"短视频营销铺天盖地，为什么流量没有转化为票房？""大场面大制作越来越多，为什么观众未必照单 全收？"自2025年春节档创造"史上最强"以来，萦绕在电影人心头的一系列问题，在第二十七届上海国 际电影节上一一求解。 一方面，好电影的价值不断放大，电影的溢出效应刷新认知。6月14日，本届电影节开幕影片《酱园弄· 悬案》在上海影城举办首映礼，以58万元票房刷新上海单场最高票房纪录；截至6月15日，本届电影节 总票房达4300万元。光线传媒董事长王长田在电影节开幕论坛上透露，《哪吒之魔童闹海》（以下简称 《哪吒2》）衍生品预估销售额上千亿元，海外票房有望超过1亿美元。 另一方面，好电影的阈值不断抬升，观众的审美口味和情绪价值似乎越来越难"对齐"。据灯塔研究院在 春节档之后的用户调研分析，观众对于"好电影"的评价标准又上升了15%。大麦娱乐总裁李捷说："春 节档之后，很多电影没有达到预期票房，表面看是观众流失，实际上是没有满足观众的期望值。" 回归电影的创作规律，回归观众的审美需求，一个接一个问号便可以被拆解。在变动不居、潮流涌动的 大时代，电影人要敢于打破套路，和观众一起造梦。毕竟今天的观众，已成为文化的创造者、传播 ...

眼下，各大美术院校毕业展正在全国精彩上演。继中央美术学院毕业展5月率先拉开帷幕，中国美术学 院、四川美术学院、清华大学美术学院等艺术院校的毕业展也相继展开。 近年来，毕业展不仅是高校美术人才培养成果的集中展示，更成为突破校园边界、融入城市公共空间的 艺术节日。美术馆入口处，排队进场的人群似蜿蜒的长龙；一件件充满想象力的作品在社交平台持 续"出圈"；丰富多样的活动点燃观众热情，形成一个个社会美育的现场。 记者日前走进2025中国美术学院毕业季，探看青年学子对现实的回应和对未来的畅想，感受这场青春盛 会与城市碰撞出的缤纷火花。 艺术与科技共舞 在浙江美术馆，游戏《黑客帝国》中的一名女性NPC（非玩家角色）与观众展开了一场跨次元的对话。 创作者之一王芃介绍，团队在开源项目《黑客帝国：觉醒》中植入人工智能体，控制角色的面部及语音 交互，并将植入的编码以U盘及实时程序进行展示。作品不仅揭示了智能体在摄取与处理数据时所面临 的伦理挑战，也探讨了它们在人类社会中所扮演角色的复杂性与多样性。 如今，人工智能介入社会生活已成为不可阻挡的趋势，艺术创作也不例外。在中国美院毕业展上，学子 们将AI玩出新花样，或与AI深度对话，人机 ...

"电影行业遇到了一些困难"，这是本届上影节期间从业者频繁提及的一句话。与此同时，来自年轻电影人的创意 和热情，又让很多人感受到，这些困难或许只是暂时的。 "电影行业遇到了一些困难"，这是本届上影节期间各类论坛、采访中，从业者频繁提及的一句话。与此同时，这 些天举办的电影项目创投活动中，来自年轻电影人的创意和热情，又让很多人感受到，这些困难或许只是暂时 的。 2007年创设的上海国际电影节·电影项目创投（SIFF PROJECT），旨在鼓励和扶持青年电影人的创作。十八年 间，见证了112个项目进入制作，已完成影片中，有77部入选国际电影节展，56部进入A类电影节参赛参展，74部 实现国内外院线上映。 如今，SIFF PROJECT形成了阶梯式新人培育体系，以完整链路推动项目从创意到制作，再到短片呈现，最后走向 影展和市场。本届电影节，就有四个往届创投中成长起来的项目落地生根，《翠湖》入围金爵奖亚洲新人单元， 《水东游》《开始的枪》《风过耳》参与"2025华语新风"单元展映。 在创投推荐人看来，"这当然是非常好的现象"。多元的背景打开了电影的创作思路和视野，应萝佳告诉第一财 经："我们之前的困惑就在于，创作者，包 ...

