Core Perspective - The article reflects on the journey of Xu Xiake in 1637, emphasizing his exploration of geography and human connections, showcasing the blend of nature and civilization in Nanning, and highlighting his profound personal experiences during his travels [1][2][3][4][5][6][7]. Group 1: Journey and Exploration - Xu Xiake's journey to Nanning is depicted as a blend of geographical documentation and humanistic exploration, capturing the essence of the landscape and its cultural significance [2]. - The geographical features of Nanning, including its mountains and rivers, are described as integral to the city's identity, reflecting a harmonious relationship between nature and urban life [2][4]. - The exploration is marked by Xu's meticulous observations and interactions with the environment, showcasing his dedication to understanding the land [5][6]. Group 2: Personal Connections and Experiences - Xu's stay at Chongshan Temple is highlighted as a significant emotional experience, where he faced the death of his companion, reflecting on themes of friendship and the weight of human connections [3]. - His actions to honor his deceased friend, including retrieving remains and navigating bureaucratic challenges, illustrate a deep commitment to personal integrity and respect for life [3]. - The narrative emphasizes Xu's character as not only a geographer but also a person of profound moral values, showcasing the human side of his explorations [3][7]. Group 3: Legacy and Impact - The article discusses the lasting impact of Xu Xiake's journey on the cultural and geographical understanding of Nanning, noting that his observations remain relevant even after 400 years [7]. - Xu's spirit of inquiry and dedication to truth in geographical studies is presented as a model for future generations, emphasizing the importance of firsthand exploration and critical thinking [6][7]. - The enduring legacy of Xu's travels is framed as a source of inspiration, encouraging a continuous curiosity about the world and a commitment to understanding both physical and spiritual landscapes [7].

本报讯 （记者 张文奎） 1月31日，我省首部获得国家电影局"龙标"的虚拟现实电影《山神熊猫之九州 华藏图》在福州首映。记者了解到，这部影片是第38届中国电影金鸡奖"有福电影"重点推介项目。 据《山神熊猫之九州华藏图》制片人陈意斌介绍，该片通过XR全交互现实虚拟技术，让观众作为沉浸 式体验者扮演"波灵尊使"，携手憨态可掬的大熊猫"盼娃儿"，夺回并净化被垃圾怪污染的"九州华藏 图"，展开一场无与伦比的大冒险。 电影采用定制化空间定位系统与实时互动引擎，构建出全维度的虚实融合环境，创新打造"可进入、可 参与、可影响"的沉浸式玩法。观影过程中，观众可通过手势操作施展技能，通过物理行走推动剧情。 该片还将福州本土文化元素巧妙织入叙事，体验者在协助修复九州华藏图的过程中会穿越三坊七巷的古 朴街区，邂逅软木画、佛跳墙等闽都非遗。 不同于传统作品对熊猫"萌系"形象的单一刻画，电影赋予大熊猫角色守护自然、维护生态平衡的神圣使 命，彰显"天人合一"的东方哲学理念。通过虚实结合的叙事，观众不仅可以欣赏到一场视觉盛宴，更参 与了一次关乎生态保护与文化自信的深刻表达。 为推动"山神熊猫"IP实现规模化、多元化运营，首映式上同步举行了 ...

作者：孙庆伟（西北大学校长） 中央宣传部宣传教育局、光明日报社组织编写的"核心价值观百场讲坛"文化传承发展主题图书《中华文化公 开课（第二辑）》近期出版，探寻文明密码、解析文明基因，带领我们领略中华文明的博大精深。这是继该 书第一辑之后，又一部践行习近平文化思想，增强历史自觉、坚定文化自信的文化普及力作。 《中华文化公开课（第二辑）》 陶寺遗址出土 的彩绘大双耳罐 资料图片 彰显文明成就之高。文明成就，不仅表现为物质遗存的体量和壮美，还体现在技术工艺的精湛、艺术思想的 深邃，更体现在社会组织的体系化和治理能力的专业化上。从规模上看，陶寺遗址面积达到400多万平方 米，包括不同功能的宫城及宫殿区、手工业生产区、居民区、墓葬区等，有着规整的布局与宏大的体量；石 峁遗址则分为皇城台、内城和外城，城内面积逾400万平方米，以气势恢宏的石砌城墙、结构复杂的城门体 系与错落有致的建筑群落，成为北方地区早期国家都邑的典型代表。从技艺上看，三星堆先民将青铜器分体 铸造再熔接的技术发展到了极致，器形巨大、造型诡谲的神树、立人像与面具等，不仅需要高超的冶金技 术，更融入了独有的艺术想象力和信仰体系。宋代绘画形成了完备的体系和成熟 ...

