人民财讯1月9日电，据深圳发布消息，近日，国家互联网信息办公室发布2025年生成式人工智能服务已 备案信息的公告。截至2025年12月31日，累计有748款生成式人工智能服务完成备案，435款生成式人工 智能应用或功能完成登记。深圳累计已备案生成式人工智能服务达到49款。 ...

Group 1 - MiniMax, a Chinese generative AI startup, raised $619 million through its IPO and saw its stock price surge by 109% on its first trading day, closing at HKD 345 per share, compared to its issue price of HKD 165 [1][4] - The company received backing from Alibaba and the Abu Dhabi sovereign wealth fund, making it one of the first generative AI firms to go public in the "post-ChatGPT era" in China [1][4] - The public offering was oversubscribed by more than 1,830 times, indicating strong demand from investors [1][4] Group 2 - Steven Leung, Executive Director at Daiwa Capital Markets, noted that MiniMax's stock price increase was supported by both short-term traders and long-term institutional investors, with potential liquidity shifting from the U.S. due to concerns over an AI bubble [1][4] - The performance of MiniMax's stock is seen as a litmus test for whether investment enthusiasm in China's AI sector can extend from hardware companies to software firms [1][4] - Other companies in the sector, such as chip manufacturers Moore Threads and Muxi, also experienced significant stock price increases on their debut, with chip designer Biren Technology soaring by 76% [1][4] Group 3 - According to Bloomberg industry analyst Marvin Chen, the investment cycle for AI in China is still in its early stages, making it difficult for investors to distinguish between winners and losers [1][4] - As the investment cycle matures, there may be more pronounced performance differentiation among companies in the sector [1][4]

（文章来源：第一财经） 据网信中国，促进生成式人工智能服务创新发展和规范应用，网信部门会同有关部门按照《生成式人工 智能服务管理暂行办法》要求，持续开展生成式人工智能服务备案工作。2025年全年新增446款生成式 人工智能服务在国家网信办完成备案，对于通过API接口或其他方式直接调用已备案模型能力的生成式 人工智能应用或功能，由地方网信办开展登记，新增330款完成登记。截至2025年12月31日，累计有748 款生成式人工智能服务完成备案，435款生成式人工智能应用或功能完成登记。 ...

新华社北京1月9日电 《中共中央关于制定国民经济和社会发展第十五个五年规划的建议》提 出："繁荣互联网条件下新大众文艺。"这是我们党深刻把握社会主义文艺本质、主动顺应信息技术发展 潮流提出的重要举措，对于繁荣发展新时代文艺、满足人民日益增长的精神文化需求具有重要意义。 第三，新大众文艺是激发文艺创新创造活力的新动能。新大众文艺是互联网时代的产物，文艺和科 技融合创新是其鲜明特征。在新技术新媒介的赋能下，文艺挣脱了纸质文本的束缚、物理时空的限制， 如网络文学、短视频、微短剧、直播等文艺业态依托新媒体平台而生，生成式人工智能、沉浸式交互式 体验等技术被广泛应用于文艺创作和艺术呈现，朋友圈点赞转发、弹幕留言互动成为常态化文化生活方 式和文艺作品传播路径，这些都显示出新大众文艺与互联网数智化浪潮高度融合的新景观。技术发展和 媒介变革不仅催生了一批新的文艺类型，而且带来了文艺观念和文艺实践的深刻变化。以往相对隔离的 文学、音乐、电影、电视、舞台表演以及游戏、动漫等不同文艺门类破壁重组、跨界融合，形成不断延 长、充分铺展的文艺创意链，进一步扩大了文艺需求、改善了文艺生态，为繁荣发展文艺事业注入了强 大动力。 近年来，随着 ...