Core Insights - Adobe has launched a standalone Firefly mobile application for Android and iOS, aimed at expanding its user base through AI-driven image and video generation tools [1][2] - The application features five core functionalities: generative fill, generative expand, text-to-image, text-to-video, and image-to-video, with generated video content limited to five seconds [1] - Firefly's user interface simplifies operations, making AI creative tools more accessible, while maintaining a similar text creation model to competitors like OpenAI, Google, and Meta [1] Product Features - The generative fill tool can intelligently identify and remove distractions in photos or add virtual content based on user needs [1] - The generative expand feature uses AI algorithms to stretch images, helping creators quickly adapt to different social media aspect ratios [1] - Users can choose between Adobe's proprietary AI model or switch to OpenAI or Google's models for text-to-image, text-to-video, and image-to-video projects [1] Commercialization Strategy - The application adopts a "free download + points consumption" model, allowing non-subscribers to pay $4.99 per month for additional points and unlock premium features [2] - All content generated through Firefly can be synced to users' Creative Cloud accounts, enabling seamless cross-device editing [2] - The launch signifies Adobe's strategic deepening in the AI creative tools sector, balancing its technical advantages in professional software with exploration into the consumer market [2]

Core Insights - The Shanghai International Film Festival (SIFF) showcases diverse cultural exchanges through its Golden Goblet Awards, emphasizing the festival's core spirit of communication and dialogue among filmmakers from various backgrounds [1][4]. Group 1: Festival Overview - The 27th SIFF features a diverse lineup with 12 films in the main competition, including three Latin American films, three Chinese films, and two from Germany, alongside entries from Kyrgyzstan, Poland, Japan, and Portugal [1]. - The festival is recognized as China's only international A-class film festival, highlighting its prestige and significance in the global film industry [4]. Group 2: Jury Composition - The jury for this year's Golden Goblet Awards is chaired by Italian director Giuseppe Tornatore, with members including Chinese actors and filmmakers, as well as international representatives from Argentina, Greece, and India [3]. - The jury's composition reflects a commitment to inclusivity and the appreciation of diverse cinematic voices [9]. Group 3: Industry Challenges and Aspirations - Jury member Huang Bo expressed concerns about the current challenges facing the film industry, noting the impact of new technologies and short video formats on traditional filmmaking [8]. - Huang Bo emphasized the need for filmmakers to adapt to new market conditions and find innovative ways to thrive, hoping for a resurgence of quality films to inspire audiences [8]. Group 4: Focus on Female Representation - This year's jury includes three female filmmakers, highlighting the increasing presence and influence of women in the film industry [9]. - The selected films also feature strong female protagonists and address various aspects of women's experiences across different historical and social contexts [9][11]. Group 5: Personal Reflections from Jury Members - Giuseppe Tornatore shared his passion for cinema, stating that the films that resonate deeply with the jury will ultimately be recognized [7]. - Jury member Yang Lina expressed her anticipation for films that tackle serious issues and showcase female creativity, emphasizing the importance of diverse voices in cinema [11].

Group 1 - The event is the launch of the "Future Innovation Program" and the 6th Multimedia Works Competition organized by Economic Observer, aimed at encouraging university students to creatively express their observations and thoughts about the world [1][2] - Participants will have the opportunity to receive certificates and awards, recognizing their observational skills, imagination, and technical abilities in various media [1] - Outstanding works will be showcased across multiple platforms, increasing visibility and reach [2] Group 2 - The competition's theme is "Grandma's Medicine Cabinet," and participants are encouraged to create works based on this theme, ensuring solid interviews and rich details [4] - The competition is open to all university students nationwide, regardless of their major, with a submission deadline set for September 30 [5] - The registration process includes submitting personal information and copyright confirmation, followed by the submission of works to a designated email [6]

Group 1 - The article highlights the literary journey of the author Mai Jia, who is currently promoting his new book "The Colonel and the Eunuch" in Edinburgh, emphasizing the connection between literature and personal solace [3][19][24] - Mai Jia reflects on the significance of literature in providing emotional refuge, comparing his experiences to those of Robert Louis Stevenson, a notable Edinburgh author [7][19] - The narrative includes a poignant story about a dog named Bobby, symbolizing loyalty and attachment, which resonates with Mai Jia's reflections on personal relationships and emotional ties [8][10][11] Group 2 - The discussion touches on the theme of existential uncertainty faced by the younger generation, with Mai Jia expressing a desire to understand and address this common feeling of confusion [22][24] - Mai Jia emphasizes the importance of internal strength over external validation, suggesting that true fulfillment comes from within rather than from societal pressures [24][25] - The article concludes with Mai Jia's belief in the social responsibility of writers to guide readers in understanding the world and human nature, drawing parallels with other renowned authors [25][26]