Core Viewpoint - The "Shanhai Wind: Yandang Art Exhibition" opened in Wenzhou, showcasing 101 works from 71 artists across three generations, emphasizing the integration of traditional Chinese landscape art with contemporary themes and diverse media [1][3]. Group 1: Exhibition Overview - The exhibition features a variety of artistic media including painting, calligraphy, video, installation, and sound, organized into four thematic sections: "Sea Wind and Tide," "Mountain Wind and Cultivation," "Forest Wind and Whisper," and "Sky Wind and Boundlessness" [1][3]. - A special section titled "Sky Wind and Boundlessness" includes three installation works located in outdoor spaces of Yandang Mountain, encouraging viewers to encounter art in a more organic manner [5][10]. Group 2: Curatorial Insights - Curator Zhang Xiaofeng highlighted five distinctive features of the exhibition: deep integration of theme and venue, diverse media transcending traditional landscape depiction, a narrative axis centered on "wind," a balance between academic rigor and public engagement, and a focus on regional characteristics linked to global issues [3][10]. - The exhibition reflects a century-long tradition of the China Academy of Art in embodying the spirit of landscape art, with contributions from both historical masters and contemporary creators [10]. Group 3: Cultural Significance - Wenzhou is recognized as a significant birthplace of Chinese landscape poetry, with historical figures like Xie Lingyun drawing inspiration from its natural beauty, which continues to influence the city's cultural identity [10]. - The exhibition is co-hosted by the Wenzhou Municipal Committee of the Communist Party of China and the China Academy of Art, and will run until March 10 [10].

慢，并非懒散或停滞，而是用心感知世界和他人，沉淀厚积薄发的力量。孩子们在写信、挖土豆、练钢 琴的过程中渐渐学到这种智慧，理解了"慢"的哲学。 见字如面 朝阳凯文学校高一（5）班 王宇暄 我家老宅有一口樟木箱，专门用来存放书信。曾祖父的情书、祖父的家书、父亲的电报，按照年代整齐 排列，像一部用书信组成的家族史。 曾祖父的信最有古意。发黄的宣纸上，毛笔小楷工整如印刷。"卿卿如晤：见字如面。今晨霜重，忆卿 畏寒，心甚念之……"战乱年代，一封信要走半年，甚至永远到不了。于是每个字都斟酌再三，恨不得 把一生的话都浓缩在尺素之间。 祖父的信是钢笔字，蓝黑墨水。"父母亲大人敬启：儿在边疆一切安好……"那时信走一个月，他每周写 一封，编号排列，怕顺序乱了父母担心。信里夹着粮票、照片，还有给妹妹的红头绳。 父亲年轻时开始发电报。"考取大学速汇路费"——字数精简到骨头，每个字都值钱。后来有了电话，父 亲跑到镇上邮局排队，据说三分钟通话时间，他要提前一周写好要说的话。 到我这里，通讯方式变成了电子邮件、微信消息。一秒钟即达，一天往来数十条。方便极了，却也轻飘 极了。直到今年整理老宅，我一页页读那些发黄的信纸，才突然理解什么叫"见字 ...

Group 1 - The essence of "truth" is natural and unpretentious, as expressed in ancient wisdom, emphasizing the importance of maintaining one's true self and simplicity [1] - The concept of innocence is highlighted as a source of joy and freedom, particularly in children, who embody a natural state of being [1][2] - The pursuit of beauty is subjective and varies based on individual experiences and perceptions, with an emphasis on the beauty found in everyday life and various fields [3] Group 2 - The relationship between humans and nature is emphasized, reflecting a deep-rooted agricultural civilization that values harmony with natural rhythms [4][5] - The book "Cannot Live Without" is described as a work of gratitude, focusing on the essential elements of life that bring light and meaning [6] - The creative process is likened to planting seeds, where the resulting works are nourished by cultural influences and life experiences [7]

作者：刘汉俊（中国作协会员） 行进在浙西山区的秋色里，一条碧绿如翡翠的江流忽然映入眼帘。这是什么江？我吃惊地问。这是富春江。 同行者的应答，让我有猝不及防的邂逅之喜。 是黄公望《富春山居图》里的那条富春江吗？是的，就是。富春江的上游叫新安江，下游叫钱塘江，上游有 个千岛湖，西湖就在其下游河口附近，三江两湖一条线。我惊喜过望，赶紧下车观赏。秋风吹皱一江清冽， 教人直想把心掏出来浣洗。夜宿江畔深处的深澳村，有如迷入桃源仙境，醉卧诗画丛中。 插图：郭红松 深澳村地处富春江南岸的天子岗北麓，隶属杭州市桐庐县的江南镇，离县城16.5公里，距市区45公里，邻近 皖南、赣东北。村落面朝前山，背倚狮岩，应家溪、洋婆溪一东一西扬波而过。奔忙的杭千高速在这里歇 脚，飞驰的杭温高铁在这里驻足，让古老的村落群有了跨越千年的动感，让人们抬脚就可以奔向诗和远方。 深夜的秋风牵引我的脚步，穿行在深澳村古老的巷弄，每一脚都像踏在幽深古境里。秋意凉，夜深沉，路太 黑，黑得深不见底。只好回身，与夜共眠，与村同梦了。不知何时，被村庄的梦呓唤醒，多睡一秒都是浪 费，便早早起，款款行，触摸这幅古画里夜色未褪的笔墨皴染，一步步踩亮古村的晨曦。 壹 走着 ...

