Group 1 - The core idea emphasizes the importance of adapting Marx and Engels' principles to contemporary historical conditions, highlighting the need for scientific theories to align with specific situations [1] - Marx and Engels' early influences stemmed from German classical philosophy, British classical political economy, and French utopian socialism, which they critically inherited and developed [2] - The concept of dialectical materialism was created by Marx as a response to the limitations of previous philosophies, aiming to achieve the goal of "changing the world" [2] Group 2 - Marx and Engels believed that history progresses through a combination of maintaining established principles and innovating, as seen in their works that reflect the necessity of adapting to changing conditions [3] - The inherent unity of maintaining and innovating is evident in Marx's writings, where he critiques capitalism and argues for the inevitable victory of communism based on historical trends [4] - The realization of any theory depends on its relevance to a country's specific needs and cultural context, which has been a guiding principle for the party's development of Marxism over the past century [5] Group 3 - The essence of Marxism is its capacity for continuous development and self-improvement, as it is not a static doctrine but an evolving theoretical framework [6] - The commitment to both maintaining core principles and pursuing innovation is crucial for guiding new practices and achieving breakthroughs in various fields [6]

Core Perspective - The article discusses the centenary exhibition "Surrealism, First and Forever" at the Pompidou Center, commemorating André Breton's "Manifesto of Surrealism" published in 1924, highlighting the enduring spirit and unfinished goals of surrealism [1][3][24]. Group 1: Historical Context - Surrealism emerged between the two World Wars as a significant cultural movement in Europe, described by Walter Benjamin as a snapshot before the cultural catastrophe [2]. - The movement quickly spread globally, influencing various cultures, including China during its New Culture Movement [2]. Group 2: Exhibition Design and Themes - The exhibition is designed as a "maze" to reflect the spatial concepts of surrealism, featuring thirteen themes such as "The Path of Dreams" and "Monsters" [9][12]. - The entrance of the maze is modeled after a monstrous mouth, symbolizing the entry into a dream space, reminiscent of historical surrealist venues [13]. Group 3: Key Works and Artists - The exhibition prominently features Breton's original manuscript of the "Manifesto of Surrealism," emphasizing its philosophical and revolutionary significance [21][24]. - Max Ernst's works are highlighted, particularly his series "Woman: 100 Heads," showcasing the theme of unexpected encounters in surrealism [29][31]. Group 4: Surrealism's Legacy and Influence - The article reflects on surrealism's role as a necessary entry point for avant-garde dreams, suggesting that it remains relevant in contemporary discourse [3][24]. - The relationship between surrealism and political movements is explored, indicating that surrealism has historically been intertwined with revolutionary ideals [24][26].