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东西问丨汉学家薄国强:在骑行中感知文化中国
Zhong Guo Xin Wen Wang· 2025-10-01 08:44
Core Viewpoint - The interview with Roland Boer highlights the significance of cycling as a means to explore and understand Chinese culture, emphasizing the importance of personal experience in comprehending contemporary China [3][5][12]. Group 1: Cycling Experience and Cultural Insights - Boer has cycled extensively across various regions in China, including Beijing, Shanghai, and Hebei, using cycling as a way to engage with local communities and observe rural revitalization efforts [3][5]. - His cycling journeys allow him to experience life in China from a unique perspective, often leading to interactions with friendly villagers and insights into local economic developments, such as the growth of the homestay economy [5][8]. Group 2: Cultural Preservation and Innovation - Boer discusses the dual nature of culture, which requires both stable transmission and creative transformation, citing examples of traditional craftsmanship being revitalized through modern design [8][12]. - He emphasizes the importance of innovative practices in preserving traditional culture, such as the collaboration between local artisans and modern industries to attract younger generations [8][12]. Group 3: Understanding China - Boer stresses that to truly understand contemporary China, one must experience it firsthand, as many Western perspectives lack depth due to the authors' limited engagement with the country [9][12]. - He highlights the growing availability of translated works by Chinese scholars, which can provide more accurate insights into Chinese society and philosophy [9][12]. Group 4: Technology and Cultural Development - Boer addresses the impact of new technologies like artificial intelligence on cultural industries, arguing that these tools should be viewed as opportunities for creative enhancement rather than threats [12][14]. - He notes that the integration of technology into cultural practices can lead to new forms of economic development and cultural expression [12][14]. Group 5: Australia-China Relations - Boer points out the cultural and economic ties between Australia and China, noting that Mandarin is the second most spoken language in Australian households [14]. - He advocates for Australia to adopt China's philosophy of "harmony in diversity" to foster better relationships among its multicultural population [14].
2025北京文化论坛圆满落幕,用中国经验回答时代之问
Core Insights - The 2025 Beijing Cultural Forum successfully convened nearly 800 guests, featuring six parallel forums and over 20 professional salons, focusing on the integration of culture and technology [1][3] Group 1: Cultural and Technological Integration - The forum emphasized the opportunities and challenges presented by the integration of culture and technology, with notable discussions on the impact of disruptive technologies like artificial intelligence on cultural transformation [5][6] - Former French Prime Minister Jean-Pierre Raffarin highlighted the necessity of promoting culture within a multilateral framework, asserting that both France and China recognize the profound changes AI could bring to the cultural sector [5][6] Group 2: Digital Technology in Cultural Heritage - The importance of digital technology in preserving and sharing cultural heritage was underscored, with examples such as the Palace Museum's AI knowledge graph and the Dunhuang Research Academy's digital resources reaching over 20 million global visitors [6][8] - The National Library of China has digitized over 120,000 ancient texts, supporting academic research and public learning, while the "Cloud Central Axis" project has engaged over 1.09 million participants in heritage protection [6][8] Group 3: Cultural Industry Growth - The forum showcased the potential of cultural industries, with popular cultural products like the National Museum's refrigerator magnets achieving sales exceeding 1 million units, and the game "Black Myth: Wukong" generating over 10 billion yuan in sales [8][10] - The cultural industry is seen as a vital source of happiness and social cohesion, with favorable conditions for development highlighted during the Cultural Industry Investors Conference [10] Group 4: Challenges in the Digital Age - The rapid advancement of AI technology poses challenges for copyright management in creative industries, necessitating new frameworks for data usage and content creation [12] - Experts emphasized the need for a new ecosystem to adapt to the evolving landscape of AI-generated content, focusing on the balance between technology and cultural originality [12][13]
