面对这一时代机遇和挑战，老萬年的回应是"金丝为脉，文化为魂"的创新实践。 "金丝为脉"体现为对"金银细工制作技艺"、"金银丝镶嵌技艺"两项非遗及苏作工艺的传承坚守，同 时结合现代化科技手段和工具进行革新和创造；"文化为魂"则是从传统东方元素和中式哲学中汲取灵 感，打造"可佩戴的东方美学器物"。"萬年好运"、"东方韵·西方美"等新品系列对非遗技艺和东方文化的 融合表达，阐释了老萬年打造东方底蕴高端品牌走出去的坚定步伐。 除产品创新外，老萬年正积极构建更广阔的文化平台和生态。蔡自斌介绍了老萬年黄金博物馆作为 沉浸式多元文化体验平台的实践，以及今年10月发起并承办的第一届中国国际黄金周在促进产业交流、 文化展示方面的成果。黄金周同期揭牌的"丝路文化研究院"，将系统梳理丝路黄金文化脉络，致力推动 中国黄金文化和非遗技艺走向世界。 11月18日，第三届"一带一路"文化和科技融合发展大会在北京昌平召开。大会由丝路规划研究中 心、中国民间组织国际交流促进会、民盟中央文化委员会、中国艺术科技研究所、中央财经大学共同主 办。以"国际化视角下的人工智能＋文化科技新生态"为主题，汇聚来自15个国家的400余位代表，共同 探讨创新驱 ...

Core Insights - The article highlights the innovative efforts of Fu Hanlu, a post-80s embroidery artist, in transforming traditional Suzhou embroidery into wearable art, specifically jewelry, while ensuring durability and practicality [1] Group 1: Company Overview - Fu Hanlu co-founded the Su embroidery brand Xianghong Xiufu, focusing on designing and producing wearable Su embroidery [1] - The brand aims to integrate traditional craftsmanship into modern consumer markets, creating products like earrings, necklaces, and rings [1] Group 2: Innovation and Development - Fu Hanlu developed a unique stitching technique that allows Su embroidery to withstand repeated washing without losing its shape [1] - The introduction of cotton beads, crafted through a specific process, enhances the quality and durability of the embroidered jewelry, termed "Su embroidery gems" [1] - The product line includes over a hundred new designs annually, showcasing the brand's commitment to innovation [1] Group 3: Community and Economic Impact - In 2020, Fu Hanlu established the Yujian Folk Craft Cooperative, which has grown to 34 members and generates annual revenues in the millions [1] - The cooperative's success reflects the potential for traditional crafts to thrive in contemporary settings, with plans for further development of trendy Su embroidery products [1]

Core Viewpoint - The 2025 China International Fashion Week (Autumn) showcases over 180 fashion shows and exhibitions, emphasizing Eastern aesthetics and innovative elements from intangible cultural heritage [1] Group 1: Fashion Design and Trends - Designers incorporate traditional elements such as Hanfu's wide sleeves and Ming Dynasty collar styles into modern designs, blending them with international color trends to create versatile cultural symbols like the Ma Mian skirt [3] - The latest non-heritage woven series features innovative weaving techniques based on traditional Yun Jin and Song Jin, using materials like mulberry silk and eco-friendly fibers to meet modern consumer demands for personalization and sustainability [5] Group 2: Cultural Representation - The "Umon Village Show" from Guizhou's Umon Mountain presents a fusion of traditional Yi ethnic motifs and modern fashion, showcasing the latest clothing designs that combine Yi culture with contemporary styles [5][7] - The collection utilizes the signature colors of the Yi culture—blue, red, white, black, and yellow—transforming traditional symbols like the "sheep horn flower" and "sun totem" into modern fashion elements through innovative design techniques [7] Group 3: Event Atmosphere - The fashion show features 30 representatives from the Yi community, dressed in traditional attire and bringing local specialties, creating a vibrant atmosphere reminiscent of a Yi village during harvest celebrations [9]

Core Insights - The 2025 China International Fashion Week (Autumn) commenced on September 5, 2023, at the Yanqi Lake International Convention Center in Beijing, organized by the China Fashion Designers Association [2][4][6] - The theme for this season's fashion week is "Radiance," focusing on "Oriental beauty, new technology, green sustainability, intangible cultural heritage innovation, and consumer promotion" [2][4][6] - Nearly 230 brands and over 400 designers from countries and regions including China, the United States, the United Kingdom, France, Italy, and Switzerland participated, showcasing more than 180 events [2][4][6] - The number of premieres and debuts exceeded 140, setting a historical record for the event [2][4][6]