对不少老杭州人来说，逢年过节到黄龙洞走走逛逛，已成为一种习惯。如今，黄龙洞圆缘民俗园不 仅是西湖边的观景胜地，更承载着多样文化功能：园外的缘字广场是杭州知名的相亲角；园内的月老祠 是年轻人祈求姻缘的"圣地"；对老戏迷而言，这里更是欣赏越剧、杭剧的好地方。 为全面提升这一"多功能文化空间"的游览体验与文化传承，今年9月，黄龙洞圆缘民俗园启动为期3 个月的全面闭园整修。12月16日，这座满载杭州人情感记忆的园林重新开放，喜迎游客。 安全与体验双重升级 有杭州民俗地标之称的黄龙洞圆缘民俗园坐落于西湖北侧栖霞岭山麓，茂林修竹环绕其间。岳庙管 理处工作人员介绍，此次整修不仅针对园内地质灾害隐患点进行治理，还系统推进建（构）筑物修缮、 地下管网改造、基础设施提升及环境品质优化等多项内容，实现安全与体验双重升级。 如今走进园区，随处可见创意设计。"在自然景观的基础上，黄龙洞圆缘民俗园突出以'缘'为主题 的文化内容，吸引游客打卡留念，感受西湖浪漫。"工作人员介绍，入园前，游客可先与4米高的缘字碑 合影，开启福气之旅；入园后，可在投缘池投掷铜钱许愿；池畔新增了"缘分拍报机"打卡点，可一键生 成专属"缘分报纸"，将美好邂逅与祝愿 ...

(乡村行·看振兴)皖南深山藏土楼 七旬匠人守传承 中新网歙县12月4日电 (郭娟)在安徽省黄山市歙县深渡镇约源村，层层叠叠的阳产土楼群是当地村民与 自然共生的见证。77岁的郑绍水，将枯燥的夯土手艺变成鲜活的文旅体验，让沉睡的非遗技艺在游客的 欢笑声中"醒"了过来。 "建造土楼，首先地基要稳。只要有人愿意学，我就愿意教。我希望把这门手艺传承下去。"郑绍水表 示。如今，年逾古稀的郑绍水依旧住在自己建造的土楼里，期盼着有越来越多的人来传承这门技艺，让 夯杵撞击泥土的声响，在群山间回荡……(完) 初冬时节，阳产自然村的晒场上格外热闹。在郑绍水的指导下，游客们举起沉实的夯杵，伴着整齐的号 子声，用力砸向黄褐色的泥土，周围的人纷纷举起手机拍摄记录。这样热闹的场景，如今已成为阳产的 常态。 这个藏在深山的土楼群，也因此成为网红打卡地。 这项深受游客喜爱的夯土技艺，不仅是郑绍水的拿手好活，更是连接过往与当下的文化纽带。2024年， 因他掌握的打土墙技艺，郑绍水被选为安徽省第七批省级非物质文化遗产代表性传承人。 2018年，他在同村村民郑小河的号召下，加入了阳产土楼的夯土技艺表演团队。24岁就开始学习打土墙 技艺的郑绍水，在团 ...

Core Perspective - The article highlights the significance of Beihai shell carving as a national intangible cultural heritage, showcasing its artistic value and cultural history rooted in the maritime Silk Road [1][4]. Group 1: Cultural Heritage and Artistic Value - Beihai shell carving is recognized as China's first national-level intangible cultural heritage project in the shell carving category, reflecting a blend of historical techniques and modern artistry [1]. - The craft has evolved from its origins in the Qin and Han dynasties, gaining prominence during the Ming and Qing dynasties, and is seen as a microcosm of maritime cultural exchange [1][4]. Group 2: Techniques and Craftsmanship - The shell carving process involves over ten intricate steps, including shaping, carving, polishing, and assembling, emphasizing the importance of material and technique [2][4]. - The artisans utilize various types of shells, each contributing unique characteristics to the final product, demonstrating a deep respect for natural materials [2][3]. Group 3: Revival and Modernization - After a decline in the 1990s, the industry saw a revival in 2004 when artisans returned to traditional methods, focusing on natural aesthetics rather than artificial coloring [2][4]. - The Beihai shell carving industry has expanded, with approximately 20 enterprises and studios currently operating, and the workforce has grown from over 20 to more than 100 since 2021, attracting younger generations [4][5]. Group 4: Educational and Community Engagement - The Beihai Shell Carving Museum serves as a cultural hub, where artisans mentor young students, ensuring the transmission of skills and knowledge [5]. - Innovative designs incorporating shell carving into everyday items have made the craft more accessible and popular among the public, enhancing its relevance in contemporary society [4][5].

