Core Insights - The article highlights the resurgence of Fuzhou cork painting, a unique folk art from Fuzhou, China, which has gained popularity due to its association with contemporary fashion trends, particularly after being featured by actress Zhao Liying [1][2]. Industry Overview - Fuzhou cork painting, also known as soft cork painting, is a traditional craft that utilizes imported cork from countries like Spain and Portugal, crafted into intricate designs depicting nature and architecture [1][2]. - The craft was first created in 1914, inspired by a European Christmas card, and has evolved into a recognized art form with significant historical value [2]. - The peak period for cork painting was from the 1960s to the 1980s, during which it was highly regarded and even presented as a national gift [2]. Current Trends - The craft is currently facing challenges in terms of inheritance and market demand, with a significant decline in the number of practitioners, dropping to fewer than a hundred [3]. - Young artists and practitioners are beginning to integrate cork painting into modern products such as accessories and home decor, helping to revitalize interest in the craft [3][4]. - The establishment of workshops and educational programs by experienced artisans aims to attract new talent and ensure the continuation of this traditional art form [3]. Cultural Significance - Cork painting is recognized as a national intangible cultural heritage in China, emphasizing its importance in preserving cultural identity [2][3]. - The art form not only represents a unique craftsmanship but also serves as a medium for cultural transmission and community engagement [4].

Core Insights - A small shop named "XianYue Intangible Cultural Heritage Handmade" has gained popularity on social media due to its unique product, the "DianCui Cockroach," which has sold hundreds of items within a month of opening, with 90% of sales attributed to cockroach-related products [1] - The younger generation, particularly those born in the 1990s and 2000s, is driving the consumption of intangible cultural heritage (ICH) products, infusing new creativity and ideas into traditional crafts [1] Industry Overview - As of August 7, there are 163,600 existing ICH-related enterprises in China, with nearly 30% located in the East China region [2] - Over 60% of these enterprises have been established in the last three years, with 35.58% founded between one to three years ago and 26.68% within the past year [3] Registration Trends - The registration of ICH-related enterprises has shown a stable upward trend over the past decade, with a projected total of 39,100 new registrations in 2024, reflecting a year-on-year growth of 6.73% [4] - In the current year, 28,200 enterprises have been registered so far, with 27,500 of those registered in the first seven months, marking a year-on-year increase of 23.81% [4]

Core Viewpoint - The article highlights the rapid development of the cultural tourism industry in Shanshan County, Turpan City, Xinjiang, driven by the integration of traditional villages into a historical and cultural experience tourism area, resulting in significant increases in tourist numbers and revenue [9][17]. Group 1: Traditional Villages and Cultural Heritage - Shanshan County has eight villages listed in the national traditional village directory, focusing on preserving and promoting cultural tourism [9]. - The county features 952 traditional earthen buildings, which are significant to local architecture and culture, earning it the title of "Earthen Building Museum" [13]. - The unique earthen structures are well-suited to the local climate, providing thermal comfort due to their thick walls [13]. Group 2: Tourism Growth and Economic Impact - In 2024, Shanshan County received 13.01 million tourists, a year-on-year increase of 24.6%, with total tourist spending reaching 6.8 billion yuan, up 28.47% [17]. - The integration of traditional villages into the tourism framework has made them a new highlight in cultural tourism, enhancing local economic development [17]. Group 3: Local Crafts and Non-Material Cultural Heritage - The traditional craft of making mulberry paper, once a staple in local life, has been revitalized through tourism, with visitors eager to participate in the production process [15]. - The production of Aydalisi silk, a traditional textile, has also gained popularity among tourists, showcasing ancient dyeing techniques [15]. - The local music tradition, "Tuyugun Mukam," is being preserved and innovated, with performances attracting attention and awards [16][17].

