以"纪念中国电影诞生120周年"为主题，此次"造梦现场"电影艺术展共设置了8大主题展区，涵盖影 史、武侠、动画、科幻、摄影艺术、VR等多个主题领域，通过300+影人真迹、1000+电影资料和10余 组摄影作品，清晰呈现了中国电影诞生120年来的"造梦"历程。 原标题：大麦娱乐与上影节走过"十年之约"，携手推出"造梦现场"中国电影120周年特展 从1905年京剧大师谭鑫培配合着锣鼓点甩髯提刀，被一部木壳手摇摄影机定格下中国电影的第一 帧，到2025年哪吒在IMAX银幕上掀起滔天巨浪，以东方哲思刷新全球动画电影票房新顶点，光影流转 间，中国电影已走过整整120年。120年间，一代代的中国电影人，用热情、灵感与执着浇筑起中国电 影"造梦"瞬间，而当时间的坐标来到今天，这些"造梦"瞬间也正通过一场别出心裁的电影艺术展，与观 众进行时空对话。 6月13日，由第二十七届上海国际电影节作为特别支持单位，大麦娱乐旗下艺展鸿图出品、PIN STUDIO主办的"造梦现场"电影艺术展——中国电影120周年特展，在上海影城正式开幕。当天，大麦 娱乐总裁李捷、上海美术电影制片厂党委书记杜亮、著名导演袁和平、中国电影家协会副主席/中国电 ...

今年，上海国际电影节的电影市场与上海电视节的电视市场打通，升级为上海国际影视市场。届时，除 了国内外的大牌展商将带来合作机会、展示前沿科技，上海国际影视市场还专门策划了"华语巨制巡 礼"，强化电影节作为华语电影"展示大平台、宣发主战场"的平台功能，汇聚2025年从创制层面备受关 注的9部电影作品，既有对暑期档的期待，也有对年度热门待映作品的关注，多角度呈现2025年华语电 影精彩看点，助推中国电影从"开门红"到"节节高"。 依托"一带一路"电影节联盟，壮大中国电影的国际朋友圈。由上海国际电影节发起成立的"一带一路"电 影节联盟，目前已经拥有来自48个国家和地区的55个成员。本届电影节期间，依托这一联盟展开的"一 带一路"电影周系列活动，邀请来自亚、欧、非、拉美等多个区域的电影节主席、国家电影机构负责人 及国际影视机构代表共襄盛会，围绕合拍片开发、IP联动、国际发行机制等议题，积极推动多边合作平 台建设。 广邀天下好友的同时，电影节练好内功，主动加大国际传播力度。本届电影节将举办8场论坛、3场大师 班，涵盖技术革新、国际合作、文学改编影视等多个议题，为中国电影高质量发展凝聚智慧、拓展路 径。今年电影节还策划制作 ...

Group 1 - The summer film season of 2025 is approaching, with films entering a concentrated scheduling period, and the market is expected to improve marginally due to quality supply [1][2][3] - The summer season is one of the most important periods for films, lasting from June to August, and historically contributes significantly to annual box office revenue, accounting for 28% to 34% of total box office in the past three years [1][2] - As of June 10, 2025, a total of 69 films have been scheduled for release, indicating room for growth compared to previous years, with notable films set to release in June, July, and August [2] Group 2 - Current market expectations are low, but there is optimism for marginal improvement in the overall market driven by supply, despite a decline in market heat since Q2 due to a lack of major releases [3] - The first quarter of 2025 saw a surge in viewership driven by "Nezha 2," but the absence of major films in Q2 has led to decreased market enthusiasm [3]