东西问·北京文化论坛丨章嘉禾:当代戏剧传播关键在“移情”
Zhong Guo Xin Wen Wang· 2025-09-25 11:14
Core Viewpoint - The key to contemporary drama dissemination lies in "empathy," emphasizing the importance of emotional connection in theatrical performances and cross-cultural understanding [3][9]. Group 1: Differences Between Eastern and Western Drama - Eastern and Western dramas exhibit significant differences in values and performance systems, rooted in philosophical foundations: the West emphasizes "individual conflict and social critique," while the East focuses on "overall harmony and expressive representation" [5][6]. - The "mask theory" training method proposed for East Asian actors suggests that Eastern performers tend to maintain a level of concealment in their expressions, while Western performances are characterized by emotional openness [5][6]. Group 2: Cultural Exchange and Collaboration - There is a deep cultural foundation shared between Chinese and Korean dramas, yet they also display notable differences in teaching methods and thematic expressions [6][11]. - Recommendations for enhancing collaboration between China and Korea in drama and arts education include strengthening cultural exchanges between universities and participating in international drama festivals [11][14]. Group 3: The Role of Technology in Drama - The digital age presents more opportunities than challenges for the drama field, as students increasingly view drama as a means of emotional expression despite the prevalence of digital screens [13][14]. - Concerns about artificial intelligence replacing human actors have been addressed, with a consensus that the core of drama remains the emotional expression of "human" experiences [14].
舒勇受邀参加2025北京文化论坛
Zhong Guo Xin Wen Wang· 2025-09-25 09:11
Core Insights - The 2025 Beijing Cultural Forum, held on September 23-24, focused on the theme of "Cultural and Technological Integration," gathering over 800 global guests to discuss the deep integration of culture and technology, promoting human cooperation through cultural power [1][10] - Shuyong, a national political advisor and vice president of the Central Academy of Fine Arts, shared insights on the integration of AI and art, emphasizing the need for technology to enhance human creativity rather than dominate it [3][6] Group 1: AI and Art Integration - Shuyong has engaged in over 800 days of AI creative practice, advocating for a "dual-track" approach that explores new artistic expressions while comparing them with traditional methods [3][5] - AI has redefined the role of the creator, allowing for unexpected inspirations and significantly increasing creative efficiency, enabling rapid realization of ideas that previously took months [5][6] Group 2: Risks and Challenges - Concerns were raised about the risks associated with AI, including the dilution of originality, style homogenization, copyright issues, and ethical concerns such as algorithmic bias [6][9] - Shuyong highlighted the "Westernization" bias in AI models, which may affect the accurate transmission of Chinese values due to the predominance of Western cultural data in training sets [6][9] Group 3: Industry Development and Recommendations - The integration of art and technology must prioritize human needs, with a focus on cultivating talent that combines artistic sensibility with technical skills [7][9] - Recommendations include establishing platforms for industry collaboration, such as technology-art biennales and associations, to guide ethical practices and prevent disorder in the industry [7][9] Group 4: Forum Significance - The Beijing Cultural Forum serves as a platform for fostering consensus on the integration of culture and technology, emphasizing the importance of top-level design in this area [9][10] - The forum gathered over 180 international guests from 57 countries, facilitating extensive discussions on the possibilities and boundaries of cultural and technological integration [9][10]
从数字展陈到AI创作 科技重塑文化新生态
Xin Hua She· 2025-09-25 03:08
Core Insights - The 2025 Beijing Cultural Forum focuses on the theme of "Integration of Culture and Technology," highlighting discussions among industry experts and scholars [2] - The integration of technology is reshaping cultural content and experiences, with digital exhibitions bringing artifacts to life and artificial intelligence inspiring new forms of art [2] - Technology is expected to open new avenues for cultural heritage and development, creating diverse value and revitalizing culture in the new era [2]
二〇二五北京文化论坛亮点纷呈、成果丰硕——共绘文化和科技融合发展新图景