Group 1: Disaster Recovery and Community Development - The earthquake in Dingri County, which registered a magnitude of 6.8, severely impacted Gu Rong Village, prompting immediate community response and recovery efforts [13][14]. - The reconstruction of Gu Rong Village is progressing well, with the main structure of new homes nearing completion, allowing residents to transition from temporary housing to permanent homes [14]. - The recovery efforts have created job opportunities for local residents, reducing the need for them to seek work elsewhere, thus improving the overall quality of life in the village [14]. Group 2: Cultural and Tourism Development - The establishment of the Sakya Art Space, the first county-level contemporary art venue in Tibet, aims to promote the integration of traditional culture and contemporary art, benefiting local tourism [15][16]. - The local government has invested in cultural tourism projects, enhancing the appeal of Sakya County as a tourist destination, which has led to increased visitor numbers and economic benefits for local businesses [15][16]. - The shift in tourism strategy emphasizes cultural experiences alongside accommodation, allowing local residents to thrive in the tourism sector [15][16]. Group 3: Infrastructure Development - The expansion of Gonggar Airport is crucial for accommodating the increasing passenger volume, with a target of 5.5 million passengers annually, necessitating improvements in external transportation [17][18]. - The project aims to alleviate traffic congestion around the airport, enhancing accessibility and supporting the region's economic growth [17][18]. - Local employment opportunities are being created through the construction projects, contributing to the community's development [17][18]. Group 4: Education and Youth Development - The educational environment in Tibet is improving, with modern facilities and diverse extracurricular activities available to students, fostering a well-rounded learning experience [19][20]. - Students are encouraged to engage in various interest groups, promoting physical activity and teamwork, which contributes to their overall development [19][20]. - The aspirations of local youth to pursue higher education and careers outside their hometowns reflect a growing ambition and potential for future contributions to society [19][20]. Group 5: Preservation of Cultural Heritage - The traditional pottery-making technique in Penggang Village is being revitalized, with efforts to teach younger generations and promote local craftsmanship [21][22]. - The recognition of Penggang pottery as an intangible cultural heritage highlights its significance in the local culture and economy [21][22]. - Plans to establish a cooperative for pottery artisans aim to enhance employment opportunities and strengthen the local economy through cultural tourism [21][22]. Group 6: Healthcare Development - The introduction of specialized medical training in anesthesia at the local hospital addresses the shortage of medical professionals in the region, improving healthcare services [23][24]. - The collaboration with medical teams from other regions has facilitated knowledge transfer and skill development for local healthcare workers [23][24]. - The successful completion of numerous surgical procedures by local doctors demonstrates the growing capacity of the healthcare system in Tibet [23][24].

Core Insights - The article highlights the dedication of Gu Jia Shun, a representative inheritor of Guizhou Anshun local opera, in preserving and innovating this traditional art form, emphasizing the importance of understanding lyrics, characters, and context in performance [1][2]. Group 1: Cultural Heritage and Transmission - Gu Jia Shun began learning local opera at the age of 10 under the guidance of his grandfather, Gu Zhi Yan, who was a national-level inheritor of this intangible cultural heritage [1][2]. - In 2006, Anshun local opera was included in the first batch of national intangible cultural heritage lists, highlighting its significance [2]. - To ensure the transmission of local opera, Gu Jia Shun established a children's interest class in his hometown, encouraging young people to learn and perform [2][4]. Group 2: Innovation and Adaptation - Gu Jia Shun has introduced innovative methods to make performances more engaging, such as incorporating cultural explanations and sound effects, while also shortening performance durations [2][4]. - Despite facing skepticism from traditionalists, he believes that balancing tradition with innovation is essential for the survival of local opera [2][4]. - The growing popularity of various cultural activities in Guizhou has created a better environment for the transmission of Anshun local opera, indicating a positive trend for its future [4].

Core Viewpoint - The article highlights the unique martial art of "Bench Boxing," its historical significance, and the efforts of Chen Junfa to promote and preserve this traditional skill in Hubei Province, China [1][2]. Group 1: Historical Background - Bench Boxing originated in the mid-Qing Dynasty in the Wuling Mountains, initially created by Chen's ancestors for self-defense against wild animals and bandits [1]. - The technique has evolved over generations into a unique martial art, combining various weapon techniques such as staff, sword, and knife [1]. Group 2: Promotion and Teaching Efforts - Since 2015, Chen Junfa has opened a martial arts school, teaching over 500 students, with five becoming county-level inheritors of the art [1]. - Chen has been appointed as a physical education teacher at Yanzhao Primary School, where he teaches 20 classes per week focused on Bench Boxing [1]. Group 3: Cultural Significance and Future Aspirations - In 2010, Bench Boxing was recognized as a provincial intangible cultural heritage representative project, with Chen being named a provincial representative inheritor [1]. - Chen aims to further popularize Bench Boxing beyond Wuling, emphasizing its importance not only as a skill but also as a way of life [2].

Core Viewpoint - The article highlights the revival and integration of traditional embroidery arts, such as Bu Yi, Yi, and Miao embroidery, into modern economic activities, showcasing how these crafts are not only preserving cultural heritage but also creating employment opportunities and generating income for local communities [3][8]. Group 1: Cultural Heritage and Economic Impact - There is a growing consensus in society to protect intangible cultural heritage, with policies like the "Chinese Traditional Craft Revitalization Plan" promoting the integration of embroidery arts into various industries [3][8]. - As of the end of 2024, over 9,100 intangible cultural heritage workshops have been established in China, directly employing more than 270,000 people and achieving an average annual income exceeding 36,000 yuan per person [8]. Group 2: Individual Stories of Embroidery Practitioners - Liang Zhongmei, a representative inheritor of Bu Yi embroidery, has transformed her personal challenges into a successful embroidery training workshop, helping local women gain skills and employment [5][7]. - A Niu A Qia, a representative of Yi embroidery, has successfully showcased her designs on international platforms, such as a fashion show at the Louvre in Paris, highlighting the global potential of ethnic fashion [9][10]. - Wang Qiuyu, a young Miao embroiderer, is leveraging modern technology and design to promote Miao embroidery, establishing a digital database to connect artisans with market demands [14].

