Core Viewpoint - The article highlights the efforts of Park Seong-seop in promoting and preserving the Korean ethnic long drum dance, emphasizing its cultural significance and the challenges faced in teaching and expanding its practice among the elderly and youth in Tumen City, Jilin Province [1][2][3] Group 1: Background and Challenges - Park Seong-seop, a representative inheritor of the Korean long drum dance, began his journey in this art form at the age of 16 and has dedicated his life to it [1] - Upon leaving the Tumen City Song and Dance Troupe, he identified a lack of opportunities for the public to learn long drum dance, leading him to form a performance team with local enthusiasts [2] - Initial challenges included a shortage of long drums, costumes, and the advanced skill level required for performance, as the average age of team members was over 60 with little dance background [2] Group 2: Teaching and Development - Park developed a systematic approach to teaching the long drum dance, focusing on rhythm and basic movements to accommodate varying skill levels among participants [2] - The establishment of the performance team garnered support from various sources, leading to the acquisition of necessary equipment and opportunities for over 100 performances annually [2] Group 3: Cultural Significance and Legacy - The long drum dance has been recognized as a national intangible cultural heritage since 2008, with increasing interest from younger generations [3] - Park continues to actively promote the dance through teaching, organizing performances, and writing educational materials, ensuring its transmission across different ethnic groups [3] - The evolution of the performance team now includes diverse ethnic participation and various performance formats, reflecting the dance's growing popularity and cultural relevance [3]

Core Viewpoint - The Yi Box Dance, originating from Shiping County in Honghe Hani and Yi Autonomous Prefecture, Yunnan Province, was included in the first batch of national intangible cultural heritage representative projects in 2006 [1]. Group 1 - The Yi Box Dance has its roots in the production and daily life of the Yi ancestors and is widely popular in Shiping County [1]. - Local authorities utilize intangible cultural heritage transmission sites and activities in schools to promote the Yi Box Dance [1]. - Local artists showcase the charm of this intangible cultural heritage through courtyard theaters, festive activities, and exchange performances [1]. Group 2 - There are 30 representative inheritors actively engaged in the transmission of the Yi Box Dance, ensuring its continuity across generations [1].

Core Viewpoint - The article highlights the innovative development of traditional shadow puppetry in Tengchong, Yunnan, particularly through the creation of a 4D shadow play titled "Tengchong Past," which commemorates the historical significance of the region during the Anti-Japanese War [2][4]. Group 1: Cultural Heritage - Tengchong shadow puppetry is recognized as a national intangible cultural heritage, with a history of nearly 700 years [2]. - The puppetry has evolved through generations, with significant innovations introduced by Liu Yongzhou and his descendants, including the use of color and modern lighting techniques [2][4]. Group 2: Performance and Audience Engagement - "Tengchong Past" utilizes advanced technologies such as holographic projection and laser effects to enhance the storytelling experience, making it appealing to a wide audience, including young children [4]. - The performances are highly popular, with full houses and enthusiastic audience reactions, indicating a strong community interest in preserving and celebrating this cultural form [4][6]. Group 3: Historical Context - The narrative of "Tengchong Past" focuses on the events of 1942 when Japanese forces occupied Tengchong, detailing the struggles of Chinese troops to reclaim the town [4]. - The play serves as a reminder of the sacrifices made during the war, with the aim of educating younger generations about their history [4][6].

Core Viewpoint - The centennial celebration of Fangshan, a brand under Quanjude Group, highlights its role as a national intangible cultural heritage and showcases the integration of traditional culinary culture with modern innovation [1][4]. Group 1: Cultural Heritage and Innovation - Fangshan's centennial celebration included a series of activities that emphasized its unique cultural heritage, including a "敬匾" ceremony that reflects the brand's respect and emotional connection to its history [2][3]. - The event featured a transmission ceremony for the "Fangshan (Imperial Court Cuisine) production skills," with national intangible cultural heritage representative Dong Shiguo and eight inheritors demonstrating traditional culinary techniques [3]. Group 2: Historical Significance and Development - Established in 1925, Fangshan has served as a bridge between imperial cuisine and the public, evolving from a state-run establishment in 1955 to a recognized cultural icon [4]. - The centennial celebration included a special banquet priced at 3999 yuan per table, showcasing classic dishes that adhere to strict standards, reflecting the essence of a century's worth of culinary expertise [4]. Group 3: Modernization and Cultural Integration - Fangshan has transformed from a single dining brand into a cultural symbol that integrates food and tourism, with initiatives like the "Fangshan Tea House" and "Fangshan Fuyin" targeting younger audiences [5]. - The company aims to continue bridging traditional and modern culinary cultures, ensuring that imperial dining culture becomes part of everyday life rather than being confined to museums [5].

Group 1 - The core viewpoint of the articles highlights the rich traditional cultural activities organized by various intangible cultural heritage (ICH) venues across the country during the summer, aimed at immersing children in the charm of ICH [1][3]. - The China Intangible Cultural Heritage Museum hosted nearly 500 performances and experiential activities during the summer, attracting an average of over 13,000 visitors daily [3]. - In Hunan Province, the "I Come to Learn Skills" experiential activity featured over ten traditional ICH techniques, with 45 sessions fully booked, allowing children to learn from heritage inheritors [5]. - The Zhejiang Province ICH Museum conducted 90 experiential activities during the summer, with an average of over 5,500 visitors daily, where children learned unique dyeing techniques [7].

