以下文章来源于差评X.PIN ，作者差评君 差评X.PIN . Debug The World，关注科技、数码、汽车、产经、游戏，传播能改变世界的科技互联网信息。 「东半球最强法务部」， 是怎么炼成的？ 江湖早有传言，任天堂能混这么久，全凭三样东西：实力、够狠、兄弟多。 去年的时候，我们发布了一篇《地表最强法务部迪士尼》的视频。视频中，迪士尼法务部起死回生的游说能力，让人啧啧称奇。既然都讲迪士尼了，不讲地 球另一边的任天堂似乎说不过去。 今天来看看 老任「东半球最强法务部」的称号是如何练成的？ 实力 如果要说是什么造就了任天堂法务部的赫赫威名？答案还真的就是： 实力强、够狠和兄弟多。 先说实力强，任天堂目前市值在1,100亿美元左右，以这个体量来说，在法律层面已经很难输官司了这个时候说他实力强，不能算真的强，真正能说明任天 堂超强诉讼能力的，还得看它小时候。 任天堂于1889年，由山内房次郎创立，最早是一家生产花札纸牌的小作坊。1949年，22岁的山内溥接任，成为第三代社长。山内溥是一个相当有远见的 人，他知道任天堂不能永远束缚在纸牌这个小圈子中。 为了寻求突破，1958年，他选择去美国公费旅游（bushi) ...

近日，"腾讯视频VIP设备超限被封号7天"事件，在网络上引发广泛关注与讨论。 有网友晒出其App页面截图显示，其腾讯视频VIP账号已累计在4台设备上播放，超过最多3台的上限，为保护账号安全及会员权益，已于10 月7日进入第4次账号保护期，至10月14日自动恢复。 开通SVIP或家庭卡享播放权益 立即后道 最多8台设备累计播放、3台设备同时播放 账号保护规则 VIP: 2026-01-20,可升级到SVIP(1) 账号情况 × 安全保护中 尊敬的会员,您已累计在 4 台设备上播放,超过最多 3 台的 上限, 为保护您的账号安全及会员权益,已于 2025-10-07 11:26:24 第 4 次进入账号安全保护期,至 2025-10-14 11:26:24 自动恢复。 请妥善保管账号,为了避免再次触发账号保护,建议通过下 方 【设备情况】进行管理,移除不常用、非自用设备。 第4次安全保护 未恢复 详情 > 时间 2025-10-07 11:26:24 至 2025-10-14 11:26:24 设备数 4 台 温馨提示: 1、腾讯视频SVIP可累计在 8 台设备播放,如需立即观看, 可升级为腾讯视频SVIP, 提 ...

以下文章来源于差评X.PIN ，作者差评君 去年的时候，我们发布了一篇《地表最强法务部迪士尼》的视频。视频中，迪士尼法务部起死回生的 游说能力，让人啧啧称奇。既然都讲迪士尼了，不讲地球另一边的任天堂似乎说不过去。 这不，它就来了嘛。今天来看看老任 "东半球最强法务部" 的称号是如何练成的？ 实力 如果要说是什么造就了任天堂法务部的赫赫威名？答案是： 实力强、够狠和兄弟多 。 先说实力强，任天堂目前市值在1,100亿美元左右，以这个体量来说，在法律层面已经很难输官司了 这个时候说他实力强，不能算真的强，真正能说明任天堂超强诉讼能力的，还得看它小时候。 任天堂于1889年，由山内房次郎创立，最早是一家生产花札纸牌的小作坊。1949年，22岁的山内溥 接任，成为第三代社长。山内溥是一个相当有远见的人，他知道任天堂不能永远束缚在纸牌这个小圈 子中。 差评X.PIN . Debug The World，关注科技、数码、汽车、产经、游戏，传播能改变世界的科技互联网信息。 本文来自微信公众号： 差评X.PIN （ID：chaping321） ，撰文：冯飞房，编审：杨子、蛋不利多、 小鑫鑫，题图来自：AI生成 为了寻求突破， ...

