微短剧精品化

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微短剧何以精微致远
Bei Jing Qing Nian Bao· 2025-07-10 23:33
Core Insights - The micro-short drama industry is experiencing unprecedented policy and market opportunities, as evidenced by the high-profile "Chasing Light Plan" international competition and government support initiatives [1] - However, creators are facing challenges such as content homogenization leading to viewer fatigue and declining willingness to pay, indicating a shift from a growth phase to a more mature stage [1][2] - The industry is transitioning from a focus on rapid content consumption to a balance between artistic quality and commercial viability, emphasizing the importance of meaningful storytelling [1][3] Development Status - The supply of micro-short dramas has surged, with platforms like Red Fruit and "iQIYI" having a total inventory of 40,000 dramas, but effective viewership growth has slowed from 44% in February to 4.7% in June [2] - The industry is moving towards a new ecosystem where both long and short dramas coexist, with annual investments exceeding 300 billion yuan for long dramas and over 120 billion yuan for short dramas [2] - The focus has shifted from mere traffic to content that resonates emotionally with audiences, as highlighted by industry leaders [2] Creative Challenges - The phenomenon of "viewer fatigue" is emerging as a significant issue, with many viewers losing interest in the previously engaging fast-paced content [3] - The traditional model of content creation is being abandoned, with platforms reporting low script acceptance rates of 2-3% despite receiving over a thousand scripts weekly [3] - The industry is evolving towards a narrative structure that emphasizes character development over plot-driven storytelling, as seen in successful works like "Good Girl" [4] Platform Support - Platforms like iQIYI are categorizing micro-short dramas into vertical and horizontal formats, adapting their content strategies to prioritize quality over quantity [5] - iQIYI is focusing on IP adaptations to combat content homogenization, integrating nearly 30,000 novel IPs into their offerings [5] - Tencent Video is promoting a brand called "Ten-Minute Short Dramas," emphasizing high-quality content and user-centric emotional expression [6] Policy Support - Beijing's government is implementing strategies to promote high-quality micro-short dramas, with 120 dramas selected for national awards in 2024 [7] - The city is also fostering the development of a network audiovisual industry park, aiming for a production value exceeding 1 billion yuan by 2024 [8] - New policies are encouraging international outreach for micro-short dramas, with financial incentives for translation and copyright export [8] National Market Overview - The micro-short drama market in China is projected to reach 50.44 billion yuan in 2024, with a year-on-year growth of 34.9%, surpassing total box office revenues for films [11] - Beijing accounts for approximately 66% of the national market, with a production value of about 33.62 billion yuan [11] - The user demographic in Beijing shows a predominance of female viewers, with a significant portion of the audience aged 25-34 [11] Technological Innovation - The integration of AIGC (Artificial Intelligence Generated Content) is transforming the production process, reducing costs by over 30% and enabling new content forms [12] - The industry is witnessing a rise in creators utilizing AI for scriptwriting and production, indicating a shift towards democratized content creation [9] - Future developments may include AI-generated characters and personalized content tailored to individual viewers [10]
短剧大咖:当单部成本破200万,为“产品”找买家不丢人
第一财经· 2025-06-28 06:15
2025.06. 28 本文字数:2308,阅读时长大约4分钟 作者 | 第一财经 揭书宜 当单部成本突破200万,短剧"烧钱竞赛"之下暗藏盈利模式的转机。近日,在上海电视节期间举办的 主题论坛上,多位行业大咖对微短剧的精品化、商业化进行了讨论。精品化绝非简单追加制作预算, 更是内容的升级。一些平台正借力用户审美倒逼内容升级,而电商植入与产业联动也正在开辟新的收 益蓝海。 流量时代终结,精品化是趋势 根据中研普华产业研究院的数据,2024年我国微短剧市场的规模突破500亿元,预计到2027年将超 过1000亿元,迅速崛起的短剧行业吸引了越来越多的玩家。 从播放平台来看,除了短视频平台、长视频平台、微信小程序、独立短剧APP等,此前一些看似与 短剧行业较远的平台,也纷至沓来。在短剧行业狂飙突进的当下,小红书作为"后来者",也选择在今 年春节档正式上线首个精品短剧剧场。目前看来,效果并不赖。小红书爆款短剧《痴人之爱》的累计 播放量将近8千万。 随着行业体量进一步扩大,精品化正成为平台与制作方的共同追求。 如何提高收入天花板 在外界看来,短剧行业已经是影视行业利润相对高的细分赛道了。第一财经记者在采访中了解到,收 ...
微短剧如何叫好又叫座
Jing Ji Ri Bao· 2025-06-24 22:10
最近,某微短剧因"一胎99子"的荒诞情节被下架,引发广泛关注。微短剧市场规模持续攀升,前景光明 却也泥沙俱下。如何创作出更多叫好又叫座的精品佳作,是整个行业亟待思考的问题。 文艺创作最根本的路径是扎根人民、扎根生活。微短剧可以放飞想象的翅膀,但也应坚守创作的生活逻 辑,不能违背基本常识。唯有守住底线,才能打造出既有流量又有质量的作品。 (文章来源:经济日报) 优秀的微短剧作品之所以能让观众产生共鸣,是因为它们往往戳中了普通人的生活痛点与情感所需,能 够满足大众的精神文化需求,这与为了流量一味迎合低俗口味有着本质区别。相较于传统长剧,微短剧 篇幅短小,要想实现情节的起承转合并不容易,需要在短时间内高潮迭起,带动观众情绪。然而若因此 剑走偏锋,用夸张离奇的情节、怪异恶俗的画风,试图刺激观众的感官,则是本末倒置。 为了使微短剧行业更加规范发展,有关部门也在持续开展相关治理工作。国家广电总局自2022年起加大 对微短剧的监管和引导力度,今年2月份再度发文,明确要求落实"分类分层审核"制度,将微短剧分 为"重点微短剧""普通微短剧""其他微短剧"3个层级进行审核管理,让不同规格的微短剧都能"持证上 岗"。其中,总投资额 ...
