Core Viewpoint - The third International Traditional Sports Exchange Competition aims to promote the international dissemination of Chinese traditional sports culture through high-level competitive and cultural exchange platforms [1] Group 1: Event Overview - The event was held on September 19 in Jiangyin and is organized by the China National Sports Federation, with support from the General Administration of Sport of China and Jiangsu Provincial Sports Bureau [1] - The theme of the competition is "Civilization Integration, Sports Appointment, Friendship Following" [1] Group 2: Participation and Scale - The competition attracted nearly 800 athletes from 39 countries and regions, marking a significant increase in participation compared to previous editions [1] Group 3: Sports and Cultural Activities - The event features five selected traditional Chinese sports: Wushu, Qigong, Go, Dragon and Lion Dance, and Kites, each with a unique cultural significance [1] - In addition to competitions, a series of cultural exploration activities are arranged to showcase the beauty and contemporary vitality of Chinese culture to the world [1]

Core Points - The third International Traditional Sports Exchange Competition opened in Jiangyin, Jiangsu Province, featuring nearly 800 athletes from 39 countries and regions participating in five traditional Chinese sports [1][2] - The event emphasizes the integration of culture and sports, aiming to showcase the cultural heritage and contemporary vitality of traditional Chinese sports [2] Group 1: Event Overview - The competition includes five traditional sports: martial arts, fitness qigong, Go, dragon and lion dance, and kite flying, each rooted in Chinese philosophical wisdom and health concepts [1] - The theme of the event is "Civilization Integration, Sports Appointment, Friendship Following," highlighting the deep cultural significance of the sports involved [2] Group 2: Cultural Exchange and Impact - The event aims to create an immersive experience for participants to appreciate the charm of traditional Chinese culture through competitions, performances, and cultural workshops over three days [1] - The organizer, the General Administration of Sport of China, hopes to enhance the event's brand and establish it as a high-level cultural exchange platform with greater international influence [2]

参观结束后，浅川辉和表示："中国是一个历史悠久的国家，中国馆通过传统智慧和现代科技的巧妙融 合，展示了中国灿烂的历史文化和最新的发展成就，令人印象深刻。非常期待去中国走一走、看一 看。"馆内展示的大熊猫木雕、风筝、茶叶等给浅川有美留下深刻印象，她表示："这次参观进一步增进 了我对中国的了解。" 章书靖表示，自大阪世博会开幕以来，中国馆始终是最受欢迎的展馆之一。中国馆迎来第100万名参观 者是一个值得庆祝的重要时刻。这体现了全球世博观众对中国馆的喜爱与认可，也表明中国馆在促进中 外人文交流、经贸合作、民心相通中发挥了积极作用。 据介绍，中国馆目前的100万名参观者中，除了普通游客，还包括来自世界各国的200多位政要和知名人 士、10位外国国家领导人及国际组织主要负责人，以及来自80多个国家馆和国际组织馆的嘉宾。随着世 博会进入后半程，中国馆还将陆续举办10多个省区市的主题周、主题日、企业日等系列活动。"中国馆 将会继续用丰富的展陈、精彩的活动、沉浸式的体验，特别是热情周到的服务来吸引更多游客，展现真 实美好与可信、可爱、可敬的中国形象。"章书靖说。 7月30日，日本大阪世博会中国馆外排起长队。 14时20分，来 ...

Core Viewpoint - The Indonesian government and airlines have issued strict warnings against kite flying near airports, emphasizing the need for law enforcement to address this dangerous behavior [1][3]. Group 1: Impact on Aviation - Kite flying activities near Soekarno-Hatta Airport led to the cancellation or delay of 21 flights within just two days in early July [3]. - The Indonesian National Air Navigation Company has alerted pilots about potential kite interference around the airport [3]. - The Indonesian aviation law prohibits flying kites, drones, or any aerial objects in restricted airspace, with violators facing up to three years in prison or hefty fines [3]. Group 2: Government Response - The Indonesian Minister of Transportation, Budi Karya Sumadi, emphasized the need for better coordination between airports and local governments to prevent disruptions caused by kite flying [3]. - The Minister acknowledged that educating nearby residents about safety will be a long-term process, as changing habits cannot happen overnight [3]. Group 3: Cultural Context - Kite flying is a common recreational activity in Indonesia, especially among children, due to limited economic conditions and available sports facilities [4]. - In Bali and other regions, kite flying is seen as a way to thank deities and pray for a good harvest, while some use it to express political views [4]. - Experts note that concerns about kite-related incidents tend to arise briefly before fading away, indicating that "taming these kites" remains a significant challenge for Indonesia's long-term aviation safety efforts [4].