证券代码：600977 证券简称：中国电影 公告编号：2025-019 公司董事会及全体董事保证本公告内容不存在任何虚假记载、误导性陈述或 者重大遗漏，并对其内容的真实性、准确性和完整性承担法律责任。 重要内容提示： 海证券交易所网站发布了《中国电影 2024 年年度报告》 《中国电影 2024 年度可 持续发展暨社会责任报告》《中国电影关于修订〈中国电影股份有限公司章程〉 及相关治理制度的公告》等报告和公告文件。为便于广大投资者更加全面深入地 了解公司经营发展情况，公司计划召开 2024 年度业绩说明会，就投资者普遍关 心的问题进行交流。 一、说明会类型和安排 （三）网络平台地址及参加方式：投资者可登录上证路演中心、万得 3C 会 议的 PC 网页地址或 APP 客户端，在线收看本次业绩说明会视频，并通过在线 提问的方式与公司管理层进行文字互动。 路演 | 网络地址 平台 | 参与方式 | | --- | --- | | | 描左侧二维码，搜索 | | | "600977"或"中国 | | 上证 | | | | 电影"，进入会议 | | 路演 | | | 中心 | 2.如有交流问题，可通 | | | 过"互 ...

证券代码：600977 证券简称：中国电影 公告编号：2025-019 中国电影股份有限公司 关于召开 2024 年度业绩说明会的公告 公司董事会及全体董事保证本公告内容不存在任何虚假记载、误导性陈述或 者重大遗漏，并对其内容的真实性、准确性和完整性承担法律责任。 重要内容提示： 2025 年 4 月 19 日以来，中国电影股份有限公司（简称"公司"）陆续在上 海证券交易所网站发布了《中国电影 2024 年年度报告》《中国电影 2024 年度可 持续发展暨社会责任报告》《中国电影关于修订〈中国电影股份有限公司章程〉 及相关治理制度的公告》等报告和公告文件。为便于广大投资者更加全面深入地 了解公司经营发展情况，公司计划召开 2024 年度业绩说明会，就投资者普遍关 心的问题进行交流。 一、说明会类型和安排 （三）网络平台地址及参加方式：投资者可登录上证路演中心、万得 3C 会 议的 PC 网页地址或 APP 客户端，在线收看本次业绩说明会视频，并通过在线 提问的方式与公司管理层进行文字互动。 1 / 3 会议时间：2025 年 6 月 20 日上午 10:00-11:30 召开方式：视频直播、网络转播、网络文字 ...

Core Insights - The 40th Annecy International Animation Film Festival, known as the "Cannes of Animation," is taking place from June 8 to June 14 in Annecy, France, featuring Chinese animation "Falling into Dust" competing in the main feature competition alongside works from France, Japan, and Canada [1][4] - The festival serves as a global hub for the animation industry, showcasing major productions from Hollywood studios like Disney, Warner, DreamWorks, and Netflix, as well as independent studios [4] - Hungary is the guest country this year, with a focus on Hungarian animation and recommendations for works from Asia, South America, and Africa [4] Industry Highlights - "Falling into Dust," directed by Chinese director Zhong Ding, is based on the myth of the Cowherd and the Weaver Girl, telling the story of their child reuniting with them after many years [4] - The film received positive reviews in China, with a Douban score of 7.8 and a box office revenue of 38 million RMB [4] - Previous films from China showcased at Annecy, such as "The Big Rain," "Deep Sea," and "McDull Story," have helped increase the visibility of Chinese animation in the Western market [4]

Core Viewpoint - The Chinese film industry is facing significant challenges in the import film market, despite an increase in the quantity and quality of imported films, the box office performance remains sluggish [1] Group 1: Market Challenges - The number and quality of imported films have been continuously rising this year [1] - Box office revenue from imported films is relatively low, indicating a need for strategic changes in the market [1] Group 2: Strategic Initiatives - The meeting emphasized the need to encourage more outstanding global films to enter the Chinese market to change the current situation [1] - A problem-oriented approach will be adopted to deepen reforms and promote development in the import film sector [1] - Collaboration and coordination among various stakeholders will be strengthened to enhance the promotion and distribution of films [1] Group 3: Innovation and Cooperation - The industry aims to innovate the film acquisition model, including exploring buyout film cooperation [1] - Initiatives such as classic re-releases and themed exhibitions will be promoted to enrich the film supply [1] - A comprehensive and long-term cooperation mechanism will be established to provide institutional support for deepening import film collaboration [1]