宋代范宽的《雪景寒林图》，尽显北方雪景的宏阔。群峦耸天，山势高峻，深谷间萧寺掩映，古木结 林，板桥点缀，流水迂回而下，将山川雪后的磅礴气势展现得淋漓尽致。范宽用笔苍劲粗重，皴擦多于 渲染，笔墨浓重润泽，层次分明又浑然一体。他笔下的雪花，不是江南的轻柔曼妙，而是北方的厚重苍 茫，覆盖在山峦古木之上，给寒林雪景注入了雄浑的力量与深邃的思想。这幅画不仅是对自然雪景的真 实描摹，更体现了宋人对自然的敬畏，以及"天人合一"的哲学思考，让观者在感受雪景壮阔的同时，也 体会到了沉静与震撼。 元代黄公望的《九峰雪霁图》，以简繁合一的笔墨，描绘出春雪初霁的江南景致。时值正月，虽然雪霁 之后寒意未消，但已经透出一丝即将挣脱寒冬的生机。画面中的九峰峭立相连，画意肃穆静谧，黄公望 以干笔勾勒叠石，坡边微染赭黄，远处九峰留白，以淡墨衬染出雪山的清润。作为元四家之一，他将写 意精神融入雪景描绘，画面雄浑、简白，一目了然又不失厚重，既体现了道家的空灵意境，又暗藏着对 自然的深刻体悟。那淡淡的雪色，能让人想到"冰雪消融春将至"的哲思。 ●聂难 雪，是天地间最素净的笔墨，也是古画中最富诗意的意象。古画里的雪花不仅是自然景致的复刻，更是 画家心 ...

Core Viewpoint - The Dujiangyan irrigation system, a 2,200-year-old ancient water conservancy project, continues to thrive and play a crucial role in agricultural development and ecological balance in the Sichuan region, showcasing the harmony between human engineering and nature [3][4][5]. Group 1: Historical Significance and Engineering - Dujiangyan is the only ancient water conservancy project still in use today, representing one of the earliest successful practices of human-nature harmony [3]. - The project was initiated in 256 BC by Li Bing, transforming the Chengdu Plain from a marshy area into a fertile agricultural region [4]. - The main components of the system include the fish mouth dam, the flying sand weir, and the bottle-shaped water intake, which work together to manage water flow and sediment [4]. Group 2: Modern Developments and Impact - The effective irrigation area of the Dujiangyan system has expanded from 2.86 million acres at the founding of New China to 11.65 million acres by 2025, serving over 30 million people [6]. - The annual water supply from the irrigation area is stable at over 7 billion cubic meters, contributing nearly 25% of Sichuan's grain production and almost half of the regional GDP [7]. - Recent projects, such as the Sanhuang Branch Canal, have further extended the reach of Dujiangyan's water resources, enhancing agricultural productivity in surrounding areas [6]. Group 3: Technological Advancements - The Dujiangyan irrigation area has implemented a digital twin model for real-time monitoring and management, significantly improving operational efficiency [8][9]. - The establishment of a "smart room" has streamlined water resource scheduling and management, reducing response times for water delivery from hours to minutes [9]. - The integration of advanced monitoring systems has enabled precise water resource allocation, ensuring timely irrigation for over 6 million acres of rice [9]. Group 4: Future Projects and Investments - The "Yin Da Ji Min" project, the largest cross-basin water diversion project in Sichuan's history, is set to enhance the water supply network, benefiting over 34 million people and increasing irrigated areas by 1.79 million acres [10]. - Sichuan's water conservancy investment has reached over 70 billion yuan in 2025, doubling the investment from the previous five-year plan, focusing on large and medium-sized irrigation projects [10][11]. - The ongoing modernization efforts aim to improve water resource management and ensure sustainable agricultural development in the region [12].

Core Insights - The article emphasizes the importance of water management wisdom in governance, highlighting the historical significance of the Dujiangyan irrigation system as a model for modern governance practices [1][9][10] Group 1: Principles of Water Management - "People-oriented" is a fundamental principle in water management and governance, reflecting the integration of Marxist historical perspectives and Chinese philosophies [1][4] - The concept of "因地制宜" (adaptation to local conditions) is crucial for effective decision-making in water management, ensuring that strategies are based on specific local realities [2][3][4] - "顺势而为" (going with the flow) is highlighted as a systematic approach to water management, emphasizing the need to respect natural laws and utilize modern technology [5][6] Group 2: Modern Governance and Development - The article discusses the necessity of integrating regional differences into high-quality development strategies, transforming these differences into comparative advantages [4][8] - The "十五五" (14th Five-Year Plan) emphasizes the importance of localized strategies while maintaining a unified national framework, allowing for optimal solutions tailored to local conditions [4][10] - The governance approach must focus on achieving the fundamental interests of the people, ensuring that development outcomes are shared and evaluated based on public satisfaction [9][10] Group 3: Cultural and Historical Context - The concept of "天人合一" (harmony between humans and nature) is presented as a characteristic of Chinese culture, advocating for a holistic view of water management that considers ecological balance [7][8] - Historical water management practices, such as those from ancient figures like Da Yu, are cited as foundational to understanding contemporary governance challenges [5][7] - The article concludes that the wisdom derived from water management practices can guide modern governance, contributing to the realization of a prosperous society [10]