微而不弱 短而益精
Ren Min Ri Bao· 2025-06-11 08:18
制作上,《狮城山海》摆脱了"粗制滥造"的标签,向"长剧质感""电影感"靠拢。为还原最具真实感的场 景,该剧全程在海外取景,单在马来西亚就拍摄了95天,并在当地的影视基地打造了超过2.4万平方米 的南洋历史文化街。正因此般精雕细琢,南洋风情才能跃然屏上,尽收眼底。 前不久,书写南洋华人传奇的微短剧《狮城山海》在央视电视剧频道和网络平台收官。剧里的华人群体 最终完成了使命,以上一代人的艰辛打拼,换来下一代人的和谐安宁,中华文化的种子在南洋大地生生 不息。 众所周知,微短剧近两年虽发展迅猛,但也屡遭诟病,相关部门陆续出台管理新规和创作提示,加强行 业监管,明确精品化方向。在这一背景下,投资过亿的《狮城山海》从一开始就被寄予了更多期待。 价值表达上,该剧用观众喜闻乐见的热血故事,反映了首批华人"下南洋"筚路蓝缕的艰苦历程,也对当 时现实进行了错落有致的描摹,最终谱写出一曲慷慨激昂的海外华人奋斗史。正如剧集结尾所言:山海 帮只是一段传奇故事,故事中的山海魂却生生不息,吃苦耐劳、团结互助、勇于拼搏、不畏强权,是华 人屹立于世界的精神根基。 《狮城山海》既有微短剧所必需的爽感,又完成了主流价值观的表达;既有微短剧的快节奏, ...
陕西西安、河南郑州、浙江东阳挖掘各自优势 从三座城市看微短剧精品化(大数据观察)
Ren Min Ri Bao· 2025-05-14 21:53
陕西西安市是很多微短剧的诞生地。数据显示,全国每100部微短剧中,便有60部诞生于西安。 微短剧,因其体量小、节奏快、情节密,成为兼具活力和潜力的新兴网络文艺形态。在快速发展的同 时,微短剧也出现了内容粗糙、野蛮生长等问题。今年,国家广电总局印发通知,提出大力促进微短剧 行业专业化、精品化发展。微短剧如何走好精品化之路?记者在陕西西安、河南郑州、浙江东阳进行了 采访。 陕西西安 镜头对准现实题材 在西安,随着微短剧精品化趋势加强,越来越多的微短剧将镜头对准现实题材。剧情与现实生活的紧密 连接,为观众带来了更深刻的观剧体验。哔哩哔哩、陕西其吉格影视文化有限公司联合出品的《老盔有 了新主人》,关注京剧艺术传承,入选国家广电总局"跟着微短剧去旅行"创作计划;陕西星光映美数字 文化网络科技有限公司制作的《人活一口气》,以返乡创业为故事题材,上线以来累计播放量达2.5 亿,并获陕西省"优秀微短剧"奖项。 点开微短剧《一姐》,许多观众被紧凑的剧情所吸引。该剧聚焦打击人口贩卖主题,讲述了女主人公带 领女儿与姐妹同黑恶势力斗争的故事,上线以来累计播放量破亿。该剧发行公司云想科技研发了AIGC 应用产品,用于短视频剧本创作、广 ...
微短剧投资过亿意味着什么(艺海观澜)
Ren Min Ri Bao· 2025-05-08 21:53
就在前两年,业界还在讨论微短剧"20万拍一部,60万算精品"。从投资过百万的微短剧频频出现,到千 万级作品的诞生,再到现在突破亿元大关,伴随着制作成本的提升,观众也普遍感到微短剧"更精致 了",有了"长剧质感"。 "参差多态才是美丽艺术世界",在精品化的路上,微短剧不以成本大小论英雄,品类丰富、各美其美, 才是值得期待的艺术愿景。 横向比较,"亿级"不仅与头部长剧集投资比肩,且已达到中等成本电影的投资水平。微短剧作为一种新 兴艺术样式,已然成为"房间里的大象",其迅猛的发展态势不容小觑。物理学有个名词叫"跃迁",说的 是微观粒子转变运动状态,后来被引申为跨越式的质变,用它来形容近两年微短剧的发展之路,最合适 不过。 (文章来源:人民日报) 制作规模的"跃迁",信心来自市场的认可与托举。市场一路高歌之时,更需辩证看待"大制作"与"好创 作"的关系 在2025首都视听节目春交会上,中国电视剧制作产业协会副会长郭靖宇表示,投资过亿的短剧《狮城山 海》近日播出。 但对微短剧创作者来说,切莫热衷于"天价投资"的数字游戏和新闻噱头,用心创作、升级品质才是关键 所在。观众、业界热议大制作,是对创作者为了品质敢于突破常规的充 ...