Group 1 - The closing ceremony of the 15th National Games took place on November 21 in Shenzhen, featuring the Yao ethnic group's long drum dance from Lianan Yao Autonomous County [2][3] - A 10-meter long giant drum, specially made for the performance, was showcased, highlighting the cultural charm of the Yao people [3][31] - The performance was executed by the Lianan National Song and Dance Troupe, with dancers wearing traditional Yao costumes and incorporating original Yao music [5][6] Group 2 - The long drum dance, known as "Ai Wang Du," has a history of over 1,000 years, originating from the migration of the Yao ancestors during the Sui and Tang dynasties [8][9] - The giant drum, weighing approximately 1,100 pounds and requiring ten young people to lift, was designed to enhance the stage effect and was the largest of its kind ever made [32][40] - The performance included exaggerated movements to ensure visibility from a distance, adapting traditional dance to suit the large stage of the closing ceremony [18][20] Group 3 - The music for the dance was selected from the original Yao dance drama "Yao Mountain That Touches Red," which reflects the Yao people's efforts in poverty alleviation and rural revitalization [25][27] - The long drum dance serves as an important medium for cultural exchange for Lianan, having been performed at various national and international events [56][57] - The preservation and promotion of the long drum dance have been supported by local cultural departments since 1990, leading to the training of new artists [49][51]

斜阳透过窗棂，在工作台前投射下细碎光斑。国家级非物质文化遗产代表性项目仙居花灯市级代表性传 承人陈建伟俯身执针，比头发丝稍粗的绣花针在宣纸上轻点游走，随着针孔绽成连绵的虚线，牡丹花瓣 的弧线逐渐鲜活了起来。 "针刺成孔、灯身无骨，这便是仙居针刺无骨花灯。"陈建伟手上的活计不停，将仙居花灯历史娓娓道 来。 仙居花灯又称仙居针刺无骨花灯，最早可追溯到唐朝。几十年前，仙居花灯技艺几近失传。1983年，曾 任仙居县皤滩乡文化站站长的李湘满从一位老人那里得知，皤滩古镇有一种造型别致、制作精美且没有 骨架的花灯，当地人称它为"唐灯"。他走遍仙居各乡镇，甚至赴东阳、义乌，寻访散落民间的制灯老艺 人，收集残存图纸与口述技艺，最终复原了失传50余年的"唐灯"，并陆续挖掘出27个传统品种。 2006年，仙居花灯入选首批国家级非物质文化遗产名录。 《 人民日报 》（ 2025年11月19日 14 版） (责编：杨光宇、胡永秋) 先要选择高纯度、轻薄柔韧、透光均匀的珠光纸和色卡纸，以事先设计好的图纸的尺寸，裁剪相应的纸 张，对齐后以纸锥定位，开始凿花。凿花后，要粘贴一层拷贝纸。这之后，灯片需再次用熨斗烫平 整……这些步骤，陈建伟早已 ...

记者：黄凯莹 梁舜 新华社音视频部制作 【纠错】 【责任编辑:赵阳】 如今，壮锦的生产通过机械化，解决了宽幅和产量的问题，用途也从头巾、布袋、婴儿背带等传统物件，拓展至日常生活多个领域。 在国际秀场之外，壮锦的传承创新发展从未止步。从前，壮锦一般用竹笼机织就，每天数万次重复单调的动作，也只能织出几公分，所以壮锦在古时 候有"寸锦寸金"之说。 壮锦，与云锦、蜀锦、宋锦并称为中国四大名锦。在2025年中国国际时装周（秋季）中，传承千年的壮锦闪耀国际秀场。 壮族织锦技艺于2006年被列入第一批国家级非物质文化遗产名录。传统壮锦以棉麻为原料，广西嘉联真丝壮锦填补了广西在全真丝壮锦织造领域的空 白。 ...

