春节的钟声，是归家的讯号，也是温故知新的序曲。当万家灯火点亮团圆的祈愿，当时代长河奔涌向前的脉搏，总有一些身影，以毕生的光芒，为我们标记 来路，照亮前程。 2026年新春佳节，《吾家吾国》再度启程。主持人王宁独家对话70岁歌手张明敏，90岁中国工程院院士沈荣骏，76岁作家梁晓声，100岁中国工程院院士张 履谦，72岁北京大学中文系教授陈平原、夏晓虹夫妇，79岁北京大学第六医院教授王玉凤。 这个春节，让我们围炉共话，在一段段跨越时光的对话里，感受那份历经沧桑却始终滚烫的赤子情怀，汲取连接过往与未来的深沉力量。 赤子心声 "洋装虽然穿在身，我心依然是中国心。"1984年春晚，一曲《我的中国心》让香港歌手张明敏的歌声传遍大江南北。歌声穿越时空，成为连接海峡两岸暨香 港、澳门以及全球华人的文化符号。 张明敏抵押住房启动巡演为北京亚运会筹款，在香港"8·17和平普选大游行"现场登台唱响《团结就是力量》《我的祖国》。一次次筹款、捐物、义演，张明 敏早已将歌词融入人生轨迹，以行动诠释"中国心"的深厚内涵。 牧星苍穹 六十颗卫星升空组网，北斗系统早已成为人们生活中习以为常的工具。而鲜为人知的是，早在20世纪80年代，中国工程 ...

Group 1 - The core point of the news is that the company, Yu Wen Group, issued a profit warning due to an impairment of goodwill amounting to 1.8 billion yuan related to Xinli Media, which will lead to a projected loss of 750 million to 850 million yuan in 2025 [1] - The non-net profit for Yu Wen in 2025 is expected to decline to 800 million to 900 million yuan due to reduced profits from Xinli Media [1] - Xinli Media is adjusting its production strategy to focus on high-quality content, which may extend the production cycle and significantly impact profit expectations [1] Group 2 - Xinli Media, established in 2007, has been a key part of Yu Wen's content strategy since its acquisition for 15.5 billion yuan in 2018, producing several hit series and films [2] - The impairment of goodwill is seen as a way to clear all associated risks, which may pressure short-term performance but does not affect cash flow, potentially leading to a healthier financial structure in the long term [2] - Xinli Media has a pipeline of upcoming projects, including several anticipated series, and recent releases have shown strong viewer engagement, indicating ongoing demand for its content [2] Group 3 - In 2025, Yu Wen plans to produce over 120 short dramas, with several achieving "hit drama" status on major platforms [3] - The company has successfully integrated advanced AI video generation technology to enhance the efficiency of its content creation for animated dramas [3] - The gross merchandise value (GMV) of the company's derivative products reached 480 million yuan in the first half of 2025, nearing the total for the entire year of 2024 [3]

新浪科技讯 2月10日晚间消息，阅文集团发布盈利预警公告。公告称，因计提新丽18亿元商誉减值，将 造成阅文2025年亏损7.5亿元至8.5亿元。同时因新丽利润减少，2025年阅文扣非利润将下降至8至9亿 元。 公告显示，近年来，观众对长剧和电影行业高品质内容的期待日益上升，同时在2025年短剧凭借碎片化 的观看习惯与快速迭代的生产特点持续高速增长，并对长剧和电影内容制作生态产生显著影响。面对这 一新的变化，新丽传媒始终坚守头部内容创作者定位，坚定不移地投入高品质精品视频内容制作。与此 同时，新丽传媒在生产策略上做出更为谨慎的调整，有意控制创作节奏，以期通过更充分的打磨来提升 内容质量。该举措可能延长剧本孵化、前期筹备、拍摄、后期制作等环节的周期，从而可能对新丽传媒 的利润预期产生重大影响。考虑到这些变化，阅文对新丽传媒的商誉进行了减值测试并计提减值拨备， 本次减值后，新丽传媒的商誉已全额减值。因此，不再存在需对新丽传媒商誉进行进一步计提减值的金 额。 公告内容还提到，从战略角度来看，在信息碎片化时代，精品长视频内容所构建的IP价值与情感沉淀， 形成了独特的核心壁垒，对阅文IP生态至关重要。阅文希望新丽传媒继续 ...

