Core Viewpoint - The second Shanghai Cooperation Organization (SCO) National Television Festival, held in Xi'an, China, from July 15 to 17, 2023, aims to enhance cultural exchange and cooperation among SCO member states through audiovisual media, showcasing diverse civilizations and fostering mutual understanding [10][11]. Group 1: Event Overview - The festival is co-hosted by the National Radio and Television Administration, the Shaanxi Provincial Government, and the SCO Secretariat, focusing on the theme "Gathering Civilizations, Creating Audiovisuals, and Sharing the Future" [10]. - The event features various activities, including the launch of "SCO Time" and showcases of traditional Chinese crafts [6][8]. Group 2: Audiovisual Cooperation - The festival highlights successful collaborations in audiovisual content, such as the Kazakh dubbed version of the Chinese drama "My Almaty," which will air on Kazakhstan's 7th channel starting in July 2024 [12]. - Over 100 audiovisual works have been supported for translation into multiple languages, including English, Russian, Arabic, and Kazakh, and broadcast in SCO countries, generating significant discussions [12][13]. Group 3: Cultural Exchange Initiatives - The festival includes the "Audiovisual Integration and Harmonious Coexistence" program, which features over 70 audiovisual works from SCO countries broadcast on Chinese television and new media platforms [14]. - Collaborative productions, such as the documentary "From Xi'an to Gwadar Port," reflect the deepening ties between China and Pakistan, showcasing the history of the Karakoram Highway [15]. Group 4: Musical Performances - A concert featuring orchestral arrangements of music from nine SCO countries was held, demonstrating the power of music to transcend borders and connect people [18][19]. - The event emphasizes that civilization thrives through exchange and mutual appreciation, as articulated by various participants [20]. Group 5: Future Directions - The rise of micro-dramas as a new cultural export from China is noted, with significant growth in the Indian market [21]. - AI technology is being leveraged for the translation and dubbing of audiovisual works, enhancing international communication [22]. - Youth engagement in cultural exchanges is highlighted, with plans for future events involving young leaders from SCO countries [22][23].

Group 1 - The core viewpoint of the articles highlights the significance of authenticity and emotional resonance in television dramas, as evidenced by the success of the award-winning series at the Shanghai Television Festival [1][2][3] - The 30th Shanghai Television Festival awarded notable works such as "My Alatai" and "Mountain Flowers Blooming" for their realistic portrayal of contemporary issues and historical narratives, reflecting a shift towards more meaningful storytelling [2][3] - The evaluation of the award-winning works emphasizes the importance of connecting with audience needs and societal realities, showcasing a trend towards realism in contemporary television [3][4] Group 2 - The competition for awards was intense, with several series receiving multiple nominations, indicating a vibrant and evolving television industry [2][4] - The judges and industry experts stress that regardless of the format, whether long or short dramas, the essence of good storytelling and meaningful themes remains paramount [4][5] - The ongoing evolution of television formats, including the rise of short dramas, is seen as complementary rather than a replacement for traditional long-form storytelling, with both having distinct roles in the industry [4][5]

Group 1 - The 30th Shanghai Television Festival awarded "My Altay" as the Best Chinese TV Drama, highlighting its rich regional flavor and realistic portrayal of humanity and nature [1] - The jury praised "My Altay" for its innovative short series format, indicating a positive reception towards long video content innovation [1] - Director Teng Congcong expressed her excitement, noting that this is her second work in 20 years, emphasizing the importance of life experiences in creative processes [1] Group 2 - Song Jia won the Best Actress award for her role in "Mountain Flowers Blooming," which is based on the life of Zhang Guimei, a notable figure in education for impoverished girls [3][5] - The jury recognized Song Jia's performance as vivid and nuanced, effectively portraying the character's love and strength [3] - In her acceptance speech, Song Jia emphasized the significance of faith and the power of artistic expression in connecting with audiences [5] Group 3 - Jin Dong received the Best Actor award for "Northwest Years," with the jury commending his authentic portrayal of revolutionary figures [7] - The series depicts the vast revolutionary history of the Northwest region, successfully humanizing prominent revolutionary leaders [7] - Jin Dong reflected on his 30-year career in the industry, expressing gratitude for the recognition and encouragement to continue his work [7] Group 4 - Other notable awards included Best Supporting Actress for Jiang Xin in "Little Alley Family" and Best Supporting Actor for Jiang Qiming in "Edge Water Stories" [7] - The Best Director award went to Fei Zhenxiang for "Mountain Flowers Blooming," showcasing the talent within the industry [7] - The festival also recognized various categories, including Best Original Screenplay and Best Adapted Screenplay, highlighting the diversity of storytelling in Chinese television [8] Group 5 - The festival featured a special segment celebrating the 30-year journey of the White Magnolia Award, with notable figures reflecting on their experiences [9] - The event underscored the importance of the White Magnolia Award in promoting professional recognition within the television industry [9] - The festival has evolved into a significant platform for dialogue between the Chinese television industry and global counterparts [8][9]