（来源：中国改革报） 转自：中国改革报 □ 杨丽丽 生成式人工智能是指能够自主创作文本、图像、音频等数字化内容的一类先进人工智能技术。伴随数字 内容呈爆炸式增长且形态日趋多元，传统内容审查方式面临着前所未有的压力及挑战。基于此，生成式 人工智能正深度驱动文化内容审查模式出现根本性变革。剖析这一变革，对于构建契合数字时代的、高 效且精准的文化治理新范式，呈现出至关重要的理论价值与实践意义。 其三，AI具备持续学习且演化审查标准的本领。持续引入新案例及社会反馈，AI模型可实现对其语义 理解模型的动态调整，让审查标准跟上时代步伐，适应持续演变的文化语境及社会共识。这种从表面规 则迈向深层语义的转变，极大增进了审查的精准度与智能水准，减少了对正当文化表达的错误伤害，令 内容治理更加科学、合理，更利于保障健康多元的网络文化生态。 从单一拦截到人机协同的审查机制重构 审查的范畴需要实现根本性拓展，从对静态、成品化内容的判定，延伸至对动态、生成式内容的全程监 控与引导。随着AI对话机器人、交互式叙事游戏等应用的普及，违规内容不再是一个固定的终点，而 可能产生于互动的任一环节。针对这一挑战，智能审查系统能够深入内容的生成逻辑 ...

美国加利福尼亚州奥克兰地区联邦法官伊冯娜・冈萨雷斯・罗杰斯在听证会上表示，有充分证据表明，OpenAI 管理层曾承诺将维持该机构最初的非营利组 织架构。 法官指出，本案存在诸多事实争议点，应在定于今年 3 月启动的庭审中交由陪审团审议，而非由她本人直接裁决。她同时表示，将在听证会结束后出具书面 裁定，回应 OpenAI 提出的驳回本案申请。 IT之家 1 月 8 日消息，亿万富翁企业家埃隆・马斯克于周三说服法官，允许就其指控 ChatGPT 制造商 OpenAI 在其重组为营利性实体过程中违反其创始使命 一事进行陪审团审判。 马斯克是 2015 年 OpenAI 的联合创始人之一，2018 年退出该公司，目前执掌一家与 OpenAI 存在竞争关系的人工智能企业。 这场司法之争的背后，是生成式人工智能市场主导地位的全面博弈。马斯克旗下的 xAI 公司及其聊天机器人产品 Grok，正与 OpenAI 及其他科技企业展开 激烈竞争。 马斯克要求 OpenAI 赔偿其所谓的"不当得利"，具体金额尚未披露。 听证会结束后，OpenAI 在一份声明中回应称："马斯克先生的诉讼毫无依据，这只是他长期滋扰行为的又一例证。我们 ...

Core Insights - Digital consumption is increasingly contributing to overall consumption growth in China, driven by technological advancements, innovative product models, and changing consumer demands [1][2][4] Group 1: Digital Consumption Trends - The proportion of online retail sales of physical goods has risen from 10.8% a decade ago to an expected 26.8% in 2024 [1] - The digital consumer base is expanding across age, gender, and regional boundaries, with significant participation from the "Z generation" and the elderly [1][5] - By mid-2025, the digital consumption amount in China is projected to reach 9.37 trillion yuan, accounting for 46.5% of total household consumption expenditure [4] Group 2: User Demographics and Behavior - As of June 2025, the number of digital consumption users has surpassed 958 million, with the "Z generation" accounting for 27.2% of this group [5] - The "Z generation" shows a high engagement with digital services, with 71.4% using generative AI, significantly higher than the overall internet user rate [5] - The elderly demographic is also becoming a significant force in digital consumption, with 71.7% willing to pay for convenient online products and services [6] Group 3: Market Growth and Innovations - The digital economy's core industry value added reached 14.08 trillion yuan in 2024, growing by over 10% year-on-year [7] - The integration of AI in consumer products is expected to enhance market penetration, with AI smartphones and PCs projected to exceed 50% and 80% penetration rates, respectively, in the next three years [7] - The growth of digital services is evident in sectors like healthcare, with internet hospitals increasing from about 1,600 in 2021 to 3,340 by the end of 2024 [7] Group 4: Future Outlook - The digital consumption landscape is evolving with new consumption patterns, including online-offline integration and immersive experiences [1][2] - Emerging consumption trends such as digital and green consumption are expected to further stimulate overall consumption growth [8]