Group 1 - The National Copyright Administration of China announced the winners of the 2025 China Copyright Gold Award, which includes various categories such as works, promotion, protection, and management awards [1][2] - The list of winners includes notable works such as "My Aletai" (book), "Nezha: The Devil's Child" (film), and "Black Myth: Wukong" (game), showcasing a diverse range of creative industries [2] - The award recognizes contributions from different sectors, including publishing, animation, television, and traditional performing arts, highlighting the importance of copyright in fostering creativity [2] Group 2 - The winners of the promotion award include organizations like People's Education Press Co., Ltd. and Mango Super Media Co., Ltd., indicating a focus on enhancing the reach and impact of creative works [2] - The protection award recognizes institutions such as the Shanghai Pudong New Area People's Court Intellectual Property Tribunal, emphasizing the role of legal frameworks in safeguarding intellectual property rights [2] - The management award highlights the efforts of various administrative bodies in overseeing copyright-related activities, reflecting the collaborative approach to copyright management in China [2]

Core Viewpoint - The 2025 Beijing Cultural Forum's copyright salon focuses on the new ecology of copyright in the context of technological transformation, emphasizing the need for a robust legal framework and collaborative efforts to address challenges in the copyright industry [1][2]. Group 1: Technological Impact on Copyright - Recent advancements in artificial intelligence and big data are reshaping the cultural and copyright landscape, presenting both challenges and opportunities for the industry [2]. - The need for a legal system that adapts to new technologies and fields is highlighted, with a call for comprehensive legal reforms [2]. - The integration of various stakeholders, including government, industry organizations, enterprises, and educational institutions, is essential for promoting a collaborative governance model in copyright management [2]. Group 2: Industry Development and Challenges - China's copyright industry is rapidly developing, with the country's creative product exports consistently ranking first globally in terms of total trade volume [2]. - The emergence of AI as a significant factor in copyright creation necessitates new governance trends, including data usage regulations and cross-border rule coordination [2]. - The discussions at the salon included the application of AI in copyright management and the challenges posed by digital technologies, particularly in the film and television sectors [3]. Group 3: Collaborative Efforts and Initiatives - The establishment of the "Network Film Anti-Piracy Alliance" aims to create a protection list for key works and a rapid response mechanism to combat piracy effectively [4]. - Various industry stakeholders are exploring different strategies to address the challenges posed by new technologies, particularly in the realm of film copyright protection [3][4]. - The forum featured participation from legal, academic, and industry representatives, indicating a multi-faceted approach to tackling copyright issues in the digital age [4].

Group 1 - The 2025 Beijing Cultural Forum held a parallel forum on "Dual Empowerment: Innovation and Development of Online Culture" on September 23, focusing on new business models and technologies in online culture, AI's impact on media, and copyright protection innovations in the AI era [1] - Experts discussed the intersection of music, science, and technology, emphasizing the potential for interdisciplinary research to foster innovative talent and enhance public understanding of art and science [1] - The chairman of People's Daily, Ye Zhenzhen, highlighted the urgent need to protect the diversity of human civilization in the AI era, noting that over 95% of languages used for AI training lack web pages for data scraping, leading to a loss of cultural representation [1] Group 2 - Wang Yefei, chairman of the Beijing Publishing Copyright Association, analyzed the challenges of copyright protection in the digital age, noting the diverse and hidden nature of infringement, which poses a significant threat to traditional copyright systems [2] - The rise of generative AI has prompted the industry to reassess copyright protection models, advocating for a priority on protection while developing responsible digital technologies and collaborative standards [2] - The relationship between AI and cybersecurity is becoming increasingly important, with calls for a focus on security in AI system design to prevent vulnerabilities and misuse [2] Group 3 - Marco Ming, regional director of the British Standards Institution, stated that AI presents opportunities for transformation and efficiency across industries, but also faces challenges such as trust gaps, technical complexity, and resource intensity [3]

本报讯（中青报·中青网记者 牟昊琨 实习生 杨静茹）今天，2025北京文化论坛"双向赋能：网络文化创 新发展"平行论坛在京举办。 论坛主要围绕新技术催生网络文化新业态新模式、人工智能与媒体变革、AI时代版权保护技术创新等 内容，邀请中国科学院院士、西安交通大学电子与信息学部主任管晓宏，人民网股份有限公司董事长、 总裁叶蓁蓁，浙报集团副社长钱伟刚，北京市出版版权协会理事长王野霏，泡泡玛特国际集团副总裁陈 晓芸，世界互联网大会常务副秘书长梁昊，欧洲标准化委员会和欧洲电工技术标准化委员会网络安全和 数据保护联合技术委员会主席沃尔特·福美，英国标准协会区域总监马可明，全球设计思维联盟主席乌 里·温伯格，全球IPv6论坛创始人兼主席拉蒂夫·拉蒂德等10位中外嘉宾分别作主题演讲。 论坛还设置了5场专业沙龙，分别围绕"数智时代的文化新生态""AI重塑数字内容生产""文化智能新业 态""智媒时代主流媒体变革""技术变革中的版权新生态"等主题展开讨论，通过此类高端对话平台，持 续推动网络文化与科技创新深度融合，为构建人类命运共同体贡献中国智慧与中国方案。 来源：中国青年报客户端 ...