◎符乐 时间，是镌刻时代印记的年轮，亦是影视作品丈量人性深度的标尺。从《觉醒年代》对百年前先驱者的 精神复刻，到《人世间》对平民家庭半个世纪的温情描摹，真正的时代叙事，从不是宏大历史的简单铺 陈，而是在时间流转中，捕捉普通人与时代同频共振的生命轨迹。 近期热播的《小城大事》，以上世纪80年代改革开放为时间坐标，聚焦月海新城从小小滩涂到前沿都市 的蜕变，用扎根现实的叙事笔触、血肉丰满的人物群像，完成了一次对时代精神的深情回望，以及对平 凡力量的崇高礼赞。 月海建城 上下同心 剧中每个人都揣着"明天一定会更好"的朴素信念，在各自的岗位上奋力拼搏，他们建造的不仅是一座物 理意义上的新城，更是充满希望的理想城。这种对时代精神的精准捕捉，让剧集超越了单纯的建城叙 事，成为一部记录改革开放初期社会风貌与民众精神状态的启示录。它不仅展现了城如何建，更刻画了 人如何变，让观众看到了一代人的奋斗之路。 作为一部时代热血群像剧，《小城大事》最鲜明的突破在于其将"建城"这一宏大命题，拆解为普通人柴 米油盐的日常与悲欢离合的抉择。剧集没有陷入"英雄主导历史"的叙事窠臼，而是以"人民城市人民 建"的核心理念为脉络，让每个角色都成为时代 ...

文 | 镜象娱乐 顾贞观 继《平原上的火焰》后，"东北文艺三剑客"之一双雪涛的小说改编再次失利，同期上映的《飞行家》和《我的朋友安德烈》两部影片目前票房都不乐观， 前者猫眼专业版预测内地总票房为7498.7万，后者为1340.3万。 客观而言，双雪涛并不背锅，《平原上的火焰》《飞行家》《我的朋友安德烈》都大刀阔斧对原著进行了改编，改编结果也都不尽人意。三部影片类型包 装各不相同，但最终都走向了节奏掌控失衡、角色塑造苍白、东北地域叙事沦为背景板、情感无法落地的境地，从中难以看到真实的时代与人性肌理。 对于东北影视，如今观众开始要求强叙事、深人性、新视角，但在《飞行家》《我的朋友安德烈》里，外界看到的依然是单薄的"景观消费"，而非基于精 神共振的"价值消费"。近几年，《漫长的季节》《人世间》等东北剧集的成功，让东北影视从小众走向大众，也将"东北"从一个创作题材，推向了一个需 要极高完成度的创作类型，这是不分电影和剧集的。 在严肃文学改编上，《飞行家》和《我的朋友安德烈》都进行了类型化包装，《飞行家》在东北伤痕文学中嵌套了个人英雄主义叙事模板，好莱坞已经使 用这套模板驯化市场多年，它或许缺乏新意，但停留在了大部分观 ...