Ren Min Ri Bao· 2025-09-24 23:00
Group 1: Core Themes of the Forum - The 2025 Beijing Cultural Forum focused on the integration of culture and technology, with over 800 guests from 58 countries discussing future developments in cultural and technological fusion [1] - The forum featured a main forum, six parallel forums, and over 20 professional salons, showcasing significant achievements in cultural prosperity and civilizational exchange [1] Group 2: Digital Technology in Cultural Heritage - Digital technology is seen as a key tool for the protection and transmission of cultural heritage, with examples such as the digital preservation of the Great Wall using advanced technologies like 3D imaging and virtual reality [2] - The "Cloud-based Central Axis" program has engaged 1.095 million public participants, contributing nearly 89,000 inspection records and almost 170,000 images [2] - The Ministry of Culture and Tourism reported significant advancements in digital heritage initiatives, including the integration of national movable cultural relics data and the documentation of intangible cultural heritage [3] Group 3: Cultural and Technological Synergy - The dual empowerment of culture and technology is identified as a crucial trend for high-quality development in the cultural industry, with projects like "8K theaters" and digital studios being highlighted [4] - The rapid development of information technology is transforming cultural production and dissemination, enabling immersive experiences that transcend geographical and temporal limitations [4] - The integration of technology is viewed as essential for enhancing cultural originality and creativity, with technology serving as a powerful engine for cultural innovation [4] Group 4: Promoting Civilizational Exchange - The forum emphasized the importance of respecting cultural diversity and promoting mutual learning among civilizations as a shared vision for the future [7] - The release of the multilingual book series "Chinese Keywords: Global Civilization Initiative" aims to enhance understanding of China's role in global cultural exchanges [7] - Beijing's ongoing efforts to host international cultural events, such as the Beijing Cultural Forum and the Beijing International Film Festival, are aimed at strengthening global cultural ties [7] Group 5: Future Directions - The China Foreign Languages Publishing Administration plans to create more platforms for cultural exchange and cooperation, contributing to the construction of a community with a shared future for humanity [8]
东西问·北京文化论坛|傅萌:科技如何为文物插上“翅膀”?
Zhong Guo Xin Wen Wang· 2025-09-24 14:06
Core Viewpoint - The integration of technology and culture is essential for the preservation and promotion of cultural heritage, as demonstrated by the initiatives at the Capital Museum and the Beijing Grand Canal Museum [3][9]. Group 1: Importance of Visualized Preservation - The Capital Museum has established a visualized cultural relic preservation center to mitigate environmental factors that can harm artifacts, such as temperature, humidity, light, and air quality [3][4]. - Preventive preservation aims to create a stable and clean environment to prolong the lifespan of cultural relics and prevent deterioration [3][4]. Group 2: Traditional Techniques vs. Modern Technology - The preservation work at the Capital Museum combines traditional techniques with modern technology, utilizing both traditional restoration teams and scientific laboratories [6]. - Technology optimizes traditional methods by standardizing and digitizing effective practices, while also expanding capabilities to address issues that traditional methods cannot solve, such as using ultrasonic and laser technologies for cleaning artifacts [6][8]. Group 3: Public Engagement and Education - The museum has engaged the public through exhibitions and educational projects, allowing visitors to understand the behind-the-scenes work of artifact preservation [8][9]. - Interactive projects, especially those appealing to children, aim to instill an appreciation for cultural heritage and potentially cultivate future museum professionals [8][9]. Group 4: Cultural and Technological Integration - The integration of culture and technology has opened new possibilities for museums, enhancing the transmission and preservation of ancient civilizations through various technological applications [9][11]. - Recent exhibitions have utilized digital showcases and virtual experiences to provide a more comfortable and engaging visitor experience, ensuring that cultural heritage is accessible to a broader audience [9][11].