Core Viewpoint - The article highlights the significance of Dongtai embroidery, a traditional craft recognized as a national intangible cultural heritage, showcasing its unique artistry and historical roots in the Dongtai Museum and the Xixi Tianxian Yuan Scenic Area [15][24]. Group 1: Exhibition and Visitor Engagement - The Dongtai Museum features a dedicated exhibition hall for Dongtai embroidery, displaying various exquisite pieces that provide a unique viewing experience [2]. - Visitors are actively engaging with the embroidery works, such as the "Guo Guo Fu Ren You Chun Tu" and "Yao Chi Shen Hui," using magnifying glasses to appreciate the intricate details [8][9]. - The Dongtai embroidery exhibition at the Xixi Tianxian Yuan Scenic Area attracts tourists, who are captivated by live demonstrations of the embroidery techniques [6][11]. Group 2: Artistic Techniques and Innovations - Dongtai embroidery, also known as "Mo Xiu," utilizes human hair as thread and employs traditional Suzhou embroidery techniques, with a history spanning over 1,300 years [15]. - The craft has evolved, with artisans incorporating dyed hair to transition from traditional "Mo Xiu" to "Cai Xiu," enhancing the texture and visual appeal of the works [21]. - Techniques have been refined to improve the representation of various textures, such as animal fur, by adjusting stitch density and employing diverse stitching methods [21]. Group 3: Cultural Significance and Heritage - Dongtai embroidery was historically preserved within temples and has seen a revival since the 1950s, thanks to systematic research and promotion by the Suzhou Embroidery Research Institute [15]. - In 2021, Dongtai embroidery was officially recognized as a national intangible cultural heritage representative project, underscoring its cultural importance [15]. - The craft continues to thrive as artisans like Chen Boyu, who has over 40 years of experience, contribute to its legacy through innovative designs and teaching [10][19].

Core Viewpoint - The article highlights the significance of Mud-gold lacquer as a national intangible cultural heritage in China, emphasizing its historical roots, intricate craftsmanship, and ongoing efforts for preservation and modernization [18][19][20]. Group 1: Historical Background - Mud-gold lacquer originated from the Hemudu site, with a history of over 7,000 years, and reached its peak during the Southern Song Dynasty, becoming a key decorative craft for wedding items [18]. - The craft reflects local customs and traditions, with its vibrant colors and intricate designs symbolizing celebration and prosperity in various household items [18]. Group 2: Craftsmanship and Techniques - The production of Mud-gold lacquer involves over 20 complex processes, characterized by a "building up" method, contrasting with wood carving's "subtracting" approach [19]. - The three main techniques include "floating flowers" (relief sculpture), "floating gold" (gold line drawing), and "sinking flowers" (gold inlay), with relief sculpture being the most distinctive and challenging aspect [19]. Group 3: Preservation Efforts - Since 2002, efforts have been made to rescue this endangered craft, leading to its recognition as a national intangible cultural heritage in 2011 [19]. - The training of new artisans is crucial for the craft's survival, with initiatives started in 2007 to establish training programs, although retention of students has been challenging [20]. Group 4: Modernization and Future Outlook - The artisan is actively integrating Mud-gold lacquer into modern life by developing cultural and creative products, such as fridge magnets and phone charms, to attract younger audiences [20]. - Future plans include leveraging AI and online platforms to broaden the reach of Mud-gold lacquer, ensuring its cultural significance continues to thrive in contemporary society [20].

Core Viewpoint - The article highlights the efforts of Zhang Yuanliang, a representative inheritor of Ruichang Yuejiaquan, to preserve and promote this traditional martial art, which has a history of over 800 years, originating from the Southern Song Dynasty hero Yue Fei [2][4]. Group 1: Historical Background - Yuejiaquan was created by Yue Fei, who combined his life experiences and battlefield practices to develop a comprehensive martial arts system [2]. - The martial art has been practiced for over 800 years, with its roots in the military presence of Yue Fei and his troops in Jiangzhou (now Jiujiang) for seven years [2]. Group 2: Transmission and Development - Zhang Yuanliang began practicing martial arts at the age of 7 and has over 40 years of experience in Yuejiaquan [2]. - After the passing of his mentor, Zhang Yuanliang and his remaining brothers-in-arms decided to continue the transmission of Yuejiaquan, despite challenges [4]. - Zhang Yuanliang has actively promoted the application for intangible cultural heritage status for Yuejiaquan, leading to its inclusion in the Jiujiang intangible cultural heritage protection representative project list in 2019 [4]. Group 3: Growth and Community Engagement - The establishment of the Yuejiaquan training base in 2024 has attracted more individuals to learn about and practice Yuejiaquan, growing from a few students to over 40 [4]. - Zhang Yuanliang has organized various activities to promote intangible cultural heritage in schools and communities, and his students have won numerous awards in martial arts competitions [4].