Core Viewpoint - The article discusses a "vocational certification" event in Ruian, Wenzhou, Zhejiang, aimed at transforming the preservation of intangible cultural heritage into sustainable transmission through the training of traditional skills [1] Group 1: Event Overview - The event focused on the wood movable type printing technique, which is the only known surviving and still-used wood movable type printing skill in China [1] - This technique was included in UNESCO's list of "intangible cultural heritage in need of urgent safeguarding" in 2010 [1] Group 2: Training and Certification - The training combines traditional skills with vocational ability assessment, promoting both the protection of intangible heritage and the professional development of participants [1] - Upon completion, participants will undergo a vocational ability assessment organized by the Ruian Human Resources and Social Security Bureau, with successful candidates receiving a nationally recognized vocational ability certificate [1] - This initiative creates a formal pathway for transforming "craftsmanship" into a "profession" [1]

Core Viewpoint - The article highlights the revival and promotion of traditional Chinese Qinqiang opera through modern platforms like Kuaishou, showcasing the journey of artist An Wan and the cultural significance of Qinqiang as a non-material cultural heritage [1][9]. Group 1: An Wan's Journey - An Wan, known as the "Northwest Qinqiang King," faced challenges due to a congenital condition but found his passion for Qinqiang at a young age [2]. - His career included various performances and struggles, including a period of despair that led him to burn his props, but he later found success on Kuaishou, where he built a supportive community [3]. - In 2024, An Wan established a new theater troupe with over 150 members, aiming to promote Qinqiang across the Northwest [3]. Group 2: Kuaishou's Role in Cultural Promotion - Kuaishou has become a significant platform for traditional opera, with An Wan amassing 2.818 million followers and maintaining over 100,000 live viewers during performances [5][7]. - The platform supports traditional arts through initiatives like "Lao Tie Li Yuan" and "New City Good Actors," creating diverse stages for opera and integrating modern performance styles [11]. - Kuaishou's "Art Summer" initiative has organized over 11,000 performances, reaching a total viewership of 900 million, demonstrating its commitment to cultural outreach [12]. Group 3: Future of Traditional Arts - Kuaishou plans to assist at least 500 theater troupes in the next year, providing support through traffic boosts, content guidance, and financial aid to innovate traditional opera [12]. - The blending of live streaming and traditional performance is reshaping the landscape of cultural heritage, allowing for broader visibility and engagement with non-material cultural heritage [12].

Core Insights - The article highlights the resurgence of Fuzhou cork painting, a unique folk art from Fuzhou, China, which has gained popularity due to its association with contemporary fashion trends, particularly after being featured by actress Zhao Liying [1][2]. Industry Overview - Fuzhou cork painting, also known as soft cork painting, is a traditional craft that utilizes imported cork from countries like Spain and Portugal, crafted into intricate designs depicting nature and architecture [1][2]. - The craft was first created in 1914, inspired by a European Christmas card, and has evolved into a recognized art form with significant historical value [2]. - The peak period for cork painting was from the 1960s to the 1980s, during which it was highly regarded and even presented as a national gift [2]. Current Trends - The craft is currently facing challenges in terms of inheritance and market demand, with a significant decline in the number of practitioners, dropping to fewer than a hundred [3]. - Young artists and practitioners are beginning to integrate cork painting into modern products such as accessories and home decor, helping to revitalize interest in the craft [3][4]. - The establishment of workshops and educational programs by experienced artisans aims to attract new talent and ensure the continuation of this traditional art form [3]. Cultural Significance - Cork painting is recognized as a national intangible cultural heritage in China, emphasizing its importance in preserving cultural identity [2][3]. - The art form not only represents a unique craftsmanship but also serves as a medium for cultural transmission and community engagement [4].

Core Insights - A small shop named "XianYue Intangible Cultural Heritage Handmade" has gained popularity on social media due to its unique product, the "DianCui Cockroach," which has sold hundreds of items within a month of opening, with 90% of sales attributed to cockroach-related products [1] - The younger generation, particularly those born in the 1990s and 2000s, is driving the consumption of intangible cultural heritage (ICH) products, infusing new creativity and ideas into traditional crafts [1] Industry Overview - As of August 7, there are 163,600 existing ICH-related enterprises in China, with nearly 30% located in the East China region [2] - Over 60% of these enterprises have been established in the last three years, with 35.58% founded between one to three years ago and 26.68% within the past year [3] Registration Trends - The registration of ICH-related enterprises has shown a stable upward trend over the past decade, with a projected total of 39,100 new registrations in 2024, reflecting a year-on-year growth of 6.73% [4] - In the current year, 28,200 enterprises have been registered so far, with 27,500 of those registered in the first seven months, marking a year-on-year increase of 23.81% [4]

Core Viewpoint - The article highlights the rapid development of the cultural tourism industry in Shanshan County, Turpan City, Xinjiang, driven by the integration of traditional villages into a historical and cultural experience tourism area, resulting in significant increases in tourist numbers and revenue [9][17]. Group 1: Traditional Villages and Cultural Heritage - Shanshan County has eight villages listed in the national traditional village directory, focusing on preserving and promoting cultural tourism [9]. - The county features 952 traditional earthen buildings, which are significant to local architecture and culture, earning it the title of "Earthen Building Museum" [13]. - The unique earthen structures are well-suited to the local climate, providing thermal comfort due to their thick walls [13]. Group 2: Tourism Growth and Economic Impact - In 2024, Shanshan County received 13.01 million tourists, a year-on-year increase of 24.6%, with total tourist spending reaching 6.8 billion yuan, up 28.47% [17]. - The integration of traditional villages into the tourism framework has made them a new highlight in cultural tourism, enhancing local economic development [17]. Group 3: Local Crafts and Non-Material Cultural Heritage - The traditional craft of making mulberry paper, once a staple in local life, has been revitalized through tourism, with visitors eager to participate in the production process [15]. - The production of Aydalisi silk, a traditional textile, has also gained popularity among tourists, showcasing ancient dyeing techniques [15]. - The local music tradition, "Tuyugun Mukam," is being preserved and innovated, with performances attracting attention and awards [16][17].