Core Viewpoint - The influence of celebrities on book sales is significant, as demonstrated by recent examples where athletes and actors have led to substantial increases in book purchases through social media endorsements [1][3][14]. Group 1: Celebrity Influence on Book Sales - Table tennis player Wang Chuqin's recent sharing of the book "Chinese Traditional Colors: Aesthetic of Colors in the Forbidden City" on Weibo resulted in a notable increase in its sales on social media platforms [1]. - The trend of celebrities boosting book sales is not new, with actor and singer Yi Yangqianxi previously causing spikes in sales for various literary works through his social media posts [3][5]. - The phenomenon of "celebrity book recommendations" has been observed internationally, with figures like Taylor Swift and Oprah Winfrey significantly impacting book sales through their endorsements [10]. Group 2: Impact of Media Adaptations - Adaptations of literary works into films and television series often lead to increased sales of the original books, as seen with titles like "The Stoner" and "84, Charing Cross Road" following their respective adaptations [12]. - The visibility of books in popular media creates a strong incentive for fans to purchase the original works, demonstrating the powerful connection between media exposure and book sales [12][14]. Group 3: Cultural and Emotional Significance - The act of purchasing books recommended by celebrities serves as a form of emotional expression and a means of connecting with like-minded individuals, transforming books into "cultural currency" and "emotional bonds" [14]. - While the surge in sales driven by celebrity endorsements is beneficial for the publishing industry, it raises concerns about the visibility of more complex literary works that may not attract the same level of attention [14].

Core Viewpoint - The recent airing of the period drama "Small Town Big Affairs" has reignited discussions among viewers about the genre's market influence and appeal, particularly among younger audiences [1][2]. Group 1: Market Influence of Period Dramas - Recent period dramas like "Blossoms," "Mountains and Seas," and "The World" have demonstrated significant viewership and online discussion, showcasing the genre's market impact [1]. - The narrative scope of period dramas has expanded to include stories from the 80s and 90s, attracting a broader audience demographic [1]. Group 2: Characteristics of "Small Town Big Affairs" - "Small Town Big Affairs" is adapted from a report by Zhu Xiaojun, focusing on the establishment of "Yuehai Town" in the 1980s and the struggles of its characters [4]. - The show features a mix of character dynamics, including a university-educated protagonist and a grassroots candidate, creating natural dramatic tension [4]. - The series successfully captures the vitality and spirit of the era, although some critiques suggest that it struggles to maintain this energy in later episodes [4][6]. Group 3: Themes and Narrative Techniques - Recent period dramas have shifted from grand narratives to focus on the lives of ordinary people, often depicting family dynamics and everyday struggles [7][10]. - "Small Town Big Affairs" incorporates relatable subplots, such as matchmaking efforts among characters, enhancing viewer engagement through humor and relatability [11]. - The attention to period-specific details, such as fashion and cultural artifacts, adds to the authenticity and nostalgic appeal of the show [13]. Group 4: Audience Engagement and Trends - The genre has evolved to attract younger viewers, leading to changes in casting and storytelling approaches, including the use of popular young actors [14]. - Strong character conflicts and relatable themes have become key elements in attracting and retaining audience attention, as seen in shows like "The Family of Joe" [16]. - The emotional resonance of period dramas serves as a form of nostalgia for viewers, bridging generational gaps and fostering deeper connections with the content [18].

Group 1 - The 2026 Haikou New Year Concert was held on January 1, featuring the renowned Changying Orchestra, which is China's first national film symphony orchestra established in 1947 [4] - The concert included two performances, with the January 1 show focusing on classical music and original domestic works, featuring pieces like "The Blue Danube" and "The Story of Spring" [4] - The concert aimed to evoke national sentiment and a spirit of progress, showcasing a diverse artistic charm through its musical selections [4] Group 2 - Notable performances included a song titled "The Setting Sun Drunk," performed by famous musical theater actor Zheng Junzhi, highlighting the colorful and romantic aspects of Haikou's sunset [7] - Audience reactions were overwhelmingly positive, with attendees expressing that the concert provided a powerful emotional experience and a sense of cultural enrichment [9][11] - The concert was broadcasted across multiple media platforms, achieving a cumulative viewership of over 12.69 million [13] Group 3 - The Haikou New Year Concert has become a highly anticipated cultural event for both residents and tourists, contributing to Haikou's goal of becoming an "International Performing Arts Capital" and enhancing the cultural experience for visitors [15] - The event was organized by the Propaganda Department of the Haikou Municipal Committee and supported by various media and corporate sponsors, indicating strong institutional backing [15]

