维权 的最高判赔，同时也为类似案例判决提供了有力借鉴。 案例1：优酷与爱奇艺共同起诉短视频侵权案，法院一审判偿80万元，这是两大平台首次联合作为原告 的案件，具有标志性意义。 案例2：《狂飙》短视频平 ...

2023年初，爱奇艺推出现象级爆款剧《狂飙》，正片全网有效播放量高达107.9亿。此前爱奇艺CEO龚 宇接受媒体采访时表示，这是爱奇艺成立近13年流量最大、收入最高、影响力最大的一部剧。 作为《狂飙》出品方之一，爱奇艺独家享有该剧信息网络传播权、广播权等知识产权。但在该剧热播期 间，某短视频公司运营的App未经许可传播了大量与《狂飙》有关的短视频，为此爱奇艺公司向南通市 中级人民法院提起诉讼。 日前，江苏省高级人民法院对这起短视频侵权纠纷案件作出终审判决，维持一审原判，判决被告某短视 频公司停止侵权，并赔偿爱奇艺公司经济损失及合理维权费用共计3000万元。 适用裁量性赔偿，某短视频公司被判赔3000万 根据日前南通中院微信公号消息，2023年1月《狂飙》热播期间，爱奇艺公司发现某App设置"狂飙"话 题，提供了大量相关视频。 数据显示，截至2023年3月5日，该话题作品下作品达45.3万个，累计播放量116亿次。同时，平台"热 门"和"分类"栏目中设有"综合—影视"专区，含《狂飙》直播及回放选项，取证直播及回放共1100个， 总观看量超40万人次。 爱奇艺公司遂向南通中院提起诉讼，请求某短视频公司立即停止侵权 ...