2025北京文化论坛举办:聚焦文化和科技融合发展
Xin Lang Cai Jing· 2025-09-24 13:59
9月23日至24日,由中共中央宣传部,北京市委、市政府共同主办的2025北京文化论坛在京举行。本次论坛以"文化和科技融合发展"为年度主题, 共设主论坛、6场平行论坛、26场专业沙龙以及多项精彩配套活动。 论坛邀请中外嘉宾围绕培育文化领域新质生产力、信息时代的文化创造和传播方式变革、人工智能对文化发展的影响、数字文化产品和服务的高 效供给等前沿议题展开演讲交流。 本次论坛以"文化和科技融合发展"为年度主题 主论坛:以文化为桥梁连接世界 9月23日上午,主论坛举办,中外嘉宾致辞演讲,为推动文化繁荣发展、文明交流互鉴汇聚智慧力量。 "而新时代文艺工作者需融入这股洪流,从人间万象中提炼当代中国人的价值与生命力,彰显开放进取的时代气象与刚健清新的民族精神。"高世 名说。 人民日报社社长于绍良则从主流媒体变革视角出发,围绕"主动变革、拥抱创新"分享实践经验。他表示,从媒体发展的角度来看,当前新一轮科 技革命方兴未艾,技术创新正在重新定义媒体传播的方式和边界。面对新形势,唯改革者进,唯创新者强。 平行论坛:聚焦考古遗产价值阐释与可持续发展 9月23日下午,"保护传承:数字化赋能文化遗产""破界共生:科技激发文化原创力""虚 ...
搭建文明之桥 2025北京文化论坛促国际交流合作
Zhong Guo Xin Wen Wang· 2025-09-24 11:52
Group 1 - The 2025 Beijing Cultural Forum was held from September 23 to 24, focusing on the theme of "Cultural and Technological Integration" with over 800 participants from 58 countries and regions [1][3] - International cooperation is emphasized as essential for cultural preservation, with institutions like the Asian Civilizations Museum collaborating globally [3] - The Dunhuang Academy's "Digital Dunhuang" resource has facilitated global sharing of high-definition images of cave murals, hosting over 50 digital exhibitions to promote Dunhuang culture [3][6] Group 2 - The forum featured six parallel sessions and over 20 professional salons, along with a special event for significant results, releasing the "2024 Sino-Foreign Cultural Exchange Report" [3] - The report highlights 2024 as a year for high-quality development in Sino-foreign cultural exchanges, promoting deep interactions between Chinese and world cultures [3] - The forum included a special series of activities titled "Cinematic Dialogue between China and France," celebrating the anniversaries of world and Chinese cinema [4] Group 3 - A creative display area showcased over 600 cultural and creative products, merging traditional and modern elements, reflecting the new trend of "Culture + Technology" [6] - In the first half of the year, Beijing's cultural and related industries achieved revenues of 12,429.5 billion RMB, a year-on-year increase of 13.2% [6] - New cultural business models in Beijing showed remarkable performance with revenues of 8,808.8 billion RMB, growing by 15.9% year-on-year [6]
让科技服务文化传承创新
Bei Jing Wan Bao· 2025-09-24 08:48
Group 1 - The 2025 Beijing Cultural Forum opened on September 23, focusing on the integration of culture and technology, emphasizing the importance of digital empowerment and information transformation in cultural development [1][2] - Keynote speeches were delivered by prominent officials, including Li Shulei, a member of the Political Bureau of the CPC Central Committee, highlighting the significance of cultural and technological integration in the context of the current technological revolution [1] - The forum attracted over 800 guests from 58 countries and regions, discussing themes such as leveraging artificial intelligence for human civilization, cultural exchange, and the role of digital technology in protecting global cultural heritage [2] Group 2 - Participants emphasized the need for value-driven and demand-oriented approaches in the integration of culture and technology, ensuring that technology serves cultural heritage and innovation [2] - There is a call for enhancing cultural digital infrastructure and expanding the digital production of cultural products to better support cultural creation and dissemination [2] - The forum aims to promote mutual understanding and appreciation of diverse cultures through online cultural exchange platforms, benefiting humanity through cultural and technological innovation [2]