Group 1: Cultural Development Achievements - Jiangsu has made significant progress in cultural development since the start of the 14th Five-Year Plan, with the cultural industry value added increasing from 498.6 billion yuan at the end of the 13th Five-Year Plan to 662.9 billion yuan by the end of 2023, maintaining the second position nationally [1] - The province has established 12,538 cultural enterprises above designated size, ranking first in the country, and has added 8 new national civilized cities, leading all provinces in total and proportion [1] - Jiangsu has achieved the highest number of awards in the 18th Wenhua Award, with 5 works recognized, marking the best performance in history [1] Group 2: Theoretical and Moral Education - Jiangsu has pioneered the attendance of theoretical study groups and has produced popular theoretical programs that have received widespread acclaim, with online report sessions attracting over 103 million views [2] - The province has emphasized the importance of moral education, resulting in numerous recognitions, including 2 national "model of the times" and 216 "good people in China" [2] Group 3: Cultural Production and Public Engagement - Jiangsu has produced a range of acclaimed cultural works, including the TV series "Human World" and the film "Guard Island," with the latter achieving record box office and audience numbers [3] - The province has established a comprehensive public cultural service network, ensuring coverage of grassroots cultural centers and facilitating over 100,000 rural performances [3] Group 4: Traditional Culture and Economic Impact - Jiangsu is promoting the creative transformation of traditional culture, with significant visitor numbers to cultural sites and the publication of over 1,800 volumes in the Jiangsu Library [4] - The province has implemented action plans to enhance the competitiveness of the cultural industry, with cultural consumption becoming a key driver of domestic demand [4] Group 5: International Cultural Exchange - Jiangsu has expanded its international cultural exchanges, hosting high-profile forums and showcasing its cultural symbols in various countries [5] Group 6: Future Outlook - Looking ahead, Jiangsu aims to stimulate cultural innovation and creativity to better support economic and social development, contributing to the construction of a "strong, rich, beautiful, and high" new Jiangsu [6]

Core Viewpoint - The "Broadcasting 21 Measures" introduced by the National Radio and Television Administration aims to revitalize the long drama market by lifting restrictions and fostering competition, addressing the significant decline in television drama production from 429 in 2014 to 115 in 2024 [2][8]. Policy Changes and Market Impact - The cancellation of the 40-episode limit is a significant change, allowing creators to maintain narrative integrity and explore complex storylines, as evidenced by the higher user retention rates of seasonal dramas compared to traditional series [3][4]. - The new policy allows for flexible adjustments in the airing of historical dramas based on audience demographics, reducing investment risks for producers and promoting high-quality historical content [3][4]. - The introduction of a "simultaneous review" mechanism is expected to shorten the average review cycle by over 40%, enabling quicker adaptations to audience feedback and reducing costs associated with post-production modifications [4]. Commercialization and Advertising - The reintroduction of mid-episode advertisements is reshaping the profitability of dramas, allowing for creative integration of ads and helping broadcasters offset rising acquisition costs [5]. - The "one drama, multiple stars" policy facilitates collaborative purchasing among broadcasters, reducing costs and increasing the reach of quality dramas to wider audiences [5]. Competitive Landscape and Challenges - The allowance for micro-short dramas to air on television introduces new competition, compelling long drama creators to enhance content quality and engagement to retain viewer interest [6]. - The relaxation of restrictions on importing foreign programs pushes domestic productions to elevate their standards, with leading companies adjusting their production quality to compete globally [7]. Content Creation Philosophy - The "Broadcasting 21 Measures" signifies a shift in the relationship between government and market forces in content production, emphasizing the importance of artistic integrity and audience engagement in the face of technological advancements [8].