Group 1: Development of Cultural Spaces - The construction of new public cultural spaces, including various museums, has been actively promoted, providing diverse and accessible channels for the public to engage with culture and knowledge [1][2] - The transformation of old factory buildings into unique rural museums in Zhejiang has integrated local craftsmanship, agricultural culture, and ecological resources, creating a distinctive cultural space [2][3] Group 2: Features of Rural Museums - The rural museums in Xikou Village showcase a variety of themes, such as textile civilization and traditional lunar calendar culture, with over 200 exhibits related to agricultural knowledge [2][3] - The establishment of a "one village, ten museums" model in Xikou Village has attracted cultural resources and professionals, enhancing the local cultural landscape [3] Group 3: Kite Museum in Weifang - The Weifang World Kite Museum, the first professional kite museum in China, features a diverse collection of kites inspired by everyday life, integrating cultural heritage with modern experiences [4][5] - The museum's strategic location in the city center allows it to blend seamlessly into the local lifestyle, making it a popular destination for residents [5] Group 4: Educational Initiatives - The Sichuan University Museum, with its new facility, promotes educational activities and cultural exchanges, hosting various workshops and exhibitions to engage the community [7][8] - The museum aims to create a world-class institution that balances research and public engagement, enhancing the accessibility of cultural knowledge [8]

Core Viewpoint - The recent discussion around the cancellation of the "refund only" policy on e-commerce platforms has sparked widespread attention and debate, highlighting the challenges and implications for platforms, merchants, and consumers [1][13]. Group 1: Background and Implementation - The "refund only" mechanism was introduced by major platforms like Taobao, Pinduoduo, JD.com, Douyin, and Kuaishou starting in 2021 to address issues like product damage and misrepresentation [1][13]. - Initially aimed at enhancing consumer experience and protecting rights, the policy has faced criticism for its "one-size-fits-all" approach, leading to various operational challenges [1][13]. Group 2: Merchant Experiences and Challenges - Merchants report high volumes of "refund only" requests, with one company processing over 700 such requests amounting to 34,000 yuan in just two months [2][3]. - Small-value orders, often below 10 yuan, are particularly affected, with merchants frequently opting to issue refunds to save on communication costs, leading to significant annual losses [5][9]. - High-value orders are also impacted, with instances of refunds being issued for large transactions, such as a 19,000 yuan order, without the product being returned [7][10]. Group 3: Consumer Rights and Regulatory Response - The "refund only" policy, while intended to lower the cost of consumer rights protection, has been criticized for being exploited by some consumers, leading to losses for merchants [12][15]. - Regulatory bodies, including the Jiangsu Consumer Rights Protection Committee, have raised concerns about the lax review processes on platforms, which can result in merchants suffering losses before disputes are resolved [12][15]. - The market regulator has engaged with major e-commerce platforms to address issues related to merchant survival and competition, urging them to improve transparency and protect merchant rights [15][17]. Group 4: Policy Adjustments and Future Outlook - In response to the controversies, major platforms have begun to adjust their after-sales policies, emphasizing support for direct negotiations between consumers and merchants [17][20]. - The shift from mandatory "refund only" processing by platform staff to merchant-led handling has reportedly reduced such requests by approximately 50% [20][22]. - The cancellation of the "refund only" rule is seen as a move towards healthier competition in the e-commerce market, aiming to balance consumer rights with merchant interests [22].

Core Viewpoint - The annual Weifang International Kite Festival showcases the rich history and cultural significance of kites, which originated in China and have evolved into a global phenomenon [3][12]. Historical Background - Kites have a history dating back over two thousand years, initially used for military purposes before evolving into a recreational activity after the invention of paper by Cai Lun in the Eastern Han Dynasty [3][5]. - The term "wooden kite" was commonly used before the Han Dynasty, and the transition to "paper kite" marked a shift towards leisure activities [3]. Cultural Significance - Kites have been featured in literature and art since the Song Dynasty, with famous poems depicting the joy of kite flying in spring [5]. - Various regional styles of kites have developed in China, reflecting local customs, climate, and aesthetics, such as the Beijing kite represented by the swallow, the exquisite Tianjin Wei Ji kite, and the sound-producing Nantong board kite [7]. Craftsmanship and Techniques - Traditional kite-making involves techniques such as tying, pasting, painting, and flying, with artisans honing their skills to create unique designs [9]. - The painting of kites combines artistic techniques with practical considerations for flight, resulting in both functional and decorative pieces [10]. Modern Developments - An increasing number of inheritors are engaging in the innovation and transmission of kite-making skills, with the Weifang Kite Festival serving as a platform for creativity and competition [12]. - Kite competitions have gained popularity worldwide, becoming a beloved recreational and competitive activity that reflects local cultural characteristics [12].

Group 1 - Qingming is the fifth solar term in the 24 solar terms, starting on April 4, 2025, characterized by clear weather and vibrant scenery [2] - Qingming is both a solar term and a festival, merging customs from the Cold Food Festival and the Shangsi Festival, including tomb-sweeping and spring outings [2] - The first flower sign of Qingming is the Paulownia flower, which symbolizes the passing of spring [3] Group 2 - The second flower sign of Qingming is the wheat flower, which is classified as an "incomplete flower" due to its lack of petals and sepals [3] - The third flower sign is the willow flower, known for its light yellow color and the white catkins that follow [3] - Qingming is a time when nature flourishes, making it ideal for activities like kite flying, as described in ancient poetry [3][4] Group 3 - Kite flying during Qingming is a tradition that has evolved from ancient practices, with the earliest kites believed to be created by Mozi or Lu Ban [4] - The term "kite" is thought to have originated during the Five Dynasties period, with the first paper kites made in the imperial court [4] - By the Tang Dynasty, kite flying had become popular, with many poems celebrating the activity [4] Group 4 - The climatic conditions during Qingming, including increased solar radiation and suitable winds, contribute to the popularity of kite flying [5] - The practice of kite flying also aligns with traditional health practices, providing a way for people to enjoy the outdoors and relieve stress [5] - In some regions, kite flying is associated with customs of good luck, symbolizing the release of bad luck when the string is cut [5]