Core Viewpoint - The 30th Shanghai Television Festival "White Magnolia Awards" took place on June 27, recognizing outstanding achievements in television with various awards presented to notable works and individuals in the industry [1]. Group 1: Award Winners - Best Chinese TV Drama: "My Alashan" [9] - Best Actor: Jing Dong for "Northwest Years" [9] - Best Actress: Song Jia for "Blooming Mountain Flowers" [9] - Best Director: Fei Zhenxiang for "Blooming Mountain Flowers" [9] - Best Supporting Actor: Jiang Qiming for "Edge Water Stories" [9] - Best Supporting Actress: Jiang Xin for "Little Alley Family" [9] - Best Original Screenplay: Xu Meng for "I Am a Criminal" [9] - Best Adapted Screenplay: Li Xiao and Wang Si for "The Story of Roses" [9] - Best Cinematography: Liu Yizeng for "My Alashan" [9] - Best Art Direction: Shao Changyong, Zhu Hanbing, Zhang Chen for "The Color of the Nation" [10] - Best Overseas Drama (Long): "Operation Blade" [10] - Best Overseas Drama (Short): "Enjoy to the Full" [10] - Special Committee Award: "City in the City" and "Macau's Future Celebration - 25th Anniversary of Macau's Return to the Motherland" [10] - Best TV Variety Program: "Exploring Chinese Classics" and "Wonderful Night" [10] - Best Documentary: "Adversity Forward" (Belgium) [10] - Best Series Documentary: "It's Bad Emotion, It's Okay" (China) [10] - Best Animated Series: "League of Legends: Arcane Season 2" [10] - Best Animated Script: "Summer of Freedom" [10] - Overseas Promotion Ambassadors: Yang Zi and Zhang Ruoyun [10] - International Communication Award: "Zhao Lin's Adventure Diary," "Forever Walking: Meeting China," "My Alashan," "Singer 2024" [10]

Group 1 - The core viewpoint of the articles emphasizes that despite the challenges posed by fragmented narratives, the long drama sector continues to produce high-quality works, with the 30th Shanghai Television Festival showcasing a diverse range of entries for the Magnolia Award [1][2][4] - The Magnolia Award has become a significant honor in the industry, with this year's nominees reflecting a high standard and a variety of themes, from national sentiment to financial reform and crime documentaries [1][4] - The success of series like "Mountain Blooming Time" highlights the importance of authenticity in storytelling, as it is based on real-life events and characters, resonating deeply with audiences [5][6][8] Group 2 - The discussion at the Magnolia Television Forum indicates that long and short dramas are not in competition but can coexist and learn from each other, with both forms evolving to meet audience demands [12][13] - Industry leaders recognize that the competition for viewers is not just between long and short dramas but also includes various entertainment forms such as games and short videos, necessitating a focus on quality content [14] - The need for long video platforms to reassess their content quantity and quality is highlighted, as user engagement is declining, prompting a shift towards producing more compelling and attractive series [14]