Core Viewpoint - MiniMax, a Chinese generative AI company, is set to debut on the Hong Kong Stock Exchange on January 9, with an IPO price of HKD 165 per share, raising approximately HKD 48.2 billion in total [1][3]. Group 1: IPO Details - The IPO has received unprecedented interest from global capital, with the retail portion in Hong Kong being oversubscribed by approximately 1209 times, and brokers lending over HKD 253.3 billion in margin [1][3]. - The international placement (excluding cornerstone investors) was oversubscribed by over 70 times, receiving more than 460 bids [1][3]. Group 2: Key Investors - Notable cornerstone investors include Baillie Gifford, Singapore's GIC, and 14 other institutions, securing approximately HKD 27.23 billion in shares [2][4]. - Other significant investors include Norway's central bank investment management and Schroders, with most shares for institutional investors being subscribed by global long-only investors and sovereign wealth funds [1][3]. Group 3: Market Context - MiniMax's main domestic competitor, Zhiyu AI, went public on January 8, with its public offering oversubscribed by over 1159 times, initially opening below its IPO price but later stabilizing and closing up over 13%, with a market capitalization exceeding HKD 57 billion [2][4]. - The performance of both companies is seen as a critical test for investors assessing whether Chinese AI firms can compete with international counterparts [2][4].

The "ChatGPT moment" has arrived for manufacturing 人工智能有望彻底改变产品的生产方式和生产地点。 2026年1月7日 安贝格 和埃尔兰根 "你知道什么最让我印象深刻吗？我亲眼看到一个机器人捡起了一颗鸡蛋！"通用汽车董事长罗杰·史密 斯在1985年惊呼道。这家美国汽车制造商在二十年前率先安装了机械臂，当时正在密歇根州萨吉诺市 打造一座"未来工厂"。史密斯设想的是一种"无人值守"的自动化生产模式——完全由机器完成，无需 人工干预——以此帮助公司与日本竞争对手抗衡。然而，结果却是一团糟。这些毫无智慧的机器人无法 区分不同的车型，也无法正确安装保险杠或喷漆。成本严重超支。通用汽车最终关闭了这家工厂。 自那时以来，自动化技术取得了长足的进步。然而，史密斯的设想在大多数工厂仍然远远落后于 现实。据国际机器人联合会（IFR）——一个行业协会——的数据显示，截至2024年，全球约有 470万台工业机器人投入使用，平均每1万名制造业工人仅拥有177台机器人。在2010年代，工 业机器人的年安装量持续增长，并在疫情期间的自动化热潮中激增，但之后增长趋于平缓，预计 2024年将达 ...

Core Insights - The article highlights the booming development of Chinese online literature and arts, driven by the internet, which is evolving through cross-border integration and cultural innovation to meet diverse public spiritual needs [1][2]. Group 1: Cross-Border Integration - Cross-border integration is a prominent feature of online literature and arts, with trends of fusion becoming more evident across various dimensions by 2025 [2]. - Ordinary people are not only the subjects of stories but also the creators, sharing their life experiences through literature and art [3][4]. - The traditional boundaries between authors and audiences are being broken, leading to a shift from "writing for the public" to "the public writing" [5]. Group 2: Content Quality and Development - The success of the micro-drama "Home and Away 2" demonstrates the importance of quality content, achieving over 1 billion views within three days of its release [10]. - The production cycle for "Home and Away 2" was extended to 30 days to ensure depth in character portrayal, contrasting with the industry's typical 7 to 10-day production timeline [10]. - The focus on storytelling and deep values is essential for the competitive edge of online literature and arts, moving away from mere pursuit of traffic [12][13]. Group 3: Technological Empowerment - New technologies such as AI, ultra-high definition, and the metaverse are significantly transforming the entire process of artistic creation and dissemination, enhancing cultural experiences [15]. - By June 2025, the user base for generative AI in China reached 515 million, with 33% of users employing it for generating images and videos [17]. - Generative AI is lowering the barriers to creative expression, allowing ordinary users to produce professional-level works [18][19]. Group 4: Immersive Experiences - Advances in VR and AR technologies are facilitating immersive interactions in online literature and arts, providing new experiences that transcend traditional formats [20]. - The opening of the Beijing 798 Super Dimension VR Cinema showcases how technology can enhance storytelling and cultural experiences, attracting significant public interest [21].