Core Viewpoint - G.E.M. (邓紫棋) released a re-recorded album titled "I AM GLORIA," which includes her representative works, amidst a long-standing copyright dispute with her former label, Hummingbird Music [1][5][6]. Group 1: Background of the Re-recorded Album - The re-recorded album is a response to a copyright statement issued by Hummingbird Music, which claimed ownership of over 100 songs released during G.E.M.'s contract with them [6][7]. - G.E.M. revealed that her first contract, signed at age 15, was a buyout agreement, resulting in her losing ownership of her works despite retaining the right to be credited as the author [7][8]. Group 2: Legal Framework and Challenges - G.E.M.'s legal team found a basis for re-recording under Article 42 of China's Copyright Law, allowing recording producers to use previously recorded music without the copyright owner's permission, provided they pay reasonable compensation [8][10]. - The re-recorded album allows G.E.M. to regain control over the distribution of her works' income, which had previously been a source of frustration due to the lack of royalties from her past works [10][12]. Group 3: Industry Context and Implications - The struggle for control over recording rights is a significant challenge in the music industry, where record labels typically retain ownership of the master recordings, making it difficult for artists to reclaim their rights [12][13]. - The situation reflects a broader trend in the music industry where artists are increasingly aware of their rights and are taking steps to regain control over their works, as seen with other artists like Taylor Swift [15][16]. Group 4: Artist Empowerment and Industry Evolution - G.E.M.'s actions symbolize a growing awareness among artists regarding their rights, emphasizing that music is not just a product but an extension of their identity and creative sovereignty [16][17]. - The industry is witnessing a shift where artists are challenging traditional copyright systems through re-recording, repurchasing, and independent releases, aiming to highlight the importance of creative ownership [16][17].

Core Viewpoint - The article highlights the artistic philosophy and contributions of Han Meilin, emphasizing the importance of cultural roots and the integration of traditional Chinese art with contemporary expressions [4][5][6]. Group 1: Artistic Philosophy - Han Meilin believes that art should be independent, unique, and dignified, rooted in national culture, which allows it to stand confidently in the global art scene [4][5]. - The artist emphasizes the need to seek inspiration from the world, life, and folk culture, rejecting the notion of "closed-door" creation [4][6]. - He advocates for a deep connection with the people and the environment, stating that true artistic expression comes from engaging with life and culture [6][7]. Group 2: Contributions and Achievements - Han Meilin has created over 350 works for the upcoming "Beauty of the Forest - Han Meilin Art Exhibition," showcasing a dialogue between ancient and modern aesthetics [5][6]. - His works span various mediums, including painting, calligraphy, sculpture, ceramics, and design, reflecting a broad artistic practice [6][7]. - The artist has received numerous accolades, including the title of "Peace Artist" from UNESCO and the "Coubertin Medal" from the International Olympic Committee, highlighting his role in cultural exchange [5][8]. Group 3: Cultural Impact - Han Meilin's art is deeply influenced by ancient Chinese culture, particularly through the study of ancient symbols and folk art, which he integrates into modern artistic expressions [6][7]. - He has established multiple art museums across China, including in Hangzhou and Beijing, to promote cultural heritage and education [7][8]. - The artist's philosophy emphasizes that art should not only be for the elite but should resonate with the public, making beauty accessible to all [8].

这背后更值得关注的，是产业生态的蜕变。去年末，快手联合李少红、贾樟柯等导演推出中国首个 AIGC电影共创计划，探索可灵AI对电影工业的助力；今年初，快手投入千万元资金打造"可灵AI NextGen新影像创投计划"。可灵AI持续推动影视、广告、游戏等行业探索"人+AI"共创模式，全面激发 从业者创作灵感，探索创作边界。 此次展映，恰似全球超过2200万可灵AI创作者共同点燃的想象力星火。在涩谷十字路口川流不息的人 潮中，在巴黎歌剧院大街百年建筑的砖墙之上，那些跃动的画面在讲述同一个信念：当技术消融了文化 和资源的壁垒，每一个普通人的灵感都值得被世界看见，每一个微小的梦想都拥有照亮时代的力量。 此次共创AI短片的创作者来自不同国家，从事不同职业。他们的作品有的是跳跃的热血漫画，有的流 淌着东方水墨禅意，有的则奔涌着未来幻想，诸多无法用语言描绘的多彩梦境都通过这一短片，在不同 国家展开视觉对话。一名日本创作者用可灵AI创作3个月后，在社交媒体表示："AI为我们开创了一个 新时代——它不受出身或背景的限制，回应着我们'想要创作'的热情。" 当日本东京涩谷十字路口的霓虹与德国艺术家的动画作品交相辉映，当中国香港铜锣湾的 ...