Core Viewpoint - Shaanxi is a significant origin of shadow puppetry, with Huazhou shadow puppetry representing the eastern route of Shaanxi's shadow puppetry, showcasing a rich cultural heritage dating back to the Qin and Han dynasties [1][3]. Group 1: Historical Significance - Huazhou shadow puppetry originated during the Qin and Han dynasties and was refined during the Sui and Tang dynasties, making it a key cultural representation of the region [1]. - The art form is characterized by its ability to narrate historical tales and depict grand battles through intricate performances [1]. Group 2: Craftsmanship and Techniques - The production quality of shadow puppets directly influences performance effectiveness, with Huazhou shadow puppetry known for its beautiful shapes, delicate carvings, and rich colors [3]. - Xue Hongquan, a provincial representative inheritor of Huazhou shadow puppet-making skills, began his journey in this craft at the age of 14 [3]. Group 3: Innovation and Revival - Xue Hongquan has revitalized Huazhou shadow puppetry by adhering to traditional craftsmanship while also innovating through the establishment of training centers and integrating contemporary art forms [4]. - Efforts to modernize the art have injected new vitality into "old shadow puppetry," allowing it to regain prominence in contemporary culture [4].

Group 1: Cultural Heritage and Craftsmanship - The article highlights the importance of preserving traditional crafts, such as the Li brocade weaving and the Kuqa big naan, as vital components of cultural heritage [5][7][10] - Various artisans have taken initiatives to pass on their skills to younger generations, ensuring the continuity of these crafts [6][9][11] - The government is increasingly recognizing the value of intangible cultural heritage, leading to more support for artisans and their crafts [6][12] Group 2: Innovation and Market Adaptation - Artisans are adapting traditional crafts to modern tastes, creating new products that appeal to younger consumers, such as fashion accessories made from Li brocade [5][8] - The integration of traditional techniques with contemporary design has led to the development of unique products that attract both local and tourist markets [9][14] - The establishment of training programs and workshops has empowered local communities, allowing them to monetize their skills and contribute to the local economy [11][15] Group 3: Economic Impact and Community Development - The revival of traditional crafts has become a source of income for many artisans, with some reporting significant increases in earnings through their craft [11][13] - The establishment of businesses around these crafts, such as workshops and cultural tourism, has created job opportunities and stimulated local economies [9][12] - Artisans are not only preserving their heritage but also fostering community development by engaging local youth and promoting cultural tourism [10][15]

Group 1 - Volunteers are teaching traditional crafts such as paper-cutting and ceramic-making to students in Zibo City, Bo District [1][2][3] - Students at Sixty Mu Primary School are creating fabric patchwork headgear as part of their artistic activities [1][2] - The involvement of volunteers in teaching these traditional skills highlights a community effort to preserve cultural heritage [1][3] Group 2 - Students at Bo Shan No. 6 Middle School are engaged in ceramic painting, showcasing their creativity [2][3] - The activities are part of a broader initiative to enhance students' understanding and appreciation of traditional arts [2][5] - The teaching of skills like diabolo (a traditional Chinese toy) is also being incorporated into the educational activities [5]

Core Viewpoint - The article highlights the traditional Tibetan Thangka art, specifically the Bamda horsehair stitch Thangka, which has a history of over 400 years and was included in the fifth batch of national intangible cultural heritage in 2021 [3][5][11]. Group 1: Art and Cultural Significance - The Bamda horsehair stitch Thangka combines horsehair and silk thread, showcasing a unique technique that integrates embroidery, pile embroidery, and painting [3][5][11]. - The themes of the Thangka encompass Tibetan history, culture, and daily life, providing a rich narrative through its artistic representation [3][5][11]. - The artwork features a three-dimensional relief effect, ensuring its longevity and preservation [3][5][11]. Group 2: Training and Employment - Recent years have seen effective promotion of traditional skills through intangible cultural heritage training programs in Bamda County, leading to increased employment opportunities [3][5][11]. - The training initiatives have successfully facilitated the transmission of traditional craftsmanship to new generations [3][5][11]. Group 3: Innovation in Craftsmanship - The Bamda horsehair stitch Thangka technique has been innovatively applied in recent years, reflecting a blend of tradition and modernity [13].