Core Viewpoint - The article emphasizes the importance of preserving and promoting the cultural heritage of Dunhuang and the Maijishan Grottoes, highlighting ongoing efforts in talent development, technological application, and cultural integration to enhance the protection and transmission of these historical sites [2][12][23]. Group 1: Cultural Heritage Protection - The Chinese government, particularly President Xi Jinping, has placed significant importance on the protection and transmission of cultural heritage sites like the Mogao Caves and Maijishan Grottoes during inspections in Gansu [2][12]. - Gansu has been actively expanding its talent pool and applying technological methods to restore historical textures and preserve cultural lineage [12][18]. - As of now, 80 caves at the Maijishan Grottoes have completed overall protection and restoration work [18]. Group 2: Technological Integration - The Dunhuang Academy has established China's first multi-field coupling laboratory for cultural heritage, enhancing basic research capabilities by simulating various climate conditions [20]. - The Academy has also been utilizing digital technology for over 30 years, launching the "Digital Dunhuang" resource library in 2016, which offers free access to high-definition images and panoramic tours of 30 Dunhuang caves, attracting over 20 million visits from 78 countries [22]. Group 3: Cultural Events and Tourism - The "Silk Road (Dunhuang) International Cultural Expo" showcased various exhibitions, including the achievements in cultural heritage protection and the integration of cultural arts from Belt and Road countries [25]. - The updated version of the dance drama "Silk Road Flower Rain," inspired by the murals and sculptures of the Mogao Caves, has performed over 4,000 times globally, highlighting the enduring appeal of traditional Chinese culture [26]. - Dunhuang's night market has been revamped to enhance the tourist experience, incorporating elements of mural and Silk Road culture, contributing to the growth of the "night economy" [28].

Core Insights - The 2025 Beijing Cultural Forum successfully convened nearly 800 guests, featuring six parallel forums and over 20 professional salons, focusing on the integration of culture and technology [1][3] Group 1: Cultural and Technological Integration - The forum emphasized the opportunities and challenges presented by the integration of culture and technology, with notable discussions on the impact of disruptive technologies like artificial intelligence on cultural transformation [5][6] - Former French Prime Minister Jean-Pierre Raffarin highlighted the necessity of promoting culture within a multilateral framework, asserting that both France and China recognize the profound changes AI could bring to the cultural sector [5][6] Group 2: Digital Technology in Cultural Heritage - The importance of digital technology in preserving and sharing cultural heritage was underscored, with examples such as the Palace Museum's AI knowledge graph and the Dunhuang Research Academy's digital resources reaching over 20 million global visitors [6][8] - The National Library of China has digitized over 120,000 ancient texts, supporting academic research and public learning, while the "Cloud Central Axis" project has engaged over 1.09 million participants in heritage protection [6][8] Group 3: Cultural Industry Growth - The forum showcased the potential of cultural industries, with popular cultural products like the National Museum's refrigerator magnets achieving sales exceeding 1 million units, and the game "Black Myth: Wukong" generating over 10 billion yuan in sales [8][10] - The cultural industry is seen as a vital source of happiness and social cohesion, with favorable conditions for development highlighted during the Cultural Industry Investors Conference [10] Group 4: Challenges in the Digital Age - The rapid advancement of AI technology poses challenges for copyright management in creative industries, necessitating new frameworks for data usage and content creation [12] - Experts emphasized the need for a new ecosystem to adapt to the evolving landscape of AI-generated content, focusing on the balance between technology and cultural originality [12][13]

Group 1 - The integration of technology and culture is creating new experiences for cultural heritage, allowing for virtual exploration and interaction with historical artifacts [1][2] - The "Digital Dunhuang Resource Library" has shared high-definition images of 30 caves and has been accessed by 78 countries, with over 20 million visits [2] - Museums are increasingly using IoT and AI technologies for preventive conservation, enhancing risk warning and adaptive control measures [2] Group 2 - The rapid advancement of technology is reshaping cultural innovation and creating new pathways for cultural expression [4] - The deep integration of artificial intelligence and art is redefining the boundaries of the art field, leading to new creative dimensions [4] - The digital wave is transforming cultural dissemination from a "one-way output" to "interactive coexistence," promoting global sharing [4]

Group 1 - The 2025 Beijing Cultural Forum was held from September 23 to 24, focusing on the theme of "Cultural and Technological Integration" with over 800 participants from 58 countries and regions [1][3] - International cooperation is emphasized as essential for cultural preservation, with institutions like the Asian Civilizations Museum collaborating globally [3] - The Dunhuang Academy's "Digital Dunhuang" resource has facilitated global sharing of high-definition images of cave murals, hosting over 50 digital exhibitions to promote Dunhuang culture [3][6] Group 2 - The forum featured six parallel sessions and over 20 professional salons, along with a special event for significant results, releasing the "2024 Sino-Foreign Cultural Exchange Report" [3] - The report highlights 2024 as a year for high-quality development in Sino-foreign cultural exchanges, promoting deep interactions between Chinese and world cultures [3] - The forum included a special series of activities titled "Cinematic Dialogue between China and France," celebrating the anniversaries of world and Chinese cinema [4] Group 3 - A creative display area showcased over 600 cultural and creative products, merging traditional and modern elements, reflecting the new trend of "Culture + Technology" [6] - In the first half of the year, Beijing's cultural and related industries achieved revenues of 12,429.5 billion RMB, a year-on-year increase of 13.2% [6] - New cultural business models in Beijing showed remarkable performance with revenues of 8,808.8 billion RMB, growing by 15.9% year-on-year [6]

Group 1 - The 2025 Beijing Cultural Forum was held, focusing on the digital empowerment of cultural heritage [1] - Dunhuang Academy has been exploring digital preservation since the late 1980s, aiming for the permanent preservation and sustainable use of Dunhuang Grottoes [1] - As of now, Dunhuang Academy has completed digital collection of 300 caves, data processing for 200 caves, 3D reconstruction of 212 caves, 45 colored sculptures, and 16 major sites, with a total data volume reaching 500TB [1] Group 2 - The "Digital Dunhuang Resource Library" was launched on May 1, 2016, with an English version available since September 2017, allowing global sharing of high-definition images and panoramic tours of 30 caves [1] - The resource library has been accessed by 78 countries with over 20 million visits [1] - In December 2022, the "Digital Dunhuang Open Material Library" was launched, providing over 6,500 digital resources for safe and efficient cultural resource flow [1] Group 3 - To restore lost Dunhuang artifacts overseas, Dunhuang Academy launched the "Digital Cave of Scriptures" cloud game and database platform, recreating the process of discovery and loss [2] - The Academy has organized over 50 digital Dunhuang exhibitions, promoting the dissemination of Dunhuang culture [2] - Future plans include further exploration of digital resources and utilizing high-tech display methods to enhance the international influence of Chinese culture [2]