Group 1 - The National Cultural Heritage Administration is steadily advancing the construction of a national cultural resource database (China Cultural Cloud), accumulating over 180TB of cultural data through major projects such as the national survey of precious cultural relics and the third national cultural relics census [1][2] - The administration has implemented top-level design by issuing several key documents, including the "14th Five-Year Plan for Cultural Heritage Protection and Technological Innovation," which outlines tasks for digitalization and smart museum construction [1][2] - A scientific data center for cultural heritage protection has been established, creating a data sharing mechanism and integrating data from the fourth national cultural relics census, laying a solid foundation for the digital protection and management of cultural resources [2] Group 2 - The administration has innovated digital resource service models, supporting various applications such as risk prevention, protection, and resource management through digital and intelligent means [2] - As of now, 7,046 museums across the country have launched over 130,000 online exhibitions and held 47,000 online educational activities, with museum website visits exceeding 2 billion, effectively stimulating innovation within cultural institutions [2]

Core Insights - Hunan Museum is leveraging digital technology to enhance the accessibility and engagement of cultural heritage, creating a "digital twin" of artifacts through advanced scanning and modeling techniques [1][4] - The museum is set to launch an immersive digital exhibition titled "Life Art - The Mawangdui Han Culture Immersive Digital Exhibition" in June 2024, celebrating the 50th anniversary of the Mawangdui Han Tomb excavation [2] - The exhibition will utilize a combination of visual and auditory technologies to create an engaging experience that connects visitors with ancient cultural narratives [3] Group 1: Digital Transformation in Museums - Hunan Museum collaborates with Mango Digital Art Technology Co., Ltd. to establish a digital laboratory that employs multi-spectral scanning to create "digital gene maps" of artifacts [1] - As of January this year, 570 artifacts from the Mawangdui Han Tomb have been digitally scanned, with a goal to digitize approximately 27,000 artifacts within the next year [1] - The museum's digital initiatives aim to support the revitalization and utilization of cultural relics, allowing for interactive 3D models and AI-generated content [1] Group 2: Upcoming Exhibition and Cultural Engagement - The upcoming exhibition will transform the Mawangdui Han Tomb into a sophisticated "cosmic model," showcasing the intricate designs and patterns that reflect natural laws [2] - The exhibition will feature a panoramic acoustic system that integrates traditional music with natural sounds, enhancing the immersive experience for visitors [3] - Hunan Museum is expanding its reach by opening its brand and digital resources to universities and quality enterprises, fostering collaboration with over 30 art teams to create new cultural products [4] Group 3: Cultural Innovation and Public Participation - The museum is developing various cultural IPs, including holographic performances and interactive games, to engage a broader audience and promote cultural heritage [4] - The integration of academic rigor, technological innovation, and public participation is seen as a way to weave a rich cultural narrative that resonates with contemporary audiences [4] - The digital transformation is viewed as a means to grant artifacts a form of eternal existence, enhancing their significance in the modern world [4]

Group 1 - The core viewpoint emphasizes the importance of enhancing cultural heritage protection and the digitalization of cultural relics in China [1] - The newly revised cultural relics protection law highlights the need for further exploration and interpretation of cultural relics' value, as well as the promotion of digital collection and display [1] - The Dunhuang Academy has achieved significant results in cultural relics digitalization, focusing on "culture + technology" dissemination models and interactive experience projects [2][4] Group 2 - The "Flying Apsaras" themed tour route showcases representative caves from different eras, enhancing visitor interaction through digital resources and virtual reality technology [2] - Visitors can explore the details of caves using VR technology, transforming them from passive observers to active participants in cultural experiences [4] - The fourth cultural relics census has seen a qualitative leap due to technological innovations, such as AI image recognition and high-resolution satellite imagery, improving efficiency and coverage [5] Group 3 - The cultural relics census has expanded its scope to include various historical narratives, enriching the definition of cultural heritage [5] - The dedication of cultural heritage professionals remains unchanged, emphasizing their role as guardians and transmitters of cultural legacy [6]