声明称，电影《731》制片方今日发现，部分网络平台及个人未经授权，擅自通过在影院盗摄以及网络平台直播等方式非法使用电影《731》的版权内容 （包括但不限于影片片段、剧情、人物形象、音像素材等），严重侵犯了制片方的著作权及合法权益。 制片方强调，该行为不仅违反了相关法律法规，也对社会公众造成误导，损害影片的正常创作与传播秩序，现严正要求所有侵权方立即停止传播、下架所 有侵权内容，并消除不良影响。 声明写道：电影《731》系重大历史题材作品，创作过程严谨、内容严肃，任何未经许可的滥用、恶搞、篡改或商业化利用均为法律所禁止。 目前，制片方已对侵权行为进行证据保全，并将通过法律途径追究所有侵权方的民事责任，情节严重的将移交行政机关查处或追究刑事责任。《731》制 片方呼吁相关平台及个人严格遵守版权保护规定，共同维护影视行业的创作环境。 郑重声明 致相关平台及直播主体: 9月18日，电影《731》票房突破2亿大关没多久，电影制片方发布郑重声明。 今日,电影《731》制片方发现,部分网络平台及个人未经授权, 擅自通过在影院盗摄以及网络平台直播等方式非法使用电影《731》 的版权内容(包括但不限于影片片段、剧情、人物形象、 ...

Core Viewpoint - The copyright battle between Hollywood and the AI sector has intensified, with major film studios suing a Chinese AI company, MiniMax, for unauthorized use of iconic intellectual properties in AI model training and commercial services [1][2]. Group 1: Lawsuit Details - Disney, Universal Pictures, and Warner Bros. have filed a lawsuit against MiniMax and its image and video generation service "Hai Luo AI" in a California federal court [1]. - The lawsuit accuses MiniMax of "brazenly" using well-known copyrighted characters, such as Darth Vader from "Star Wars," Minions from "Despicable Me," and Wonder Woman, to promote its AI services [1][2]. - The studios claim that users can generate and download images and videos featuring these characters on "Hai Luo AI" with simple text prompts, which MiniMax markets as a "Hollywood studio in your pocket" [1]. Group 2: Legal and Industry Implications - Prior to the lawsuit, the studios requested MiniMax to take reasonable measures to avoid infringement, but received no response [2]. - The studios emphasize the importance of a responsible approach to AI innovation and their commitment to pursuing accountability for infringers, regardless of their location [2]. - The lawsuit seeks a permanent injunction to prevent MiniMax from offering "Hai Luo AI" services without proper copyright protection [2]. - This case is part of a broader trend of legal disputes between Hollywood and AI generation tools, following similar lawsuits against Midjourney by Disney and Universal in June, with Warner Bros. joining the fray earlier this month [2]. - MiniMax claims to have served over 157 million individual users and thousands of enterprises globally, and is seeking a valuation exceeding $4 billion, aiming to be one of the first publicly listed AI companies in China [2].

Core Viewpoint - The 2023 Capital Copyright Exhibition showcases innovative achievements and the industrial ecosystem in the copyright field, emphasizing the integration of copyright with technology and cultural heritage [1][2]. Group 1: Exhibition Overview - The exhibition features five main areas: Copyright Achievement Display Area, Digital Cultural Heritage Display Area, Cultural IP Coexistence Space, Stage Activity Area, and "I Voice for Copyright" Check-in Area, highlighting the themes of "cultural tradition" and "digital innovation" [2][3]. - The Copyright Achievement Display Area presents a comprehensive overview of the administrative and judicial protection mechanisms in copyright, including the "Beijing Model" for copyright dispute resolution and the software legalization inspection service system [2][3]. Group 2: Digital and Cultural Integration - The Digital Cultural Heritage Display Area offers immersive experiences with cultural relics, utilizing advanced digital modeling to present artifacts and their historical significance interactively [4]. - The exhibition introduces a digital cultural heritage system that ensures the security and legality of digital resources, facilitating the circulation and innovative application of cultural relics [4]. Group 3: Interactive Experiences - The Cultural IP Coexistence Space combines traditional culture with gaming IP and modern technology, featuring interactive experiences such as the "Shan Hai Jing IP" AI photo space [5]. - Daily activities include copyright knowledge lectures, folk art performances, and hands-on workshops, allowing visitors to engage with various cultural crafts [5].