Group 1 - The article highlights the growing international presence of Chinese culture, with products like the TV series "The Story of Roses" being translated into 12 languages and the game "Black Myth: Wukong" gaining global popularity [1] - The 2024 market size for Chinese online literature is projected to exceed 5 billion RMB, with over 350 million overseas users [1] - The actual sales revenue of Chinese self-developed games in overseas markets is estimated at $18.557 billion, with over 1,600 Chinese games launched on the Steam platform, reflecting a year-on-year growth of approximately 45% [1] Group 2 - At the 21st Shenzhen International Cultural Industries Fair, visitors can interact with virtual characters from popular dramas like "Qing Yu Nian" and "Fan Hua," showcasing the overseas dissemination of these IPs [3] - The CEO of Yuewen Group stated that Chinese online literature is leading globally in terms of creative ecology, business models, and technological innovation, with around 6,800 online novels and 1,700 comics being disseminated overseas by the end of 2024 [3] - Game IPs are evolving from "cultural symbols" to "global narratives," with companies like 37 Interactive Entertainment integrating Chinese web literature IPs into games to balance Eastern aesthetics with global storytelling [3] Group 3 - Tencent's approach to overseas content design includes localizing elements, as seen in the Brazilian version of "Honor of Kings," which incorporates local musical instruments [4] - The gaming industry is encouraged to increase investment in self-developed games and to use "world storytelling" to bridge cultural gaps, exemplified by "Black Myth: Wukong" [4] - AI tools are becoming a significant trend in content creation, with AI translation accelerating the scale and multilingual outreach of Chinese online literature, leading to a 180% increase in Japanese users for Yuewen Group and over 350% growth in revenue from non-English works [4]

Group 1 - The "China (Beijing) Joint Exhibition" showcased at CABSAT 2025, guided by the National Radio and Television Administration and organized by Beijing Radio and Television Bureau, featured 12 participating companies expanding their overseas markets, with 4 companies signing contracts on-site [1] - The exhibition utilized a "1+1+N" model, consisting of one main exhibition booth, one international exchange meeting, and multiple supporting thematic activities, providing a platform for international cooperation and exchange for companies [1] - Participating companies covered various segments of the audio-visual industry chain, including business platforms, ultra-high-definition video, transmission, and production, showcasing new products and technologies through diverse formats [1] Group 2 - Notable companies such as iQIYI, Huace, Youku, and Perfect World presented outstanding audio-visual works at the ultra-high-definition display area, attracting significant attention from attendees [3] - Companies combined product promotion with on-site demonstrations, conducting 12 innovative product and technology promotion activities over three days, effectively engaging international partners [5] - The diverse presentation methods of "showcase + promotion + negotiation" not only attracted international partners but also facilitated product sales and multi-dimensional cooperation [7] Group 3 - Beijing Shenghuo Technology Co., Ltd. signed a framework cooperation agreement worth $200,000 with Dubai 3D Touch for an LED screen control system, and additional agreements with other international companies totaling $80,000 [7] - Zhihui Technology (Tianjin) Co., Ltd. signed a sales agreement with UK C2S Media for a project in Pakistan, with an expected sales amount of $20,000, and completed equipment delivery worth $10,000 for a Dubai TV studio project [10] - Beijing Direction Huaxin Electronics Co., Ltd. signed a sample procurement agreement worth $10,000 with Dubai Gamma Emerging and a cooperation agreement with AWPRO, totaling $30,000 in expected orders [12] Group 4 - Kuokai Technology's vice president highlighted the strong demand for localized content and AI technology in the Middle East, aligning with their global intelligent screen system's capabilities [16] - Digital Vision's overseas general manager noted the recognition received for their achievements in AI and ultra-high-definition technologies during the exhibition [17] - Yongxin Shibo's deputy general manager reported that dozens of international clients expressed actual business needs, leading to strategic cooperation intentions across various innovative fields [19] Group 5 - Beijing Guang Technology's chairman mentioned the valuable feedback collected from numerous potential customers, which will support product and service optimization [21] - Lanjing Technology's international sales director emphasized the strong demand for high-quality XR content production and control solutions, aligning with their technological advantages [22] - The exhibition served as a strategic point for Lanjing Technology to establish connections and lower market entry barriers for international expansion [23]