Group 1 - The National Film Administration has released the summer 2025 film schedule, with over 60 domestic and foreign films already scheduled [1] - The originality of the films is high, and classic intellectual properties are being leveraged [1] - Activities such as "China Film Consumption Year" and "Light and Shadow Blooming in China" are being actively promoted [1]

Core Insights - The integration of AI technology is transforming the film industry, with significant advancements in AI-generated content and its applications in filmmaking [1][2][3] - AI-generated short films and animations are emerging, showcasing improved quality and potential for profitability, which could reshape the industry [2][3][4] - The development of specialized AI models tailored for film production is essential for meeting industry demands and enhancing content quality [4][5] Group 1: AI Technology in Film Production - AI technology has been used in traditional film production since 2017, initially for video material restoration [2] - Recent films have utilized AI for virtual shooting and special effects, reducing production costs significantly [2][8] - The emergence of fully AI-generated videos is anticipated, with improvements in continuity and quality observed in recent productions [3][4] Group 2: Challenges and Development Trends - Current AI-generated content faces challenges in achieving the nuanced performances of human actors, particularly in emotional expression [3][5] - The need for a specialized AI film production system is highlighted, requiring the development of proprietary AI models tailored to the film industry [4][5] - A shortage of interdisciplinary talent that understands both film production and AI technology is a significant barrier to progress [5][6] Group 3: Impact on the Film Industry - The rise of AI-generated characters may lead to a restructuring of actor demand, with potential implications for actor compensation [7][8] - AI technology is expected to enhance efficiency in film production, allowing for significant cost reductions and resource accessibility [8][9] - The potential for AI-generated content to drive innovation in the film industry is recognized, with implications for other sectors such as education and advertising [9]

Group 1 - The 2025 Cultural Power Construction Summit Forum was held in Shenzhen, focusing on deepening cultural system reform and stimulating cultural innovation [1][3] - Experts and industry representatives discussed major theoretical and practical issues related to building a cultural power, cultural innovation, and the integration of culture and technology [3][19] - The forum aims to achieve the goal of building a cultural power by 2035, promoting Chinese civilization towards a new era of "soft power + hard technology" [3][19] Group 2 - The forum announced the "2025 National Cultural Enterprises Top 30" and "2025 National Growth Cultural Enterprises Top 30" lists, highlighting the innovative practices of leading cultural companies [5][15] - China Film Co., Ltd. has topped the "Top 30" list for 17 consecutive years, showcasing the integration of culture and technology in its operations [5][11] - The company has implemented new technologies throughout the filmmaking process, enhancing artistic expression and production efficiency [5][11] Group 3 - The introduction of a fully digital virtual shooting system by China Film has revolutionized filmmaking, allowing for real-time image generation and the recreation of past sounds [7][9] - The CINITY high-tech film format, developed by China Film, has gained global recognition, marking a significant achievement in China's film technology [9][11] - AI is increasingly becoming a creative partner in the film industry, influencing various stages of production [7][11] Group 4 - AI technology is being utilized for cultural dissemination, exemplified by the AI character Sun Wukong at the China Pavilion of the Osaka Expo, which enhances visitor engagement [11][13] - iFLYTEK's AI translation devices support cross-cultural communication, showcasing the role of technology in promoting Chinese culture abroad [13][17] - The cultural industry is experiencing rapid growth, with the average revenue growth rate of the top 30 growth cultural enterprises exceeding 15% [15][19] Group 5 - The integration of technology and culture is reshaping the development logic of the cultural industry, emphasizing the need for both technological breakthroughs and institutional reforms [19][20] - Cultural enterprises are encouraged to innovate in technology application and reform mechanisms to enhance cultural production capabilities [17][19] - The dual engines of technological empowerment and institutional innovation are essential for cultural industries to thrive and expand their global influence [19][20]